OOIR: Observatory of International Research

Papers

(The median citation count of Journal of Chinese Literature and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)

Article	Citations
Cultural Identity and Cultural Difference in Zuozhuan	2
Beyond the City Walls: Photographic Seeing and the Longing for Wilderness in Yang Wanli's Nature Poems	1
Performing the Role of Playwright: Jia Zhongming's Sanqu Songs in the Supplement to The Register of Ghosts	1
Performing the Emperor: Sui Jingchen's “Han Gaozu Returns to His Home Village”	1
Behaving Badly in Early and Medieval China	1
The Ultimate Sanqu Song: Yao Shouzhong's “The Complaint of the Ox” and Its Place in Tanaka Kenji's Scholarship on Sanqu	1
In Search of Pure Sound: Sanqu Songs, Genre Aesthetics, and Translation Tactics	1
Feminist Theories and Women Writers of Late Imperial China: Impact and Critique	1
Cumulative Structure in Zhuangzi's “The Great and Venerable Teacher”	1
Plays within Songs: Sanqu Songs from Literary Refinement (ya) to Popular Appeal (su)	1
The Textual Architecture of Empire in Two Early Qing Anthologies	1
Inward Turns, Then and Now	1
A Flavor All Its Own: Some Theoretical Considerations on Sanqu Songs as Mixed-Register Literature	1
Writing for Print: Publishing and the Making of Textual Authority in Late Imperial China	0
Contributors	0
Ming Qing xiqu xuba zuanjian	0
Where Have All the Guixiu Gone? Chinese “Women of Talent” at the Turn of the Twentieth Century	0
“She Whistles Freely Shunning Companions”: The Embedded and Transcendent Selves of Poet-Painter Wang Liang in the Eighteenth Century	0
A Couple of Soles: A Comic Play from Seventeenth-Century China	0
Zhonggu wenxue zhong de shi yu shi	0
Closer to Home: A Hanlin Academician Writes about Persons outside the Educated Class	0
How to Read Chinese Poetry in Context: Poetic Culture from Antiquity through the Tang	0
Contributors	0
The Philosophical Proposition “A Piercing Glance Elevates the Mind” and the Buddhist Thought in Zong Bing's “Preface to the Painting of Landscape”	0
Multiple Otherness: Identity Politics in the Taiping Civil War	0

A Son's Obligations: Promoting and Circulating Motherly Exemplariness in Late Imperial China	0
On Translating Mountains and Seas: A Review Essay	0
Space and Identity: Self-Representation of a Ming Nanjing Courtesan in Transformation	0
Demon-Immortal Monkey: Categories of Being in the Cosmos of Journey to the West	0
Eroticism and Other Literary Conventions in Chinese Literature: Intertextuality in “The Story of the Stone.”	0
Cultural Memory and the Epic in Early Chinese Literature: The Case of Qu Yuan 屈原 and theLisao離騷	0
Introduction: Thinking Through Cultural Others	0
Zaisheng yuan and the Writing of Women's Culture	0
Knowledge, Emotion, and Imagination: Negotiating Cultural Boundaries in The Eunuch Sanbao's Voyage to the Western Ocean	0
The Huang Kan Commentary on the Analects: A Critical Examination	0
Yuan-Ming Sanqu Songs as Communal Texts: Discovering Their Literary Vitality from a New Research Perspective	0
The Elusiveness of Commonality: Late Twentieth-Century Sinology and the Search for a Shared Lyric Language	0
The Protean World of Sanqu Songs	0
Anecdote, Network, Gossip, Performance: Essays on the “Shishuo xinyu.”	0
How Should the Dragon King Memorialize the Jade Emperor? Margins of Political Thought in Late Ming China	0
Gender and Violence: The Multivalent Voices of a Cannibalized Concubine in Late Imperial Chinese Literature	0
Exile, Borders, and Poetry: A Study of Fang Xiaobiao's “Miscellaneous Poems on the Eastern Journey”	0
Virtue and Women's Authorship in Chinese Art History: A Study ofYutai huashi(History of Painting from Jade Terrace)	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2021)	0
From Convention to Subversion: Case Studies on the Female Gaze in Premodern China	0
Hearts in the Hometown: Diaspora Consciousness and Literature of the Tang and Song	0
Languages, Scripts, and Chinese Texts in East Asia	0
What Do Jokes Reveal about Trust in Ming Work Relations?	0
The Epistolary Self and Psychological Warfare: Tuoba Tao's 拓跋燾 (408–452, r. 423–452) Letters and His Southern Audience	0
Journeys to the West: Travelogues and Discursive Power in the Making of the Mongol Empire	0
Contributors	0
Lore and Verse: Poems on History in Early Medieval China	0
Heroes Play by the Rules: Yu Yue's Pedagogy for the Eight-Legged Essay	0
A Dialectic between Genres and Extension of Poetic Functions: Zhang Kejiu's “Regulated Songs”	0
Cultural Self-Definition of Southwest Chieftains during the Ming-Qing Transition	0
Mouvance in Medieval Chinese Textual Culture: Lunyu 論語 in a Dunhuang Florilegium	0
Titles in Chinese Literature from Academic Monthly 學術月刊 (Issues 1–12, 2022)	0
The Chu Silk Manuscripts from Zidanku, Changsha (Hunan Province). Volume 1: Discovery and Transmission	0
The Power of Nostalgia: Memory, Identity, and Authority in the Shishuo xinyu	0
Zuo Tradition. Zuozhuan 左傳: Commentary on the “Spring and Autumn Annals.”	0
Riddles inJin Ping Mei	0
Exit, Pursued by a Bear: Dushu sheng and the Limits of Community in the Early Qing	0
Marginalia Transcription and Scholarly Culture in the Qing Dynasty	0
Agency and Strategy: Chastity Exemplars in an Early Qing Anthology	0
Secret Laid Bare: Close Reading of Chinese Poetry	0
Wang Anshi and Song Poetic Culture	0
The Boundary of Chinese Music: A Cultural and Aesthetic Comparison betweenPipaandGuqin	0
Horse Language and Improvised Memorials: Gong Kai's Equine Paintings and Song Loyalism	0
Rethinking Authorship and Agency: Women and Gender in Late Imperial China	0
Beyond the Inner Chambers: Xu Zhaohua and Her Teacher Mao Qiling	0
Making China Modern: From the Great Qing to Xi Jinping	0
“In the Mountain Forest I Lose My Self”: The Experience of No-Self in Wang Wei's Short Landscape Poems	0
Contributors	0
DecenteringSinas: Poststructuralism and Sinology	0
Theories of Spatiality and the Study of Medieval China	0

Runse hongye: Hanshu wenben de xingcheng yu zaoqi chuanbo	0
Esquif sur l´océan de la peinture 芥舟學畫編	0
Du Fu Studies, 2000–2019	0
Unquiet Qing: The Course of Lovesickness in the Modernization of Chinese Literature	0
Rereading a Poetics of Divination: Oracular Visuality and Iterations of Landscape in Wei-Jin Lyricism	0
In Praise of This Prosperous and Harmonious Empire: Sanqu, Ming Anthologies, and the Imperial Court	0
Buddhist Epigraphy and Traditions of Writing in the Northern Dynasties	0
The Halberd at Red Cliff: Jian'an and the Three Kingdoms	0
Reading Philosophy, Writing Poetry: Intertextual Modes of Making Meaning in Early Medieval China	0
Top Graduate Zhang Xie: The Earliest Extant Chinese Southern Play	0
The Divided Liang Dynasty Literary World Seen through the Liu-Dao Dispute	0
The Efficacious Landscape: On the Authorities of Painting at the Northern Song Court	0
Introduction	0
The Art of Chinese Prose: A Critical Introduction	0
Guo Xi on Painting the Invisible Gaze of the Dao	0
Emperor Qianlong's Literary Aggrandizement in the Eighteenth Century	0
Whither Theatricality? Toward Traditional Chinese Drama and Theater (Xiqu 戲曲) as World Theater	0