JCMS-Journal of Cinema and Media Studies

Papers
(The TQCC of JCMS-Journal of Cinema and Media Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Selling Sonic Girlhood: Feminizing Indie Rock through Music Supervision on MTV’s Awkward10
New Histories of Computational Personhood: An Introduction10
Topos, Historia, Islas: Film Islands and Regional Cinemas10
Troubling Folk Horror: Exoticism, Metonymy, and Solipsism in the "Unholy Trinity" and Beyond9
Sticky Activism: The Gangnam Station Murder Case and New Feminist Practices against Misogyny and Femicide7
Toward a Transgender Critique of Media Representation6
Re-imagining a Queer Indigenous Past: Affective Archives and Minor Gestures in the Sámi Documentary Sparrooabbán5
Black Moviegoing in Harlem: The Case of the Alhambra Theater, 1905–19314
Appropriating Irony: Conservative Comedy, Trump-Era Satire, and the Politics of Television Humor4
Trans Game Studies4
The Ballad of Morton Heilig: On VR's Mythic Past4
Queer Affects at the Origins of Computation3
Pocahontas and Settler Colonialism in Early Film, 1907– 19103
Introduction2
Warrior Women: Recovering Indigenous Visions across Film and Activism2
Reading the Marvel Cinematic Universe: The Avengers’ Intertextual Aesthetic2
Blackbusting Hollywood: Racialized Media Reception, Failure, and The Wiz as Black Blockbuster2
Do the Loud Thing: The Boombox and Urban Space in 1980s American Cinema2
“The Scientist of the Holy Ghost”: Sunspring and Reading Nonsense2
On Hollywood Boulevard: Native Community in Classical Hollywood2
Animated Images in a Media History of Science1
Misogyny and the Making of the Tech Fratriarchy1
Expanding Trans Cinema through the Tranny Fest Collection1
Introduction1
Centering Peripheries: The Return of Regionalism in Indonesian Independent Cinema1
"Since Time Im-MEME-morial"!: Indigenous Meme Networks and Fan-Activism1
Cultural Programming and the Early History of HBO’s Signature Style, 1978–19881
The Cinematic Forest and Southeast Asian Cinema1
Virtual Reality and the Cartographic Imagination1
Spotlight: Raven Maragh-Lloyd1
Modi vs. Wild: Celebritized Politics and the Mediations of a Spiritual Strongman1
Theorizing Region: Film and Video Cultures in Southeast Asia1
Painful Games, Sporting Practices, and Enduring Masculinities1
Honor Scenes: Honoring Misty Upham's Critical Interventions1
From Forests to Film: Chemistry, Industry, and the Rise of Nonflammable Film Stock1
Private Pleasures, Public Provocations: Creating Dyke Pornography1
The Syracuse Mission to Iran during the 1950s and the Rise of Documentary Diplomacy1
"A Ripple of Mirth, Feminine in Sound": Female Audiences and the Rise of Feature Comedy1
Epic Cinema: Defining Our Terms1
Postwar Animation and Modernist Criticism: The Case of Annette Michelson1
Licking for the Nation: Auntie Genealogies in Apichatpong Weerasethakul’s Rak ti Khon Kaen1
The Bonneville Power Administration Film Archives: Ecologies of Infrastructural Media from 1939 to the Present1
Indigenous Presence in Vaudeville and Early Cinema1
Alternate Archives in US Daytime TV Soap Opera Historiography1
Poetics of Trans Ecologies1
Spotlight: Radio, Audio Media, and Podcasting Studies Scholarly Interest Group1
Performing Region in Southeast Asian Film Industries1
Reanimating the Socialist Child—Queerly: The Sideways of a Chinese Animation Nezha naohai1
The Rise and Fall of Cosmopolitan Productions: William Randolph Hearst's Cross-Promotional Strategies1
Bad Archives1
Spotlight: Graduate Student Organization1
Introduction1
Night of the Living Dead Dissects the News: Race, the 1967 Riots, and “Dead Neighbors”1
We Are Ant-Man: The Digital Body in a Superhero Comedy1
“Only in Us!”: Celebrity Gossip as Ephemeral Media1
Bergson's Boffo Laughter1
Unfinished Bodies: The Sticky Materiality of Prosthetic Effects1
Introduction, or The Things We Did Not Lose in the Fire1
Behind the Screen: Tap Dance, Race, and Invisibility During Hollywood’s Golden Age by Brynn W. Shiovitz (review)0
Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea0
Body Talk and the Remediation of Women's Voices in RuPaul's Drag Race0
Chatbots: Cybernetic Psychology and the Future of Conversation0
Vicissitudes of the Underworld: Spatiality and Political Discourse in Hong Kong Gangster Films0
Ecstatic Rest and the Black Gaze in a Time of Loss0
Legitimate Transgression: Home Video Culture and Screen Translation(s) in the Late Soviet Union0
Powers of the Real: Cinema, Gender, and Emotion in Interwar Japan by Diane Wei Lewis0
Introduction: Film Programmers Speak0
Light and Time in the Narrative Fiction Film0
Reference Rot: Digital Decay, White Supremacy, and Endangering Data0
Deceiving Death: The Myths behind De-aging Effects0
Le teen film, c'est ma culture : Céline Sciamma and the American Teen Movie0
“What’s Happened to Chorus Girls?”: Domesticity and the Postwar Backstage Musical0
Spotlight: Elizabeth Patton0
Spotlight: The SCMS Latino/a Caucus0
"He Is a Total Sweetheart": UK Reality TV and Technologies of Populist Publicity0
Uncomfortable Television by Hunter Hargraves (review)0
I Love Lucy, Single Sponsorship, and Marketing Communication0
Virtually Wandering the Migration Trail0
Bombay Hustle: Making Movies in a Colonial City by Debashree Mukherjee0
Cinemas of the Mozambican Revolution: Anti-Colonialism, Independence and Internationalism in Filmmaking, 1968–1991 by Ros Gray (review)0
The Aboriginal Film and Video Art Alliance: Indigenous Self-Government in Moving Image Media0
The New Border War? An Intergenerational Exchange on Bad Trans Horror Objects0
Spotlight: Teddy Pozo0
Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood by Vanessa Díaz (review)0
Broadcasting Hollywood: The Struggle over Feature Films on Early TV by Jennifer Porst (review)0
Evidentiary Afterlives0
Queercore: Queer Punk Media Subculture by Curran Nault0
The Queer Art of Feeling: Futurity, Fin de siglo , and New Queer Realism0
"Film Director Tanaka Kinuyo": The Challenges of Female Authorship0
Sirens of Modernity: World Cinema via Bombay by Samhita Sunya (review)0
Introduction0
Late Slasher: Remediation to Premediation in Urban Legend , Gossip , and Final Destination0
Global TV Formats Queer Contemporary China0
A Comic Book by Other Means: Alain Resnais and Stan Lee's The Monster Maker0
Whose Film? Our Film: Shirley Clarke's The Cool World0
Afterlife and Reclamation: Rodney King, Black Trauma, and the Televisual Archive of Self in Celebrity Rehab0
Black Panther Transmedia: The Revolution Will Not Be Streamed0
Looking Back, Thinking Forward: A Digital Humanities Assessment of Equity, Diversity, and Representation in Twenty Years of Publishing in Cinema Journal and JCMS0
"Feminist Borers from Within": The CBS Women's Advisory Council and Media Workplace Reform in the 1970s0
Spotlight: Critical Media Pedagogies Scholarly Interest Group0
Atmosphere: Mexican Extras and the Production of Race in Silent Hollywood0
Happy Trees in a Black Box: Elevated Escapism as Comfort Television in The Joy of Painting with Bob Ross0
Contemporary Political Cinema by Matthew Holtmeier0
Watching News in Public: The Rituals and Responses of Newsreel Theater Audiences0
Happiness by Design: Modernism and Media in the Eames Era by Justus Nieland0
Sound Corporeality and Multidirectional Acousmatic Music in Mathieu Kassovitz's La Haine0
Science Fiction's Facial Optics0
Unruly Excess: Labor, Race, and The Pajama Game0
Toward a Feminist Montage: Reading for the Cut in Ana Mendieta's Sweating Blood0
Sporting Sensations: Béla Balázs and the Bergfilm Camera Operator0
Stardom, Cinephilia, and the Affective Contours of Bollywood's Soft Power in China0
Varda’s Backdrops0
Spotlight: Fan and Audience Studies Scholarly Interest Group0
Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry by Chihab El Khachab (review)0
The Riotous State of Trans Visual Culture0
Material Afterlives: The Quilted Poetics of Daughters of the Dust (1991) and Lemonade (2016)0
Observational Secular: Religion and Documentary Film in the United States0
"Open the Door and I'll Get It for Myself": Minority Production Assistant Programs and the Politics of the Urban Location Shoot, 1969–19740
Making up over Zoom: An Autoethnography of Streaming in/as Media Scholarship0
Video Games Have Always Been Queer by Bonnie Ruberg0
Lesbian Potentiality and Feminist Media in the 1970s by Rox Samer0
Thinking with an Accent: Toward a New Object, Method, and Practice ed. by Pooja Rangan et al (review)0
Emotional Point of View in The Texas Chain Saw Massacre0
The Rainbow’s Gravity: Colour, Materiality and British Modernity by Kirsty Sinclair Dootson (review)0
The Red Years of Cahiers du cinéma (1968–1973) by Daniel Fairfax0
Introduction0
Racialized Darkness and Ace in the Hole0
The Voice Within: Chinese Muslims, Ethnic Identity, and Self-Representation in Hui Microfilms0
Category III Films in Post-Handover Hong Kong: Excessive Violence and Its Containment in Weiduoliya yi hao and Chuji0
Neurotic Stars and Spellbound Viewers: Louis Bisch and Psychoanalytic Film Theory in Silent-Era Photoplay0
Seeing by Electricity: The Emergence of Television, 1878–1939 by Doron Galili0
Organic Creativity: Alden B. Dow’s Small-Gauge Architecture0
Where Histories Reside: India as Filmed Space by Priya Jaikumar0
In Translation: Gabriel Navarro, Latina/o Film Critic0
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema by Usha Iyer0
Spotlight: Meryem Kamil0
Sporting Blackness: Race, Embodiment, and Critical Muscle Memory on Screen by Samantha N. Sheppard0
Hollywood's Artists: The Directors Guild of America and the Construction of Authorship by Virginia Wright Wexman, and: Below the Stars: How the Labor of Working Actors and Extras Shapes Media Producti0
Tracing the Multiplane: Toward a Genealogy of Animation Apparatuses0
Transpacific Convergences: Race, Migration, and Japanese American Film Culture before World War II by Denise Khor (review)0
A Critic at Large: Lotte Eisner at the Film-Kurier (1927–1933)0
The Coroner and the Real: Death, Media, and "Deep Truth" in Werner Herzog's The Enigma of Kaspar Hauser and Grizzly Man0
Archival Interventions: Instagram and Black Interiority0
Iranian Cosmopolitanism: A Cinematic History by Golbarg Rekabtalaei, and: Relaying Cinema in Midcentury Iran: Material Cultures in Transit by Kaveh Askari (review)0
… Like No One Is Watching: Taking Digital Obscura Seriously0
Platform Anxiety: Locating Authorship in Tron, Hugo, and The Lego Movie0
A Diachronic, Scale-Flexible, Relational, Perspectival Operation: In Defense of (Always-Reforming) Medium Specificity0
The Exorbitant Mirror: Violence, Disavowal, and the Logic of Terror in Michael Haneke's Das weiße Band0
Spotlight: Marisa Hicks-Alcaraz0
Creating Another Screen0
Too English? Voice, Gender, and Race from Murder! to Mary0
In Focus Introduction: The Celebritization of Politics in Global Media Culture0
Trans Exploits: Trans of Color Cultures and Technologies in Movement by Jian Neo Chen, and: Shimmering Images: Trans Cinema, Embodiment,and the Aesthetics of Change by Eliza Steinbock0
Sovereign Intimacy: Private Media and the Traces of Colonial Violence by Laliv Melamed (review)0
Opening the Broadband Access Paradox0
Television and the Afghan Culture Wars: Brought to You by Foreigners, Warlords, and Activists by Wazhmah Osman (review)0
Who Gets to Call It Black? Practicing Decentering the United States in Film Programming0
Constructing the Sony Watchman Pocket Television: Personalization, Spatial Agency, and the Conundrum of the Mobile Idler0
In Focus Introduction: Queering Asian Media0
African Ecomedia: Network Forms, Planetary Politics by Cajetan Iheka0
Spotlight: Wazhmah Osman0
Transnational Metacinemas0
Pink-Slipped: What Happened to Women in the Silent Film Industries? by Jane M. Gaines, and: Bad Film Histories: Ethnography and the Early Archive by Katherine Groo, and: The Routledge Companion to New0
Superimposed, Still0
Wounded Bodies: Grim Beauty and Environmental Injustice in Zhao Liang's Behemoth0
To Educate and Inform: A History of Television for Deaf Audiences on the BBC0
The Western through a Monocle: Fritz Lang's Examination of Western Mythology0
A Rural Georgia for White Men, Like Brian Kemp: The Midcentury Films and Nontheatrical Legacy of Georgia Agricultural Extension0
Studio Melnitsa's Bogatyr Cycle: Notes on a Global Approach to Contemporary Studio Animation0
Populist Iconicity: The Contradictions of Hungarian Prime Minister Viktor Orbán as a Political Celebrity0
Sarah Winchester: Silicon Valley Developer0
Fun and Facts about America: Postwar Corporate Liberalism and the Animated Economic Educational Film0
"Look at My African American": On Authoritarian Populism, Blackness, and Celebrity0
Belonging and Distantiation: Reading Marjane Satrapi and Vincent Paronnaud's Poulet aux prunes in Relation to Cinéma-monde0
Populist Fandoms and Anti-fandoms: Politics, Polarization, and Celebritization in Turkey0
Television Scales by Nick Salvato0
Literature, Print Culture, and the Indian New Wave0
"Anyone Can Wear the Mask": The Marginalization of Miles Morales in Spider-Man: Into the Spider-Verse0
Spotlight: Kam Copeland0
Race and the Suburbs in American Film ed. by Merrill Schleier (review)0
Arab Modernism as World Cinema: The Films of Moumen Smihi by Peter Limbrick0
An Unmediated View of China? dGenerate Films and Transnational Distribution Companies as Sites of Cultural Translation0
Unique Doubles: Ornamental Sisters and Dual Roles in the Transitional Era Cinema0
"Designing Sets for a Living—Painting Landscapes for the Joy of Living": Warren Newcombe, a Painter in Hollywood0
Micro Media Industries: Hmong American Media Innovation in the Diaspora by Lori Kido Lopez0
Rethinking Format in the Amazon: Ecology and El abrazo de la serpiente0
Reclaiming Popular Documentary ed. by Christie Milliken and Steve F. Anderson0
Festival Diplomacy: CINE, American Nontheatrical Cinema, and the Film Festival Network0
The Shape of Motion: Cinema and the Aesthetics of Movement by Jordan Schonig0
Spotlight: Swapnil Rai0
Spotlight: Scandinavian Scholarly Interest Group0
On Building Black Film Archive, a Digital Archive that Responds to a Movement0
Franchising the Past: Transmedia Historiography, Cultural Memory Management, and the Fanboy Historian0
Outtakes and Lost Film: The Fragmentary Encounter between "Newsreel" Wong and the "Chinese Colleen Moore"0
LGBTQ Film Festivals: Curating Queerness by Antoine Damiens0
Manifest Documentary0
Trans Chaplin0
Righting and Re-writing the Historical Record: Re-releasing the Films of Madeline Anderson0
Camp TV: Trans Gender Queer Sitcom History by Quinlan Miller0
The Manchukuo Film Association and Its Afterlives: Animated Filmmaking in Wartime and Postwar Peking0
In Focus Introduction: Absence and Afterlives: Unwatched, Undistributed, Lost, and Inaccessible Media0
Spotlight: Middle East Caucus0
Radiant Infrastructures: Media, Environment, and Cultures of Uncertainty by Rahul Mukherjee0
Ecomation0
Holding onto Power: The Film Industry’s Stratification in the Digital Age0
Hungry Holes and Insatiable Balls: Video Games, Queer Mechanics, and the Limits of Design0
The Life of a Film: Medianatures, Camphor, and the Ideology of Technological Modernity0
In Translation: Otávio de Faria: Lost Futures: Otávio de Faria and the Beginnings of Film Theory in Brazil0
Spotlight: Diana Flores Ruíz0
Hollywood's Embassies: How Movie Theaters Projected American Power Around the World by Ross Melnick (review)0
Unveiling Private Histories: Ethical and Theoretical Implications of Transforming African American Home Movies from Personal Keepsakes to Public Artifacts0
Films for the Colonies: Cinema and the Preservation of the British Empire by Tom Rice0
“The House in That Film Was Very Real”: Aging and Verisimilitude in Hindi Film Set Construction0
A NonReport: The Operative Image and the Politics of the Public Secret0
Underground: The Secret Life of Videocassettes in Iran by Blake Atwood (review)0
A Prism of Censorship and Ambivalence: Chronique d'un été and Algérie, année zéro0
Redeeming Grandfather: Aging Masculinity in Colombian Films0
Universality, Difference, and Spectrality in Call Me by Your Name0
Toying with Early Cinema: Media Studies in the Children’s Archive0
Media of the Masses: Cassette Culture in Modern Egypt by Andrew Simon (review)0
Spotlight: Media and the Environment Scholarly Interest Group0
Data Selves: More-than-Human Perspectives by Deborah Lupton0
The Right to a Dignified Image: The Fashioning and Effacement of the Refugee within the Celebrity System0
Enter Your Chambers and Shut Your Doors behind You: Bodily Containment, Proliferation, and the Right to Privacy in American Law and Gothic Horror0
The Megacity of Bangkok Rescaled through Queerness0
Spotlight: Gender and Feminisms Caucus0
Digital Reincarnation: The Mediated Bodies and Multiple Lives of The Mummy0
The Expansion of 16mm in Film Distribution and Exhibition in Postwar Brazil0
War and Humanitarian Aesthetics: Notes on Modular Immersion0
Homecoming, Border-Crossing, and Conjuncture Film: Hsia Moon, Hong Kong New Wave, and the Bluebird Trilogy, 1982–19840
Cinema Off Screen: Moviegoing in Socialist China by Chenshu Zhou0
Documenting Anti-colonial Social Movements in Early 1970s Hong Kong with 16mm0
Netflix Recommends: Algorithms, Film Choice, and the History of Taste by Mattias Frey, and: Netflix and Streaming Video: The Business of Subscriber-Funded Video on Demand by Amanda D. Lotz (review)0
Indirect Subjects: Nollywood's Local Address by Matthew H. Brown (review)0
Reach Out and Watch Someone: Televisuality, Gender, and the Short Life of the Picturephone0
Baked In: Cooking and Cannabis in Viceland0
The Acoustics of the Archipelagic Imagination in Southeast Asian Artists’ Film0
News Parade: The American Newsreel and the World as Spectacle by Joseph Clark0
Evacuee Cinema: Bombay and Lahore in Partition Transit (1940–1960) by Salma Siddique (review)0
Cinema Wears the Mask: The Metaphysics of Animism in Une histoire de vent0
Playing at a Distance: Borderlands of Video Game Aesthetic by Sonia Fizek (review)0
Absence in Cinema: The Art of Showing Nothing by Justin Remes0
Repairing Play: A Black Phenomenology by Aaron Trammell (review)0
When a Handshake Meant Something: The Rise of Entertainment Law in Post-Paramount Hollywood0
Effecting Repair: A Canyon Cinema Report on the "Rediscovery" of Toney W. Merritt0
American Cold War Hospitality: Portraying Societal Acceptance and Class Mobility of Mexican, Cuban, and Chinese Immigrants in 1950s Sitcoms0
Spotlight: Animated Media Scholarly Interest Group0
#BlackOutBTS: Race and Self(ie)-Display in Digital Fandom0
Surviving "Certain Death": Narrational Reliability in American Motion Picture Serial Cliffhangers of the Golden Age0
Wild Blue Media: Thinking through Seawater by Melody Jue0
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