JCMS-Journal of Cinema and Media Studies

Papers
(The median citation count of JCMS-Journal of Cinema and Media Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
A Rural Georgia for White Men, Like Brian Kemp: The Midcentury Films and Nontheatrical Legacy of Georgia Agricultural Extension10
Happy Trees in a Black Box: Elevated Escapism as Comfort Television in The Joy of Painting with Bob Ross9
Digital Reincarnation: The Mediated Bodies and Multiple Lives of The Mummy8
A Sense of Security: The Visual Politics of COVID-19 Thermography6
Poetics of Trans Ecologies4
"Anyone Can Wear the Mask": The Marginalization of Miles Morales in Spider-Man: Into the Spider-Verse4
Light and Time in the Narrative Fiction Film3
Racialized Darkness and Ace in the Hole3
The Shape of Motion: Cinema and the Aesthetics of Movement by Jordan Schonig2
Reclaiming Popular Documentary ed. by Christie Milliken and Steve F. Anderson1
Ecstatic Rest and the Black Gaze in a Time of Loss1
The Other Side of Glamour: The Left-Wing Studio Network in Hong Kong Cinema in the Cold War Era and Beyond by Vivian P. Y. Lee, and: Hong Kong Media and Asia's Cold War by Po-Shek Fu (review)1
Category III Films in Post-Handover Hong Kong: Excessive Violence and Its Containment in Weiduoliya yi hao and Chuji1
Emotional Point of View in The Texas Chain Saw Massacre1
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema by Usha Iyer1
LGBTQ Film Festivals: Curating Queerness by Antoine Damiens1
Spotlight: Wazhmah Osman1
Fatty Arbuckle's Fingerprints: Race, Photographic Evidence, and the Smudge1
Wild Blue Media: Thinking through Seawater by Melody Jue1
Deceiving Death: The Myths behind De-aging Effects1
Chatbots: Cybernetic Psychology and the Future of Conversation1
Spotlight: Robyn Muir1
"Class Conflict": Dimension 20: Misfits and Magic and TTRPGs as Transformative Fantasy1
Lesbian Potentiality and Feminist Media in the 1970s by Rox Samer1
#BlackOutBTS: Race and Self(ie)-Display in Digital Fandom1
Fugitive Video: Art in 1980s New York Nightclubs0
"Feminist Borers from Within": The CBS Women's Advisory Council and Media Workplace Reform in the 1970s0
Painting Race: Policing Ambiguity in This Rebel Breed0
Superimposed, Still0
Constructing the Sony Watchman Pocket Television: Personalization, Spatial Agency, and the Conundrum of the Mobile Idler0
Evacuee Cinema: Bombay and Lahore in Partition Transit (1940–1960) by Salma Siddique (review)0
Television Scales by Nick Salvato0
The Medium Inside: Psychoanalysts' Media Theory of Everyday Life0
Bad Archives0
Lindsay McIntyre: Indigenous Handmade Cinema0
Effecting Repair: A Canyon Cinema Report on the "Rediscovery" of Toney W. Merritt0
Set-Going Chronicles: Rethinking Turkish Cinema through the Lens of New Cinema History0
The Western through a Monocle: Fritz Lang's Examination of Western Mythology0
Arab Modernism as World Cinema: The Films of Moumen Smihi by Peter Limbrick0
Broadcasting Hollywood: The Struggle over Feature Films on Early TV by Jennifer Porst (review)0
Populist Iconicity: The Contradictions of Hungarian Prime Minister Viktor Orbán as a Political Celebrity0
Going to the Video Hall: A Sensory Encounter with a New Urban Space in Post-Mao China0
Cinema Wears the Mask: The Metaphysics of Animism in Une histoire de vent0
Videotape, Guinea Pig, and the Horror of Privacy0
Atmosphere: Mexican Extras and the Production of Race in Silent Hollywood0
Organic Creativity: Alden B. Dow’s Small-Gauge Architecture0
Populist Fandoms and Anti-fandoms: Politics, Polarization, and Celebritization in Turkey0
Modi vs. Wild: Celebritized Politics and the Mediations of a Spiritual Strongman0
Contemporary Political Cinema by Matthew Holtmeier0
Spotlight: Melissa Phruksachart0
Opening the Broadband Access Paradox0
Spotlight: Critical Media Pedagogies Scholarly Interest Group0
Expanding Trans Cinema through the Tranny Fest Collection0
Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry by Chihab El Khachab (review)0
Creating Another Screen0
Resurrecting the Black Body: Race and the Digital Afterlife by Tonia Sutherland (review)0
Matters in the Bloom: Material Ecocriticism in Dimension 20 's Actual Play A Court of Fey & Flowers0
A Comic Book by Other Means: Alain Resnais and Stan Lee's The Monster Maker0
Introduction0
Making up over Zoom: An Autoethnography of Streaming in/as Media Scholarship0
In Focus Introduction: The Celebritization of Politics in Global Media Culture0
Late Slasher: Remediation to Premediation in Urban Legend , Gossip , and Final Destination0
Virtually Wandering the Migration Trail0
From Extraction to Wilderness: Australian Film History, Environmental History, and The Last Wild River0
Daoism and Diaspora in Post-millennial Taiwanese Martial Arts Films0
Spotlight: Disability Caucus0
The New Border War? An Intergenerational Exchange on Bad Trans Horror Objects0
The Case of the Option Agreement: Erle Stanley Gardner, Intellectual Property Management, and Radio's Perry Mason0
To Err Is Generative: The Flaw as Flow in Prompt-Based Animation0
Studying Media Now: Greetings from JCMS 's New Editors0
The Affordances of the Acousmatic: Questioning Argentineness in El futuro perfecto0
Literature, Print Culture, and the Indian New Wave0
The Red Years of Cahiers du cinéma (1968–1973) by Daniel Fairfax0
Spotlight: Swapnil Rai0
Reconsidering the Network Era: 16mm Film on Television0
Legitimate Transgression: Home Video Culture and Screen Translation(s) in the Late Soviet Union0
Queer Sinophone Media across Asian Regionalism0
From Military Prestige to Fragmented Prestige: Jair Bolsonaro and Authoritarian Populism in Brazil0
Material Afterlives: The Quilted Poetics of Daughters of the Dust (1991) and Lemonade (2016)0
Trans Chaplin0
The Hard Sell of Paradise: Hawaiʻi, Hollywood, Tourism by Jason Sperb, and: Archiving Medical Violence: Consent and the Carceral State by Christopher Perreira, and: Cooling the Tropics: Ice, Indigenei0
Global TV Formats Queer Contemporary China0
Spotlight: Activist and Revolutionary Film and Media Scholarly Interest Group0
"What Goes on in the Windshield": Rear-Projection and On-Screen Automobility0
Subversive Horror, Patriarchal Poison, and Progressive Apocalypse in Jeff Barnaby’s Rhymes for Young Ghouls and Blood Quantum0
Postwar Animation and Modernist Criticism: The Case of Annette Michelson0
A Critic at Large: Lotte Eisner at the Film-Kurier (1927–1933)0
“The House in That Film Was Very Real”: Aging and Verisimilitude in Hindi Film Set Construction0
A Theory of Assembly: From Museums to Memes by Kyle Parry (review)0
Reckoning with a Feminist Experimental Film Collective: Khaidu in 1970s South Korea0
Misogyny and the Making of the Tech Fratriarchy0
"He Is a Total Sweetheart": UK Reality TV and Technologies of Populist Publicity0
Enter Your Chambers and Shut Your Doors behind You: Bodily Containment, Proliferation, and the Right to Privacy in American Law and Gothic Horror0
Whose Film? Our Film: Shirley Clarke's The Cool World0
The Megacity of Bangkok Rescaled through Queerness0
Sister Night, Hooded Justice, and Racial Reckoning in Watchmen0
Redeeming Grandfather: Aging Masculinity in Colombian Films0
Sound Shimmers, "Luminosity in the Darkness": Ear-Witnessing Cold War Paranoia in Edward Yang's A Brighter Summer Day0
Media and the Affective Life of Slavery by Allison Page (review)0
Chosen Structures of Belonging: Kith and Kin in Actual Play0
The Coroner and the Real: Death, Media, and "Deep Truth" in Werner Herzog's The Enigma of Kaspar Hauser and Grizzly Man0
Happiness by Design: Modernism and Media in the Eames Era by Justus Nieland0
Grassroots Data Activism0
Wounded Bodies: Grim Beauty and Environmental Injustice in Zhao Liang's Behemoth0
Their Own Best Creations: Women Writers in Postwar Television by Annie Berke0
Introduction0
Haunted Time in New York by Night0
Spotlight: Media and the Environment Scholarly Interest Group0
Absence in Cinema: The Art of Showing Nothing by Justin Remes0
Latino TV: A History by Mary Beltrán (review)0
"A Ripple of Mirth, Feminine in Sound": Female Audiences and the Rise of Feature Comedy0
Art Cinema and India's Forgotten Futures: Film and History in the Postcolony by Rochona Majumdar0
"Open the Door and I'll Get It for Myself": Minority Production Assistant Programs and the Politics of the Urban Location Shoot, 1969–19740
Spotlight: Indigenous Media Caucus0
Spotlight: Gender and Feminisms Caucus0
On Building Black Film Archive, a Digital Archive that Responds to a Movement0
Baked In: Cooking and Cannabis in Viceland0
The Ethnographic Pastoral Re-imagined: Embodiment and Inhabitation in Aboio and Sweetgrass0
Spotlight: Kam Copeland0
Spotlight: Allyson Nadia Field0
A NonReport: The Operative Image and the Politics of the Public Secret0
Righting and Re-writing the Historical Record: Re-releasing the Films of Madeline Anderson0
Fan Labor Shapes Visibility for Women's Sports in Networked Sports Media0
Playing at a Distance: Borderlands of Video Game Aesthetic by Sonia Fizek (review)0
Everyday Movies: Portable Film Projectors and the Transformation of American Culture by Haidee Wasson0
Data Selves: More-than-Human Perspectives by Deborah Lupton0
Reel Resistance: The Cinema of Jean-Marie Teno by Melissa Thackway and Jean-Marie Teno0
Afterlife and Reclamation: Rodney King, Black Trauma, and the Televisual Archive of Self in Celebrity Rehab0
Documenting Anti-colonial Social Movements in Early 1970s Hong Kong with 16mm0
The Subjective Apparatus: First-Person Films and the Fundamental Subjectivity of Virtual Reality0
Troubling Folk Horror: Exoticism, Metonymy, and Solipsism in the "Unholy Trinity" and Beyond0
Spotlight: Fan and Audience Studies Scholarly Interest Group0
City of Screens: Imagining Audiences in Manila's Alternative Film Culture by Jasmine Nadua Trice0
"Look at My African American": On Authoritarian Populism, Blackness, and Celebrity0
On Failing to Get Out0
From Forests to Film: Chemistry, Industry, and the Rise of Nonflammable Film Stock0
Virtual Reality and the Cartographic Imagination0
Micro Media Industries: Hmong American Media Innovation in the Diaspora by Lori Kido Lopez0
A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood by Diana W. Anselmo (review)0
American Cold War Hospitality: Portraying Societal Acceptance and Class Mobility of Mexican, Cuban, and Chinese Immigrants in 1950s Sitcoms0
Hollywood's Artists: The Directors Guild of America and the Construction of Authorship by Virginia Wright Wexman, and: Below the Stars: How the Labor of Working Actors and Extras Shapes Media Producti0
Spotlight: Kaveh Askari0
Emissary of Another Intelligence: Ian Cheng and the Art of AI0
A Prism of Censorship and Ambivalence: Chronique d'un été and Algérie, année zéro0
A Diachronic, Scale-Flexible, Relational, Perspectival Operation: In Defense of (Always-Reforming) Medium Specificity0
We Are Ant-Man: The Digital Body in a Superhero Comedy0
Spotlight: Lakshmi Padmanabhan0
Conspiracy Theory Goes to Hollywood: An Audiovisual Analysis of the Documentary Film Plandemic0
In Focus Introduction: Media Study beyond Media Studies: Pandemic Lessons for an Evolving Field0
Archives in Blue: Visual Registers for the Police Siege and Surveillance of Jaguar Productions in the 1970s0
Introduction0
Spotlight: Scandinavian Scholarly Interest Group0
The Rainbow’s Gravity: Colour, Materiality and British Modernity by Kirsty Sinclair Dootson (review)0
Filmgoing's Often Unseen Labor0
Neurotic Stars and Spellbound Viewers: Louis Bisch and Psychoanalytic Film Theory in Silent-Era Photoplay0
Remediating Antebellum Laughter: Sheppard Lee , Bert Williams, and the Subversion of Blackface in Get Out0
"Reading Too Much into It": Affective Excess, Extrapolative Reading, and Queer Temporalities in MCU Fanfiction0
An Unmediated View of China? dGenerate Films and Transnational Distribution Companies as Sites of Cultural Translation0
Spotlight: Middle East Caucus0
"She Was Just a Chorus Girl, Baby": Nina Mae McKinney and the Hollywood Supernova0
In Focus Introduction: Queering Asian Media0
Picture Pain: Anti-heteronormative Female Fandom in Early Hollywood0
Emotion Pictures: Movies and Feelings by Lucy Fischer, and: Life-Destroying Diagrams by Eugenie Brinkema, and: Anxious Cinephilia: Pleasure and Peril at the Movies by Sarah Keller (review)0
Italian Ecocinema: Beyond the Human by Elena Past0
In Translation: Gabriel Navarro, Latina/o Film Critic0
Hungry Holes and Insatiable Balls: Video Games, Queer Mechanics, and the Limits of Design0
Queer Affects at the Origins of Computation0
Spotlight: Darshana Sreedhar Mini and Monika Mehta in Conversation about Censorship in India0
As (Un)Seen from Space: Soviet Collapse and the Unwatchable in Andrei Ujică's Out of the Present0
Indian or British Film Heritage? The Material Life of Britain's Colonial Film Archive0
The Manchukuo Film Association and Its Afterlives: Animated Filmmaking in Wartime and Postwar Peking0
Toward a Feminist Montage: Reading for the Cut in Ana Mendieta's Sweating Blood0
Media of the Masses: Cassette Culture in Modern Egypt by Andrew Simon (review)0
To Educate and Inform: A History of Television for Deaf Audiences on the BBC0
African Ecomedia: Network Forms, Planetary Politics by Cajetan Iheka0
New Histories of Computational Personhood: An Introduction0
Against Immersion: An Interview with Aggie Ebrahimi Bazaz0
Reference Rot: Digital Decay, White Supremacy, and Endangering Data0
Border Tunnels: A Media Theory of the U.S.-Mexico Underground by Juan Llamas-Rodriguez (review)0
Science Fiction's Facial Optics0
Sarah Winchester: Silicon Valley Developer0
#LearnOnTikTok Serendipitously, #LearnOnTikTok Seriously0
Homecoming, Border-Crossing, and Conjuncture Film: Hsia Moon, Hong Kong New Wave, and the Bluebird Trilogy, 1982–19840
Death in the Streets, Blood on Your Hands: Chocolate Babies and the End of AIDS0
Who Gets to Call It Black? Practicing Decentering the United States in Film Programming0
In Focus Introduction: Actual Play as Actual Art0
Indirect Subjects: Nollywood's Local Address by Matthew H. Brown (review)0
The Riotous State of Trans Visual Culture0
Hollywood's Embassies: How Movie Theaters Projected American Power Around the World by Ross Melnick (review)0
Watching News in Public: The Rituals and Responses of Newsreel Theater Audiences0
Seeing in Circles: Narrative Circularity, the Cosmetic Gaze, and the Fusion of Self and Other in Kim Ki-duk's Sigan0
"Designing Sets for a Living—Painting Landscapes for the Joy of Living": Warren Newcombe, a Painter in Hollywood0
Spotlight: Caucus on Class0
Netflix Recommends: Algorithms, Film Choice, and the History of Taste by Mattias Frey, and: Netflix and Streaming Video: The Business of Subscriber-Funded Video on Demand by Amanda D. Lotz (review)0
Introduction: Film Programmers Speak0
The Unsituated Comedy0
Domestic Advice and Its Shadowy Double: Domestic Satire in At Home with Amy Sedaris0
War and Humanitarian Aesthetics: Notes on Modular Immersion0
Modern Time: Abbas Kiarostami's Immersions, from Sponsored Documentary to Slow Cinema0
"Film Director Tanaka Kinuyo": The Challenges of Female Authorship0
Spotlight: Elizabeth Patton0
Cinematic Independence: Constructing the Big Screen in Nigeria by Noah Tsika (review)0
Too English? Voice, Gender, and Race from Murder! to Mary0
The Expansion of 16mm in Film Distribution and Exhibition in Postwar Brazil0
Figure and Force in Animation Aesthetics by Ryan Pierson0
Transnational Metacinemas0
Transpacific Convergences: Race, Migration, and Japanese American Film Culture before World War II by Denise Khor (review)0
Is Kingdom Hearts a JRPG? The Racialized Labor of a Japanese Anti-auteur’s Disney-Licensed Videogame0
Race and the Suburbs in American Film ed. by Merrill Schleier (review)0
Sound Corporeality and Multidirectional Acousmatic Music in Mathieu Kassovitz's La Haine0
Queer Childhood Sexuality in Ang Pagdadalaga ni Maximo Oliveros0
Listening with a Feminist Ear: Soundwork in Bombay Cinema by Pavitra Sundar (review)0
When a Format (Almost) Becomes an Instrument: Eurorack in a Logistical World0
Entrepreneurialism and the Return of the Bildungsroman: Mapping Racial Capitalism in Burhan Qurbani's Berlin Alexanderplatz0
Universality, Difference, and Spectrality in Call Me by Your Name0
The Life of a Film: Medianatures, Camphor, and the Ideology of Technological Modernity0
Animating Infection: Simulated Movement and Digital Zombie Hordes0
The Threat of the AI Actor0
Reanimating the Socialist Child—Queerly: The Sideways of a Chinese Animation Nezha naohai0
The Synthetic Real: AI-Documentary Connections0
Stardom, Cinephilia, and the Affective Contours of Bollywood's Soft Power in China0
Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea0
Disinformation and the Informal Media Economy in Iran0
Experts in Action: Transnational Hong Kong–Style Stunt Work and Performance by Lauren Steimer0
Projection Instructions and the Distribution of Expanded Cinema0
Re-documenting the US Invasion of Panamá amid the Contact Zone in Diciembres0
"As the Cyber World Turns": Web Soaps and the History of TV Storytelling Online0
Repairing Play: A Black Phenomenology by Aaron Trammell (review)0
Powers of the Real: Cinema, Gender, and Emotion in Interwar Japan by Diane Wei Lewis0
Toward a Transgender Critique of Media Representation0
Behind the Screen: Tap Dance, Race, and Invisibility During Hollywood’s Golden Age by Brynn W. Shiovitz (review)0
Consuming the Korean Mobile Nation: Seoul, Dislocation, and the Search for Belonging in (Food) Media0
Ghosts in the Celluloid: AI Video Dubbing and TrueSync0
The Gay in Gauge: Pat Rocco and the Significance of 16mm to Gay Liberation0
Surviving "Certain Death": Narrational Reliability in American Motion Picture Serial Cliffhangers of the Golden Age0
I Love Lucy, Single Sponsorship, and Marketing Communication0
Trans Game Studies0
Cine-mapping: Charting the Use of Scripted Spaces in Screen Tourism0
A Happy Farewell0
The Voice Within: Chinese Muslims, Ethnic Identity, and Self-Representation in Hui Microfilms0
Spotlight: Graduate Student Organization0
The Queer Art of Feeling: Futurity, Fin de siglo , and New Queer Realism0
Radiant Infrastructures: Media, Environment, and Cultures of Uncertainty by Rahul Mukherjee0
Writing Film History without Films: Song Booklets and an Archival Hermeneutic of Speculation0
Private Pleasures, Public Provocations: Creating Dyke Pornography0
Spotlight: Alexandra Juhasz0
Outtakes and Lost Film: The Fragmentary Encounter between "Newsreel" Wong and the "Chinese Colleen Moore"0
Dimension 20 and Collaborative Moral Imagination0
Sovereign Intimacy: Private Media and the Traces of Colonial Violence by Laliv Melamed (review)0
Cinema Off Screen: Moviegoing in Socialist China by Chenshu Zhou0
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