OOIR: Observatory of International Research

Papers

(The TQCC of Journal of Chinese Literature and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)

Article	Citations
Virtue and Women's Authorship in Chinese Art History: A Study ofYutai huashi(History of Painting from Jade Terrace)	4
Introduction	1
Yufa yu shijing—hanshi yishu zhi poxi 語法与詩境—漢詩藝術之破析 (Grammar and Poetic Vision: Deciphering the Art of Classical Chinese Poetry)	1
The Elusiveness of Commonality: Late Twentieth-Century Sinology and the Search for a Shared Lyric Language	1
Mouvance in Medieval Chinese Textual Culture: Lunyu 論語 in a Dunhuang Florilegium	1
On Translating Mountains and Seas: A Review Essay	1
Marginalia Transcription and Scholarly Culture in the Qing Dynasty	1
Guo Xi on Painting the Invisible Gaze of the Dao	1
Cultural Memory and the Epic in Early Chinese Literature: The Case of Qu Yuan 屈原 and theLisao離騷	1
The Translator's Mirror for the Romantic: Cao Xueqin's Dream and David Hawkes’ Stone	1
A Son's Obligations: Promoting and Circulating Motherly Exemplariness in Late Imperial China	1
Languages, Scripts, and Chinese Texts in East Asia	1
Agency and Strategy: Chastity Exemplars in an Early Qing Anthology	0
The Boundary of Chinese Music: A Cultural and Aesthetic Comparison betweenPipaandGuqin	0
Contributors	0
Inward Turns, Then and Now	0
Ming Qing xiqu xuba zuanjian	0
“In the Mountain Forest I Lose My Self”: The Experience of No-Self in Wang Wei's Short Landscape Poems	0
Civilization Remapped in Chikamatsu Monzaemon's The Later Battles of Coxinga	0
Where Have All the Guixiu Gone? Chinese “Women of Talent” at the Turn of the Twentieth Century	0
The Chu Silk Manuscripts from Zidanku, Changsha (Hunan Province). Volume 1: Discovery and Transmission	0
Cauldron, Copper, Cash: Medieval Bronze in Motion and Flux	0
Cumulative Structure in Zhuangzi's “The Great and Venerable Teacher”	0
Beyond the Inner Chambers: Xu Zhaohua and Her Teacher Mao Qiling	0
Writing for Print: Publishing and the Making of Textual Authority in Late Imperial China	0

Brevity and Breadth: A Linguistic, Aesthetic, and DH-Assisted Study of the Book of Poetry and “Nineteen Old Poems”	0
The Making of Barbarians: Chinese Literature and Multilingual Asia	0
Demon-Immortal Monkey: Categories of Being in the Cosmos of Journey to the West	0
Contributors	0
Voices from the Other Side: Exploring Nonhuman Agents and Their Narrative Function in the Zhuangzi	0
How Should the Dragon King Memorialize the Jade Emperor? Margins of Political Thought in Late Ming China	0
Rereading a Poetics of Divination: Oracular Visuality and Iterations of Landscape in Wei-Jin Lyricism	0
Simian Episteme, circa 1200	0
Making China Modern: From the Great Qing to Xi Jinping	0
The Philosophical Proposition “A Piercing Glance Elevates the Mind” and the Buddhist Thought in Zong Bing's “Preface to the Painting of Landscape”	0
Behaving Badly in Early and Medieval China	0
DecenteringSinas: Poststructuralism and Sinology	0
Reading Philosophy, Writing Poetry: Intertextual Modes of Making Meaning in Early Medieval China	0
Contributors	0
Whither Theatricality? Toward Traditional Chinese Drama and Theater (Xiqu 戲曲) as World Theater	0
Mencian Reincarnations: Mercy and Forgiveness in the Seventeenth-Century Chinese Novel Predestined Marriage That Awakens the World	0
Top Graduate Zhang Xie: The Earliest Extant Chinese Southern Play	0
The Textual Architecture of Empire in Two Early Qing Anthologies	0
Unquiet Qing: The Course of Lovesickness in the Modernization of Chinese Literature	0
Gender and Violence: The Multivalent Voices of a Cannibalized Concubine in Late Imperial Chinese Literature	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2021)	0
Space and Identity: Self-Representation of a Ming Nanjing Courtesan in Transformation	0
Just Listening: An Introduction	0
The Crying Statue in Early Qing Drama	0
Plays within Songs: Sanqu Songs from Literary Refinement (ya) to Popular Appeal (su)	0
Rethinking Authorship and Agency: Women and Gender in Late Imperial China	0
Some “Han” Fu on Things	0
A Companion to The Story of the Stone: A Chapter-by-Chapter Guide	0
Dehumanized Voices and Traumatic Articulations in Late Nineteenth-Century Chinese Classical Tales	0
What Noise Does a Psychotic Door Listen To? Information, Intermediality, and Guo Baochang's Peking Opera Film Dream of the Bridal Chamber	0
What Do Jokes Reveal about Trust in Ming Work Relations?	0
The Divided Liang Dynasty Literary World Seen through the Liu-Dao Dispute	0
Feminist Theories and Women Writers of Late Imperial China: Impact and Critique	0
Theories of Spatiality and the Study of Medieval China	0
Secret Laid Bare: Close Reading of Chinese Poetry	0
Zhonggu wenxue zhong de shi yu shi	0
Horse Language and Improvised Memorials: Gong Kai's Equine Paintings and Song Loyalism	0
Manuscript and the Human in Modern China	0
Riddles inJin Ping Mei	0
Emperor Qianlong's Literary Aggrandizement in the Eighteenth Century	0
“She Whistles Freely Shunning Companions”: The Embedded and Transcendent Selves of Poet-Painter Wang Liang in the Eighteenth Century	0
The Power of Nostalgia: Memory, Identity, and Authority in the Shishuo xinyu	0
Wang Anshi and Song Poetic Culture	0
Lore and Verse: Poems on History in Early Medieval China	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2022)	0
Fashioning Cosmopolitan Desires: The “Bamboo Branch Lyrics” Poetry Genre in Late Chosŏn Korea	0
A Couple of Soles: A Comic Play from Seventeenth-Century China	0
Anecdote, Network, Gossip, Performance: Essays on the “Shishuo xinyu.”	0
From Convention to Subversion: Case Studies on the Female Gaze in Premodern China	0
The Halberd at Red Cliff: Jian'an and the Three Kingdoms	0

Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2023)	0
Runse hongye: Hanshu wenben de xingcheng yu zaoqi chuanbo	0
Zaisheng yuan and the Writing of Women's Culture	0