Theatre History Studies

Papers
(The median citation count of Theatre History Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
"She Is No Longer What She Was": Charlotte Cushman, Melodramatic Femininity, and the Maidenly Mode of Singing in Daniel Terry's Guy Mannering2
Pure Filth: Ethics, Politics, and Religion in Early French Farce by Noah D. Guynn (review)1
Contributors0
Introduction to the Special Section0
"I Thought I Loved Him, … the Pale Coward": The Politics of Interracial Love in W. E. B. Du Bois's "Seven-Up"0
Emily Mann: Rebel Artist of the American Theatre by Alexis Greene (review)0
Staging America: The Artistic Legacy of the Provincetown Players by Jeffery Kennedy (review)0
American Scenic Design and Freelance Professionalism by David Bisaha (review)0
Blue Song: St. Louis in the Life and Work of Tennessee Williams by Henry I. Schvey (review)0
A Manifesto in Motion: Reimagining Collective Dance Histories Through Bill T. Jones/Arnie Zane Company's Continuous Replay0
Responding to Crises of Racial Capitalism with Care and Resistance0
When We Gather in the Clearing, A Cardinal Croons0
Access Intimacy as a Philosophy of Care in Post-Pandemic Academic Theatre0
Carrying All Before Her: Celebrity Pregnancy and the London Stage, 1689–1800 by Chelsea Phillips (review)0
Staging Indigeneity: Salvage Tourism and the Performance of Native American History by Katrina M. Phillips (review)0
The Actor's Life and State Funding for Theatre in France: "We Are the State"0
Training Aztlán to Act: Chicanx Theatre, TENAZ, and Theatre as Social Change0
The Chinese Atlantic: Seascapes and the Theatricality of Globalization by Sean Metzger (review)0
"Not Another Essay on Care Work in Academia!"0
Present Perfect Tense: Revolutionizing Dramatic Narratives through Living History at the Oconaluftee Indian Village0
Introduction0
"Check One, Two, Three": Dispatching Sonic Labor in Richmond's In the Heights and Nuestras Historias Exhibit0
Law as Performance: Theatricality, Spectatorship, and the Making of Law in Ancient, Medieval, and Early Modern Europe by Julie Stone Peters (review)0
Children, Childhood, and Musical Theater ed. by Donelle Ruwe and James Leve (review)0
Histories of the Counter-Future: Theodore Ward, Alice Childress, and the Manifestos of the People's Theatre0
Radical Vision: A Biography of Lorraine Hansberry by Soyica Diggs Colbert, and: Conversations with Lorraine Hansberry ed. by Mollie Godfrey (review)0
Books Received0
Marginalized: Southern Women Playwrights Confront Race, Region, and Gender by Casey Kayser (review)0
Seen/Scene: Suzan-Lori Parks's Manifesto for Black People Onstage Revisited0
Revisiting Mei Lanfang's 1930 USA Tour: Triumphs of Curation0
Introduction0
Earth Matters on Stage: Ecology and Environment in the American Theater by Theresa J. May (review)0
Books Received0
Lying in the Middle: Musical Theater and Belief at the Heart of America by Jake Johnson (review)0
Introduction to the Special Section: Manifestos for Black Theatre, Then and Now0
Made-Up Asians: Yellowface During the Exclusion Era by Esther Kim Lee (review)0
Robey Theatre Company's Bronzeville : Critical Historical Performance of Afro-Asian Political Economy in Los Angeles0
Shakespeare in Montana: Big Sky Country's Love Affair with the World's Most Famous Writer by Gretchen E. Minton (review)0
Contributors0
There Are No Small Parts, Only Fractals0
Who Cares if We Like Them? The Problematics of "Likability" in Production and Progress0
A Path Out of the Desert: Enduring and Educating in the Time of COVID0
Conversations with Sam Shepard ed. by Jackson R. Bryer, Robert M. Dowling, and Mary C. Hartig (review)0
Beyond Polite Words: Understanding Trans Erasure and Exploitation in Academe0
In the Lurch: Verbatim Theater and the Crisis of Democratic Deliberation by Ryan Claycomb (review)0
"Cake Walks and Culture": The Black Struggle for Sovereignty at the Dawn of Jim Crow0
Working Backstage: A Cultural History and Ethnography of Technical Theater Labor by Christin Essin (review)0
When, Where, and How We Enter: Early Black Feminist Ruminations on Black Dramaturgies0
The Song Is You: Musical Theatre and the Politics of Bursting into Song and Dance by Bradley Rogers (review)0
Anti-Racist Shakespeare by Ambereen Dadabhoy and Nedda Mehdizadeh (review)0
Standby: An Approach to Theatrical Design by Joshua Langman (review)0
Theatre of the Macabre ed. by Meredith Conti and Kevin J. Wetmore Jr. (review)0
"Humane Care": The Rhetoric of Premodern Care in The Tempest0
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