OOIR: Observatory of International Research

Papers

(The TQCC of Theatre History Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
TikTok Is Theatre, Theatre Is TikTok	2
The Branson Hillbilly: Commingling Power and Marginalization on the "Heartland" Stage	1
A Stained Glass Menagerie	1
Editors' Introduction to the Special Section	0
To Wright the Witch: The Case of Joanna Baillie's Witchcraft	0
Irish Drama and Theatre Since 1950 by Patrick Lonergan	0
Playing Sick: Performances of Illness in the Age of Victorian Medicine by Meredith Conti	0
Introduction	0
Un-Reading Voltaire: The Ghost in the Cupboard of the House of Reason	0
Carrying All Before Her: Celebrity Pregnancy and the London Stage, 1689–1800 by Chelsea Phillips (review)	0
"She Is No Longer What She Was": Charlotte Cushman, Melodramatic Femininity, and the Maidenly Mode of Singing in Daniel Terry's Guy Mannering	0
Working Backstage: A Cultural History and Ethnography of Technical Theater Labor by Christin Essin (review)	0
Caricatured, Marginalized, and Erased: African American Artists and Philadelphia's Negro Unit of the FTP, 1936–1939	0
Present Perfect Tense: Revolutionizing Dramatic Narratives through Living History at the Oconaluftee Indian Village	0
(Un)Limited: The Influence of Mentorship and Father-Daughter Relationships on Elphaba's Heroine Journey in Wicked	0
Books Received	0
Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century by Mary McAvoy	0
Dramatic Justice: Trial by Theater in the Age of the French Revolution by Yann Robert	0
The Routledge Companion to Theatre and Performance Historiography ed. by Tracy C. Davis and Peter W. Marx	0
From San Francisco Eastward: Victorian Theater in the American West by Carolyn Grattan Eichin	0
Radical Vision: A Biography of Lorraine Hansberry by Soyica Diggs Colbert, and: Conversations with Lorraine Hansberry ed. by Mollie Godfrey (review)	0
Introduction	0
The Chinese Atlantic: Seascapes and the Theatricality of Globalization by Sean Metzger (review)	0
"Not Another Essay on Care Work in Academia!"	0
Contributors	0

The Drama of Celebrity by Sharon Marcus	0
Nothing Wicked This Way Comes: Shakespeare's Subversion of Archetypal Witches in The Winter's Tale	0
Addiction and Devotion in Early Modern England by Rebecca Lemon	0
Performing Commedia dell'Arte, 1570–1630 by Natalie Crohn Schmitt	0
Children, Childhood, and Musical Theater ed. by Donelle Ruwe and James Leve (review)	0
Le Théâtre du Soleil: The First Fifty-Five Years by Béatrice Picon-Vallin	0
Imagining Cleopatra: Performing Gender and Power in Early Modern England by Yasmin Arshad	0
Memory, Transitional Justice, and Theatre in Postdictatorship Argentina by Noe Montez	0
Theatres of Contagion: Transmitting Early Modern to Contemporary Performance ed. by Fintan Walsh	0
Haunted City: Three Centuries of Racial Impersonation in Philadelphia by Christian DuComb	0
There Are No Small Parts, Only Fractals	0
Pure Filth: Ethics, Politics, and Religion in Early French Farce by Noah D. Guynn (review)	0
Access Intimacy as a Philosophy of Care in Post-Pandemic Academic Theatre	0
Unfair Labor? American Indians and the 1893 World's Columbian Exposition in Chicago by David R. M. Beck	0
Shakespeare in Montana: Big Sky Country's Love Affair with the World's Most Famous Writer by Gretchen E. Minton (review)	0
Contributors	0
Choreographic Revisions: The Eagle Dance as Historical Hallmark of Unto These Hills	0
Blue Song: St. Louis in the Life and Work of Tennessee Williams by Henry I. Schvey (review)	0
Asia and Alwin Nikolais: Interdisciplinarity, Orientalist Tendencies, and Midcentury American Dance	0
"A Body without Labels": Anton Giulio Bragaglia and the Search for the Dancer-Actor in Fascist Italy	0
Law and Performance ed. by Austin Sarat, Lawrence Douglas, and Martha Merrill Umphrey	0
"Humane Care": The Rhetoric of Premodern Care in The Tempest	0
Imagining Access: What Does Digiturgy Have to Offer?	0
Introduction to the Special Section	0
Beyond Polite Words: Understanding Trans Erasure and Exploitation in Academe	0
Women Adapting: Bringing Three Serials of the Roaring Twenties to Stage and Screen by Bethany Wood	0
"Check One, Two, Three": Dispatching Sonic Labor in Richmond's In the Heights and Nuestras Historias Exhibit	0
Marginalized: Southern Women Playwrights Confront Race, Region, and Gender by Casey Kayser (review)	0
Editor's Introduction to the Special Section: Shifting Shapes: Witch Characters and Witchy Performances	0
Californios, Anglos, and the Performance of Oligarchy in the U.S. West by Andrew Gibb	0
The Gaza Monologues: Palestine, Representation, and Reciprocity	0
Who Cares if We Like Them? The Problematics of "Likability" in Production and Progress	0
Provocative Eloquence: Theatre, Violence, and Antislavery Speech in the Antebellum United States by Laura L. Mielke	0
Emily Mann: Rebel Artist of the American Theatre by Alexis Greene (review)	0
"A Good Union Doesn't Have to Be Dull": White-Collar Union Theatre	0
Political Dramaturgies and Theatre Spectatorship: Provocations for Change by Liz Tomlin	0
Occupying the Stage: The Theater of May '68 by Kate Bredeson	0
New Conventions for a New Generation: High School Musicals and Broadway in the 2010s	0
Mixed Faith and Shared Feeling: Theater in Post-Reformation London by Musa Gurnis	0
A Path Out of the Desert: Enduring and Educating in the Time of COVID	0
When We Gather in the Clearing, A Cardinal Croons	0
Introduction	0
Edwin Forrest: A Biography and Performance History by Arthur W. Bloom	0
Lying in the Middle: Musical Theater and Belief at the Heart of America by Jake Johnson (review)	0
Josephine Baker and Katherine Dunham: Dances in Literature and Cinema by Hannah Durkin	0
A Tale of Two Funerals: Surrogation and the Legacy of Florence Mills in Show Boat's Black Chorus (1927)	0
Navigating Ireland's Theatre Archive: Theory, Practice, Performance ed. by Barry Houlihan	0
Immersive Witches: New York City under the Spell of Sleep No More and Then She Fell	0
Starring Women: Celebrity, Patriarchy, and American Theater, 1790–1850 by Sara E. Lampert	0
Theatre Like an Oak in the Town Square	0

Responding to Crises of Racial Capitalism with Care and Resistance	0
Books Received	0
Books Received	0
The Actor's Life and State Funding for Theatre in France: "We Are the State"	0
Stop Your Sobbing: White Fragility, Slippery Empathy, and Historical Consciousness in Branden Jacobs-Jenkins's Appropriate	0
Staging Memory and Materiality in Eighteenth-Century Theatrical Biography by Amanda Weldy Boyd	0
Of Women and Witches: Performing the Female Body in Caryl Churchill's Vinegar Tom	0
Beckett Beyond the Normal ed. by Seán Kennedy	0
Choreographing Displacement in Sankofa Danzafro's La Ciudad de los Otros	0
Earth Matters on Stage: Ecology and Environment in the American Theater by Theresa J. May (review)	0
Contributors	0