OOIR: Observatory of International Research

Papers

(The TQCC of Journal of Chinese Literature and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)

Article	Citations
Introduction	2
Simian Episteme, circa 1200	1
Unquiet Qing: The Course of Lovesickness in the Modernization of Chinese Literature	1
Performing the Role of Playwright: Jia Zhongming's Sanqu Songs in the Supplement to The Register of Ghosts	1
Zaisheng yuan and the Writing of Women's Culture	1
The Chu Silk Manuscripts from Zidanku, Changsha (Hunan Province). Volume 1: Discovery and Transmission	1
On Translating Mountains and Seas: A Review Essay	1
Lore and Verse: Poems on History in Early Medieval China	1
Contributors	1
The Textual Architecture of Empire in Two Early Qing Anthologies	1
Dehumanized Voices and Traumatic Articulations in Late Nineteenth-Century Chinese Classical Tales	1
What Noise Does a Psychotic Door Listen To? Information, Intermediality, and Guo Baochang's Peking Opera Film Dream of the Bridal Chamber	1
The Philosophical Proposition “A Piercing Glance Elevates the Mind” and the Buddhist Thought in Zong Bing's “Preface to the Painting of Landscape”	1
Top Graduate Zhang Xie: The Earliest Extant Chinese Southern Play	1
Rereading a Poetics of Divination: Oracular Visuality and Iterations of Landscape in Wei-Jin Lyricism	0
Demon-Immortal Monkey: Categories of Being in the Cosmos of Journey to the West	0
The Halberd at Red Cliff: Jian'an and the Three Kingdoms	0
Wang Anshi and Song Poetic Culture	0
Reading Philosophy, Writing Poetry: Intertextual Modes of Making Meaning in Early Medieval China	0
Yuan-Ming Sanqu Songs as Communal Texts: Discovering Their Literary Vitality from a New Research Perspective	0
Secret Laid Bare: Close Reading of Chinese Poetry	0
The Boundary of Chinese Music: A Cultural and Aesthetic Comparison betweenPipaandGuqin	0
The Protean World of Sanqu Songs	0
The Power of Nostalgia: Memory, Identity, and Authority in the Shishuo xinyu	0
Horse Language and Improvised Memorials: Gong Kai's Equine Paintings and Song Loyalism	0

A Flavor All Its Own: Some Theoretical Considerations on Sanqu Songs as Mixed-Register Literature	0
Voices from the Other Side: Exploring Nonhuman Agents and Their Narrative Function in the Zhuangzi	0
Cumulative Structure in Zhuangzi's “The Great and Venerable Teacher”	0
What Do Jokes Reveal about Trust in Ming Work Relations?	0
Zhonggu wenxue zhong de shi yu shi	0
Riddles inJin Ping Mei	0
Where Have All the Guixiu Gone? Chinese “Women of Talent” at the Turn of the Twentieth Century	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2022)	0
Performing the Emperor: Sui Jingchen's “Han Gaozu Returns to His Home Village”	0
“She Whistles Freely Shunning Companions”: The Embedded and Transcendent Selves of Poet-Painter Wang Liang in the Eighteenth Century	0
Cauldron, Copper, Cash: Medieval Bronze in Motion and Flux	0
Space and Identity: Self-Representation of a Ming Nanjing Courtesan in Transformation	0
The Elusiveness of Commonality: Late Twentieth-Century Sinology and the Search for a Shared Lyric Language	0
The Divided Liang Dynasty Literary World Seen through the Liu-Dao Dispute	0
Writing for Print: Publishing and the Making of Textual Authority in Late Imperial China	0
Marginalia Transcription and Scholarly Culture in the Qing Dynasty	0
Cultural Memory and the Epic in Early Chinese Literature: The Case of Qu Yuan 屈原 and theLisao離騷	0
Emperor Qianlong's Literary Aggrandizement in the Eighteenth Century	0
Manuscript and the Human in Modern China	0
Virtue and Women's Authorship in Chinese Art History: A Study ofYutai huashi(History of Painting from Jade Terrace)	0
Gender and Violence: The Multivalent Voices of a Cannibalized Concubine in Late Imperial Chinese Literature	0
Ming Qing xiqu xuba zuanjian	0
Feminist Theories and Women Writers of Late Imperial China: Impact and Critique	0
Making China Modern: From the Great Qing to Xi Jinping	0
Behaving Badly in Early and Medieval China	0
In Search of Pure Sound: Sanqu Songs, Genre Aesthetics, and Translation Tactics	0
“In the Mountain Forest I Lose My Self”: The Experience of No-Self in Wang Wei's Short Landscape Poems	0
Plays within Songs: Sanqu Songs from Literary Refinement (ya) to Popular Appeal (su)	0
Rethinking Authorship and Agency: Women and Gender in Late Imperial China	0
Contributors	0
Anecdote, Network, Gossip, Performance: Essays on the “Shishuo xinyu.”	0
From Convention to Subversion: Case Studies on the Female Gaze in Premodern China	0
Just Listening: An Introduction	0
Mouvance in Medieval Chinese Textual Culture: Lunyu 論語 in a Dunhuang Florilegium	0
A Dialectic between Genres and Extension of Poetic Functions: Zhang Kejiu's “Regulated Songs”	0
In Praise of This Prosperous and Harmonious Empire: Sanqu, Ming Anthologies, and the Imperial Court	0
The Ultimate Sanqu Song: Yao Shouzhong's “The Complaint of the Ox” and Its Place in Tanaka Kenji's Scholarship on Sanqu	0
Guo Xi on Painting the Invisible Gaze of the Dao	0
Agency and Strategy: Chastity Exemplars in an Early Qing Anthology	0
Whither Theatricality? Toward Traditional Chinese Drama and Theater (Xiqu 戲曲) as World Theater	0
Inward Turns, Then and Now	0
How Should the Dragon King Memorialize the Jade Emperor? Margins of Political Thought in Late Ming China	0
Contributors	0
The Crying Statue in Early Qing Drama	0
DecenteringSinas: Poststructuralism and Sinology	0
A Couple of Soles: A Comic Play from Seventeenth-Century China	0
Theories of Spatiality and the Study of Medieval China	0
Runse hongye: Hanshu wenben de xingcheng yu zaoqi chuanbo	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2021)	0
Contributors	0

Languages, Scripts, and Chinese Texts in East Asia	0
Beyond the Inner Chambers: Xu Zhaohua and Her Teacher Mao Qiling	0
A Son's Obligations: Promoting and Circulating Motherly Exemplariness in Late Imperial China	0