OOIR: Observatory of International Research

Papers

(The median citation count of Fontes Artis Musicae is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)

Article	Citations
The Greek RISM Office: Describing Byzantine Music-Related Resources and Other Projects	1
The Musical Culture of Carmelites in the Former Polish-Lithuanian Commonwealth during the Seventeenth- and Eighteenth-Century. Music Sources and Other Documentation	1
Music Libraries in Japan During The 1960s: The Time for a Seed to Germinate?	1
The Old Cummings Collection at the Nanki Music Library	1
Joan Manén's Pioneer Recordings: Violin Concertos by Beethoven, Bruch, and Mendelssohn	1
The Impact of the Covid-19 Pandemic on Music Education in Ukraine	1
How Can We Work With Our Music Communities? On The Occasion of IAML Japanese Branch’s Fortieth Anniversary	1
Briefs / Feuilletons	0
Surveying Composers Part II: Perspectives on Composer and Library Engagement for the Future	0
So You Want to Sing Music by Women: A Guide for Performers by Matthew Hoch and Linda Lister	0
Fifty Years with the Fondo Cappella Sistina of The Biblioteca Apostolica Vaticana	0
L'œuvre de Frédéric Chopin. Manuscrits–Partitions annotées–Bibliographies by Bertrand Jaeger	0
The Music of Nobuo Uematsu in the Final Fantasy Series ed. by Richard Anatone (review)	0
The Acceptance of Studies on European Medieval and Renaissance Music in Japan	0
Renegade Rhymes: Rap Music, Knowledge, and Narrative in Taiwan by Meredith Schweig (review)	0
Teaching Piano Pedagogy: A Guidebook for Training Effective Teachers by Courtney Crappell	0
Die Notenautographe (1825–1884) im Album von Ferdinand Hiller: Überblick, Einordnung, Quellenwert	0
Canada: Assessing the Music Score Collection at the University of Toronto	0
'Pure or Tainted?': Representing a Source of Colonial Bengali-English Music in RISM	0
Accenting the Classics: Editing European Music in France, 1915–1925 by Deborah Mawer, et al. (review)	0
The Music Collection (Ancient Holdings) of the University of Barcelona Library	0
Transforming Ethnomusicology, Volume I: Methodologies, Institutional Structures & Policies ed. by Beverley Diamond and Salwa El-Shawan Castelo-Branco, and: Transforming Ethnomusicology, Volume II:	0
Orchestral Identities and the Formation of Musical Knowledge: A ‘Sociomaterial’ View on the Concert Programmes of the London Symphony Orchestra and the Vienna Philharmonic Orchestra	0
Bach and Mozart: Connections, Patterns, and Pathways ed. by Paul Corneilson (review)	0
Saint-Saëns and the Stage: Operas, Plays, Pageants, a Ballet and a Film by Hugh Macdonald	0

José Soler Casabón's L'Homme sans yeux, sans nez et sans oreilles and Erik Satie's Parade: Two Ballets from Paris of 1917	0
Briefs / Feuilletons	0
Biblioteca di musica. Studi in onore di Agostina Zecca Laterza in occasione dei 25 anni dalla fondazione della IAML Italia ed. by Marcoemilio Camera and Patrizia Florio	0
Vocal Art of Armenian Composers	0
Francisco Andreví Castellá (1786–1853): A Preview of a Forthcoming Catalogue of Works	0
Eubie Blake: Rags, Rhythm, and Race by Richard Carlin and Ken Bloom	0
Aaron Copland in Latin America: Music and Cultural Politics by Carol A. Hess (review)	0
Briefs / Feuilletons	0
Briefs / Feuilletons	0
In silenzio senza disturbare nessuno. Claudio Sartori, Brescia 1913–Milano 1994 by Mariella Sala, Massimo Gentili-Tedeschi and Pinuccia Carrer	0
The Grand Piano of Ignacy Jan Paderewski in Cartoons	0
Fontes Artis Musicae: Volume 68, 2021	0
The Temple of Fame & Friendship: Portraits, Music, and History in the C. P. E. Bach Circle by Annette Richards (review)	0
Ludwig Senfl (c.1490–1543): A Catalogue Raisonné of the Works and Sources. Volume 1: Catalogue of the Works. Volume 2: Catalogue of the Sources–Abbreviations, Bibliography, Indexes by Stefan Gasch and	0
Lettres Autographes Françaises aux Archives du Département de la Musique de la Bibliothèque Nationale de la République Tchèque	0
Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre: Mattheson's Universal Style in Theory and Practice by Margaret Seares	0
Cataloguing of Traditional Music: The Digital Archive of the Provincial Council of Soria (Spain)	0
Beethoven: A Life by Jan Caeyers, and: Die zwei Leben des Ludwig van Beethoven by Ulrich Drüner, and: Beethoven: A Political Artist in Revolutionary Times by William Kinderman	0
Preface	0
Musique et musiciens à Paris pendant la Grande Guerre: Les Chemins du patriotism by Charlotte Segond-Genovesi	0
Nourmahal's Song: An Unknown Coleridge-Taylor Work	0
A Mozart Library in National Socialist Germany	0
British Symphonic Criticism: A Tale of Two Symposia	0
A Public Music Library in the Heart of Europe: Forty Years of Csorba Győző Library's Music Department (Pécs, Hungary)	0
When Mr Paradies Provided the Songs: The London Opera Arias of Fitzwilliam Museum, Mu.Ms.108	0
Interviews with American Composers: Barney Childs in Conversation ed. by Virginia Anderson	0
Archiving Indigenous Igbo Musical Heritage in Human Memories: Sustainability Challenges and Digital Transfer as Strategy for Future Recovery of Extinct Musical Forms	0
Liturgy and Sequences of the Sainte-Chapelle: Music, Relics, and Sacral Kingship in Thirteenth-Century France by Yossi Maurey (review)	0
Anne Dawson Her Book (1716) ed. by Jon Baxendale, and: Toccatas, Suites and Preludes for Harpsichord by William Babell ed. by Andrew Woolley	0
Briefs/Feuilletons	0
The Cataloguing Process of the 'C Collection' in the Music Archive of the Cathedrals of Zaragoza	0
COVID-19 and Field Recordings for the Library of Folk Music of Nigeria Project: Disruptions and Challenges of Access in Pandemic Time	0
Out of the Shadows: The Remarkable Story of Warwick Braithwaite (1896–1971), New Zealand’s Finest Conductor	0
Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-Century Opera by Sean M. Parr	0
Binding and Care of Printed Music. Revised Edition by Alice Carli	0
Editor's Preface	0
The Oxford Handbook of Musical Repatriation ed. by Frank Gunderson, Robert C. Lancefield and Bret Woods	0
The Musical Activities at the Court of Ulrich VI, Duke of Württemberg Before and During the Early Reformation	0
Communications	0
Ina Lohr (1903–1983): Transcending the Boundaries of Early Music by Anne Smith	0
Sounding Roman: Representation and Performing Identity in Western Turkey by Sonia Tamar Seeman	0
Jean-Joseph Mouret's Divertissements : An Eighteenth-Century Example of Self-Publishing Strategy	0
The Music Archive of Macau’s Seminary of St. Joseph: Chinese Transmission and Reformulation of Western Music-Theoretical Knowledge	0
The Music Inventory of the Napoleonic Kingdom of Italy (Milan, 1805–1814)	0
Carnival, Calypso and Steel Pan: A Bibliographic Guide to Popular Music of the English-speaking Caribbean and its Diaspora by John Gray	0
Briefs / Feuilletons	0
The Sweet Penance of Music: Musical Life in Colonial Santiago de Chile by Alejandro Vera	0
Briefs / Feuilletons	0
A First Inventory of Plainchant Books up to 1900 in Santiago, Chile	0
Briefs / Feuilletons	0

Viable Texts or Reliable Texts? The Earliest Editions of Pleyel's String Quintets	0
Ethnic Piano Rolls in the United States: Between Folk, Foreign and National Music	0
After the Collection, What Next? Challenges of Preservation of Folk Music Recordings in an Unstable Climatic Environment in Nigeria (Library of Folk Music of Nigeria Project in Focus)	0
Maurizio Cazzati's 'Unsold Music'	0
Opening a Celebrity’s Closet: Cecilia Davies and the de Bellis Collection	0
Shostakovich: A Coded Life in Music by Brian Morton	0
Briefs / Feuilletons	0
Sacred Chameleons: Form, Function, and Dissemination Patterns in the Motets of Leopold Hofmann	0
Ralph Vaughan Williams and Adrian Boult by Nigel Simeone (review)	0
Briefs / Feuilletons	0
London, Royal College of Music Library, MS 2093 (1660s–1670s) ed. by Heather Windram and Terence Charlston, and: London, Lambeth Palace Library, MS 1040 (1650s–1660s) ed. by Andrew Woolley, Heather Wi	0
Latvia: Riga City Theatre Materials in the Stock of the National Library of Latvia – Historical Evidence and Findings	0
Briefs / Feuilletons	0
Kaikhosru Sorabji’s Letters to Philip Heseltine (Peter Warlock) ed. by Brian Inglis and Barry Smith	0
'To Better Perform My Duties as a Dame Patronesse': Pauline Viardot-García's Philanthropic Work	0
Geschichte der Musiktheorie: Die Musiktheorie im 18. und 19. Jahrhundert. Dritter Band: Frankreich, Belgien, Italien ed. by Stefan Keym	0
The Oxford Handbook of Philosophical and Qualitative Assessment in Music Education ed. by David J. Elliott, Marissa Silverman, and Gary E. McPherson	0
Restoring the Synagogue Soundtrack: Jewish Religious Music in Nineteenth Century America by Judah M. Cohen	0
Recent Developments in the Japanese Branch of Répertoire International de Littérature Musicale (Rilm National Committee of Japan): Its Task and Future	0
Studienbuch by Gottfried Galston. Facsimile of the Author's Personal Copy with a New English Translation by Rosemarie S. Greenman (review)	0
The Music Collection of Antonín Borový (1755–1832), A Cantor from Zlatá Koruna	0
Briefs / Feuilletons	0
Georges Auric: A Life in Music and Politics by Colin Roust	0
Alan Bush, Modern Music, and the Cold War: The Cultural Left in Britain and the Communist Bloc by Joanna Bullivant (review)	0