OOIR: Observatory of International Research

Papers

(The TQCC of Fontes Artis Musicae is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
How Can We Work With Our Music Communities? On The Occasion of IAML Japanese Branch’s Fortieth Anniversary	1
Joan Manén's Pioneer Recordings: Violin Concertos by Beethoven, Bruch, and Mendelssohn	1
The Greek RISM Office: Describing Byzantine Music-Related Resources and Other Projects	1
The Musical Culture of Carmelites in the Former Polish-Lithuanian Commonwealth during the Seventeenth- and Eighteenth-Century. Music Sources and Other Documentation	1
Surveying Composers Part II: Perspectives on Composer and Library Engagement for the Future	1
Music Libraries in Japan During The 1960s: The Time for a Seed to Germinate?	1
The Old Cummings Collection at the Nanki Music Library	1
When Mr Paradies Provided the Songs: The London Opera Arias of Fitzwilliam Museum, Mu.Ms.108	1
A First Inventory of Plainchant Books up to 1900 in Santiago, Chile	1
The Impact of the Covid-19 Pandemic on Music Education in Ukraine	1
Aaron Copland in Latin America: Music and Cultural Politics by Carol A. Hess (review)	0
Saint-Saëns and the Stage: Operas, Plays, Pageants, a Ballet and a Film by Hugh Macdonald	0
Liturgy and Sequences of the Sainte-Chapelle: Music, Relics, and Sacral Kingship in Thirteenth-Century France by Yossi Maurey (review)	0
'To Better Perform My Duties as a Dame Patronesse': Pauline Viardot-García's Philanthropic Work	0
In silenzio senza disturbare nessuno. Claudio Sartori, Brescia 1913–Milano 1994 by Mariella Sala, Massimo Gentili-Tedeschi and Pinuccia Carrer	0
After the Collection, What Next? Challenges of Preservation of Folk Music Recordings in an Unstable Climatic Environment in Nigeria (Library of Folk Music of Nigeria Project in Focus)	0
Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-Century Opera by Sean M. Parr	0
Restoring the Synagogue Soundtrack: Jewish Religious Music in Nineteenth Century America by Judah M. Cohen	0
Fontes Artis Musicae: Volume 68, 2021	0
Sound Pedagogy: Radical Care in Music ed. by Colleen Renihan, John Spilker, and Trudi Wright (review)	0
The Pursuit of Musick: Musical Life in Original Writings & Art, c. 1200–1770 by Andrew Parrott (review)	0
The Life and Artistic Activity of Pianist Victoria Boshko (1887–1977)	0
The Temple of Fame & Friendship: Portraits, Music, and History in the C. P. E. Bach Circle by Annette Richards (review)	0
Studienbuch by Gottfried Galston. Facsimile of the Author's Personal Copy with a New English Translation by Rosemarie S. Greenman (review)	0
Ludwig Senfl (c.1490–1543): A Catalogue Raisonné of the Works and Sources. Volume 1: Catalogue of the Works. Volume 2: Catalogue of the Sources–Abbreviations, Bibliography, Indexes by Stefan Gasch and	0

Cataloguing of Traditional Music: The Digital Archive of the Provincial Council of Soria (Spain)	0
Briefs / Feuilletons	0
Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre: Mattheson's Universal Style in Theory and Practice by Margaret Seares	0
The Acceptance of Studies on European Medieval and Renaissance Music in Japan	0
Preface	0
Sacred Chameleons: Form, Function, and Dissemination Patterns in the Motets of Leopold Hofmann	0
Die Notenautographe (1825–1884) im Album von Ferdinand Hiller: Überblick, Einordnung, Quellenwert	0
The Museum of Renaissance Music: A History in 100 Exhibits ed. by Vincenzo Borghetti and Tim Shephard (review)	0
'Pure or Tainted?': Representing a Source of Colonial Bengali-English Music in RISM	0
Kaikhosru Sorabji’s Letters to Philip Heseltine (Peter Warlock) ed. by Brian Inglis and Barry Smith	0
British Symphonic Criticism: A Tale of Two Symposia	0
Memories of Musical Lives: Music and Dance in Personal Collections from Australia and New Zealand ed. by Rosemary Richards and Julja Szuster (review)	0
Anne Dawson Her Book (1716) ed. by Jon Baxendale, and: Toccatas, Suites and Preludes for Harpsichord by William Babell ed. by Andrew Woolley	0
Photoplay Music as a Key Source for a New Historiographical Paradigm	0
Ralph Vaughan Williams and Adrian Boult by Nigel Simeone (review)	0
Briefs / Feuilletons	0
Interactive Scores at the Irish Traditional Music Archive (ITMA)	0
Briefs / Feuilletons	0
The Oxford Handbook of Musical Repatriation ed. by Frank Gunderson, Robert C. Lancefield and Bret Woods	0
Ina Lohr (1903–1983): Transcending the Boundaries of Early Music by Anne Smith	0
Bach and Mozart: Connections, Patterns, and Pathways ed. by Paul Corneilson (review)	0
José Soler Casabón's L'Homme sans yeux, sans nez et sans oreilles and Erik Satie's Parade: Two Ballets from Paris of 1917	0
Communications	0
COVID-19 and Field Recordings for the Library of Folk Music of Nigeria Project: Disruptions and Challenges of Access in Pandemic Time	0
Briefs / Feuilletons	0
Vocal Art of Armenian Composers	0
Sounding Roman: Representation and Performing Identity in Western Turkey by Sonia Tamar Seeman	0
Canada: Assessing the Music Score Collection at the University of Toronto	0
Geschichte der Musiktheorie: Die Musiktheorie im 18. und 19. Jahrhundert. Dritter Band: Frankreich, Belgien, Italien ed. by Stefan Keym	0
Eubie Blake: Rags, Rhythm, and Race by Richard Carlin and Ken Bloom	0
Jean-Joseph Mouret's Divertissements : An Eighteenth-Century Example of Self-Publishing Strategy	0
Briefs / Feuilletons	0
The Music Archive of Macau’s Seminary of St. Joseph: Chinese Transmission and Reformulation of Western Music-Theoretical Knowledge	0
Flutists in Paris. The School of Blavet in the Second Half of the Eighteenth Century by Rien de Reede (review)	0
The Music Inventory of the Napoleonic Kingdom of Italy (Milan, 1805–1814)	0
Briefs / Feuilletons	0
Carnival, Calypso and Steel Pan: A Bibliographic Guide to Popular Music of the English-speaking Caribbean and its Diaspora by John Gray	0
Fifty Years with the Fondo Cappella Sistina of The Biblioteca Apostolica Vaticana	0
The Sweet Penance of Music: Musical Life in Colonial Santiago de Chile by Alejandro Vera	0
The Music of Nobuo Uematsu in the Final Fantasy Series ed. by Richard Anatone (review)	0
Nourmahal's Song: An Unknown Coleridge-Taylor Work	0
Briefs / Feuilletons	0
Musique et musiciens à Paris pendant la Grande Guerre: Les Chemins du patriotism by Charlotte Segond-Genovesi	0
A Public Music Library in the Heart of Europe: Forty Years of Csorba Győző Library's Music Department (Pécs, Hungary)	0
Briefs / Feuilletons	0
Interviews with American Composers: Barney Childs in Conversation ed. by Virginia Anderson	0
Biblioteca di musica. Studi in onore di Agostina Zecca Laterza in occasione dei 25 anni dalla fondazione della IAML Italia ed. by Marcoemilio Camera and Patrizia Florio	0
The Music Collection (Ancient Holdings) of the University of Barcelona Library	0
Accenting the Classics: Editing European Music in France, 1915–1925 by Deborah Mawer, et al. (review)	0
London, Royal College of Music Library, MS 2093 (1660s–1670s) ed. by Heather Windram and Terence Charlston, and: London, Lambeth Palace Library, MS 1040 (1650s–1660s) ed. by Andrew Woolley, Heather Wi	0

Using Alma Digital to Provide Access to Digital Scores: One Music Library’s Experience	0
Orchestral Identities and the Formation of Musical Knowledge: A ‘Sociomaterial’ View on the Concert Programmes of the London Symphony Orchestra and the Vienna Philharmonic Orchestra	0
The Oxford Handbook of Philosophical and Qualitative Assessment in Music Education ed. by David J. Elliott, Marissa Silverman, and Gary E. McPherson	0
The Music for Salon Orchestra and its Use in Silent Films	0
Briefs/Feuilletons	0
Recent Developments in the Japanese Branch of Répertoire International de Littérature Musicale (Rilm National Committee of Japan): Its Task and Future	0
Briefs / Feuilletons	0
The Cataloguing Process of the 'C Collection' in the Music Archive of the Cathedrals of Zaragoza	0
Out of the Shadows: The Remarkable Story of Warwick Braithwaite (1896–1971), New Zealand’s Finest Conductor	0
The Music Collection of Antonín Borový (1755–1832), A Cantor from Zlatá Koruna	0
Transforming Ethnomusicology, Volume I: Methodologies, Institutional Structures & Policies ed. by Beverley Diamond and Salwa El-Shawan Castelo-Branco, and: Transforming Ethnomusicology, Volume II:	0
Briefs / Feuilletons	0
Editor's Preface	0
Georges Auric: A Life in Music and Politics by Colin Roust	0
A Mozart Library in National Socialist Germany	0
The Musical Activities at the Court of Ulrich VI, Duke of Württemberg Before and During the Early Reformation	0
Alan Bush, Modern Music, and the Cold War: The Cultural Left in Britain and the Communist Bloc by Joanna Bullivant (review)	0
The Cue Sheets of James C. Bradford	0
Briefs / Feuilletons	0
Briefs / Feuilletons	0
Lettres Autographes Françaises aux Archives du Département de la Musique de la Bibliothèque Nationale de la République Tchèque	0
So You Want to Sing Music by Women: A Guide for Performers by Matthew Hoch and Linda Lister	0
Beethoven: A Life by Jan Caeyers, and: Die zwei Leben des Ludwig van Beethoven by Ulrich Drüner, and: Beethoven: A Political Artist in Revolutionary Times by William Kinderman	0
L'œuvre de Frédéric Chopin. Manuscrits–Partitions annotées–Bibliographies by Bertrand Jaeger	0
Maurizio Cazzati's 'Unsold Music'	0
Ethnic Piano Rolls in the United States: Between Folk, Foreign and National Music	0
Renegade Rhymes: Rap Music, Knowledge, and Narrative in Taiwan by Meredith Schweig (review)	0
Viable Texts or Reliable Texts? The Earliest Editions of Pleyel's String Quintets	0
From 'Agitato' to 'Yearning': Interpreting Stock Music for Silent Film Through Data Analysis, Pathos Formulae, and New Cataloguing Practices	0
Teaching Piano Pedagogy: A Guidebook for Training Effective Teachers by Courtney Crappell	0
Opening a Celebrity’s Closet: Cecilia Davies and the de Bellis Collection	0
Binding and Care of Printed Music. Revised Edition by Alice Carli	0
Shostakovich: A Coded Life in Music by Brian Morton	0
Archiving Indigenous Igbo Musical Heritage in Human Memories: Sustainability Challenges and Digital Transfer as Strategy for Future Recovery of Extinct Musical Forms	0
The Grand Piano of Ignacy Jan Paderewski in Cartoons	0
iPad and Digital Sheet Music Delivery: Supporting Student Development and Encouraging Digital Score Use Through Library-Circulated Hardware	0
The Czech Republic and Croatia: Cooperation on the Early Production of Recorded Sound	0
Francisco Andreví Castellá (1786–1853): A Preview of a Forthcoming Catalogue of Works	0
Briefs / Feuilletons	0
Briefs / Feuilletons	0
Latvia: Riga City Theatre Materials in the Stock of the National Library of Latvia – Historical Evidence and Findings	0