JCMS-Journal of Cinema and Media Studies

Papers
(The median citation count of JCMS-Journal of Cinema and Media Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
New Histories of Computational Personhood: An Introduction10
Topos, Historia, Islas: Film Islands and Regional Cinemas10
Selling Sonic Girlhood: Feminizing Indie Rock through Music Supervision on MTV’s Awkward10
Troubling Folk Horror: Exoticism, Metonymy, and Solipsism in the "Unholy Trinity" and Beyond8
Sticky Activism: The Gangnam Station Murder Case and New Feminist Practices against Misogyny and Femicide5
Black Moviegoing in Harlem: The Case of the Alhambra Theater, 1905–19314
Re-imagining a Queer Indigenous Past: Affective Archives and Minor Gestures in the Sámi Documentary Sparrooabbán4
Toward a Transgender Critique of Media Representation4
Pocahontas and Settler Colonialism in Early Film, 1907– 19103
The Ballad of Morton Heilig: On VR's Mythic Past3
Appropriating Irony: Conservative Comedy, Trump-Era Satire, and the Politics of Television Humor3
Trans Game Studies3
Blackbusting Hollywood: Racialized Media Reception, Failure, and The Wiz as Black Blockbuster2
Queer Affects at the Origins of Computation2
On Hollywood Boulevard: Native Community in Classical Hollywood2
Introduction2
Warrior Women: Recovering Indigenous Visions across Film and Activism2
Reading the Marvel Cinematic Universe: The Avengers’ Intertextual Aesthetic1
The Rise and Fall of Cosmopolitan Productions: William Randolph Hearst's Cross-Promotional Strategies1
Spotlight: Graduate Student Organization1
Cultural Programming and the Early History of HBO’s Signature Style, 1978–19881
Night of the Living Dead Dissects the News: Race, the 1967 Riots, and “Dead Neighbors”1
Virtual Reality and the Cartographic Imagination1
The Bonneville Power Administration Film Archives: Ecologies of Infrastructural Media from 1939 to the Present1
Spotlight: Radio, Audio Media, and Podcasting Studies Scholarly Interest Group1
Animated Images in a Media History of Science1
Alternate Archives in US Daytime TV Soap Opera Historiography1
Honor Scenes: Honoring Misty Upham's Critical Interventions1
“The Scientist of the Holy Ghost”: Sunspring and Reading Nonsense1
Introduction1
"Since Time Im-MEME-morial"!: Indigenous Meme Networks and Fan-Activism1
The Cinematic Forest and Southeast Asian Cinema1
Postwar Animation and Modernist Criticism: The Case of Annette Michelson1
“Only in Us!”: Celebrity Gossip as Ephemeral Media1
Spotlight: Raven Maragh-Lloyd1
Painful Games, Sporting Practices, and Enduring Masculinities1
Do the Loud Thing: The Boombox and Urban Space in 1980s American Cinema1
Introduction, or The Things We Did Not Lose in the Fire1
Misogyny and the Making of the Tech Fratriarchy1
Private Pleasures, Public Provocations: Creating Dyke Pornography1
The Syracuse Mission to Iran during the 1950s and the Rise of Documentary Diplomacy1
Introduction1
Licking for the Nation: Auntie Genealogies in Apichatpong Weerasethakul’s Rak ti Khon Kaen1
We Are Ant-Man: The Digital Body in a Superhero Comedy1
Bergson's Boffo Laughter1
Indigenous Presence in Vaudeville and Early Cinema1
Unfinished Bodies: The Sticky Materiality of Prosthetic Effects1
Reanimating the Socialist Child—Queerly: The Sideways of a Chinese Animation Nezha naohai1
Reconsidering the Network Era: 16mm Film on Television0
Deceiving Death: The Myths behind De-aging Effects0
Reach Out and Watch Someone: Televisuality, Gender, and the Short Life of the Picturephone0
A Critic at Large: Lotte Eisner at the Film-Kurier (1927–1933)0
In Focus Introduction: The Celebritization of Politics in Global Media Culture0
Paratextual Encounters of Four Kinds: Blade Runner and Cinematic Memory0
A Diachronic, Scale-Flexible, Relational, Perspectival Operation: In Defense of (Always-Reforming) Medium Specificity0
The Case of the Option Agreement: Erle Stanley Gardner, Intellectual Property Management, and Radio's Perry Mason0
Lesbian Potentiality and Feminist Media in the 1970s by Rox Samer0
Who Gets to Call It Black? Practicing Decentering the United States in Film Programming0
Platform Anxiety: Locating Authorship in Tron, Hugo, and The Lego Movie0
In Focus Introduction: Queering Asian Media0
Seeing in Circles: Narrative Circularity, the Cosmetic Gaze, and the Fusion of Self and Other in Kim Ki-duk's Sigan0
Science Fiction's Facial Optics0
"Feminist Borers from Within": The CBS Women's Advisory Council and Media Workplace Reform in the 1970s0
Racialized Darkness and Ace in the Hole0
"Designing Sets for a Living—Painting Landscapes for the Joy of Living": Warren Newcombe, a Painter in Hollywood0
Queercore: Queer Punk Media Subculture by Curran Nault0
To Educate and Inform: A History of Television for Deaf Audiences on the BBC0
As (Un)Seen from Space: Soviet Collapse and the Unwatchable in Andrei Ujică's Out of the Present0
Spotlight: Gender and Feminisms Caucus0
Where Histories Reside: India as Filmed Space by Priya Jaikumar0
The Right to a Dignified Image: The Fashioning and Effacement of the Refugee within the Celebrity System0
Sarah Winchester: Silicon Valley Developer0
#LearnOnTikTok Serendipitously, #LearnOnTikTok Seriously0
Watching News in Public: The Rituals and Responses of Newsreel Theater Audiences0
Contemporary Political Cinema by Matthew Holtmeier0
Television Scales by Nick Salvato0
Hollywood's Embassies: How Movie Theaters Projected American Power Around the World by Ross Melnick (review)0
Toward a Feminist Montage: Reading for the Cut in Ana Mendieta's Sweating Blood0
Spotlight: The SCMS Latino/a Caucus0
Belonging and Distantiation: Reading Marjane Satrapi and Vincent Paronnaud's Poulet aux prunes in Relation to Cinéma-monde0
Arab Modernism as World Cinema: The Films of Moumen Smihi by Peter Limbrick0
Hollywood in Havana: US Cinema and Revolutionary Nationalism in Cuba before 1959 by Megan Feeney, and: Fidel between the Lines: Paranoia and Ambivalence in Late Socialist Cuban Cinema by Laura-Zoë Hum0
Trans Exploits: Trans of Color Cultures and Technologies in Movement by Jian Neo Chen, and: Shimmering Images: Trans Cinema, Embodiment,and the Aesthetics of Change by Eliza Steinbock0
Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry by Chihab El Khachab (review)0
Bombay Hustle: Making Movies in a Colonial City by Debashree Mukherjee0
Rethinking Format in the Amazon: Ecology and El abrazo de la serpiente0
Videotape, Guinea Pig, and the Horror of Privacy0
African Ecomedia: Network Forms, Planetary Politics by Cajetan Iheka0
American Cold War Hospitality: Portraying Societal Acceptance and Class Mobility of Mexican, Cuban, and Chinese Immigrants in 1950s Sitcoms0
In Translation: Otávio de Faria: Lost Futures: Otávio de Faria and the Beginnings of Film Theory in Brazil0
Creating Another Screen0
On Building Black Film Archive, a Digital Archive that Responds to a Movement0
Spotlight: Melissa Phruksachart0
Netflix Recommends: Algorithms, Film Choice, and the History of Taste by Mattias Frey, and: Netflix and Streaming Video: The Business of Subscriber-Funded Video on Demand by Amanda D. Lotz (review)0
Sound Corporeality and Multidirectional Acousmatic Music in Mathieu Kassovitz's La Haine0
Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea0
A NonReport: The Operative Image and the Politics of the Public Secret0
Cinemas of the Mozambican Revolution: Anti-Colonialism, Independence and Internationalism in Filmmaking, 1968–1991 by Ros Gray (review)0
Righting and Re-writing the Historical Record: Re-releasing the Films of Madeline Anderson0
Queer Childhood Sexuality in Ang Pagdadalaga ni Maximo Oliveros0
Observational Secular: Religion and Documentary Film in the United States0
Literature, Print Culture, and the Indian New Wave0
Powers of the Real: Cinema, Gender, and Emotion in Interwar Japan by Diane Wei Lewis0
Digital Reincarnation: The Mediated Bodies and Multiple Lives of The Mummy0
Underground: The Secret Life of Videocassettes in Iran by Blake Atwood (review)0
Radiant Infrastructures: Media, Environment, and Cultures of Uncertainty by Rahul Mukherjee0
Spotlight: Activist and Revolutionary Film and Media Scholarly Interest Group0
Emotional Point of View in The Texas Chain Saw Massacre0
"He Is a Total Sweetheart": UK Reality TV and Technologies of Populist Publicity0
Trans Chaplin0
Spotlight: Marisa Hicks-Alcaraz0
The Life of a Film: Medianatures, Camphor, and the Ideology of Technological Modernity0
Consuming the Korean Mobile Nation: Seoul, Dislocation, and the Search for Belonging in (Food) Media0
Category III Films in Post-Handover Hong Kong: Excessive Violence and Its Containment in Weiduoliya yi hao and Chuji0
Unruly Excess: Labor, Race, and The Pajama Game0
Spotlight: Middle East Caucus0
Neurotic Stars and Spellbound Viewers: Louis Bisch and Psychoanalytic Film Theory in Silent-Era Photoplay0
Spotlight: Q&A with Black Caucus Co- Chairs Nsenga Burton and Mark Cunningham0
Picture Pain: Anti-heteronormative Female Fandom in Early Hollywood0
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema by Usha Iyer0
Superimposed, Still0
Hungry Holes and Insatiable Balls: Video Games, Queer Mechanics, and the Limits of Design0
Universality, Difference, and Spectrality in Call Me by Your Name0
Slower Cinema: Violence, Affect, and Spectatorship in Las elegidas0
Spotlight: Media and the Environment Scholarly Interest Group0
Animating Infection: Simulated Movement and Digital Zombie Hordes0
Reclaiming Popular Documentary ed. by Christie Milliken and Steve F. Anderson0
Effecting Repair: A Canyon Cinema Report on the "Rediscovery" of Toney W. Merritt0
Films for the Colonies: Cinema and the Preservation of the British Empire by Tom Rice0
The Megacity of Bangkok Rescaled through Queerness0
Is Kingdom Hearts a JRPG? The Racialized Labor of a Japanese Anti-auteur’s Disney-Licensed Videogame0
"Look at My African American": On Authoritarian Populism, Blackness, and Celebrity0
Wounded Bodies: Grim Beauty and Environmental Injustice in Zhao Liang's Behemoth0
Franchising the Past: Transmedia Historiography, Cultural Memory Management, and the Fanboy Historian0
Cinema Wears the Mask: The Metaphysics of Animism in Une histoire de vent0
Cinema Off Screen: Moviegoing in Socialist China by Chenshu Zhou0
Fugitive Video: Art in 1980s New York Nightclubs0
Theorizing Region: Film and Video Cultures in Southeast Asia0
Looking Back, Thinking Forward: A Digital Humanities Assessment of Equity, Diversity, and Representation in Twenty Years of Publishing in Cinema Journal and JCMS0
The Acoustics of the Archipelagic Imagination in Southeast Asian Artists’ Film0
The Medium Inside: Psychoanalysts' Media Theory of Everyday Life0
Populist Iconicity: The Contradictions of Hungarian Prime Minister Viktor Orbán as a Political Celebrity0
Black Panther Transmedia: The Revolution Will Not Be Streamed0
Absence in Cinema: The Art of Showing Nothing by Justin Remes0
Broadcasting Hollywood: The Struggle over Feature Films on Early TV by Jennifer Porst (review)0
Populist Fandoms and Anti-fandoms: Politics, Polarization, and Celebritization in Turkey0
Tracing the Multiplane: Toward a Genealogy of Animation Apparatuses0
Pink-Slipped: What Happened to Women in the Silent Film Industries? by Jane M. Gaines, and: Bad Film Histories: Ethnography and the Early Archive by Katherine Groo, and: The Routledge Companion to New0
Spotlight: Animated Media Scholarly Interest Group0
The Process Genre: Cinema and the Aesthetic of Labor by Salomé Aguilera Skvirsky0
Toying with Early Cinema: Media Studies in the Children’s Archive0
Bad Archives0
Poetics of Trans Ecologies0
Body Talk and the Remediation of Women's Voices in RuPaul's Drag Race0
Spotlight: Allyson Nadia Field0
Atmosphere: Mexican Extras and the Production of Race in Silent Hollywood0
Documenting Anti-colonial Social Movements in Early 1970s Hong Kong with 16mm0
Making up over Zoom: An Autoethnography of Streaming in/as Media Scholarship0
Spotlight: Teddy Pozo0
A Prism of Censorship and Ambivalence: Chronique d'un été and Algérie, année zéro0
Introduction: Film Programmers Speak0
Reel Resistance: The Cinema of Jean-Marie Teno by Melissa Thackway and Jean-Marie Teno0
"Anyone Can Wear the Mask": The Marginalization of Miles Morales in Spider-Man: Into the Spider-Verse0
Fun and Facts about America: Postwar Corporate Liberalism and the Animated Economic Educational Film0
The Red Years of Cahiers du cinéma (1968–1973) by Daniel Fairfax0
"Film Director Tanaka Kinuyo": The Challenges of Female Authorship0
Iranian Cosmopolitanism: A Cinematic History by Golbarg Rekabtalaei, and: Relaying Cinema in Midcentury Iran: Material Cultures in Transit by Kaveh Askari (review)0
Spotlight: Elizabeth Patton0
Toward a Global Film Preservation Movement? Institutional Histories of Film Archiving in Latin America0
Unique Doubles: Ornamental Sisters and Dual Roles in the Transitional Era Cinema0
Surviving "Certain Death": Narrational Reliability in American Motion Picture Serial Cliffhangers of the Golden Age0
Seeing by Electricity: The Emergence of Television, 1878–1939 by Doron Galili0
Happy Trees in a Black Box: Elevated Escapism as Comfort Television in The Joy of Painting with Bob Ross0
Sirens of Modernity: World Cinema via Bombay by Samhita Sunya (review)0
Virtually Wandering the Migration Trail0
The Comedy of Redevelopment: Romantic Comedy, Real Estate, and the "New" Times Square0
The Shape of Motion: Cinema and the Aesthetics of Movement by Jordan Schonig0
The Manchukuo Film Association and Its Afterlives: Animated Filmmaking in Wartime and Postwar Peking0
“What’s Happened to Chorus Girls?”: Domesticity and the Postwar Backstage Musical0
Television and the Afghan Culture Wars: Brought to You by Foreigners, Warlords, and Activists by Wazhmah Osman (review)0
Filmgoing's Often Unseen Labor0
LGBTQ Film Festivals: Curating Queerness by Antoine Damiens0
Studio Melnitsa's Bogatyr Cycle: Notes on a Global Approach to Contemporary Studio Animation0
I Love Lucy, Single Sponsorship, and Marketing Communication0
Manifest Documentary0
Performing Region in Southeast Asian Film Industries0
The New Border War? An Intergenerational Exchange on Bad Trans Horror Objects0
Spotlight: Lakshmi Padmanabhan0
#BlackOutBTS: Race and Self(ie)-Display in Digital Fandom0
Introduction0
The Aboriginal Film and Video Art Alliance: Indigenous Self-Government in Moving Image Media0
Global TV Formats Queer Contemporary China0
Art Cinema and India's Forgotten Futures: Film and History in the Postcolony by Rochona Majumdar0
Indirect Subjects: Nollywood's Local Address by Matthew H. Brown (review)0
Experts in Action: Transnational Hong Kong–Style Stunt Work and Performance by Lauren Steimer0
Chatbots: Cybernetic Psychology and the Future of Conversation0
"Open the Door and I'll Get It for Myself": Minority Production Assistant Programs and the Politics of the Urban Location Shoot, 1969–19740
Centering Peripheries: The Return of Regionalism in Indonesian Independent Cinema0
Spotlight: Critical Media Pedagogies Scholarly Interest Group0
Remediating Antebellum Laughter: Sheppard Lee , Bert Williams, and the Subversion of Blackface in Get Out0
Evacuee Cinema: Bombay and Lahore in Partition Transit (1940–1960) by Salma Siddique (review)0
Homecoming, Border-Crossing, and Conjuncture Film: Hsia Moon, Hong Kong New Wave, and the Bluebird Trilogy, 1982–19840
Light and Time in the Narrative Fiction Film0
Spotlight: Kam Copeland0
Happiness by Design: Modernism and Media in the Eames Era by Justus Nieland0
Grassroots Data Activism0
War and Humanitarian Aesthetics: Notes on Modular Immersion0
Sporting Sensations: Béla Balázs and the Bergfilm Camera Operator0
Latino TV: A History by Mary Beltrán (review)0
Baked In: Cooking and Cannabis in Viceland0
Camp TV: Trans Gender Queer Sitcom History by Quinlan Miller0
Data Selves: More-than-Human Perspectives by Deborah Lupton0
The Riotous State of Trans Visual Culture0
Girl Head: Feminism and Film Materiality by Genevieve Yue0
Playing at a Distance: Borderlands of Video Game Aesthetic by Sonia Fizek (review)0
Ecomation0
The Expansion of 16mm in Film Distribution and Exhibition in Postwar Brazil0
Video Games Have Always Been Queer by Bonnie Ruberg0
Expanding Trans Cinema through the Tranny Fest Collection0
A Comic Book by Other Means: Alain Resnais and Stan Lee's The Monster Maker0
Race and the Suburbs in American Film ed. by Merrill Schleier (review)0
Archival Interventions: Instagram and Black Interiority0
Introduction0
Modern Time: Abbas Kiarostami's Immersions, from Sponsored Documentary to Slow Cinema0
The Western through a Monocle: Fritz Lang's Examination of Western Mythology0
"A Ripple of Mirth, Feminine in Sound": Female Audiences and the Rise of Feature Comedy0
Micro Media Industries: Hmong American Media Innovation in the Diaspora by Lori Kido Lopez0
The Exorbitant Mirror: Violence, Disavowal, and the Logic of Terror in Michael Haneke's Das weiße Band0
Holding onto Power: The Film Industry’s Stratification in the Digital Age0
Organic Creativity: Alden B. Dow’s Small-Gauge Architecture0
Figure and Force in Animation Aesthetics by Ryan Pierson0
When a Handshake Meant Something: The Rise of Entertainment Law in Post-Paramount Hollywood0
News Parade: The American Newsreel and the World as Spectacle by Joseph Clark0
Spotlight: Scandinavian Scholarly Interest Group0
Opening the Broadband Access Paradox0
Spotlight: Diana Flores Ruíz0
Hollywood's Artists: The Directors Guild of America and the Construction of Authorship by Virginia Wright Wexman, and: Below the Stars: How the Labor of Working Actors and Extras Shapes Media Producti0
City of Screens: Imagining Audiences in Manila's Alternative Film Culture by Jasmine Nadua Trice0
Wild Blue Media: Thinking through Seawater by Melody Jue0
Transpacific Convergences: Race, Migration, and Japanese American Film Culture before World War II by Denise Khor (review)0
Epic Cinema: Defining Our Terms0
A Rural Georgia for White Men, Like Brian Kemp: The Midcentury Films and Nontheatrical Legacy of Georgia Agricultural Extension0
Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood by Vanessa Díaz (review)0
The Coroner and the Real: Death, Media, and "Deep Truth" in Werner Herzog's The Enigma of Kaspar Hauser and Grizzly Man0
Queer Sinophone Media across Asian Regionalism0
Ecstatic Rest and the Black Gaze in a Time of Loss0
Spotlight: Fan and Audience Studies Scholarly Interest Group0
Sporting Blackness: Race, Embodiment, and Critical Muscle Memory on Screen by Samantha N. Sheppard0
Legitimate Transgression: Home Video Culture and Screen Translation(s) in the Late Soviet Union0
Scholar Spotlight0
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