Fontes Artis Musicae

Papers
(The median citation count of Fontes Artis Musicae is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
The Musical Culture of Carmelites in the Former Polish-Lithuanian Commonwealth during the Seventeenth- and Eighteenth-Century. Music Sources and Other Documentation1
Surveying Composers Part II: Perspectives on Composer and Library Engagement for the Future1
Music Libraries in Japan During The 1960s: The Time for a Seed to Germinate?1
The Old Cummings Collection at the Nanki Music Library1
When Mr Paradies Provided the Songs: The London Opera Arias of Fitzwilliam Museum, Mu.Ms.1081
A First Inventory of Plainchant Books up to 1900 in Santiago, Chile1
The Impact of the Covid-19 Pandemic on Music Education in Ukraine1
How Can We Work With Our Music Communities? On The Occasion of IAML Japanese Branch’s Fortieth Anniversary1
Joan Manén's Pioneer Recordings: Violin Concertos by Beethoven, Bruch, and Mendelssohn1
The Greek RISM Office: Describing Byzantine Music-Related Resources and Other Projects1
José Soler Casabón's L'Homme sans yeux, sans nez et sans oreilles and Erik Satie's Parade: Two Ballets from Paris of 19170
'Pure or Tainted?': Representing a Source of Colonial Bengali-English Music in RISM0
The Oxford Handbook of Musical Repatriation ed. by Frank Gunderson, Robert C. Lancefield and Bret Woods0
Ina Lohr (1903–1983): Transcending the Boundaries of Early Music by Anne Smith0
Vocal Art of Armenian Composers0
British Symphonic Criticism: A Tale of Two Symposia0
Communications0
COVID-19 and Field Recordings for the Library of Folk Music of Nigeria Project: Disruptions and Challenges of Access in Pandemic Time0
Photoplay Music as a Key Source for a New Historiographical Paradigm0
Sounding Roman: Representation and Performing Identity in Western Turkey by Sonia Tamar Seeman0
Canada: Assessing the Music Score Collection at the University of Toronto0
Eubie Blake: Rags, Rhythm, and Race by Richard Carlin and Ken Bloom0
Interactive Scores at the Irish Traditional Music Archive (ITMA)0
The Music Archive of Macau’s Seminary of St. Joseph: Chinese Transmission and Reformulation of Western Music-Theoretical Knowledge0
Jean-Joseph Mouret's Divertissements : An Eighteenth-Century Example of Self-Publishing Strategy0
Briefs / Feuilletons0
Bach and Mozart: Connections, Patterns, and Pathways ed. by Paul Corneilson (review)0
Carnival, Calypso and Steel Pan: A Bibliographic Guide to Popular Music of the English-speaking Caribbean and its Diaspora by John Gray0
The Music Inventory of the Napoleonic Kingdom of Italy (Milan, 1805–1814)0
Briefs / Feuilletons0
The Sweet Penance of Music: Musical Life in Colonial Santiago de Chile by Alejandro Vera0
Fifty Years with the Fondo Cappella Sistina of The Biblioteca Apostolica Vaticana0
Briefs / Feuilletons0
Briefs / Feuilletons0
Nourmahal's Song: An Unknown Coleridge-Taylor Work0
Geschichte der Musiktheorie: Die Musiktheorie im 18. und 19. Jahrhundert. Dritter Band: Frankreich, Belgien, Italien ed. by Stefan Keym0
Briefs / Feuilletons0
A Public Music Library in the Heart of Europe: Forty Years of Csorba Győző Library's Music Department (Pécs, Hungary)0
Biblioteca di musica. Studi in onore di Agostina Zecca Laterza in occasione dei 25 anni dalla fondazione della IAML Italia ed. by Marcoemilio Camera and Patrizia Florio0
Accenting the Classics: Editing European Music in France, 1915–1925 by Deborah Mawer, et al. (review)0
Flutists in Paris. The School of Blavet in the Second Half of the Eighteenth Century by Rien de Reede (review)0
Orchestral Identities and the Formation of Musical Knowledge: A ‘Sociomaterial’ View on the Concert Programmes of the London Symphony Orchestra and the Vienna Philharmonic Orchestra0
The Music of Nobuo Uematsu in the Final Fantasy Series ed. by Richard Anatone (review)0
London, Royal College of Music Library, MS 2093 (1660s–1670s) ed. by Heather Windram and Terence Charlston, and: London, Lambeth Palace Library, MS 1040 (1650s–1660s) ed. by Andrew Woolley, Heather Wi0
Briefs/Feuilletons0
Musique et musiciens à Paris pendant la Grande Guerre: Les Chemins du patriotism by Charlotte Segond-Genovesi0
The Oxford Handbook of Philosophical and Qualitative Assessment in Music Education ed. by David J. Elliott, Marissa Silverman, and Gary E. McPherson0
Out of the Shadows: The Remarkable Story of Warwick Braithwaite (1896–1971), New Zealand’s Finest Conductor0
Interviews with American Composers: Barney Childs in Conversation ed. by Virginia Anderson0
Recent Developments in the Japanese Branch of Répertoire International de Littérature Musicale (Rilm National Committee of Japan): Its Task and Future0
Briefs / Feuilletons0
Editor's Preface0
The Music Collection (Ancient Holdings) of the University of Barcelona Library0
The Music Collection of Antonín Borový (1755–1832), A Cantor from Zlatá Koruna0
Transforming Ethnomusicology, Volume I: Methodologies, Institutional Structures & Policies ed. by Beverley Diamond and Salwa El-Shawan Castelo-Branco, and: Transforming Ethnomusicology, Volume II:0
Using Alma Digital to Provide Access to Digital Scores: One Music Library’s Experience0
Georges Auric: A Life in Music and Politics by Colin Roust0
A Mozart Library in National Socialist Germany0
The Musical Activities at the Court of Ulrich VI, Duke of Württemberg Before and During the Early Reformation0
The Music for Salon Orchestra and its Use in Silent Films0
Briefs / Feuilletons0
Alan Bush, Modern Music, and the Cold War: The Cultural Left in Britain and the Communist Bloc by Joanna Bullivant (review)0
The Cue Sheets of James C. Bradford0
The Cataloguing Process of the 'C Collection' in the Music Archive of the Cathedrals of Zaragoza0
So You Want to Sing Music by Women: A Guide for Performers by Matthew Hoch and Linda Lister0
Lettres Autographes Françaises aux Archives du Département de la Musique de la Bibliothèque Nationale de la République Tchèque0
L'œuvre de Frédéric Chopin. Manuscrits–Partitions annotées–Bibliographies by Bertrand Jaeger0
Beethoven: A Life by Jan Caeyers, and: Die zwei Leben des Ludwig van Beethoven by Ulrich Drüner, and: Beethoven: A Political Artist in Revolutionary Times by William Kinderman0
Briefs / Feuilletons0
Renegade Rhymes: Rap Music, Knowledge, and Narrative in Taiwan by Meredith Schweig (review)0
Ethnic Piano Rolls in the United States: Between Folk, Foreign and National Music0
From 'Agitato' to 'Yearning': Interpreting Stock Music for Silent Film Through Data Analysis, Pathos Formulae, and New Cataloguing Practices0
Opening a Celebrity’s Closet: Cecilia Davies and the de Bellis Collection0
Archiving Indigenous Igbo Musical Heritage in Human Memories: Sustainability Challenges and Digital Transfer as Strategy for Future Recovery of Extinct Musical Forms0
Briefs / Feuilletons0
Binding and Care of Printed Music. Revised Edition by Alice Carli0
The Czech Republic and Croatia: Cooperation on the Early Production of Recorded Sound0
Maurizio Cazzati's 'Unsold Music'0
The Grand Piano of Ignacy Jan Paderewski in Cartoons0
Latvia: Riga City Theatre Materials in the Stock of the National Library of Latvia – Historical Evidence and Findings0
Viable Texts or Reliable Texts? The Earliest Editions of Pleyel's String Quintets0
Francisco Andreví Castellá (1786–1853): A Preview of a Forthcoming Catalogue of Works0
Briefs / Feuilletons0
'To Better Perform My Duties as a Dame Patronesse': Pauline Viardot-García's Philanthropic Work0
Teaching Piano Pedagogy: A Guidebook for Training Effective Teachers by Courtney Crappell0
Aaron Copland in Latin America: Music and Cultural Politics by Carol A. Hess (review)0
Saint-Saëns and the Stage: Operas, Plays, Pageants, a Ballet and a Film by Hugh Macdonald0
Restoring the Synagogue Soundtrack: Jewish Religious Music in Nineteenth Century America by Judah M. Cohen0
Shostakovich: A Coded Life in Music by Brian Morton0
In silenzio senza disturbare nessuno. Claudio Sartori, Brescia 1913–Milano 1994 by Mariella Sala, Massimo Gentili-Tedeschi and Pinuccia Carrer0
After the Collection, What Next? Challenges of Preservation of Folk Music Recordings in an Unstable Climatic Environment in Nigeria (Library of Folk Music of Nigeria Project in Focus)0
iPad and Digital Sheet Music Delivery: Supporting Student Development and Encouraging Digital Score Use Through Library-Circulated Hardware0
Fontes Artis Musicae: Volume 68, 20210
Sound Pedagogy: Radical Care in Music ed. by Colleen Renihan, John Spilker, and Trudi Wright (review)0
The Pursuit of Musick: Musical Life in Original Writings & Art, c. 1200–1770 by Andrew Parrott (review)0
Briefs / Feuilletons0
Ludwig Senfl (c.1490–1543): A Catalogue Raisonné of the Works and Sources. Volume 1: Catalogue of the Works. Volume 2: Catalogue of the Sources–Abbreviations, Bibliography, Indexes by Stefan Gasch and0
The Temple of Fame & Friendship: Portraits, Music, and History in the C. P. E. Bach Circle by Annette Richards (review)0
Studienbuch by Gottfried Galston. Facsimile of the Author's Personal Copy with a New English Translation by Rosemarie S. Greenman (review)0
Liturgy and Sequences of the Sainte-Chapelle: Music, Relics, and Sacral Kingship in Thirteenth-Century France by Yossi Maurey (review)0
Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre: Mattheson's Universal Style in Theory and Practice by Margaret Seares0
Briefs / Feuilletons0
Preface0
The Acceptance of Studies on European Medieval and Renaissance Music in Japan0
Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-Century Opera by Sean M. Parr0
The Museum of Renaissance Music: A History in 100 Exhibits ed. by Vincenzo Borghetti and Tim Shephard (review)0
Die Notenautographe (1825–1884) im Album von Ferdinand Hiller: Überblick, Einordnung, Quellenwert0
Kaikhosru Sorabji’s Letters to Philip Heseltine (Peter Warlock) ed. by Brian Inglis and Barry Smith0
Memories of Musical Lives: Music and Dance in Personal Collections from Australia and New Zealand ed. by Rosemary Richards and Julja Szuster (review)0
The Life and Artistic Activity of Pianist Victoria Boshko (1887–1977)0
Ralph Vaughan Williams and Adrian Boult by Nigel Simeone (review)0
Cataloguing of Traditional Music: The Digital Archive of the Provincial Council of Soria (Spain)0
Anne Dawson Her Book (1716) ed. by Jon Baxendale, and: Toccatas, Suites and Preludes for Harpsichord by William Babell ed. by Andrew Woolley0
Briefs / Feuilletons0
Sacred Chameleons: Form, Function, and Dissemination Patterns in the Motets of Leopold Hofmann0
Briefs / Feuilletons0
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