OOIR: Observatory of International Research

Papers

(The TQCC of Theatre History Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)

Article	Citations
A Stained Glass Menagerie	1
TikTok Is Theatre, Theatre Is TikTok	1
Californios, Anglos, and the Performance of Oligarchy in the U.S. West by Andrew Gibb	0
Un-Reading Voltaire: The Ghost in the Cupboard of the House of Reason	0
The Branson Hillbilly: Commingling Power and Marginalization on the "Heartland" Stage	0
"A Body without Labels": Anton Giulio Bragaglia and the Search for the Dancer-Actor in Fascist Italy	0
Imagining Access: What Does Digiturgy Have to Offer?	0
Political Dramaturgies and Theatre Spectatorship: Provocations for Change by Liz Tomlin	0
Women Adapting: Bringing Three Serials of the Roaring Twenties to Stage and Screen by Bethany Wood	0
New Conventions for a New Generation: High School Musicals and Broadway in the 2010s	0
Editor's Introduction to the Special Section: Shifting Shapes: Witch Characters and Witchy Performances	0
Edwin Forrest: A Biography and Performance History by Arthur W. Bloom	0
A Tale of Two Funerals: Surrogation and the Legacy of Florence Mills in Show Boat's Black Chorus (1927)	0
Nothing Wicked This Way Comes: Shakespeare's Subversion of Archetypal Witches in The Winter's Tale	0
Performing Commedia dell'Arte, 1570–1630 by Natalie Crohn Schmitt	0
Law and Performance ed. by Austin Sarat, Lawrence Douglas, and Martha Merrill Umphrey	0
Le Théâtre du Soleil: The First Fifty-Five Years by Béatrice Picon-Vallin	0
Immersive Witches: New York City under the Spell of Sleep No More and Then She Fell	0
Memory, Transitional Justice, and Theatre in Postdictatorship Argentina by Noe Montez	0
Staging Memory and Materiality in Eighteenth-Century Theatrical Biography by Amanda Weldy Boyd	0
Haunted City: Three Centuries of Racial Impersonation in Philadelphia by Christian DuComb	0
Beckett Beyond the Normal ed. by Seán Kennedy	0
Navigating Ireland's Theatre Archive: Theory, Practice, Performance ed. by Barry Houlihan	0
Editors' Introduction to the Special Section	0
Starring Women: Celebrity, Patriarchy, and American Theater, 1790–1850 by Sara E. Lampert	0

Books Received	0
Irish Drama and Theatre Since 1950 by Patrick Lonergan	0
Stop Your Sobbing: White Fragility, Slippery Empathy, and Historical Consciousness in Branden Jacobs-Jenkins's Appropriate	0
Introduction	0
Caricatured, Marginalized, and Erased: African American Artists and Philadelphia's Negro Unit of the FTP, 1936–1939	0
Books Received	0
The Gaza Monologues: Palestine, Representation, and Reciprocity	0
(Un)Limited: The Influence of Mentorship and Father-Daughter Relationships on Elphaba's Heroine Journey in Wicked	0
Provocative Eloquence: Theatre, Violence, and Antislavery Speech in the Antebellum United States by Laura L. Mielke	0
Theatre Like an Oak in the Town Square	0
"A Good Union Doesn't Have to Be Dull": White-Collar Union Theatre	0
Asia and Alwin Nikolais: Interdisciplinarity, Orientalist Tendencies, and Midcentury American Dance	0
Occupying the Stage: The Theater of May '68 by Kate Bredeson	0
The Drama of Celebrity by Sharon Marcus	0
Mixed Faith and Shared Feeling: Theater in Post-Reformation London by Musa Gurnis	0
Addiction and Devotion in Early Modern England by Rebecca Lemon	0
Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century by Mary McAvoy	0
Imagining Cleopatra: Performing Gender and Power in Early Modern England by Yasmin Arshad	0
The Routledge Companion to Theatre and Performance Historiography ed. by Tracy C. Davis and Peter W. Marx	0
Introduction	0
Theatres of Contagion: Transmitting Early Modern to Contemporary Performance ed. by Fintan Walsh	0
Contributors	0
Unfair Labor? American Indians and the 1893 World's Columbian Exposition in Chicago by David R. M. Beck	0
Choreographic Revisions: The Eagle Dance as Historical Hallmark of Unto These Hills	0
Of Women and Witches: Performing the Female Body in Caryl Churchill's Vinegar Tom	0
Choreographing Displacement in Sankofa Danzafro's La Ciudad de los Otros	0
From San Francisco Eastward: Victorian Theater in the American West by Carolyn Grattan Eichin	0
Contributors	0
Josephine Baker and Katherine Dunham: Dances in Literature and Cinema by Hannah Durkin	0
To Wright the Witch: The Case of Joanna Baillie's Witchcraft	0
Dramatic Justice: Trial by Theater in the Age of the French Revolution by Yann Robert	0
Playing Sick: Performances of Illness in the Age of Victorian Medicine by Meredith Conti	0