Fontes Artis Musicae

Papers
(The TQCC of Fontes Artis Musicae is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
The Rogge Library’s Music Collections1
Alexander Goehr: Composing a Life by Jack Van Zandt and Alexander Goehr (review)1
Composing African Modernities: The Iwalewa-Haus Score Collection as Archive and Epistemology1
The Impact of the Covid-19 Pandemic on Music Education in Ukraine1
The Cataloguing Process of the 'C Collection' in the Music Archive of the Cathedrals of Zaragoza1
Radio Plays and Poetic Broadcasts with Music by Witold Lutosławski in the Collections of the Polish Radio Archive and the National Digital Archive in Warsaw: A Catalogue of Recordings1
Surveying Composers Part II: Perspectives on Composer and Library Engagement for the Future1
Transforming Ethnomusicology, Volume I: Methodologies, Institutional Structures & Policies ed. by Beverley Diamond and Salwa El-Shawan Castelo-Branco, and: Transforming Ethnomusicology, Volume II:1
Geschichte der Musiktheorie: Die Musiktheorie im 18. und 19. Jahrhundert. Dritter Band: Frankreich, Belgien, Italien ed. by Stefan Keym1
Shostakovich: A Coded Life in Music by Brian Morton1
Briefs / Feuilletons1
The GOArt Center and its Library, where the Organ is the Focus0
Briefs / Feuilletons0
Sacred Chameleons: Form, Function, and Dissemination Patterns in the Motets of Leopold Hofmann0
A Sea Symphony by Ralph Vaughan Williams (review)0
Briefs / Feuilletons0
The Cue Sheets of James C. Bradford0
Digital Scores, Outreach, and Accent Walls: Insights into Music Students' Perspectives of the University of Toronto Music Library0
Alan Bush, Modern Music, and the Cold War: The Cultural Left in Britain and the Communist Bloc by Joanna Bullivant (review)0
‘Tenderly Guarded Treasure’: The Gisella Selden-Goth Collection at the Library of Congress0
Briefs / Feuilletons0
When Mr Paradies Provided the Songs: The London Opera Arias of Fitzwilliam Museum, Mu.Ms.1080
London, Royal College of Music Library, MS 2093 (1660s–1670s) ed. by Heather Windram and Terence Charlston, and: London, Lambeth Palace Library, MS 1040 (1650s–1660s) ed. by Andrew Woolley, Heather Wi0
Fifty Years with the Fondo Cappella Sistina of The Biblioteca Apostolica Vaticana0
Lettres Autographes Françaises aux Archives du Département de la Musique de la Bibliothèque Nationale de la République Tchèque0
Music and Dance as Everyday South Asia ed. by Sarah L. Morelli and Zoe C. Sherinian (review)0
Anne Dawson Her Book (1716) ed. by Jon Baxendale, and: Toccatas, Suites and Preludes for Harpsichord by William Babell ed. by Andrew Woolley0
Beethoven desde España: Estudios interdisciplinares y recepción musical ed. by Paulino Capdepón Verdú and Juan José Pastor Comín (review)0
Music Publishing in Kraków in 1850–19180
Performing Arts and Noblemen Education: New Perspectives from the Library and Archive of the Collegio San Carlo in Modena (18th–19th Centuries)0
The Grand Piano of Ignacy Jan Paderewski in Cartoons0
Renegade Rhymes: Rap Music, Knowledge, and Narrative in Taiwan by Meredith Schweig (review)0
Canada: Assessing the Music Score Collection at the University of Toronto0
The Music for Salon Orchestra and its Use in Silent Films0
Briefs / Feuilletons0
The Music Collection of Antonín Borový (1755–1832), A Cantor from Zlatá Koruna0
A Mozart Library in National Socialist Germany0
Interviews with American Composers: Barney Childs in Conversation ed. by Virginia Anderson0
Curating A Colonial Archive: The Tamássypauw Flute Scores Collection0
Briefs / Feuilletons0
Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-Century Opera by Sean M. Parr0
Orchestral Identities and the Formation of Musical Knowledge: A ‘Sociomaterial’ View on the Concert Programmes of the London Symphony Orchestra and the Vienna Philharmonic Orchestra0
iPad and Digital Sheet Music Delivery: Supporting Student Development and Encouraging Digital Score Use Through Library-Circulated Hardware0
‘Zur Fröligkeit componirt’: Der Coburger Hofkapellmeister Melchior Franck by Niels Fleck and Angelika Tasler (review)0
Cavalleria rusticana : Rapid Production and Extensive Media Interest in Stockholm in 18900
Cataloguing of Traditional Music: The Digital Archive of the Provincial Council of Soria (Spain)0
Ralph Vaughan Williams and Adrian Boult by Nigel Simeone (review)0
The Music of Nobuo Uematsu in the Final Fantasy Series ed. by Richard Anatone (review)0
Every Valley: The Desperate Lives and Troubled Times That Made Handel's Messiah by Charles King (review)0
Out of the Shadows: The Remarkable Story of Warwick Braithwaite (1896–1971), New Zealand’s Finest Conductor0
Briefs / Feuilletons: Briefs / Feuilletons0
Briefs / Feuilletons0
Encoding the Users: Towards a Copy-Based Assessment of Early Printed Music0
From Leningrad to Bloomington: Fëdor Lavrov's Soviet Punk Legacy and the Ongoing Relevance of Dissent0
Jean-Joseph Mouret's Divertissements : An Eighteenth-Century Example of Self-Publishing Strategy0
Communications0
Sources of Ignace Pleyel's Symphonies in Spanish Cathedrals Around 18000
Avant-Garde on Record: Musical Responses to Stereos by Jonathan Goldman (review)0
Briefs / Feuilletons0
How Tracking RISM's Footprint Across (South) Africa Led to the Discovery of San Rock Paintings, !Gõin !Gõin , and an Elephant in the Music Room0
Maurizio Cazzati's 'Unsold Music'0
Briefs / Feuilletons0
Briefs / Feuilletons0
The Musical Culture of Carmelites in the Former Polish-Lithuanian Commonwealth during the Seventeenth- and Eighteenth-Century. Music Sources and Other Documentation0
‘The Most Galant and Superb Celebrations’: Musical Performances at Chantilly for the Coronation of Louis XV0
Information for Contributors0
Paganini Marchand Luthier Through Documentary Sources: New Research0
The Life and Artistic Activity of Pianist Victoria Boshko (1887–1977)0
Primary Sources in Czech Cinema: Identifying Musical Manuscripts of the Nation’s Film History0
In silenzio senza disturbare nessuno. Claudio Sartori, Brescia 1913–Milano 1994 by Mariella Sala, Massimo Gentili-Tedeschi and Pinuccia Carrer0
Memories of Musical Lives: Music and Dance in Personal Collections from Australia and New Zealand ed. by Rosemary Richards and Julja Szuster (review)0
Studienbuch by Gottfried Galston. Facsimile of the Author's Personal Copy with a New English Translation by Rosemarie S. Greenman (review)0
Editor’s Preface0
Golden Ages: Hasidic Singers and Cantorial Revival in the Digital Era by Jeremiah Lockwood (review)0
After the Collection, What Next? Challenges of Preservation of Folk Music Recordings in an Unstable Climatic Environment in Nigeria (Library of Folk Music of Nigeria Project in Focus)0
Editor's Preface0
Johann Christian Bach: Operas and Dramatic Works (review)0
Liturgy and Sequences of the Sainte-Chapelle: Music, Relics, and Sacral Kingship in Thirteenth-Century France by Yossi Maurey (review)0
Magician of Sound: Ravel and the Aesthetics of Illusion by Jessie Fillerup (review)0
The Enigmatic Life of Antoine Mahaut: Flutist and Composer in Amsterdam and Paris by Rien De Reede (review)0
Photoplay Music as a Key Source for a New Historiographical Paradigm0
The Czech Republic and Croatia: Cooperation on the Early Production of Recorded Sound0
Adoption of Music Open Educational Resources Among International Association of Music Libraries (IAML) Participants: A Cross-Sectional Survey0
Briefs / Feuilletons0
Latvia: Riga City Theatre Materials in the Stock of the National Library of Latvia – Historical Evidence and Findings0
Die Notenautographe (1825–1884) im Album von Ferdinand Hiller: Überblick, Einordnung, Quellenwert0
Briefs / Feuilletons0
'Toccate per Cimbalo del Signor Domenico Scarlatti': An Unexplored Early Source0
The Temple of Fame & Friendship: Portraits, Music, and History in the C. P. E. Bach Circle by Annette Richards (review)0
Archduke Maximilian Franz and the Chamber Music of Leopold Hofmann0
Briefs / Feuilletons0
Accenting the Classics: Editing European Music in France, 1915–1925 by Deborah Mawer, et al. (review)0
Archiving Indigenous Igbo Musical Heritage in Human Memories: Sustainability Challenges and Digital Transfer as Strategy for Future Recovery of Extinct Musical Forms0
Flutists in Paris. The School of Blavet in the Second Half of the Eighteenth Century by Rien de Reede (review)0
The Motet in the Late Middle Ages by Margaret Bent (review)0
The Museum of Renaissance Music: A History in 100 Exhibits ed. by Vincenzo Borghetti and Tim Shephard (review)0
Emil von Sauer: Liszt's Forgotten Protégé by Anita Crocus (review)0
Interactive Scores at the Irish Traditional Music Archive (ITMA)0
Between Forced Donation and Restitution: The Chequered History of the Strauss-Meyszner-Collection in the Vienna City Library0
Köchel-Verzeichnis: Thematic Catalog of the Musical Works of W. A. Mozart ed. by Neal Zaslaw (review)0
Aaron Copland in Latin America: Music and Cultural Politics by Carol A. Hess (review)0
A Window into the Musical Life in Nineteenth Century Stockholm: Ideas on the Application of Digital Visualisation Methodology0
Briefs / Feuilletons0
From 'Agitato' to 'Yearning': Interpreting Stock Music for Silent Film Through Data Analysis, Pathos Formulae, and New Cataloguing Practices0
A Fresh Perspective on the American Years of Niccoló; Castiglioni: On the Discovery of Two Castiglioni Music Manuscripts at the University of British Columbia0
Bach and Mozart: Connections, Patterns, and Pathways ed. by Paul Corneilson (review)0
The Pursuit of Musick: Musical Life in Original Writings & Art, c. 1200–1770 by Andrew Parrott (review)0
Sound Pedagogy: Radical Care in Music ed. by Colleen Renihan, John Spilker, and Trudi Wright (review)0
Using Alma Digital to Provide Access to Digital Scores: One Music Library’s Experience0
'Pure or Tainted?': Representing a Source of Colonial Bengali-English Music in RISM0
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