OOIR: Observatory of International Research

Papers

(The TQCC of Journal of Chinese Literature and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
The Boundary of Chinese Music: A Cultural and Aesthetic Comparison betweenPipaandGuqin	2
Plays within Songs: Sanqu Songs from Literary Refinement (ya) to Popular Appeal (su)	1
In Search of Pure Sound: Sanqu Songs, Genre Aesthetics, and Translation Tactics	1
Performing the Emperor: Sui Jingchen's “Han Gaozu Returns to His Home Village”	1
Behaving Badly in Early and Medieval China	1
A Flavor All Its Own: Some Theoretical Considerations on Sanqu Songs as Mixed-Register Literature	1
Virtue and Women's Authorship in Chinese Art History: A Study ofYutai huashi(History of Painting from Jade Terrace)	1
The Textual Architecture of Empire in Two Early Qing Anthologies	1
Cultural Memory and the Epic in Early Chinese Literature: The Case of Qu Yuan 屈原 and theLisao離騷	1
Cumulative Structure in Zhuangzi's “The Great and Venerable Teacher”	1
The Ultimate Sanqu Song: Yao Shouzhong's “The Complaint of the Ox” and Its Place in Tanaka Kenji's Scholarship on Sanqu	1
Beyond the City Walls: Photographic Seeing and the Longing for Wilderness in Yang Wanli's Nature Poems	1
Performing the Role of Playwright: Jia Zhongming's Sanqu Songs in the Supplement to The Register of Ghosts	1
Inward Turns, Then and Now	1
Feminist Theories and Women Writers of Late Imperial China: Impact and Critique	1
Horse Language and Improvised Memorials: Gong Kai's Equine Paintings and Song Loyalism	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2021)	0
Voices from the Other Side: Exploring Nonhuman Agents and Their Narrative Function in the Zhuangzi	0
Languages, Scripts, and Chinese Texts in East Asia	0
What Do Jokes Reveal about Trust in Ming Work Relations?	0
Theories of Spatiality and the Study of Medieval China	0
Riddles inJin Ping Mei	0
Emperor Qianlong's Literary Aggrandizement in the Eighteenth Century	0
Unquiet Qing: The Course of Lovesickness in the Modernization of Chinese Literature	0
The Elusiveness of Commonality: Late Twentieth-Century Sinology and the Search for a Shared Lyric Language	0

Beyond the Inner Chambers: Xu Zhaohua and Her Teacher Mao Qiling	0
Cauldron, Copper, Cash: Medieval Bronze in Motion and Flux	0
Contributors	0
Rereading a Poetics of Divination: Oracular Visuality and Iterations of Landscape in Wei-Jin Lyricism	0
Heroes Play by the Rules: Yu Yue's Pedagogy for the Eight-Legged Essay	0
Demon-Immortal Monkey: Categories of Being in the Cosmos of Journey to the West	0
Buddhist Epigraphy and Traditions of Writing in the Northern Dynasties	0
The Halberd at Red Cliff: Jian'an and the Three Kingdoms	0
Zuo Tradition. Zuozhuan 左傳: Commentary on the “Spring and Autumn Annals.”	0
Top Graduate Zhang Xie: The Earliest Extant Chinese Southern Play	0
The Divided Liang Dynasty Literary World Seen through the Liu-Dao Dispute	0
Marginalia Transcription and Scholarly Culture in the Qing Dynasty	0
Manuscript and the Human in Modern China	0
Whither Theatricality? Toward Traditional Chinese Drama and Theater (Xiqu 戲曲) as World Theater	0
Rethinking Authorship and Agency: Women and Gender in Late Imperial China	0
Writing for Print: Publishing and the Making of Textual Authority in Late Imperial China	0
Ming Qing xiqu xuba zuanjian	0
“In the Mountain Forest I Lose My Self”: The Experience of No-Self in Wang Wei's Short Landscape Poems	0
A Couple of Soles: A Comic Play from Seventeenth-Century China	0
DecenteringSinas: Poststructuralism and Sinology	0
Making China Modern: From the Great Qing to Xi Jinping	0
Contributors	0
The Philosophical Proposition “A Piercing Glance Elevates the Mind” and the Buddhist Thought in Zong Bing's “Preface to the Painting of Landscape”	0
Anecdote, Network, Gossip, Performance: Essays on the “Shishuo xinyu.”	0
A Son's Obligations: Promoting and Circulating Motherly Exemplariness in Late Imperial China	0
On Translating Mountains and Seas: A Review Essay	0
“She Whistles Freely Shunning Companions”: The Embedded and Transcendent Selves of Poet-Painter Wang Liang in the Eighteenth Century	0
A Dialectic between Genres and Extension of Poetic Functions: Zhang Kejiu's “Regulated Songs”	0
Simian Episteme, circa 1200	0
Space and Identity: Self-Representation of a Ming Nanjing Courtesan in Transformation	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2022)	0
Eroticism and Other Literary Conventions in Chinese Literature: Intertextuality in “The Story of the Stone.”	0
The Art of Chinese Prose: A Critical Introduction	0
The Efficacious Landscape: On the Authorities of Painting at the Northern Song Court	0
Zaisheng yuan and the Writing of Women's Culture	0
The Power of Nostalgia: Memory, Identity, and Authority in the Shishuo xinyu	0
Guo Xi on Painting the Invisible Gaze of the Dao	0
Contributors	0
The Protean World of Sanqu Songs	0
Where Have All the Guixiu Gone? Chinese “Women of Talent” at the Turn of the Twentieth Century	0
How Should the Dragon King Memorialize the Jade Emperor? Margins of Political Thought in Late Ming China	0
The Crying Statue in Early Qing Drama	0
Zhonggu wenxue zhong de shi yu shi	0
Hearts in the Hometown: Diaspora Consciousness and Literature of the Tang and Song	0
How to Read Chinese Poetry in Context: Poetic Culture from Antiquity through the Tang	0
Runse hongye: Hanshu wenben de xingcheng yu zaoqi chuanbo	0
Contributors	0
Lore and Verse: Poems on History in Early Medieval China	0
Du Fu Studies, 2000–2019	0
Just Listening: An Introduction	0

What Noise Does a Psychotic Door Listen To? Information, Intermediality, and Guo Baochang's Peking Opera Film Dream of the Bridal Chamber	0
From Convention to Subversion: Case Studies on the Female Gaze in Premodern China	0
Esquif sur l´océan de la peinture 芥舟學畫編	0
In Praise of This Prosperous and Harmonious Empire: Sanqu, Ming Anthologies, and the Imperial Court	0
Dehumanized Voices and Traumatic Articulations in Late Nineteenth-Century Chinese Classical Tales	0
Mouvance in Medieval Chinese Textual Culture: Lunyu 論語 in a Dunhuang Florilegium	0
Reading Philosophy, Writing Poetry: Intertextual Modes of Making Meaning in Early Medieval China	0
The Chu Silk Manuscripts from Zidanku, Changsha (Hunan Province). Volume 1: Discovery and Transmission	0
Yuan-Ming Sanqu Songs as Communal Texts: Discovering Their Literary Vitality from a New Research Perspective	0
The Huang Kan Commentary on the Analects: A Critical Examination	0
Introduction	0
Agency and Strategy: Chastity Exemplars in an Early Qing Anthology	0
Secret Laid Bare: Close Reading of Chinese Poetry	0
Gender and Violence: The Multivalent Voices of a Cannibalized Concubine in Late Imperial Chinese Literature	0
Wang Anshi and Song Poetic Culture	0