JCMS-Journal of Cinema and Media Studies

Papers
(The TQCC of JCMS-Journal of Cinema and Media Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Reclaiming Popular Documentary ed. by Christie Milliken and Steve F. Anderson10
The Shape of Motion: Cinema and the Aesthetics of Movement by Jordan Schonig10
Whose Film? Our Film: Shirley Clarke's The Cool World8
The Other Side of Glamour: The Left-Wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond by Vivian P. Y. Lee, and: Hong Kong Media and Asia's Cold War by Po-Shek Fu (review)8
Media of the Masses: Cassette Culture in Modern Egypt by Andrew Simon (review)7
Queer Affects at the Origins of Computation5
An Anti-Racist Camera?: On Politics and Practices of Computational Photography4
Pivotal Encounters: Melvin Van Peebles, Amos Vogel, and the Beginnings of Black Radical Cinema4
The Four Forms of Non-fiction Cinema: Modality and Expressivity in Documentary Classification4
Tweeting About Latinx TV: #SaveODAAT Social Media Campaign4
To Educate and Inform: A History of Television for Deaf Audiences on the BBC3
In Focus Introduction: Sci-Fi Doc: Intersections of Speculative and Non-fiction Media2
Coming Out in the Bloom: Identity, Play, and Playing with Identity in A Court of Fey & Flowers2
Underground: The Secret Life of Videocassettes in Iran by Blake Atwood (review)2
Unveiling Private Histories: Ethical and Theoretical Implications of Transforming African American Home Movies from Personal Keepsakes to Public Artifacts2
Split Rein or Whip? On the Production of Infrastructural Integrity at the US-Mexico Border2
Maximizing Our Losses: Anna Ridler, Fall of the House of Usher , and the Ruins of AI2
Smartphone Anxiety: Succession ’s Technological Allegories2
Global TV Formats Queer Contemporary China2
Narrative Podcasting in an Age of Obsession by Neil Verma (review)2
Contemporary Political Cinema by Matthew Holtmeier2
Late Slasher: Remediation to Premediation in Urban Legend , Gossip , and Final Destination1
Outtakes and Lost Film: The Fragmentary Encounter between "Newsreel" Wong and the "Chinese Colleen Moore"1
Reference Rot: Digital Decay, White Supremacy, and Endangering Data1
Iranian Cosmopolitanism: A Cinematic History by Golbarg Rekabtalaei, and: Relaying Cinema in Midcentury Iran: Material Cultures in Transit by Kaveh Askari (review)1
Consuming the Korean Mobile Nation: Seoul, Dislocation, and the Search for Belonging in (Food) Media1
Reconsidering the Network Era: 16mm Film on Television1
The Time of the Assassins1
Reckoning with a Feminist Experimental Film Collective: Khaidu in 1970s South Korea1
Sports Fandom, Media History, and the Shifting Cultural Understanding of "The Eyes of Texas"1
Populist Fandoms and Anti-fandoms: Politics, Polarization, and Celebritization in Turkey1
Set-Going Chronicles: Rethinking Turkish Cinema through the Lens of New Cinema History1
Black Freedom, Busing as Media Theory, and Stan VanDerBeek's "Social Media"1
Is Kingdom Hearts a JRPG? The Racialized Labor of a Japanese Anti-auteur’s Disney-Licensed Videogame1
American Cold War Hospitality: Portraying Societal Acceptance and Class Mobility of Mexican, Cuban, and Chinese Immigrants in 1950s Sitcoms1
"Open the Door and I'll Get It for Myself": Minority Production Assistant Programs and the Politics of the Urban Location Shoot, 1969–19741
Filmgoing's Often Unseen Labor1
The Case of the Option Agreement: Erle Stanley Gardner, Intellectual Property Management, and Radio's Perry Mason1
Bottled Up: Index, Capture, and the Case for Perfume as Media1
Modi vs. Wild: Celebritized Politics and the Mediations of a Spiritual Strongman1
The Ethnographic Pastoral Re-imagined: Embodiment and Inhabitation in Aboio and Sweetgrass1
Spotlight: Media, Science, and Technology SIG1
Race and the Suburbs in American Film ed. by Merrill Schleier (review)1
Haunted Time in New York by Night1
African Ecomedia: Network Forms, Planetary Politics by Cajetan Iheka1
Toward a Feminist Montage: Reading for the Cut in Ana Mendieta's Sweating Blood1
Holding onto Power: The Film Industry’s Stratification in the Digital Age1
Transpacific Convergences: Race, Migration, and Japanese American Film Culture before World War II by Denise Khor (review)1
Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry by Chihab El Khachab (review)1
Resurrecting the Black Body: Race and the Digital Afterlife by Tonia Sutherland (review)1
Méliès's Artificial Nature: Aquariums, Infrastructure, and Empire1
Italian Ecocinema: Beyond the Human by Elena Past1
Interactive Cinema: The Ambiguous Ethics of Media Participation by Marina Hassapopoulou (review)1
The Subjective Apparatus: First-Person Films and the Fundamental Subjectivity of Virtual Reality1
Rated A: Soft-Porn Cinema and Mediations of Desire in India by Darshana Sreedhar Mini (review)1
The Intimate Life of Computers: Digitizing Domesticity in the 1980s by Reem Hilu (review)1
Creating Another Screen0
On Failing to Get Out0
Sister Night, Hooded Justice, and Racial Reckoning in Watchmen0
Documenting Resilience: Studying Survival in the Industry as Latinx Media Activism0
Very Very Very Faint Lines: Toward a Feminist Forensics0
Spotlight: Ishita Tiwary0
Postwar Animation and Modernist Criticism: The Case of Annette Michelson0
"What Goes on in the Windshield": Rear-Projection and On-Screen Automobility0
Death in the Streets, Blood on Your Hands: Chocolate Babies and the End of AIDS0
In Focus Introduction: Media Study beyond Media Studies: Pandemic Lessons for an Evolving Field0
Wounded Bodies: Grim Beauty and Environmental Injustice in Zhao Liang's Behemoth0
Captive and Captivated Audiences: Native American Film Exhibition, 1903–19290
Macau on Location: Cinematic and Sociospatial Analysis of a Postcolonial City0
Picture Pain: Anti-heteronormative Female Fandom in Early Hollywood0
When a Format (Almost) Becomes an Instrument: Eurorack in a Logistical World0
From Military Prestige to Fragmented Prestige: Jair Bolsonaro and Authoritarian Populism in Brazil0
"Designing Sets for a Living—Painting Landscapes for the Joy of Living": Warren Newcombe, a Painter in Hollywood0
The Rainbow’s Gravity: Colour, Materiality and British Modernity by Kirsty Sinclair Dootson (review)0
Legitimate Transgression: Home Video Culture and Screen Translation(s) in the Late Soviet Union0
Listening with a Feminist Ear: Soundwork in Bombay Cinema by Pavitra Sundar (review)0
From Extraction to Wilderness: Australian Film History, Environmental History, and The Last Wild River0
Stone Struggles: Toward a Media Theory of Steles in North China0
Speculating in Latent Space: Visibility Politics and the Impasse of Representation in Generative AI0
Deceiving Death: The Myths behind De-aging Effects0
Emotion Pictures: Movies and Feelings by Lucy Fischer, and: Life-Destroying Diagrams by Eugenie Brinkema, and: Anxious Cinephilia: Pleasure and Peril at the Movies by Sarah Keller (review)0
Organic Creativity: Alden B. Dow’s Small-Gauge Architecture0
Reanimating the Socialist Child—Queerly: The Sideways of a Chinese Animation Nezha naohai0
Fan Labor Shapes Visibility for Women's Sports in Networked Sports Media0
The Queer Art of Feeling: Futurity, Fin de siglo , and New Queer Realism0
In Focus Introduction: AI and the Moving Image0
On Toilets as Media Furniture and Incontinent Containers0
Painting Race: Policing Ambiguity in This Rebel Breed0
A24's Academic Style; or, Coming of Age in an Era of Student Debt0
Death by Laughter: Female Hysteria and Early Cinema by Maggie Hennefeld (review)0
Vicissitudes of the Underworld: Spatiality and Political Discourse in Hong Kong Gangster Films0
Micro Media Industries: Hmong American Media Innovation in the Diaspora by Lori Kido Lopez0
"Class Conflict": Dimension 20: Misfits and Magic and TTRPGs as Transformative Fantasy0
Grassroots Data Activism0
Material Afterlives: The Quilted Poetics of Daughters of the Dust (1991) and Lemonade (2016)0
Opening the Broadband Access Paradox0
Spotlight: Marisa Hicks-Alcaraz0
In Focus Introduction: Modes of Visual Production0
Contagious Cinema: Mosquitoes, Infrastructure, and Urban Dwelling in Temporada0
New Histories of Computational Personhood: An Introduction0
"A Lubitsch Not of Films but of Finances": Michael Ovitz and the Mainstreaming of Media-Industrial News0
The Voice Within: Chinese Muslims, Ethnic Identity, and Self-Representation in Hui Microfilms0
#BlackOutBTS: Race and Self(ie)-Display in Digital Fandom0
Feminist Realism in K-Dramas: My Mister and Something in the Rain0
Broadcasting Hollywood: The Struggle over Feature Films on Early TV by Jennifer Porst (review)0
The Red Years of Cahiers du cinéma (1968–1973) by Daniel Fairfax0
Lindsay McIntyre: Indigenous Handmade Cinema0
Black Networked Resistance: Strategic Rearticulations in the Digital Age by Raven Maragh-Lloyd (review)0
Spotlight: Media and the Environment Scholarly Interest Group0
Indirect Subjects: Nollywood's Local Address by Matthew H. Brown (review)0
Reel Resistance: The Cinema of Jean-Marie Teno by Melissa Thackway and Jean-Marie Teno0
Sound Corporeality and Multidirectional Acousmatic Music in Mathieu Kassovitz's La Haine0
Spotlight: Melissa Phruksachart0
The Threat of the AI Actor0
Rendered Topological: Virtual Geometry as Vectoralism in the Unreal Engine0
Wild Blue Media: Thinking through Seawater by Melody Jue0
Homecoming, Border-Crossing, and Conjuncture Film: Hsia Moon, Hong Kong New Wave, and the Bluebird Trilogy, 1982–19840
The Archival Afterlives of Philippine Cinema by Bliss Cua Lim (review)0
Readers Engagement and Imaginary Stardom: Exploring Turkish Movie Magazines and Oriental Star Selma in the 1930s0
Indie Porn: Revolution, Regulation, and Resistance by Zahra Stardust (review)0
The Great Indian Road Trip: Picturing the Post-Colony in the Lost Travel Films of Warner Bros.0
Animating Infection: Simulated Movement and Digital Zombie Hordes0
A Prism of Censorship and Ambivalence: Chronique d'un été and Algérie, année zéro0
Spotlight: Caucus on Class0
Going to the Video Hall: A Sensory Encounter with a New Urban Space in Post-Mao China0
Fabulations of Light: Speculative Operations in Sunstone and All Light, Everywhere0
Spotlight: Digital Humanities and Videographic Criticism SIG0
"Reading Too Much into It": Affective Excess, Extrapolative Reading, and Queer Temporalities in MCU Fanfiction0
Other “Punks” in Late 1970s–1980s Cinema in Japan: Gender, Documentary, Ephemerality0
Un-Moving Play and the End of Time : Code Injections and the Trans Abrogation of Media Objects0
In the Land of the Unreal: Virtual and Other Realities in Los Angeles by Lisa Messeri (review)0
The Gay in Gauge: Pat Rocco and the Significance of 16mm to Gay Liberation0
Bad Women and B-Films in Latin America: Approaches to Teaching Latsploitation Cinema as Decoloniality0
FKA twigs and the Impossibly Sonorous Body0
"A Special, Special Agent": Defamiliarized Disability in World of Giants0
Writing Film History without Films: Song Booklets and an Archival Hermeneutic of Speculation0
Behind the Screen: Tap Dance, Race, and Invisibility During Hollywood’s Golden Age by Brynn W. Shiovitz (review)0
Uncontainable: Cardboard, Media, Interface0
The Synthetic Real: AI-Documentary Connections0
The Cybernetic Border: Drones, Technology, and Intrusion by Iván Chaar López (review)0
In Focus Introduction: The Celebritization of Politics in Global Media Culture0
Cine-mapping: Charting the Use of Scripted Spaces in Screen Tourism0
Introduction: Film Programmers Speak0
The Affordances of the Acousmatic: Questioning Argentineness in El futuro perfecto0
Yes, It Is Media: Introduction to the Special Issue0
We Are Ant-Man: The Digital Body in a Superhero Comedy0
Black Moviegoing in Harlem: The Case of the Alhambra Theater, 1905–19310
Spotlight: Scandinavian Scholarly Interest Group0
The News Event: Popular Sovereignty in the Age of Deep Mediatization by Francis Cody (review)0
Seeing in Circles: Narrative Circularity, the Cosmetic Gaze, and the Fusion of Self and Other in Kim Ki-duk's Sigan0
From Maid to Machine: Her , Hegemony, and the Twenty-First-Century Mammy0
Coming Out Queer-Crip: Alliances in the New Spanish Disability Cinema0
Cinema Wears the Mask: The Metaphysics of Animism in Une histoire de vent0
In Focus Introduction: Decolonizing Film Studies Curricula: Approaches Through Latin American Cinemas0
Entrepreneurialism and the Return of the Bildungsroman: Mapping Racial Capitalism in Burhan Qurbani's Berlin Alexanderplatz0
Spotlight: Allyson Nadia Field0
In Translation: Matsumoto Toshio and the Antifascist Avant-Garde Documentary0
In Translation: Gabriel Navarro, Latina/o Film Critic0
Superimposed, Still0
Ghosts in the Celluloid: AI Video Dubbing and TrueSync0
Repairing Play: A Black Phenomenology by Aaron Trammell (review)0
Transnational Metacinemas0
Thinking with an Accent: Toward a New Object, Method, and Practice ed. by Pooja Rangan et al (review)0
Lesbian Potentiality and Feminist Media in the 1970s by Rox Samer0
The Hard Sell of Paradise: Hawaiʻi, Hollywood, Tourism by Jason Sperb, and: Archiving Medical Violence: Consent and the Carceral State by Christopher Perreira, and: Cooling the Tropics: Ice, Indigenei0
Sports Media Personalities and Celebrity Culture0
Baked In: Cooking and Cannabis in Viceland0
Uncomfortable Television by Hunter Hargraves (review)0
Moral Atmospheres: Islam and Media in a Pakistani Marketplace by Timothy P. A. Cooper (review)0
LGBTQ Film Festivals: Curating Queerness by Antoine Damiens0
In Focus Introduction: Latinx Media Activism0
Digitizing Scent: What Vaporware Can Teach Us About the Limits of Mediation0
Powers of the Real: Cinema, Gender, and Emotion in Interwar Japan by Diane Wei Lewis0
Spotlight: Kaveh Askari0
"He Is a Total Sweetheart": UK Reality TV and Technologies of Populist Publicity0
Science Fiction's Facial Optics0
Emotional Point of View in The Texas Chain Saw Massacre0
City of Screens: Imagining Audiences in Manila's Alternative Film Culture by Jasmine Nadua Trice0
Enter Your Chambers and Shut Your Doors behind You: Bodily Containment, Proliferation, and the Right to Privacy in American Law and Gothic Horror0
Spotlight: Indigenous Media Caucus0
Playing at a Distance: Borderlands of Video Game Aesthetic by Sonia Fizek (review)0
CCTV: Rethinking Media as Resource for People0
Domestic Advice and Its Shadowy Double: Domestic Satire in At Home with Amy Sedaris0
Figure and Force in Animation Aesthetics by Ryan Pierson0
Spotlight: Graduate Student Organization0
Fugitive Video: Art in 1980s New York Nightclubs0
Independent US Exhibition in the Twilight of the Paramount Decrees, 2008–20190
The Delay Between Thinking and Feeling: Documenting Affect in Citizen Sleeper0
In Focus Introduction: Actual Play as Actual Art0
Close Encounters: Nosferasta: First Bite and Tierra en trance0
Seeing Things: Spectral Materialities of Bombay Horror by Kartik Nair (review)0
Spotlight: Gender and Feminisms Caucus0
Memories of Development: Global Media After State Socialism0
Stardom, Cinephilia, and the Affective Contours of Bollywood's Soft Power in China0
Cinemas of the Mozambican Revolution: Anti-Colonialism, Independence and Internationalism in Filmmaking, 1968–1991 by Ros Gray (review)0
Spotlight: Disability Caucus0
The Medium Inside: Psychoanalysts' Media Theory of Everyday Life0
The Manchukuo Film Association and Its Afterlives: Animated Filmmaking in Wartime and Postwar Peking0
A Happy Farewell0
A Theory of Assembly: From Museums to Memes by Kyle Parry (review)0
The Megacity of Bangkok Rescaled through Queerness0
"Feminist Borers from Within": The CBS Women's Advisory Council and Media Workplace Reform in the 1970s0
The Unsituated Comedy0
In Focus Introduction: Absence and Afterlives: Unwatched, Undistributed, Lost, and Inaccessible Media0
Before the Turn: Tracing Infrastructural Thinking in Cinema Studies0
Art Cinema and India's Forgotten Futures: Film and History in the Postcolony by Rochona Majumdar0
Occult Texts and Redacted Realizations: Agency and Bleed in Mice & Murder0
In Focus Introduction: Queering Asian Media0
Too English? Voice, Gender, and Race from Murder! to Mary0
Happiness by Design: Modernism and Media in the Eames Era by Justus Nieland0
Geeton-Bhari-Kahani (Story-Full-of-Songs): Hindi Film Song Fanfiction on the Radio Airwaves, 1960–19790
Radio for the Millions: Hindi-Urdu Broadcasting Across Borders by Isabel Huacuja Alonso (review)0
Spotlight: Elizabeth Patton0
Spotlight: Kam Copeland0
Hollywood's Artists: The Directors Guild of America and the Construction of Authorship by Virginia Wright Wexman, and: Below the Stars: How the Labor of Working Actors and Extras Shapes Media Producti0
Their Own Best Creations: Women Writers in Postwar Television by Annie Berke0
#LearnOnTikTok Serendipitously, #LearnOnTikTok Seriously0
More Than an Athlete: LeBron James, the Sports Star as Production Company, and the Entrepreneurial Politics of Empowerment0
Introduction0
Conspiracy Theory Goes to Hollywood: An Audiovisual Analysis of the Documentary Film Plandemic0
Spotlight: Wazhmah Osman0
Moving Stillness: Cinema, Temporality, and Life in Settler Capitalist Ruins0
Dimension 20 and Collaborative Moral Imagination0
“The House in That Film Was Very Real”: Aging and Verisimilitude in Hindi Film Set Construction0
Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood by Vanessa Díaz (review)0
North-South Filmmaking, Settler Colonialism, and Indigenous Resurgences0
Custodial Media: Carceral Handbooks as Infrastructures of Incarceration0
Making up over Zoom: An Autoethnography of Streaming in/as Media Scholarship0
Fatty Arbuckle's Fingerprints: Race, Photographic Evidence, and the Smudge0
Activism and Post-activism: Korean Documentary Cinema, 1981–2022 by Jihoon Kim (review)0
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema by Usha Iyer0
Sovereign Intimacy: Private Media and the Traces of Colonial Violence by Laliv Melamed (review)0
Queer Sinophone Media across Asian Regionalism0
Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea0
The Case for Media Reparations0
Practicing Care -ful Curricular Design in Latin American Film Courses0
The Western through a Monocle: Fritz Lang's Examination of Western Mythology0
Evacuee Cinema: Bombay and Lahore in Partition Transit (1940–1960) by Salma Siddique (review)0
Chosen Structures of Belonging: Kith and Kin in Actual Play0
Documenting Anti-colonial Social Movements in Early 1970s Hong Kong with 16mm0
Hollywood's Embassies: How Movie Theaters Projected American Power Around the World by Ross Melnick (review)0
An Unmediated View of China? dGenerate Films and Transnational Distribution Companies as Sites of Cultural Translation0
A NonReport: The Operative Image and the Politics of the Public Secret0
Category III Films in Post-Handover Hong Kong: Excessive Violence and Its Containment in Weiduoliya yi hao and Chuji0
Experts in Action: Transnational Hong Kong–Style Stunt Work and Performance by Lauren Steimer0
Constructing the Sony Watchman Pocket Television: Personalization, Spatial Agency, and the Conundrum of the Mobile Idler0
“Everyone Needs a Plan, but Sometimes You Have to Improvise”: The National Immigrant Youth Alliance and The Infiltrators0
Cinematic Independence: Constructing the Big Screen in Nigeria by Noah Tsika (review)0
Anime's Knowledge Cultures: Geek, Otaku, Zhai by Jinying Li (review)0
Manifest Documentary0
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