JCMS-Journal of Cinema and Media Studies

Article	Citations
Selling Sonic Girlhood: Feminizing Indie Rock through Music Supervision on MTV’s Awkward	10
New Histories of Computational Personhood: An Introduction	10
Topos, Historia, Islas: Film Islands and Regional Cinemas	10
Troubling Folk Horror: Exoticism, Metonymy, and Solipsism in the "Unholy Trinity" and Beyond	9
Sticky Activism: The Gangnam Station Murder Case and New Feminist Practices against Misogyny and Femicide	7
Toward a Transgender Critique of Media Representation	6
Re-imagining a Queer Indigenous Past: Affective Archives and Minor Gestures in the Sámi Documentary Sparrooabbán	5
Black Moviegoing in Harlem: The Case of the Alhambra Theater, 1905–1931	4
Appropriating Irony: Conservative Comedy, Trump-Era Satire, and the Politics of Television Humor	4
Trans Game Studies	4
The Ballad of Morton Heilig: On VR's Mythic Past	4
Queer Affects at the Origins of Computation	3
Pocahontas and Settler Colonialism in Early Film, 1907– 1910	3
Introduction	2
Warrior Women: Recovering Indigenous Visions across Film and Activism	2
Reading the Marvel Cinematic Universe: The Avengers’ Intertextual Aesthetic	2
Blackbusting Hollywood: Racialized Media Reception, Failure, and The Wiz as Black Blockbuster	2
Do the Loud Thing: The Boombox and Urban Space in 1980s American Cinema	2
“The Scientist of the Holy Ghost”: Sunspring and Reading Nonsense	2
On Hollywood Boulevard: Native Community in Classical Hollywood	2
Animated Images in a Media History of Science	1
Misogyny and the Making of the Tech Fratriarchy	1
Expanding Trans Cinema through the Tranny Fest Collection	1
Introduction	1
Centering Peripheries: The Return of Regionalism in Indonesian Independent Cinema	1

"Since Time Im-MEME-morial"!: Indigenous Meme Networks and Fan-Activism	1
Cultural Programming and the Early History of HBO’s Signature Style, 1978–1988	1
The Cinematic Forest and Southeast Asian Cinema	1
Virtual Reality and the Cartographic Imagination	1
Spotlight: Raven Maragh-Lloyd	1
Modi vs. Wild: Celebritized Politics and the Mediations of a Spiritual Strongman	1
Theorizing Region: Film and Video Cultures in Southeast Asia	1
Painful Games, Sporting Practices, and Enduring Masculinities	1
Honor Scenes: Honoring Misty Upham's Critical Interventions	1
From Forests to Film: Chemistry, Industry, and the Rise of Nonflammable Film Stock	1
Private Pleasures, Public Provocations: Creating Dyke Pornography	1
The Syracuse Mission to Iran during the 1950s and the Rise of Documentary Diplomacy	1
"A Ripple of Mirth, Feminine in Sound": Female Audiences and the Rise of Feature Comedy	1
Epic Cinema: Defining Our Terms	1
Postwar Animation and Modernist Criticism: The Case of Annette Michelson	1
Licking for the Nation: Auntie Genealogies in Apichatpong Weerasethakul’s Rak ti Khon Kaen	1
The Bonneville Power Administration Film Archives: Ecologies of Infrastructural Media from 1939 to the Present	1
Indigenous Presence in Vaudeville and Early Cinema	1
Alternate Archives in US Daytime TV Soap Opera Historiography	1
Poetics of Trans Ecologies	1
Spotlight: Radio, Audio Media, and Podcasting Studies Scholarly Interest Group	1
Performing Region in Southeast Asian Film Industries	1
Reanimating the Socialist Child—Queerly: The Sideways of a Chinese Animation Nezha naohai	1
The Rise and Fall of Cosmopolitan Productions: William Randolph Hearst's Cross-Promotional Strategies	1
Bad Archives	1
Spotlight: Graduate Student Organization	1
Introduction	1
Night of the Living Dead Dissects the News: Race, the 1967 Riots, and “Dead Neighbors”	1
We Are Ant-Man: The Digital Body in a Superhero Comedy	1
“Only in Us!”: Celebrity Gossip as Ephemeral Media	1
Bergson's Boffo Laughter	1
Introduction, or The Things We Did Not Lose in the Fire	1
Unfinished Bodies: The Sticky Materiality of Prosthetic Effects	1
Unruly Excess: Labor, Race, and The Pajama Game	0
Sporting Sensations: Béla Balázs and the Bergfilm Camera Operator	0
Seeing by Electricity: The Emergence of Television, 1878–1939 by Doron Galili	0
Chatbots: Cybernetic Psychology and the Future of Conversation	0
Varda’s Backdrops	0
In Translation: Gabriel Navarro, Latina/o Film Critic	0
Spotlight: Fan and Audience Studies Scholarly Interest Group	0
The Riotous State of Trans Visual Culture	0
Sporting Blackness: Race, Embodiment, and Critical Muscle Memory on Screen by Samantha N. Sheppard	0
Light and Time in the Narrative Fiction Film	0
Observational Secular: Religion and Documentary Film in the United States	0
Transpacific Convergences: Race, Migration, and Japanese American Film Culture before World War II by Denise Khor (review)	0
"Open the Door and I'll Get It for Myself": Minority Production Assistant Programs and the Politics of the Urban Location Shoot, 1969–1974	0
Video Games Have Always Been Queer by Bonnie Ruberg	0
A Critic at Large: Lotte Eisner at the Film-Kurier (1927–1933)	0
Spotlight: The SCMS Latino/a Caucus	0
Emotional Point of View in The Texas Chain Saw Massacre	0

Iranian Cosmopolitanism: A Cinematic History by Golbarg Rekabtalaei, and: Relaying Cinema in Midcentury Iran: Material Cultures in Transit by Kaveh Askari (review)	0
The Rainbow’s Gravity: Colour, Materiality and British Modernity by Kirsty Sinclair Dootson (review)	0
Too English? Voice, Gender, and Race from Murder! to Mary	0
Introduction	0
Platform Anxiety: Locating Authorship in Tron, Hugo, and The Lego Movie	0
Bombay Hustle: Making Movies in a Colonial City by Debashree Mukherjee	0
Category III Films in Post-Handover Hong Kong: Excessive Violence and Its Containment in Weiduoliya yi hao and Chuji	0
Spotlight: Marisa Hicks-Alcaraz	0
Constructing the Sony Watchman Pocket Television: Personalization, Spatial Agency, and the Conundrum of the Mobile Idler	0
Organic Creativity: Alden B. Dow’s Small-Gauge Architecture	0
Trans Exploits: Trans of Color Cultures and Technologies in Movement by Jian Neo Chen, and: Shimmering Images: Trans Cinema, Embodiment,and the Aesthetics of Change by Eliza Steinbock	0
Spotlight: Teddy Pozo	0
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema by Usha Iyer	0
Television and the Afghan Culture Wars: Brought to You by Foreigners, Warlords, and Activists by Wazhmah Osman (review)	0
Neurotic Stars and Spellbound Viewers: Louis Bisch and Psychoanalytic Film Theory in Silent-Era Photoplay	0
Hollywood's Artists: The Directors Guild of America and the Construction of Authorship by Virginia Wright Wexman, and: Below the Stars: How the Labor of Working Actors and Extras Shapes Media Producti	0
African Ecomedia: Network Forms, Planetary Politics by Cajetan Iheka	0
"Film Director Tanaka Kinuyo": The Challenges of Female Authorship	0
Pink-Slipped: What Happened to Women in the Silent Film Industries? by Jane M. Gaines, and: Bad Film Histories: Ethnography and the Early Archive by Katherine Groo, and: The Routledge Companion to New	0
Spotlight: Meryem Kamil	0
Wounded Bodies: Grim Beauty and Environmental Injustice in Zhao Liang's Behemoth	0
The Coroner and the Real: Death, Media, and "Deep Truth" in Werner Herzog's The Enigma of Kaspar Hauser and Grizzly Man	0
Fun and Facts about America: Postwar Corporate Liberalism and the Animated Economic Educational Film	0
Afterlife and Reclamation: Rodney King, Black Trauma, and the Televisual Archive of Self in Celebrity Rehab	0
… Like No One Is Watching: Taking Digital Obscura Seriously	0
Populist Iconicity: The Contradictions of Hungarian Prime Minister Viktor Orbán as a Political Celebrity	0
A Diachronic, Scale-Flexible, Relational, Perspectival Operation: In Defense of (Always-Reforming) Medium Specificity	0
Literature, Print Culture, and the Indian New Wave	0
Happy Trees in a Black Box: Elevated Escapism as Comfort Television in The Joy of Painting with Bob Ross	0
Creating Another Screen	0
In Focus Introduction: The Celebritization of Politics in Global Media Culture	0
Populist Fandoms and Anti-fandoms: Politics, Polarization, and Celebritization in Turkey	0
Sovereign Intimacy: Private Media and the Traces of Colonial Violence by Laliv Melamed (review)	0
An Unmediated View of China? dGenerate Films and Transnational Distribution Companies as Sites of Cultural Translation	0
Science Fiction's Facial Optics	0
Who Gets to Call It Black? Practicing Decentering the United States in Film Programming	0
In Focus Introduction: Queering Asian Media	0
Race and the Suburbs in American Film ed. by Merrill Schleier (review)	0
Superimposed, Still	0
To Educate and Inform: A History of Television for Deaf Audiences on the BBC	0
Micro Media Industries: Hmong American Media Innovation in the Diaspora by Lori Kido Lopez	0
Spotlight: Wazhmah Osman	0
Festival Diplomacy: CINE, American Nontheatrical Cinema, and the Film Festival Network	0
Studio Melnitsa's Bogatyr Cycle: Notes on a Global Approach to Contemporary Studio Animation	0
Sarah Winchester: Silicon Valley Developer	0
Spotlight: Scandinavian Scholarly Interest Group	0
Lesbian Potentiality and Feminist Media in the 1970s by Rox Samer	0
The Western through a Monocle: Fritz Lang's Examination of Western Mythology	0
Outtakes and Lost Film: The Fragmentary Encounter between "Newsreel" Wong and the "Chinese Colleen Moore"	0
Belonging and Distantiation: Reading Marjane Satrapi and Vincent Paronnaud's Poulet aux prunes in Relation to Cinéma-monde	0
Television Scales by Nick Salvato	0
Trans Chaplin	0
Racialized Darkness and Ace in the Hole	0
"Anyone Can Wear the Mask": The Marginalization of Miles Morales in Spider-Man: Into the Spider-Verse	0
The Manchukuo Film Association and Its Afterlives: Animated Filmmaking in Wartime and Postwar Peking	0
Spotlight: Kam Copeland	0
Arab Modernism as World Cinema: The Films of Moumen Smihi by Peter Limbrick	0
Spotlight: Middle East Caucus	0
Where Histories Reside: India as Filmed Space by Priya Jaikumar	0
Unique Doubles: Ornamental Sisters and Dual Roles in the Transitional Era Cinema	0
Holding onto Power: The Film Industry’s Stratification in the Digital Age	0
"Designing Sets for a Living—Painting Landscapes for the Joy of Living": Warren Newcombe, a Painter in Hollywood	0
Hollywood's Embassies: How Movie Theaters Projected American Power Around the World by Ross Melnick (review)	0
Rethinking Format in the Amazon: Ecology and El abrazo de la serpiente	0
Hungry Holes and Insatiable Balls: Video Games, Queer Mechanics, and the Limits of Design	0
Tracing the Multiplane: Toward a Genealogy of Animation Apparatuses	0
The Shape of Motion: Cinema and the Aesthetics of Movement by Jordan Schonig	0
Spotlight: Diana Flores Ruíz	0
Spotlight: Swapnil Rai	0
Redeeming Grandfather: Aging Masculinity in Colombian Films	0
On Building Black Film Archive, a Digital Archive that Responds to a Movement	0
Films for the Colonies: Cinema and the Preservation of the British Empire by Tom Rice	0
Archival Interventions: Instagram and Black Interiority	0
LGBTQ Film Festivals: Curating Queerness by Antoine Damiens	0
Underground: The Secret Life of Videocassettes in Iran by Blake Atwood (review)	0
Righting and Re-writing the Historical Record: Re-releasing the Films of Madeline Anderson	0
Toying with Early Cinema: Media Studies in the Children’s Archive	0
The Exorbitant Mirror: Violence, Disavowal, and the Logic of Terror in Michael Haneke's Das weiße Band	0
Data Selves: More-than-Human Perspectives by Deborah Lupton	0
Manifest Documentary	0

Enter Your Chambers and Shut Your Doors behind You: Bodily Containment, Proliferation, and the Right to Privacy in American Law and Gothic Horror	0
Radiant Infrastructures: Media, Environment, and Cultures of Uncertainty by Rahul Mukherjee	0
Documenting Anti-colonial Social Movements in Early 1970s Hong Kong with 16mm	0
Opening the Broadband Access Paradox	0
The Expansion of 16mm in Film Distribution and Exhibition in Postwar Brazil	0
In Focus Introduction: Absence and Afterlives: Unwatched, Undistributed, Lost, and Inaccessible Media	0
Homecoming, Border-Crossing, and Conjuncture Film: Hsia Moon, Hong Kong New Wave, and the Bluebird Trilogy, 1982–1984	0
The Life of a Film: Medianatures, Camphor, and the Ideology of Technological Modernity	0
News Parade: The American Newsreel and the World as Spectacle by Joseph Clark	0
Transnational Metacinemas	0
Unveiling Private Histories: Ethical and Theoretical Implications of Transforming African American Home Movies from Personal Keepsakes to Public Artifacts	0
Baked In: Cooking and Cannabis in Viceland	0
“The House in That Film Was Very Real”: Aging and Verisimilitude in Hindi Film Set Construction	0
Repairing Play: A Black Phenomenology by Aaron Trammell (review)	0
A Rural Georgia for White Men, Like Brian Kemp: The Midcentury Films and Nontheatrical Legacy of Georgia Agricultural Extension	0
A Prism of Censorship and Ambivalence: Chronique d'un été and Algérie, année zéro	0
Universality, Difference, and Spectrality in Call Me by Your Name	0
Playing at a Distance: Borderlands of Video Game Aesthetic by Sonia Fizek (review)	0
Surviving "Certain Death": Narrational Reliability in American Motion Picture Serial Cliffhangers of the Golden Age	0
"Look at My African American": On Authoritarian Populism, Blackness, and Celebrity	0
The Right to a Dignified Image: The Fashioning and Effacement of the Refugee within the Celebrity System	0
The Megacity of Bangkok Rescaled through Queerness	0
American Cold War Hospitality: Portraying Societal Acceptance and Class Mobility of Mexican, Cuban, and Chinese Immigrants in 1950s Sitcoms	0
Media of the Masses: Cassette Culture in Modern Egypt by Andrew Simon (review)	0
War and Humanitarian Aesthetics: Notes on Modular Immersion	0
Cinema Off Screen: Moviegoing in Socialist China by Chenshu Zhou	0
Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea	0
Spotlight: Gender and Feminisms Caucus	0
Vicissitudes of the Underworld: Spatiality and Political Discourse in Hong Kong Gangster Films	0
Reach Out and Watch Someone: Televisuality, Gender, and the Short Life of the Picturephone	0
The Acoustics of the Archipelagic Imagination in Southeast Asian Artists’ Film	0
Powers of the Real: Cinema, Gender, and Emotion in Interwar Japan by Diane Wei Lewis	0
Reclaiming Popular Documentary ed. by Christie Milliken and Steve F. Anderson	0
Netflix Recommends: Algorithms, Film Choice, and the History of Taste by Mattias Frey, and: Netflix and Streaming Video: The Business of Subscriber-Funded Video on Demand by Amanda D. Lotz (review)	0
Reference Rot: Digital Decay, White Supremacy, and Endangering Data	0
Cinema Wears the Mask: The Metaphysics of Animism in Une histoire de vent	0
Absence in Cinema: The Art of Showing Nothing by Justin Remes	0
“What’s Happened to Chorus Girls?”: Domesticity and the Postwar Backstage Musical	0
Franchising the Past: Transmedia Historiography, Cultural Memory Management, and the Fanboy Historian	0
When a Handshake Meant Something: The Rise of Entertainment Law in Post-Paramount Hollywood	0
"He Is a Total Sweetheart": UK Reality TV and Technologies of Populist Publicity	0
Effecting Repair: A Canyon Cinema Report on the "Rediscovery" of Toney W. Merritt	0
Spotlight: Animated Media Scholarly Interest Group	0
I Love Lucy, Single Sponsorship, and Marketing Communication	0
Camp TV: Trans Gender Queer Sitcom History by Quinlan Miller	0
Wild Blue Media: Thinking through Seawater by Melody Jue	0
Cinemas of the Mozambican Revolution: Anti-Colonialism, Independence and Internationalism in Filmmaking, 1968–1991 by Ros Gray (review)	0
Behind the Screen: Tap Dance, Race, and Invisibility During Hollywood’s Golden Age by Brynn W. Shiovitz (review)	0
Broadcasting Hollywood: The Struggle over Feature Films on Early TV by Jennifer Porst (review)	0
Body Talk and the Remediation of Women's Voices in RuPaul's Drag Race	0
The Aboriginal Film and Video Art Alliance: Indigenous Self-Government in Moving Image Media	0
Ecomation	0
Ecstatic Rest and the Black Gaze in a Time of Loss	0
Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood by Vanessa Díaz (review)	0
Legitimate Transgression: Home Video Culture and Screen Translation(s) in the Late Soviet Union	0
Late Slasher: Remediation to Premediation in Urban Legend , Gossip , and Final Destination	0
Introduction: Film Programmers Speak	0
Queercore: Queer Punk Media Subculture by Curran Nault	0
In Translation: Otávio de Faria: Lost Futures: Otávio de Faria and the Beginnings of Film Theory in Brazil	0
Deceiving Death: The Myths behind De-aging Effects	0
Sirens of Modernity: World Cinema via Bombay by Samhita Sunya (review)	0
Spotlight: Elizabeth Patton	0
A Comic Book by Other Means: Alain Resnais and Stan Lee's The Monster Maker	0
A NonReport: The Operative Image and the Politics of the Public Secret	0
Black Panther Transmedia: The Revolution Will Not Be Streamed	0
Le teen film, c'est ma culture : Céline Sciamma and the American Teen Movie	0
"Feminist Borers from Within": The CBS Women's Advisory Council and Media Workplace Reform in the 1970s	0
Virtually Wandering the Migration Trail	0
Sound Corporeality and Multidirectional Acousmatic Music in Mathieu Kassovitz's La Haine	0
Spotlight: Media and the Environment Scholarly Interest Group	0
Uncomfortable Television by Hunter Hargraves (review)	0
Watching News in Public: The Rituals and Responses of Newsreel Theater Audiences	0
The New Border War? An Intergenerational Exchange on Bad Trans Horror Objects	0
Stardom, Cinephilia, and the Affective Contours of Bollywood's Soft Power in China	0
Digital Reincarnation: The Mediated Bodies and Multiple Lives of The Mummy	0
Evidentiary Afterlives	0
Toward a Feminist Montage: Reading for the Cut in Ana Mendieta's Sweating Blood	0
The Queer Art of Feeling: Futurity, Fin de siglo , and New Queer Realism	0
Material Afterlives: The Quilted Poetics of Daughters of the Dust (1991) and Lemonade (2016)	0
Indirect Subjects: Nollywood's Local Address by Matthew H. Brown (review)	0
Introduction	0
Global TV Formats Queer Contemporary China	0
Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry by Chihab El Khachab (review)	0
Evacuee Cinema: Bombay and Lahore in Partition Transit (1940–1960) by Salma Siddique (review)	0
Looking Back, Thinking Forward: A Digital Humanities Assessment of Equity, Diversity, and Representation in Twenty Years of Publishing in Cinema Journal and JCMS	0
Spotlight: Critical Media Pedagogies Scholarly Interest Group	0
Making up over Zoom: An Autoethnography of Streaming in/as Media Scholarship	0
Whose Film? Our Film: Shirley Clarke's The Cool World	0
Thinking with an Accent: Toward a New Object, Method, and Practice ed. by Pooja Rangan et al (review)	0
Contemporary Political Cinema by Matthew Holtmeier	0
Happiness by Design: Modernism and Media in the Eames Era by Justus Nieland	0
The Red Years of Cahiers du cinéma (1968–1973) by Daniel Fairfax	0
#BlackOutBTS: Race and Self(ie)-Display in Digital Fandom	0
Atmosphere: Mexican Extras and the Production of Race in Silent Hollywood	0
The Voice Within: Chinese Muslims, Ethnic Identity, and Self-Representation in Hui Microfilms	0