JCMS-Journal of Cinema and Media Studies

Papers
(The TQCC of JCMS-Journal of Cinema and Media Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Reclaiming Popular Documentary ed. by Christie Milliken and Steve F. Anderson10
The Shape of Motion: Cinema and the Aesthetics of Movement by Jordan Schonig9
The Other Side of Glamour: The Left-Wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond by Vivian P. Y. Lee, and: Hong Kong Media and Asia's Cold War by Po-Shek Fu (review)9
Whose Film? Our Film: Shirley Clarke's The Cool World6
Tweeting About Latinx TV: #SaveODAAT Social Media Campaign4
Pivotal Encounters: Melvin Van Peebles, Amos Vogel, and the Beginnings of Black Radical Cinema4
The Four Forms of Non-fiction Cinema: Modality and Expressivity in Documentary Classification3
An Anti-Racist Camera?: On Politics and Practices of Computational Photography3
To Educate and Inform: A History of Television for Deaf Audiences on the BBC3
Media of the Masses: Cassette Culture in Modern Egypt by Andrew Simon (review)3
Unveiling Private Histories: Ethical and Theoretical Implications of Transforming African American Home Movies from Personal Keepsakes to Public Artifacts2
Maximizing Our Losses: Anna Ridler, Fall of the House of Usher , and the Ruins of AI2
Underground: The Secret Life of Videocassettes in Iran by Blake Atwood (review)2
Conjuring a Magical Medium; or, How to Rip a Hole in the Fabric of Reality2
Split Rein or Whip? On the Production of Infrastructural Integrity at the US-Mexico Border2
Narrative Podcasting in an Age of Obsession by Neil Verma (review)2
Coming Out in the Bloom: Identity, Play, and Playing with Identity in A Court of Fey & Flowers2
Transpacific Convergences: Race, Migration, and Japanese American Film Culture before World War II by Denise Khor (review)2
In Focus Introduction: Sci-Fi Doc: Intersections of Speculative and Non-fiction Media2
Global TV Formats Queer Contemporary China2
Smartphone Anxiety: Succession ’s Technological Allegories2
Iranian Cosmopolitanism: A Cinematic History by Golbarg Rekabtalaei, and: Relaying Cinema in Midcentury Iran: Material Cultures in Transit by Kaveh Askari (review)2
Outtakes and Lost Film: The Fragmentary Encounter between "Newsreel" Wong and the "Chinese Colleen Moore"2
Italian Ecocinema: Beyond the Human by Elena Past1
Reckoning with a Feminist Experimental Film Collective: Khaidu in 1970s South Korea1
Interactive Cinema: The Ambiguous Ethics of Media Participation by Marina Hassapopoulou (review)1
Populist Fandoms and Anti-fandoms: Politics, Polarization, and Celebritization in Turkey1
Queers Dream of the Internet in Elisha Lim's 8 Dreams About You1
Filmgoing's Often Unseen Labor1
A Tale of Two Cities: Milestone Media's Blood Syndicate1
Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry by Chihab El Khachab (review)1
Holding onto Power: The Film Industry’s Stratification in the Digital Age1
Reconsidering the Network Era: 16mm Film on Television1
Resurrecting the Black Body: Race and the Digital Afterlife by Tonia Sutherland (review)1
The Time of the Assassins1
In Focus Introduction: The Graphic Affordances of Queer Diasporic Narratives1
Sports Fandom, Media History, and the Shifting Cultural Understanding of "The Eyes of Texas"1
Rated A: Soft-Porn Cinema and Mediations of Desire in India by Darshana Sreedhar Mini (review)1
The Subjective Apparatus: First-Person Films and the Fundamental Subjectivity of Virtual Reality1
Is Kingdom Hearts a JRPG? The Racialized Labor of a Japanese Anti-auteur’s Disney-Licensed Videogame1
American Cold War Hospitality: Portraying Societal Acceptance and Class Mobility of Mexican, Cuban, and Chinese Immigrants in 1950s Sitcoms1
Race and the Suburbs in American Film ed. by Merrill Schleier (review)1
"Open the Door and I'll Get It for Myself": Minority Production Assistant Programs and the Politics of the Urban Location Shoot, 1969–19741
Consuming the Korean Mobile Nation: Seoul, Dislocation, and the Search for Belonging in (Food) Media1
The Intimate Life of Computers: Digitizing Domesticity in the 1980s by Reem Hilu (review)1
Méliès's Artificial Nature: Aquariums, Infrastructure, and Empire1
The Ethnographic Pastoral Re-imagined: Embodiment and Inhabitation in Aboio and Sweetgrass1
Modi vs. Wild: Celebritized Politics and the Mediations of a Spiritual Strongman1
Spotlight: Media, Science, and Technology SIG1
Media Creators, Health Mis/Disinformation, and the Past and Present Failures of US Media Governance1
Set-Going Chronicles: Rethinking Turkish Cinema through the Lens of New Cinema History1
Black Freedom, Busing as Media Theory, and Stan VanDerBeek's "Social Media"1
African Ecomedia: Network Forms, Planetary Politics by Cajetan Iheka1
Toward a Feminist Montage: Reading for the Cut in Ana Mendieta's Sweating Blood1
Reference Rot: Digital Decay, White Supremacy, and Endangering Data1
Late Slasher: Remediation to Premediation in Urban Legend , Gossip , and Final Destination1
Haunted Time in New York by Night1
Domestic Advice and Its Shadowy Double: Domestic Satire in At Home with Amy Sedaris1
Wild Blue Media: Thinking through Seawater by Melody Jue0
Cinema Wears the Mask: The Metaphysics of Animism in Une histoire de vent0
Powers of the Real: Cinema, Gender, and Emotion in Interwar Japan by Diane Wei Lewis0
Vicissitudes of the Underworld: Spatiality and Political Discourse in Hong Kong Gangster Films0
Thinking with an Accent: Toward a New Object, Method, and Practice ed. by Pooja Rangan et al (review)0
"Feminist Borers from Within": The CBS Women's Advisory Council and Media Workplace Reform in the 1970s0
In Focus Introduction: Decolonizing Film Studies Curricula: Approaches Through Latin American Cinemas0
Bad Women and B-Films in Latin America: Approaches to Teaching Latsploitation Cinema as Decoloniality0
Constructing the Sony Watchman Pocket Television: Personalization, Spatial Agency, and the Conundrum of the Mobile Idler0
In Focus Introduction: The Celebritization of Politics in Global Media Culture0
Black Networked Resistance: Strategic Rearticulations in the Digital Age by Raven Maragh-Lloyd (review)0
Close Encounters: Nosferasta: First Bite and Tierra en trance0
Very Very Very Faint Lines: Toward a Feminist Forensics0
Entrepreneurialism and the Return of the Bildungsroman: Mapping Racial Capitalism in Burhan Qurbani's Berlin Alexanderplatz0
Spotlight: Disability Caucus0
Transnational Metacinemas0
Supply Chain Cinema: Producing Global Film Workers by Kay Dickinson (review)0
Spotlight: Graduate Student Organization0
Women’s Work in Film Production and the Documents of Film History0
Seeing in Circles: Narrative Circularity, the Cosmetic Gaze, and the Fusion of Self and Other in Kim Ki-duk's Sigan0
Too English? Voice, Gender, and Race from Murder! to Mary0
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema by Usha Iyer0
In Translation: Matsumoto Toshio and the Antifascist Avant-Garde Documentary0
Cinematic Independence: Constructing the Big Screen in Nigeria by Noah Tsika (review)0
Lesbian Potentiality and Feminist Media in the 1970s by Rox Samer0
More Than an Athlete: LeBron James, the Sports Star as Production Company, and the Entrepreneurial Politics of Empowerment0
In Focus Introduction: Media Study beyond Media Studies: Pandemic Lessons for an Evolving Field0
Reanimating the Socialist Child—Queerly: The Sideways of a Chinese Animation Nezha naohai0
#BlackOutBTS: Race and Self(ie)-Display in Digital Fandom0
Spotlight: Elizabeth Patton0
The Synthetic Real: AI-Documentary Connections0
From Extraction to Wilderness: Australian Film History, Environmental History, and The Last Wild River0
Sister Night, Hooded Justice, and Racial Reckoning in Watchmen0
Other “Punks” in Late 1970s–1980s Cinema in Japan: Gender, Documentary, Ephemerality0
Occult Texts and Redacted Realizations: Agency and Bleed in Mice & Murder0
Neurotic Stars and Spellbound Viewers: Louis Bisch and Psychoanalytic Film Theory in Silent-Era Photoplay0
Rendered Topological: Virtual Geometry as Vectoralism in the Unreal Engine0
Stone Struggles: Toward a Media Theory of Steles in North China0
Ghosts in the Celluloid: AI Video Dubbing and TrueSync0
Un-Moving Play and the End of Time : Code Injections and the Trans Abrogation of Media Objects0
In Focus Introduction: Queering Asian Media0
Indigenous Cinema: André Brasil and the Aesthetics of Meta-Reflectivity0
Spotlight: Wazhmah Osman0
CCTV: Rethinking Media as Resource for People0
The News Event: Popular Sovereignty in the Age of Deep Mediatization by Francis Cody (review)0
Broadcasting Hollywood: The Struggle over Feature Films on Early TV by Jennifer Porst (review)0
Legitimate Transgression: Home Video Culture and Screen Translation(s) in the Late Soviet Union0
The Hard Sell of Paradise: Hawaiʻi, Hollywood, Tourism by Jason Sperb, and: Archiving Medical Violence: Consent and the Carceral State by Christopher Perreira, and: Cooling the Tropics: Ice, Indigenei0
Independent US Exhibition in the Twilight of the Paramount Decrees, 2008–20190
Figure and Force in Animation Aesthetics by Ryan Pierson0
Stardom, Cinephilia, and the Affective Contours of Bollywood's Soft Power in China0
Fugitive Video: Art in 1980s New York Nightclubs0
In Focus Introduction: AI and the Moving Image0
Spotlight: Kaveh Askari0
In Focus Introduction: Latinx Media Activism0
Death in the Streets, Blood on Your Hands: Chocolate Babies and the End of AIDS0
Repairing Play: A Black Phenomenology by Aaron Trammell (review)0
Wounded Bodies: Grim Beauty and Environmental Injustice in Zhao Liang's Behemoth0
Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood by Vanessa Díaz (review)0
Spotlight: Melissa Phruksachart0
Emotional Point of View in The Texas Chain Saw Massacre0
The Western through a Monocle: Fritz Lang's Examination of Western Mythology0
Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea0
In Focus Introduction: Modes of Visual Production0
Contact: Art and the Pull of Print by Jennifer L. Roberts, and: Camera Geologica: An Elemental History of Photography by Siobhan Angus (review)0
The Archival Afterlives of Philippine Cinema by Bliss Cua Lim (review)0
Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine by Tanya Shilina-Conte (review)0
In Translation: Gabriel Navarro, Latina/o Film Critic0
Documenting Anti-colonial Social Movements in Early 1970s Hong Kong with 16mm0
Digitizing Scent: What Vaporware Can Teach Us About the Limits of Mediation0
Moral Atmospheres: Islam and Media in a Pakistani Marketplace by Timothy P. A. Cooper (review)0
Documentary Derivatives: Adapting the Documentary in the Streaming Era0
From Forests to Film: Chemistry, Industry, and the Rise of Nonflammable Film Stock0
Grassroots Data Activism0
Homecoming, Border-Crossing, and Conjuncture Film: Hsia Moon, Hong Kong New Wave, and the Bluebird Trilogy, 1982–19840
The Medium Inside: Psychoanalysts' Media Theory of Everyday Life0
Practicing Care -ful Curricular Design in Latin American Film Courses0
The Case for Media Reparations0
Media Infrastructure and Historical Materialism0
Their Own Best Creations: Women Writers in Postwar Television by Annie Berke0
The Bush Administration's Post-9/11 Hollywood Campaign, Declassified0
Opening the Broadband Access Paradox0
Conspiracy Theory Goes to Hollywood: An Audiovisual Analysis of the Documentary Film Plandemic0
Fabulations of Light: Speculative Operations in Sunstone and All Light, Everywhere0
Uncontainable: Cardboard, Media, Interface0
Seeing Things: Spectral Materialities of Bombay Horror by Kartik Nair (review)0
Spotlight: Gender and Feminisms Caucus0
Death by Laughter: Female Hysteria and Early Cinema by Maggie Hennefeld (review)0
Readers Engagement and Imaginary Stardom: Exploring Turkish Movie Magazines and Oriental Star Selma in the 1930s0
Deceiving Death: The Myths behind De-aging Effects0
Coming Out Queer-Crip: Alliances in the New Spanish Disability Cinema0
The Gay in Gauge: Pat Rocco and the Significance of 16mm to Gay Liberation0
Geeton-Bhari-Kahani (Story-Full-of-Songs): Hindi Film Song Fanfiction on the Radio Airwaves, 1960–19790
FKA twigs and the Impossibly Sonorous Body0
We Are Ant-Man: The Digital Body in a Superhero Comedy0
Art Cinema and India's Forgotten Futures: Film and History in the Postcolony by Rochona Majumdar0
Before the Turn: Tracing Infrastructural Thinking in Cinema Studies0
Emotion Pictures: Movies and Feelings by Lucy Fischer, and: Life-Destroying Diagrams by Eugenie Brinkema, and: Anxious Cinephilia: Pleasure and Peril at the Movies by Sarah Keller (review)0
Black Moviegoing in Harlem: The Case of the Alhambra Theater, 1905–19310
Psychological Operations of Documentary (P)reenactment in USIS-Korea Films0
A24's Academic Style; or, Coming of Age in an Era of Student Debt0
Bank Shot: Network Television's Efforts to Capitalize on Blackness and Professional Basketball, 1970–19780
Dream Six: The Sweater0
Queer Sinophone Media across Asian Regionalism0
Cine-mapping: Charting the Use of Scripted Spaces in Screen Tourism0
"Designing Sets for a Living—Painting Landscapes for the Joy of Living": Warren Newcombe, a Painter in Hollywood0
Macau on Location: Cinematic and Sociospatial Analysis of a Postcolonial City0
On Toilets as Media Furniture and Incontinent Containers0
Anime's Knowledge Cultures: Geek, Otaku, Zhai by Jinying Li (review)0
#LearnOnTikTok Serendipitously, #LearnOnTikTok Seriously0
Reel Resistance: The Cinema of Jean-Marie Teno by Melissa Thackway and Jean-Marie Teno0
Spotlight: Caucus on Class0
Sovereign Intimacy: Private Media and the Traces of Colonial Violence by Laliv Melamed (review)0
Documenting Resilience: Studying Survival in the Industry as Latinx Media Activism0
Dimension 20 and Collaborative Moral Imagination0
Spotlight: Ishita Tiwary0
Rewatch Podcast Ethnography as Feminist Media Industry Studies Methodology0
LGBTQ Film Festivals: Curating Queerness by Antoine Damiens0
The Body Draws the Score: Queer Temporalities and Somatic Experience in Latinx Graphic Narratives0
Evacuee Cinema: Bombay and Lahore in Partition Transit (1940–1960) by Salma Siddique (review)0
A Theory of Assembly: From Museums to Memes by Kyle Parry (review)0
Making up over Zoom: An Autoethnography of Streaming in/as Media Scholarship0
Custodial Media: Carceral Handbooks as Infrastructures of Incarceration0
Spotlight: Marisa Hicks-Alcaraz0
Spotlight: Indigenous Media Caucus0
Category III Films in Post-Handover Hong Kong: Excessive Violence and Its Containment in Weiduoliya yi hao and Chuji0
The Cybernetic Border: Drones, Technology, and Intrusion by Iván Chaar López (review)0
The Red Years of Cahiers du cinéma (1968–1973) by Daniel Fairfax0
The Manchukuo Film Association and Its Afterlives: Animated Filmmaking in Wartime and Postwar Peking0
Activism and Post-activism: Korean Documentary Cinema, 1981–2022 by Jihoon Kim (review)0
Writing Film History without Films: Song Booklets and an Archival Hermeneutic of Speculation0
Bottled Up: Index, Capture, and the Case for Perfume as Media0
Contagious Cinema: Mosquitoes, Infrastructure, and Urban Dwelling in Temporada0
Enter Your Chambers and Shut Your Doors behind You: Bodily Containment, Proliferation, and the Right to Privacy in American Law and Gothic Horror0
Picture Pain: Anti-heteronormative Female Fandom in Early Hollywood0
Filthy Town, Soapy Heroes: Lino Brocka's Politico-Erotic Melodramas0
A Prism of Censorship and Ambivalence: Chronique d'un été and Algérie, année zéro0
The Delay Between Thinking and Feeling: Documenting Affect in Citizen Sleeper0
Moving Stillness: Cinema, Temporality, and Life in Settler Capitalist Ruins0
Radio for the Millions: Hindi-Urdu Broadcasting Across Borders by Isabel Huacuja Alonso (review)0
Fatty Arbuckle's Fingerprints: Race, Photographic Evidence, and the Smudge0
"He Is a Total Sweetheart": UK Reality TV and Technologies of Populist Publicity0
"A Special, Special Agent": Defamiliarized Disability in World of Giants0
The Great Indian Road Trip: Picturing the Post-Colony in the Lost Travel Films of Warner Bros.0
Chosen Structures of Belonging: Kith and Kin in Actual Play0
Postwar Animation and Modernist Criticism: The Case of Annette Michelson0
“The House in That Film Was Very Real”: Aging and Verisimilitude in Hindi Film Set Construction0
Micro Media Industries: Hmong American Media Innovation in the Diaspora by Lori Kido Lopez0
Playing at a Distance: Borderlands of Video Game Aesthetic by Sonia Fizek (review)0
A NonReport: The Operative Image and the Politics of the Public Secret0
"A Lubitsch Not of Films but of Finances": Michael Ovitz and the Mainstreaming of Media-Industrial News0
Memories of Development: Global Media After State Socialism0
When a Format (Almost) Becomes an Instrument: Eurorack in a Logistical World0
Captive and Captivated Audiences: Native American Film Exhibition, 1903–19290
The Queer Art of Feeling: Futurity, Fin de siglo , and New Queer Realism0
A Happy Farewell0
Spotlight: Reem Hilu0
An Unmediated View of China? dGenerate Films and Transnational Distribution Companies as Sites of Cultural Translation0
The Rainbow’s Gravity: Colour, Materiality and British Modernity by Kirsty Sinclair Dootson (review)0
Speculating in Latent Space: Visibility Politics and the Impasse of Representation in Generative AI0
Sirens of Modernity: World Cinema via Bombay by Samhita Sunya (review)0
Science Fiction's Facial Optics0
Yes, It Is Media: Introduction to the Special Issue0
Introduction0
"What Goes on in the Windshield": Rear-Projection and On-Screen Automobility0
North-South Filmmaking, Settler Colonialism, and Indigenous Resurgences0
Uncomfortable Television by Hunter Hargraves (review)0
Displacing the Dead: Infrastructural Cemetery Removal and the Careful Media of Undertaking0
The Cinema of Extractions: Film Materials and Their Forms by Brian Jacobson (review)0
Fan Labor Shapes Visibility for Women's Sports in Networked Sports Media0
Sports Media Personalities and Celebrity Culture0
The Unsituated Comedy0
The Megacity of Bangkok Rescaled through Queerness0
Lindsay McIntyre: Indigenous Handmade Cinema0
"Class Conflict": Dimension 20: Misfits and Magic and TTRPGs as Transformative Fantasy0
Indie Porn: Revolution, Regulation, and Resistance by Zahra Stardust (review)0
From Maid to Machine: Her , Hegemony, and the Twenty-First-Century Mammy0
In Focus Introduction: Actual Play as Actual Art0
Fairy-Tale Princesses and Mutant Superheroes: Queer Happiness in Trung Le Nguyen's Visual Narratives0
Feminist Realism in K-Dramas: My Mister and Something in the Rain0
Going to the Video Hall: A Sensory Encounter with a New Urban Space in Post-Mao China0
Material Afterlives: The Quilted Poetics of Daughters of the Dust (1991) and Lemonade (2016)0
Spotlight: Digital Humanities and Videographic Criticism SIG0
The Threat of the AI Actor0
Spotlight: Media and the Environment Scholarly Interest Group0
Hollywood's Embassies: How Movie Theaters Projected American Power Around the World by Ross Melnick (review)0
Indirect Subjects: Nollywood's Local Address by Matthew H. Brown (review)0
On Failing to Get Out0
Baked In: Cooking and Cannabis in Viceland0
In the Land of the Unreal: Virtual and Other Realities in Los Angeles by Lisa Messeri (review)0
The Voice Within: Chinese Muslims, Ethnic Identity, and Self-Representation in Hui Microfilms0
“Everyone Needs a Plan, but Sometimes You Have to Improvise”: The National Immigrant Youth Alliance and The Infiltrators0
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