Fontes Artis Musicae

Papers
(The TQCC of Fontes Artis Musicae is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
The Rogge Library’s Music Collections1
Briefs / Feuilletons1
Radio Plays and Poetic Broadcasts with Music by Witold Lutosławski in the Collections of the Polish Radio Archive and the National Digital Archive in Warsaw: A Catalogue of Recordings1
Composing African Modernities: The Iwalewa-Haus Score Collection as Archive and Epistemology1
The Cataloguing Process of the 'C Collection' in the Music Archive of the Cathedrals of Zaragoza1
Shostakovich: A Coded Life in Music by Brian Morton1
Briefs / Feuilletons1
The Impact of the Covid-19 Pandemic on Music Education in Ukraine1
Alexander Goehr: Composing a Life by Jack Van Zandt and Alexander Goehr (review)1
Ralph Vaughan Williams and Adrian Boult by Nigel Simeone (review)1
Surveying Composers Part II: Perspectives on Composer and Library Engagement for the Future1
Curating A Colonial Archive: The Tamássypauw Flute Scores Collection0
Golden Ages: Hasidic Singers and Cantorial Revival in the Digital Era by Jeremiah Lockwood (review)0
Interviews with American Composers: Barney Childs in Conversation ed. by Virginia Anderson0
Interactive Scores at the Irish Traditional Music Archive (ITMA)0
Photoplay Music as a Key Source for a New Historiographical Paradigm0
Orchestral Identities and the Formation of Musical Knowledge: A ‘Sociomaterial’ View on the Concert Programmes of the London Symphony Orchestra and the Vienna Philharmonic Orchestra0
Information for Contributors0
‘The Most Galant and Superb Celebrations’: Musical Performances at Chantilly for the Coronation of Louis XV0
Briefs / Feuilletons0
Avant-Garde on Record: Musical Responses to Stereos by Jonathan Goldman (review)0
The Music of Nobuo Uematsu in the Final Fantasy Series ed. by Richard Anatone (review)0
A Fresh Perspective on the American Years of Niccoló; Castiglioni: On the Discovery of Two Castiglioni Music Manuscripts at the University of British Columbia0
The Enigmatic Life of Antoine Mahaut: Flutist and Composer in Amsterdam and Paris by Rien De Reede (review)0
Briefs / Feuilletons: Briefs / Feuilletons0
The Presidents/Les Président(e)s/Die Präsident(inn)en0
A Window into the Musical Life in Nineteenth Century Stockholm: Ideas on the Application of Digital Visualisation Methodology0
Encoding the Users: Towards a Copy-Based Assessment of Early Printed Music0
Briefs / Feuilletons0
Briefs / Feuilletons0
The Museum of Renaissance Music: A History in 100 Exhibits ed. by Vincenzo Borghetti and Tim Shephard (review)0
Canada: Assessing the Music Score Collection at the University of Toronto0
Archduke Maximilian Franz and the Chamber Music of Leopold Hofmann0
A Mozart Library in National Socialist Germany0
Briefs / Feuilletons0
Renegade Rhymes: Rap Music, Knowledge, and Narrative in Taiwan by Meredith Schweig (review)0
Flutists in Paris. The School of Blavet in the Second Half of the Eighteenth Century by Rien de Reede (review)0
Briefs / Feuilletons0
Johann Christian Bach: Operas and Dramatic Works (review)0
Music of Sundry Kinds: Some 75th Anniversary Musings on IAML Commissions0
Briefs / Feuilletons0
Latvia: Riga City Theatre Materials in the Stock of the National Library of Latvia – Historical Evidence and Findings0
The Musical Culture of Carmelites in the Former Polish-Lithuanian Commonwealth during the Seventeenth- and Eighteenth-Century. Music Sources and Other Documentation0
Opening address given at the World Congress of Music Libraries0
The Temple of Fame & Friendship: Portraits, Music, and History in the C. P. E. Bach Circle by Annette Richards (review)0
The Music Collection of Antonín Borový (1755–1832), A Cantor from Zlatá Koruna0
Bach and Mozart: Connections, Patterns, and Pathways ed. by Paul Corneilson (review)0
Music Publishing in Kraków in 1850–19180
Digital Scores, Outreach, and Accent Walls: Insights into Music Students' Perspectives of the University of Toronto Music Library0
After the Collection, What Next? Challenges of Preservation of Folk Music Recordings in an Unstable Climatic Environment in Nigeria (Library of Folk Music of Nigeria Project in Focus)0
Partners and Friends / Associés et amis / Partner und Freunden0
Sources of Ignace Pleyel's Symphonies in Spanish Cathedrals Around 18000
Magician of Sound: Ravel and the Aesthetics of Illusion by Jessie Fillerup (review)0
Between Forced Donation and Restitution: The Chequered History of the Strauss-Meyszner-Collection in the Vienna City Library0
Studienbuch by Gottfried Galston. Facsimile of the Author's Personal Copy with a New English Translation by Rosemarie S. Greenman (review)0
The Czech Republic and Croatia: Cooperation on the Early Production of Recorded Sound0
Adoption of Music Open Educational Resources Among International Association of Music Libraries (IAML) Participants: A Cross-Sectional Survey0
An Anniversary Message0
A Sea Symphony by Ralph Vaughan Williams (review)0
Elenco dei congressisti/List of congress attendees0
The Deutsches Musikgeschichtliches Archiv: From the Pioneer Years to the Present0
To Our Readers0
'Toccate per Cimbalo del Signor Domenico Scarlatti': An Unexplored Early Source0
Jean-Joseph Mouret's Divertissements : An Eighteenth-Century Example of Self-Publishing Strategy0
When Mr Paradies Provided the Songs: The London Opera Arias of Fitzwilliam Museum, Mu.Ms.1080
Memories of Musical Lives: Music and Dance in Personal Collections from Australia and New Zealand ed. by Rosemary Richards and Julja Szuster (review)0
From 'Agitato' to 'Yearning': Interpreting Stock Music for Silent Film Through Data Analysis, Pathos Formulae, and New Cataloguing Practices0
Archiving Indigenous Igbo Musical Heritage in Human Memories: Sustainability Challenges and Digital Transfer as Strategy for Future Recovery of Extinct Musical Forms0
Briefs / Feuilletons0
Music and Dance as Everyday South Asia ed. by Sarah L. Morelli and Zoe C. Sherinian (review)0
Information for Contributors0
Beethoven desde España: Estudios interdisciplinares y recepción musical ed. by Paulino Capdepón Verdú and Juan José Pastor Comín (review)0
Primary Sources in Czech Cinema: Identifying Musical Manuscripts of the Nation’s Film History0
Briefs / Feuilletons0
Editor’s Preface0
iPad and Digital Sheet Music Delivery: Supporting Student Development and Encouraging Digital Score Use Through Library-Circulated Hardware0
‘Tenderly Guarded Treasure’: The Gisella Selden-Goth Collection at the Library of Congress0
Paganini Marchand Luthier Through Documentary Sources: New Research0
Briefs / Feuilletons0
Accenting the Classics: Editing European Music in France, 1915–1925 by Deborah Mawer, et al. (review)0
In silenzio senza disturbare nessuno. Claudio Sartori, Brescia 1913–Milano 1994 by Mariella Sala, Massimo Gentili-Tedeschi and Pinuccia Carrer0
Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-Century Opera by Sean M. Parr0
Briefs / Feuilletons0
The Pursuit of Musick: Musical Life in Original Writings & Art, c. 1200–1770 by Andrew Parrott (review)0
‘Zur Fröligkeit componirt’: Der Coburger Hofkapellmeister Melchior Franck by Niels Fleck and Angelika Tasler (review)0
The Grand Piano of Ignacy Jan Paderewski in Cartoons0
Where it all began: Florence, 27–30 October 19490
Cataloguing of Traditional Music: The Digital Archive of the Provincial Council of Soria (Spain)0
Sacred Chameleons: Form, Function, and Dissemination Patterns in the Motets of Leopold Hofmann0
The Music for Salon Orchestra and its Use in Silent Films0
Every Valley: The Desperate Lives and Troubled Times That Made Handel's Messiah by Charles King (review)0
The Cue Sheets of James C. Bradford0
Briefs / Feuilletons0
The Life and Artistic Activity of Pianist Victoria Boshko (1887–1977)0
Alan Bush, Modern Music, and the Cold War: The Cultural Left in Britain and the Communist Bloc by Joanna Bullivant (review)0
Frontispiece: The medal struck to mark the first World Congress of Music Libraries, Florence, 1949s0
Performing Arts and Noblemen Education: New Perspectives from the Library and Archive of the Collegio San Carlo in Modena (18th–19th Centuries)0
Sound Pedagogy: Radical Care in Music ed. by Colleen Renihan, John Spilker, and Trudi Wright (review)0
London, Royal College of Music Library, MS 2093 (1660s–1670s) ed. by Heather Windram and Terence Charlston, and: London, Lambeth Palace Library, MS 1040 (1650s–1660s) ed. by Andrew Woolley, Heather Wi0
Lettres Autographes Françaises aux Archives du Département de la Musique de la Bibliothèque Nationale de la République Tchèque0
Cavalleria rusticana : Rapid Production and Extensive Media Interest in Stockholm in 18900
The GOArt Center and its Library, where the Organ is the Focus0
Communications0
Emil von Sauer: Liszt's Forgotten Protégé by Anita Crocus (review)0
How Tracking RISM's Footprint Across (South) Africa Led to the Discovery of San Rock Paintings, !Gõin !Gõin , and an Elephant in the Music Room0
Köchel-Verzeichnis: Thematic Catalog of the Musical Works of W. A. Mozart ed. by Neal Zaslaw (review)0
The Motet in the Late Middle Ages by Margaret Bent (review)0
Liturgy and Sequences of the Sainte-Chapelle: Music, Relics, and Sacral Kingship in Thirteenth-Century France by Yossi Maurey (review)0
Out of the Shadows: The Remarkable Story of Warwick Braithwaite (1896–1971), New Zealand’s Finest Conductor0
Using Alma Digital to Provide Access to Digital Scores: One Music Library’s Experience0
Anne Dawson Her Book (1716) ed. by Jon Baxendale, and: Toccatas, Suites and Preludes for Harpsichord by William Babell ed. by Andrew Woolley0
From Leningrad to Bloomington: Fëdor Lavrov's Soviet Punk Legacy and the Ongoing Relevance of Dissent0
Aaron Copland in Latin America: Music and Cultural Politics by Carol A. Hess (review)0
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