Theatre History Studies

Papers
(The TQCC of Theatre History Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
"She Is No Longer What She Was": Charlotte Cushman, Melodramatic Femininity, and the Maidenly Mode of Singing in Daniel Terry's Guy Mannering2
Pure Filth: Ethics, Politics, and Religion in Early French Farce by Noah D. Guynn (review)1
Training Aztlán to Act: Chicanx Theatre, TENAZ, and Theatre as Social Change0
Lying in the Middle: Musical Theater and Belief at the Heart of America by Jake Johnson (review)0
Feminist Rehearsals: Gender at the Theatre in Early Twentieth-Century Argentina and Mexico by May Summer Farnsworth (review)0
Robey Theatre Company's Bronzeville : Critical Historical Performance of Afro-Asian Political Economy in Los Angeles0
Made-Up Asians: Yellowface During the Exclusion Era by Esther Kim Lee (review)0
Cultural Objects and Transatlantic Entrepôt Capitalism0
Earth Matters on Stage: Ecology and Environment in the American Theater by Theresa J. May (review)0
Temporal Ruptures: Time Travel, the Queer Body of Color, and Healing History in the Collaborative Works of Anna Luisa Petrisko0
Staging Technology: Medium, Machinery, and Modern Drama by Craig N. Owens (review)0
Staged News: The Federal Theatre Project's Living Newspapers in New York by Jordana Cox (review)0
Seen/Scene: Suzan-Lori Parks's Manifesto for Black People Onstage Revisited0
Shakespeare in Montana: Big Sky Country's Love Affair with the World's Most Famous Writer by Gretchen E. Minton (review)0
Sampling and Remixing Blackness in Hip-Hop Theater and Performance by Nicole Hodges Persley (review)0
A Manifesto in Motion: Reimagining Collective Dance Histories Through Bill T. Jones/Arnie Zane Company's Continuous Replay0
Staging America: The Artistic Legacy of the Provincetown Players by Jeffery Kennedy (review)0
Introduction0
Grand Illusion: Phantasmagoria in Nineteenth-Century Opera by Gabriela Cruz (review)0
Introduction to the Special Section: Queer and Trans Readings of the Theatrical Past0
Books Received0
Introduction0
Law as Performance: Theatricality, Spectatorship, and the Making of Law in Ancient, Medieval, and Early Modern Europe by Julie Stone Peters (review)0
A Path Out of the Desert: Enduring and Educating in the Time of COVID0
Staged Readings: Contesting Class in Popular American Theater and Literature, 1835–75 by Michael D'Allessandro (review)0
"The Past Lives Here": Split Britches in Conversation with Benjamin Gillespie0
There Are No Small Parts, Only Fractals0
Introduction to the Special Section: Manifestos for Black Theatre, Then and Now0
Cultures of Witnessing: Law and the York Plays by Emma Lipton (review)0
Introduction to the Special Section0
Anti-Racist Shakespeare by Ambereen Dadabhoy and Nedda Mehdizadeh (review)0
Baroque Modernity: An Aesthetic of the Theatre by Joseph Cermatori (review)0
Books Received0
The Song Is You: Musical Theatre and the Politics of Bursting into Song and Dance by Bradley Rogers (review)0
When We Gather in the Clearing, A Cardinal Croons0
Carrying All Before Her: Celebrity Pregnancy and the London Stage, 1689–1800 by Chelsea Phillips (review)0
Cracking Up: Black Feminist Comedy in the Twentieth & Twenty-First Century United States by Katelyn Hale Wood (review)0
When, Where, and How We Enter: Early Black Feminist Ruminations on Black Dramaturgies0
Present Perfect Tense: Revolutionizing Dramatic Narratives through Living History at the Oconaluftee Indian Village0
Responding to Crises of Racial Capitalism with Care and Resistance0
Introduction0
"I Want to Save the Flag": Childhood Flag Veneration, American Nationalism, and World War I–Era Entertainment0
Beyond Polite Words: Understanding Trans Erasure and Exploitation in Academe0
Revisiting Mei Lanfang's 1930 USA Tour: Triumphs of Curation0
Books Received0
Made You Look: Staring, Drag, and Trans Performance History from the Jewel Box Revue to Broadway0
"I Thought I Loved Him, … the Pale Coward": The Politics of Interracial Love in W. E. B. Du Bois's "Seven-Up"0
Blue Song: St. Louis in the Life and Work of Tennessee Williams by Henry I. Schvey (review)0
Contributors0
Access Intimacy as a Philosophy of Care in Post-Pandemic Academic Theatre0
Children, Childhood, and Musical Theater ed. by Donelle Ruwe and James Leve (review)0
"Not Another Essay on Care Work in Academia!"0
The Chinese Atlantic: Seascapes and the Theatricality of Globalization by Sean Metzger (review)0
Transforming Tradition: The Reform of Chinese Theater in the 1950s and Early 1960s by Siyuan Liu (review)0
Gender Inclusivity and Spanish Golden Age Theatre0
Standby: An Approach to Theatrical Design by Joshua Langman (review)0
Stage (Tr)aces: Asexuality in The Roaring Girl0
Contributors0
The Actor's Life and State Funding for Theatre in France: "We Are the State"0
The Case for Al-Mutayyim : Queer Genealogies and Theatre Historiography0
Scripts of Blackness: Early Modern Performance Culture and the Making of Race by Noémie Ndiaye (review)0
Broadway Bodies: A Critical History of Conformity by Ryan Donovan (review)0
Critical Perspectives on Contemporary Plays by Women: The Early Twenty-First Century ed. by Penny Farfan and Lesley Ferris (review)0
Staging Indigeneity: Salvage Tourism and the Performance of Native American History by Katrina M. Phillips (review)0
"Cake Walks and Culture": The Black Struggle for Sovereignty at the Dawn of Jim Crow0
"Humane Care": The Rhetoric of Premodern Care in The Tempest0
Conversations with Sam Shepard ed. by Jackson R. Bryer, Robert M. Dowling, and Mary C. Hartig (review)0
Marginalized: Southern Women Playwrights Confront Race, Region, and Gender by Casey Kayser (review)0
Shakespeare and Latinidad ed. by Trevor Boffone and Carla Della Gatta (review)0
"Performing His Epic Acting": What the Piscator Papers Can Tell Us about H. T. Tsiang's "American Epic," The Hanging on Union Square0
Radical Vision: A Biography of Lorraine Hansberry by Soyica Diggs Colbert, and: Conversations with Lorraine Hansberry ed. by Mollie Godfrey (review)0
Who Cares if We Like Them? The Problematics of "Likability" in Production and Progress0
In the Lurch: Verbatim Theater and the Crisis of Democratic Deliberation by Ryan Claycomb (review)0
American Scenic Design and Freelance Professionalism by David Bisaha (review)0
Contributors0
Senegalese Stagecraft: Decolonizing Theater-Making in Francophone Africa by Brian Valente-Quinn (review)0
Histories of the Counter-Future: Theodore Ward, Alice Childress, and the Manifestos of the People's Theatre0
Working Backstage: A Cultural History and Ethnography of Technical Theater Labor by Christin Essin (review)0
Emily Mann: Rebel Artist of the American Theatre by Alexis Greene (review)0
Theatre of the Macabre ed. by Meredith Conti and Kevin J. Wetmore Jr. (review)0
Brutal Beauty: Aesthetics and Aspiration in Urban India by Jisha Menon (review)0
"Check One, Two, Three": Dispatching Sonic Labor in Richmond's In the Heights and Nuestras Historias Exhibit0
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