JCMS-Journal of Cinema and Media Studies

Papers
(The TQCC of JCMS-Journal of Cinema and Media Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Reclaiming Popular Documentary ed. by Christie Milliken and Steve F. Anderson11
The Shape of Motion: Cinema and the Aesthetics of Movement by Jordan Schonig10
The Other Side of Glamour: The Left-Wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond by Vivian P. Y. Lee, and: Hong Kong Media and Asia's Cold War by Po-Shek Fu (review)9
Whose Film? Our Film: Shirley Clarke's The Cool World8
Queer Affects at the Origins of Computation4
Media of the Masses: Cassette Culture in Modern Egypt by Andrew Simon (review)4
A Diachronic, Scale-Flexible, Relational, Perspectival Operation: In Defense of (Always-Reforming) Medium Specificity4
To Educate and Inform: A History of Television for Deaf Audiences on the BBC3
Global TV Formats Queer Contemporary China2
Outtakes and Lost Film: The Fragmentary Encounter between "Newsreel" Wong and the "Chinese Colleen Moore"1
American Cold War Hospitality: Portraying Societal Acceptance and Class Mobility of Mexican, Cuban, and Chinese Immigrants in 1950s Sitcoms1
Toward a Feminist Montage: Reading for the Cut in Ana Mendieta's Sweating Blood1
Late Slasher: Remediation to Premediation in Urban Legend , Gossip , and Final Destination1
Unveiling Private Histories: Ethical and Theoretical Implications of Transforming African American Home Movies from Personal Keepsakes to Public Artifacts1
Contemporary Political Cinema by Matthew Holtmeier1
Television Scales by Nick Salvato1
Populist Fandoms and Anti-fandoms: Politics, Polarization, and Celebritization in Turkey1
African Ecomedia: Network Forms, Planetary Politics by Cajetan Iheka1
Is Kingdom Hearts a JRPG? The Racialized Labor of a Japanese Anti-auteur’s Disney-Licensed Videogame1
Reference Rot: Digital Decay, White Supremacy, and Endangering Data1
Underground: The Secret Life of Videocassettes in Iran by Blake Atwood (review)1
"Open the Door and I'll Get It for Myself": Minority Production Assistant Programs and the Politics of the Urban Location Shoot, 1969–19741
Transpacific Convergences: Race, Migration, and Japanese American Film Culture before World War II by Denise Khor (review)1
Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry by Chihab El Khachab (review)1
Race and the Suburbs in American Film ed. by Merrill Schleier (review)1
Holding onto Power: The Film Industry’s Stratification in the Digital Age1
Coming Out in the Bloom: Identity, Play, and Playing with Identity in A Court of Fey & Flowers1
Iranian Cosmopolitanism: A Cinematic History by Golbarg Rekabtalaei, and: Relaying Cinema in Midcentury Iran: Material Cultures in Transit by Kaveh Askari (review)1
A Critic at Large: Lotte Eisner at the Film-Kurier (1927–1933)0
Too English? Voice, Gender, and Race from Murder! to Mary0
Spotlight: Caucus on Class0
Consuming the Korean Mobile Nation: Seoul, Dislocation, and the Search for Belonging in (Food) Media0
Introduction0
Lindsay McIntyre: Indigenous Handmade Cinema0
To Err Is Generative: The Flaw as Flow in Prompt-Based Animation0
Emissary of Another Intelligence: Ian Cheng and the Art of AI0
Spotlight: Scandinavian Scholarly Interest Group0
Sister Night, Hooded Justice, and Racial Reckoning in Watchmen0
Digital Reincarnation: The Mediated Bodies and Multiple Lives of The Mummy0
Fugitive Video: Art in 1980s New York Nightclubs0
Absence in Cinema: The Art of Showing Nothing by Justin Remes0
Private Pleasures, Public Provocations: Creating Dyke Pornography0
Trans Game Studies0
Figure and Force in Animation Aesthetics by Ryan Pierson0
Thinking with an Accent: Toward a New Object, Method, and Practice ed. by Pooja Rangan et al (review)0
When a Format (Almost) Becomes an Instrument: Eurorack in a Logistical World0
Neurotic Stars and Spellbound Viewers: Louis Bisch and Psychoanalytic Film Theory in Silent-Era Photoplay0
Watching News in Public: The Rituals and Responses of Newsreel Theater Audiences0
Spotlight: Lakshmi Padmanabhan0
In Focus Introduction: The Celebritization of Politics in Global Media Culture0
Hollywood's Artists: The Directors Guild of America and the Construction of Authorship by Virginia Wright Wexman, and: Below the Stars: How the Labor of Working Actors and Extras Shapes Media Producti0
Superimposed, Still0
Seeing in Circles: Narrative Circularity, the Cosmetic Gaze, and the Fusion of Self and Other in Kim Ki-duk's Sigan0
Fan Labor Shapes Visibility for Women's Sports in Networked Sports Media0
Atmosphere: Mexican Extras and the Production of Race in Silent Hollywood0
Picture Pain: Anti-heteronormative Female Fandom in Early Hollywood0
Virtually Wandering the Migration Trail0
Entrepreneurialism and the Return of the Bildungsroman: Mapping Racial Capitalism in Burhan Qurbani's Berlin Alexanderplatz0
Dimension 20 and Collaborative Moral Imagination0
Chatbots: Cybernetic Psychology and the Future of Conversation0
"Feminist Borers from Within": The CBS Women's Advisory Council and Media Workplace Reform in the 1970s0
Poetics of Trans Ecologies0
Sovereign Intimacy: Private Media and the Traces of Colonial Violence by Laliv Melamed (review)0
Conspiracy Theory Goes to Hollywood: An Audiovisual Analysis of the Documentary Film Plandemic0
Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea0
"Anyone Can Wear the Mask": The Marginalization of Miles Morales in Spider-Man: Into the Spider-Verse0
Data Selves: More-than-Human Perspectives by Deborah Lupton0
Science Fiction's Facial Optics0
Evacuee Cinema: Bombay and Lahore in Partition Transit (1940–1960) by Salma Siddique (review)0
The Queer Art of Feeling: Futurity, Fin de siglo , and New Queer Realism0
Queer Sinophone Media across Asian Regionalism0
Documenting Anti-colonial Social Movements in Early 1970s Hong Kong with 16mm0
Subversive Horror, Patriarchal Poison, and Progressive Apocalypse in Jeff Barnaby’s Rhymes for Young Ghouls and Blood Quantum0
Spotlight: Kam Copeland0
Lesbian Potentiality and Feminist Media in the 1970s by Rox Samer0
Wild Blue Media: Thinking through Seawater by Melody Jue0
The Threat of the AI Actor0
Ghosts in the Celluloid: AI Video Dubbing and TrueSync0
A Comic Book by Other Means: Alain Resnais and Stan Lee's The Monster Maker0
Spotlight: Alexandra Juhasz0
Virtual Reality and the Cartographic Imagination0
Light and Time in the Narrative Fiction Film0
Racialized Darkness and Ace in the Hole0
Occult Texts and Redacted Realizations: Agency and Bleed in Mice & Murder0
Experts in Action: Transnational Hong Kong–Style Stunt Work and Performance by Lauren Steimer0
Homecoming, Border-Crossing, and Conjuncture Film: Hsia Moon, Hong Kong New Wave, and the Bluebird Trilogy, 1982–19840
Spotlight: Darshana Sreedhar Mini and Monika Mehta in Conversation about Censorship in India0
Sarah Winchester: Silicon Valley Developer0
A Theory of Assembly: From Museums to Memes by Kyle Parry (review)0
Modi vs. Wild: Celebritized Politics and the Mediations of a Spiritual Strongman0
We Are Ant-Man: The Digital Body in a Superhero Comedy0
Trans Chaplin0
Spotlight: Diana Flores Ruíz0
Videotape, Guinea Pig, and the Horror of Privacy0
I Love Lucy, Single Sponsorship, and Marketing Communication0
Archives in Blue: Visual Registers for the Police Siege and Surveillance of Jaguar Productions in the 1970s0
Resurrecting the Black Body: Race and the Digital Afterlife by Tonia Sutherland (review)0
The Manchukuo Film Association and Its Afterlives: Animated Filmmaking in Wartime and Postwar Peking0
Behind the Screen: Tap Dance, Race, and Invisibility During Hollywood’s Golden Age by Brynn W. Shiovitz (review)0
Redeeming Grandfather: Aging Masculinity in Colombian Films0
Cinematic Independence: Constructing the Big Screen in Nigeria by Noah Tsika (review)0
Cine-mapping: Charting the Use of Scripted Spaces in Screen Tourism0
The Subjective Apparatus: First-Person Films and the Fundamental Subjectivity of Virtual Reality0
In Focus Introduction: AI and the Moving Image0
Indian or British Film Heritage? The Material Life of Britain's Colonial Film Archive0
Spotlight: Middle East Caucus0
Playing at a Distance: Borderlands of Video Game Aesthetic by Sonia Fizek (review)0
Writing Film History without Films: Song Booklets and an Archival Hermeneutic of Speculation0
Filmgoing's Often Unseen Labor0
Cinema Wears the Mask: The Metaphysics of Animism in Une histoire de vent0
"As the Cyber World Turns": Web Soaps and the History of TV Storytelling Online0
The Ballad of Morton Heilig: On VR's Mythic Past0
Happy Trees in a Black Box: Elevated Escapism as Comfort Television in The Joy of Painting with Bob Ross0
Surviving "Certain Death": Narrational Reliability in American Motion Picture Serial Cliffhangers of the Golden Age0
FKA twigs and the Impossibly Sonorous Body0
#LearnOnTikTok Serendipitously, #LearnOnTikTok Seriously0
Deceiving Death: The Myths behind De-aging Effects0
From Forests to Film: Chemistry, Industry, and the Rise of Nonflammable Film Stock0
Hollywood's Embassies: How Movie Theaters Projected American Power Around the World by Ross Melnick (review)0
Studying Media Now: Greetings from JCMS 's New Editors0
Happiness by Design: Modernism and Media in the Eames Era by Justus Nieland0
The Voice Within: Chinese Muslims, Ethnic Identity, and Self-Representation in Hui Microfilms0
The Affordances of the Acousmatic: Questioning Argentineness in El futuro perfecto0
Spotlight: Allyson Nadia Field0
"She Was Just a Chorus Girl, Baby": Nina Mae McKinney and the Hollywood Supernova0
Spotlight: Indigenous Media Caucus0
In Focus Introduction: Queering Asian Media0
Their Own Best Creations: Women Writers in Postwar Television by Annie Berke0
Material Afterlives: The Quilted Poetics of Daughters of the Dust (1991) and Lemonade (2016)0
Netflix Recommends: Algorithms, Film Choice, and the History of Taste by Mattias Frey, and: Netflix and Streaming Video: The Business of Subscriber-Funded Video on Demand by Amanda D. Lotz (review)0
"A Ripple of Mirth, Feminine in Sound": Female Audiences and the Rise of Feature Comedy0
The Riotous State of Trans Visual Culture0
Manifest Documentary0
Spotlight: Marisa Hicks-Alcaraz0
Making up over Zoom: An Autoethnography of Streaming in/as Media Scholarship0
"Look at My African American": On Authoritarian Populism, Blackness, and Celebrity0
Postwar Animation and Modernist Criticism: The Case of Annette Michelson0
A NonReport: The Operative Image and the Politics of the Public Secret0
"Class Conflict": Dimension 20: Misfits and Magic and TTRPGs as Transformative Fantasy0
Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood by Vanessa Díaz (review)0
Moving Stillness: Cinema, Temporality, and Life in Settler Capitalist Ruins0
The Red Years of Cahiers du cinéma (1968–1973) by Daniel Fairfax0
Misogyny and the Making of the Tech Fratriarchy0
Creating Another Screen0
The Western through a Monocle: Fritz Lang's Examination of Western Mythology0
Indirect Subjects: Nollywood's Local Address by Matthew H. Brown (review)0
The Coroner and the Real: Death, Media, and "Deep Truth" in Werner Herzog's The Enigma of Kaspar Hauser and Grizzly Man0
Chosen Structures of Belonging: Kith and Kin in Actual Play0
Sound Corporeality and Multidirectional Acousmatic Music in Mathieu Kassovitz's La Haine0
Sound Shimmers, "Luminosity in the Darkness": Ear-Witnessing Cold War Paranoia in Edward Yang's A Brighter Summer Day0
Cinemas of the Mozambican Revolution: Anti-Colonialism, Independence and Internationalism in Filmmaking, 1968–1991 by Ros Gray (review)0
Captive and Captivated Audiences: Native American Film Exhibition, 1903–19290
Emotional Point of View in The Texas Chain Saw Massacre0
“The House in That Film Was Very Real”: Aging and Verisimilitude in Hindi Film Set Construction0
Black Moviegoing in Harlem: The Case of the Alhambra Theater, 1905–19310
Constructing the Sony Watchman Pocket Television: Personalization, Spatial Agency, and the Conundrum of the Mobile Idler0
"Reading Too Much into It": Affective Excess, Extrapolative Reading, and Queer Temporalities in MCU Fanfiction0
Evidentiary Afterlives0
Disinformation and the Informal Media Economy in Iran0
Domestic Advice and Its Shadowy Double: Domestic Satire in At Home with Amy Sedaris0
Legitimate Transgression: Home Video Culture and Screen Translation(s) in the Late Soviet Union0
Animating Infection: Simulated Movement and Digital Zombie Hordes0
Festival Diplomacy: CINE, American Nontheatrical Cinema, and the Film Festival Network0
Latino TV: A History by Mary Beltrán (review)0
Introduction0
On Failing to Get Out0
Italian Ecocinema: Beyond the Human by Elena Past0
Stardom, Cinephilia, and the Affective Contours of Bollywood's Soft Power in China0
Sirens of Modernity: World Cinema via Bombay by Samhita Sunya (review)0
Remediating Antebellum Laughter: Sheppard Lee , Bert Williams, and the Subversion of Blackface in Get Out0
Opening the Broadband Access Paradox0
"What Goes on in the Windshield": Rear-Projection and On-Screen Automobility0
Set-Going Chronicles: Rethinking Turkish Cinema through the Lens of New Cinema History0
In Translation: Gabriel Navarro, Latina/o Film Critic0
Listening with a Feminist Ear: Soundwork in Bombay Cinema by Pavitra Sundar (review)0
Troubling Folk Horror: Exoticism, Metonymy, and Solipsism in the "Unholy Trinity" and Beyond0
An Unmediated View of China? dGenerate Films and Transnational Distribution Companies as Sites of Cultural Translation0
The Unsituated Comedy0
Reconsidering the Network Era: 16mm Film on Television0
"Designing Sets for a Living—Painting Landscapes for the Joy of Living": Warren Newcombe, a Painter in Hollywood0
Everyday Movies: Portable Film Projectors and the Transformation of American Culture by Haidee Wasson0
Hungry Holes and Insatiable Balls: Video Games, Queer Mechanics, and the Limits of Design0
Micro Media Industries: Hmong American Media Innovation in the Diaspora by Lori Kido Lopez0
LGBTQ Film Festivals: Curating Queerness by Antoine Damiens0
The Case of the Option Agreement: Erle Stanley Gardner, Intellectual Property Management, and Radio's Perry Mason0
City of Screens: Imagining Audiences in Manila's Alternative Film Culture by Jasmine Nadua Trice0
Spotlight: Kaveh Askari0
Enter Your Chambers and Shut Your Doors behind You: Bodily Containment, Proliferation, and the Right to Privacy in American Law and Gothic Horror0
Expanding Trans Cinema through the Tranny Fest Collection0
Literature, Print Culture, and the Indian New Wave0
The Rainbow’s Gravity: Colour, Materiality and British Modernity by Kirsty Sinclair Dootson (review)0
The Life of a Film: Medianatures, Camphor, and the Ideology of Technological Modernity0
Bad Archives0
Spotlight: Melissa Phruksachart0
Righting and Re-writing the Historical Record: Re-releasing the Films of Madeline Anderson0
Organic Creativity: Alden B. Dow’s Small-Gauge Architecture0
"He Is a Total Sweetheart": UK Reality TV and Technologies of Populist Publicity0
Reanimating the Socialist Child—Queerly: The Sideways of a Chinese Animation Nezha naohai0
Modern Time: Abbas Kiarostami's Immersions, from Sponsored Documentary to Slow Cinema0
A Sense of Security: The Visual Politics of COVID-19 Thermography0
Spotlight: Graduate Student Organization0
The Megacity of Bangkok Rescaled through Queerness0
Painting Race: Policing Ambiguity in This Rebel Breed0
Repairing Play: A Black Phenomenology by Aaron Trammell (review)0
Ecstatic Rest and the Black Gaze in a Time of Loss0
Against Immersion: An Interview with Aggie Ebrahimi Bazaz0
Spotlight: Gender and Feminisms Caucus0
The Hard Sell of Paradise: Hawaiʻi, Hollywood, Tourism by Jason Sperb, and: Archiving Medical Violence: Consent and the Carceral State by Christopher Perreira, and: Cooling the Tropics: Ice, Indigenei0
The Medium Inside: Psychoanalysts' Media Theory of Everyday Life0
Baked In: Cooking and Cannabis in Viceland0
Afterlife and Reclamation: Rodney King, Black Trauma, and the Televisual Archive of Self in Celebrity Rehab0
Spotlight: Disability Caucus0
Spotlight: Media and the Environment Scholarly Interest Group0
Spotlight: Wazhmah Osman0
Fatty Arbuckle's Fingerprints: Race, Photographic Evidence, and the Smudge0
Broadcasting Hollywood: The Struggle over Feature Films on Early TV by Jennifer Porst (review)0
Powers of the Real: Cinema, Gender, and Emotion in Interwar Japan by Diane Wei Lewis0
Re-documenting the US Invasion of Panamá amid the Contact Zone in Diciembres0
A Prism of Censorship and Ambivalence: Chronique d'un été and Algérie, année zéro0
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema by Usha Iyer0
Category III Films in Post-Handover Hong Kong: Excessive Violence and Its Containment in Weiduoliya yi hao and Chuji0
Spotlight: Elizabeth Patton0
In Focus Introduction: Actual Play as Actual Art0
In Focus Introduction: Absence and Afterlives: Unwatched, Undistributed, Lost, and Inaccessible Media0
Populist Iconicity: The Contradictions of Hungarian Prime Minister Viktor Orbán as a Political Celebrity0
Projection Instructions and the Distribution of Expanded Cinema0
#BlackOutBTS: Race and Self(ie)-Display in Digital Fandom0
Introduction: Film Programmers Speak0
Speculating in Latent Space: Visibility Politics and the Impasse of Representation in Generative AI0
Reel Resistance: The Cinema of Jean-Marie Teno by Melissa Thackway and Jean-Marie Teno0
New Histories of Computational Personhood: An Introduction0
Border Tunnels: A Media Theory of the U.S.-Mexico Underground by Juan Llamas-Rodriguez (review)0
Le teen film, c'est ma culture : Céline Sciamma and the American Teen Movie0
Going to the Video Hall: A Sensory Encounter with a New Urban Space in Post-Mao China0
The Ethnographic Pastoral Re-imagined: Embodiment and Inhabitation in Aboio and Sweetgrass0
Uncomfortable Television by Hunter Hargraves (review)0
Grassroots Data Activism0
War and Humanitarian Aesthetics: Notes on Modular Immersion0
Queer Childhood Sexuality in Ang Pagdadalaga ni Maximo Oliveros0
A Rural Georgia for White Men, Like Brian Kemp: The Midcentury Films and Nontheatrical Legacy of Georgia Agricultural Extension0
Death in the Streets, Blood on Your Hands: Chocolate Babies and the End of AIDS0
Haunted Time in New York by Night0
Wounded Bodies: Grim Beauty and Environmental Injustice in Zhao Liang's Behemoth0
Television and the Afghan Culture Wars: Brought to You by Foreigners, Warlords, and Activists by Wazhmah Osman (review)0
As (Un)Seen from Space: Soviet Collapse and the Unwatchable in Andrei Ujică's Out of the Present0
Transnational Metacinemas0
Emotion Pictures: Movies and Feelings by Lucy Fischer, and: Life-Destroying Diagrams by Eugenie Brinkema, and: Anxious Cinephilia: Pleasure and Peril at the Movies by Sarah Keller (review)0
Reckoning with a Feminist Experimental Film Collective: Khaidu in 1970s South Korea0
Vicissitudes of the Underworld: Spatiality and Political Discourse in Hong Kong Gangster Films0
Spotlight: Activist and Revolutionary Film and Media Scholarly Interest Group0
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