Fontes Artis Musicae

Papers
(The TQCC of Fontes Artis Musicae is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)
ArticleCitations
The Cue Sheets of James C. Bradford1
The Pursuit of Musick: Musical Life in Original Writings & Art, c. 1200–1770 by Andrew Parrott (review)1
Briefs / Feuilletons1
Briefs / Feuilletons1
Studienbuch by Gottfried Galston. Facsimile of the Author's Personal Copy with a New English Translation by Rosemarie S. Greenman (review)1
Emil von Sauer: Liszt's Forgotten Protégé by Anita Crocus (review)0
Interviews with American Composers: Barney Childs in Conversation ed. by Virginia Anderson0
Fifty Years with the Fondo Cappella Sistina of The Biblioteca Apostolica Vaticana0
Musique et musiciens à Paris pendant la Grande Guerre: Les Chemins du patriotism by Charlotte Segond-Genovesi0
The Music of Nobuo Uematsu in the Final Fantasy Series ed. by Richard Anatone (review)0
Out of the Shadows: The Remarkable Story of Warwick Braithwaite (1896–1971), New Zealand’s Finest Conductor0
Flutists in Paris. The School of Blavet in the Second Half of the Eighteenth Century by Rien de Reede (review)0
The Impact of the Covid-19 Pandemic on Music Education in Ukraine0
Using Alma Digital to Provide Access to Digital Scores: One Music Library’s Experience0
Briefs / Feuilletons0
Aaron Copland in Latin America: Music and Cultural Politics by Carol A. Hess (review)0
Jean-Joseph Mouret's Divertissements : An Eighteenth-Century Example of Self-Publishing Strategy0
Accenting the Classics: Editing European Music in France, 1915–1925 by Deborah Mawer, et al. (review)0
Georges Auric: A Life in Music and Politics by Colin Roust0
Surveying Composers Part II: Perspectives on Composer and Library Engagement for the Future0
Die Notenautographe (1825–1884) im Album von Ferdinand Hiller: Überblick, Einordnung, Quellenwert0
After the Collection, What Next? Challenges of Preservation of Folk Music Recordings in an Unstable Climatic Environment in Nigeria (Library of Folk Music of Nigeria Project in Focus)0
Ralph Vaughan Williams and Adrian Boult by Nigel Simeone (review)0
Communications0
Transforming Ethnomusicology, Volume I: Methodologies, Institutional Structures & Policies ed. by Beverley Diamond and Salwa El-Shawan Castelo-Branco, and: Transforming Ethnomusicology, Volume II:0
Alexander Goehr: Composing a Life by Jack Van Zandt and Alexander Goehr (review)0
Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-Century Opera by Sean M. Parr0
Briefs / Feuilletons0
Magician of Sound: Ravel and the Aesthetics of Illusion by Jessie Fillerup (review)0
The Cataloguing Process of the 'C Collection' in the Music Archive of the Cathedrals of Zaragoza0
Anne Dawson Her Book (1716) ed. by Jon Baxendale, and: Toccatas, Suites and Preludes for Harpsichord by William Babell ed. by Andrew Woolley0
Shostakovich: A Coded Life in Music by Brian Morton0
The Music for Salon Orchestra and its Use in Silent Films0
From 'Agitato' to 'Yearning': Interpreting Stock Music for Silent Film Through Data Analysis, Pathos Formulae, and New Cataloguing Practices0
Briefs / Feuilletons0
Editor's Preface0
Sacred Chameleons: Form, Function, and Dissemination Patterns in the Motets of Leopold Hofmann0
Cataloguing of Traditional Music: The Digital Archive of the Provincial Council of Soria (Spain)0
Latvia: Riga City Theatre Materials in the Stock of the National Library of Latvia – Historical Evidence and Findings0
Viable Texts or Reliable Texts? The Earliest Editions of Pleyel's String Quintets0
Briefs / Feuilletons0
iPad and Digital Sheet Music Delivery: Supporting Student Development and Encouraging Digital Score Use Through Library-Circulated Hardware0
The Life and Artistic Activity of Pianist Victoria Boshko (1887–1977)0
Orchestral Identities and the Formation of Musical Knowledge: A ‘Sociomaterial’ View on the Concert Programmes of the London Symphony Orchestra and the Vienna Philharmonic Orchestra0
L'œuvre de Frédéric Chopin. Manuscrits–Partitions annotées–Bibliographies by Bertrand Jaeger0
Sound Pedagogy: Radical Care in Music ed. by Colleen Renihan, John Spilker, and Trudi Wright (review)0
Memories of Musical Lives: Music and Dance in Personal Collections from Australia and New Zealand ed. by Rosemary Richards and Julja Szuster (review)0
A Mozart Library in National Socialist Germany0
Ethnic Piano Rolls in the United States: Between Folk, Foreign and National Music0
In silenzio senza disturbare nessuno. Claudio Sartori, Brescia 1913–Milano 1994 by Mariella Sala, Massimo Gentili-Tedeschi and Pinuccia Carrer0
The Temple of Fame & Friendship: Portraits, Music, and History in the C. P. E. Bach Circle by Annette Richards (review)0
When Mr Paradies Provided the Songs: The London Opera Arias of Fitzwilliam Museum, Mu.Ms.1080
Geschichte der Musiktheorie: Die Musiktheorie im 18. und 19. Jahrhundert. Dritter Band: Frankreich, Belgien, Italien ed. by Stefan Keym0
COVID-19 and Field Recordings for the Library of Folk Music of Nigeria Project: Disruptions and Challenges of Access in Pandemic Time0
A Fresh Perspective on the American Years of Niccoló; Castiglioni: On the Discovery of Two Castiglioni Music Manuscripts at the University of British Columbia0
Briefs / Feuilletons0
The Grand Piano of Ignacy Jan Paderewski in Cartoons0
Beethoven desde España: Estudios interdisciplinares y recepción musical ed. by Paulino Capdepón Verdú and Juan José Pastor Comín (review)0
Bach and Mozart: Connections, Patterns, and Pathways ed. by Paul Corneilson (review)0
Biblioteca di musica. Studi in onore di Agostina Zecca Laterza in occasione dei 25 anni dalla fondazione della IAML Italia ed. by Marcoemilio Camera and Patrizia Florio0
British Symphonic Criticism: A Tale of Two Symposia0
Interactive Scores at the Irish Traditional Music Archive (ITMA)0
Lettres Autographes Françaises aux Archives du Département de la Musique de la Bibliothèque Nationale de la République Tchèque0
'Pure or Tainted?': Representing a Source of Colonial Bengali-English Music in RISM0
'To Better Perform My Duties as a Dame Patronesse': Pauline Viardot-García's Philanthropic Work0
Maurizio Cazzati's 'Unsold Music'0
Briefs / Feuilletons0
Briefs/Feuilletons0
Briefs / Feuilletons0
The Czech Republic and Croatia: Cooperation on the Early Production of Recorded Sound0
Renegade Rhymes: Rap Music, Knowledge, and Narrative in Taiwan by Meredith Schweig (review)0
Alan Bush, Modern Music, and the Cold War: The Cultural Left in Britain and the Communist Bloc by Joanna Bullivant (review)0
Archiving Indigenous Igbo Musical Heritage in Human Memories: Sustainability Challenges and Digital Transfer as Strategy for Future Recovery of Extinct Musical Forms0
Briefs / Feuilletons0
A First Inventory of Plainchant Books up to 1900 in Santiago, Chile0
A Public Music Library in the Heart of Europe: Forty Years of Csorba Győző Library's Music Department (Pécs, Hungary)0
Canada: Assessing the Music Score Collection at the University of Toronto0
Nourmahal's Song: An Unknown Coleridge-Taylor Work0
The Music Collection of Antonín Borový (1755–1832), A Cantor from Zlatá Koruna0
Paganini Marchand Luthier Through Documentary Sources: New Research0
The Museum of Renaissance Music: A History in 100 Exhibits ed. by Vincenzo Borghetti and Tim Shephard (review)0
The Musical Culture of Carmelites in the Former Polish-Lithuanian Commonwealth during the Seventeenth- and Eighteenth-Century. Music Sources and Other Documentation0
Saint-Saëns and the Stage: Operas, Plays, Pageants, a Ballet and a Film by Hugh Macdonald0
A Window into the Musical Life in Nineteenth Century Stockholm: Ideas on the Application of Digital Visualisation Methodology0
Liturgy and Sequences of the Sainte-Chapelle: Music, Relics, and Sacral Kingship in Thirteenth-Century France by Yossi Maurey (review)0
London, Royal College of Music Library, MS 2093 (1660s–1670s) ed. by Heather Windram and Terence Charlston, and: London, Lambeth Palace Library, MS 1040 (1650s–1660s) ed. by Andrew Woolley, Heather Wi0
Photoplay Music as a Key Source for a New Historiographical Paradigm0
Briefs / Feuilletons0
0.13925194740295