OOIR: Observatory of International Research

Papers

(The TQCC of Artmargins is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
Reframing Landscape	2
The Persistence of Primitivism and the Debt Collectors	1
“I Lived without Seeing These Art Works”: (Albanian) Socialist Realism and/against Contemporary Art	1
Introduction: Art's Histories Without Art History	1
Navigating Internationalism from Buenos Aires: The Centro de Arte y Comunicación	1
_rt movements	1
Contributors	1
Introduction to “City as Landscape” (1970) by Matsuda Masao (1933–2020)	1
From the Editors	0
More Phemes	0
Taxonomy of Breathing	0
Art of the Counter-Archive: Rosângela Rennó's Books and the Secret Files of the Dictatorship	0
Erratum: Introduction to Jalal Al-e Ahmade “To Mohassess, for the Wall”	0
“None of the Art Stuff Makes Sense Anymore”: An Interview with Luis Camnitzer	0
To Mohassess, For the Wall	0
The Abstract and the Concrete in Modern Art	0
Bags of Stories: Thinking with Household Casebearers in the Anthropocene	0
Counting Quality, Seeing Patterns	0
Homegrown Heroes: Peasant Masculinity and Nation-Building in Modern Egyptian Art	0
Learning on the Run: From Psycho-Modernism to Fugitive Sociality	0
Revisiting Rasheed Araeen's Structures: 8bS at Manufactured Art, 1970	0
The Silence That Words Hold	0
Contributors	0
Ñandutí: Crossroads of Two Worlds: The Lineage and Magic of Ñandutí	0
Make Me a Picture of the Future: Massinissa Selmani's 1000 Socialist Villages (2015)	0

This Past Must Address Its Future: Uses of African Noncontemporaneity in Contemporary Art from the French Borderscape	0
The Mythography of Socialism in Contemporary Angolan Art	0
Madness as a Form of Knowledge: Pavel Ivanovich Karpov's Creativity of the Mentally Ill	0
Revolutionary Painting and the Palestinian Revolution	0
Socialism in Contemporary African Art: Butchering the End of Time	0
Militant Landscape: Notes on Counter-Figuration from Early Modern Genre Formation to Contemporary Practices, or, Landscape after the Failure of Representation	0
Out of the Outback, into the Art World: Dotting in Australian Aboriginal Art and the Navigation of Globalization	0
Roundtable on John Clark's The Asian Modern	0
“We Need a Lighthouse Philosopher”: Filipa César and Louis Henderson's Sunstone (2018) and the Portuguese Genealogy of Lens-Based Media	0
Introduction to “Art, Signs, and Cultures” (1977)	0
From The Editors	0
Art and Class Struggle	0
The Problem with Film: Murayama Tomoyoshi's Variations on the Visible	0
Contributors	0
“Real Time Story Telling”: A Performance-Art Festival in the Context of International Networks during the Transitional Period in Poland before and after 1989	0
From the Editors	0
Modern Art, Indigeneity, and Nationalism in Paraguay: An Introduction to Josefina Plá's “Ñandutí Crossroads of Two Worlds”	0
A Room with a landscape: Vedute from the Palace of the Privileged Company of Trieste and Rijeka	0
Art and Scholarship in Moments of Historical Danger	0
Yugoslavia with Strings Attached: Boris Kralj's My Belgrade (2011) and Dubravka Ugrešić and Davor Konjikušić's There's Nothing Here (2020)	0
Abstract States: Modernism in Lebanon, Syria, and Turkey	0
Emergency Aesthetics: The Case of the Four Faces of Omarska	0
Between the Personal and the Political: On Marianne Wex's Let's Take Back Our Space	0
Southern Lights: Octavio Paz's “Glimpses of India” and the Art of Relation	0
Grounding the Global: Pathways to Elucidating Tensions in Chinese Contemporary Art	0
Hidden Green by Miklós Erdély	0
Lend Me Your Eyes	0
From The Editors	0
Contributors	0
Editorial Statement	0
Dreams/Cinema/Palestine: Unoccupied Spaces in The Dream and My Love Awaits Me by the Sea	0
Contributors	0
Art, Signs, and Cultures: Iba Ndiaye and Jean Laude in Conversation with Roger Pillaudin	0
Developmental Dilemmas	0
What is Radical?	0
Color Charts	0
Complicating Narratives of Contemporary Chinese Art as Global Art through the Lens of Exhibition Histories	0
Scenes of Access, Politics of Difference	0
Escape the Landscape	0
As the Nile Flows or the Camel Walks	0
Contributors	0
Barbad Golshiri's Acts of Alterity	0
Introduction to “Cultural Offensive of the Working Classes”	0
Contributors	0
Notes Toward a Materialist Aesthetics	0
Amy Sara Carroll's ReMex: Toward an Art History of the NAFTA Era	0
Erratum: The Persistence of Primitivism and The Debt Collectors	0
Art under Neoliberalism	0
Memory Zero	0
Sadism to Solidarity: Notes on Art, Philosophy, and the Algerian War	0

Constellational Modernisms: “Socialist Humanism” and “Contextual Art” in Ion Bitzan and Wanda Mihuleac's Graphic Art of the 1970s	0
Ch'ixi Epistemology and The Potosí Principle in the 21st Century	0
The Ghosts of Past Events in the Hall of Mirrors	0
If You Want to Say Something—Speak in the Language of the Language: Ewa Partum's Model of Conceptual Art	0
Introduction to Tomás Maldonado's “The Abstract and the Concrete in Modern Art” and Alfredo Hlito's “Notes toward a Materialist Aesthetics”	0
Palestinian Artists and the Biennial, from “Baghdad 1974: A Summary of the First Arab Biennial of Fine Arts”	0
On the Aspirations of Architecture and Design in 20th-Century South Asia	0
Contributors	0
Contributors	0
“To Make Books Is to Multiply”: Artists' Books and Feminist Expression in Mexico	0
Degraded Objects, Harrowed Bodies: Roman Stańczak and Shock Therapy in Poland, 1990–96	0
Photography Against Reproduction: Željko Jerman's My Year, 1977	0
Fury and the Landscape Film: Three Men Who Left Their Will on Concrete	0
The Notebook	0
Art History, Postcolonialism, and the Global Turn	0
The Politics and Aesthetics of Liberation: Revolution and Its Aftermath in Contemporary Artistic Practice from and about Lusophone Africa	0
Militant Mappings: A Template Toolkit	0
Introduction to “Revolutionary Painting and the Palestinian Revolution,” by Mohammed Chabâa, and “Palestinian Artists and the Biennial,” from Toni Maraini's “Baghdad 1974: A Summary of the First Arab	0
What Does Art History Have to Say About a Lebanese Sasquatch? The Body of Decolonial Struggle in Amanda Boulos's Art	0
Landscape and Its Double: The Technological Sublime	0
Miklós Erdély, Ernst Bloch, Kurt Gödel, and Hidden Green	0
Introduction to Jalal AL-E Ahmad's “To Mohassess, For the Wall”	0
Cultural Offensive of the Working Classes	0
In The Vortex of Institutional Lives	0
Chronological Dyslexia: Remembering/Representing/Performing Aids	0
From the Editors	0
Reassessing Moscow Conceptualism: The View from the Nest	0
Retraction of Holmes, Ros. 2018. “Meanwhile in China … Miao Ying and the Rise of Chinternet Ugly.” Artmargins 7 (1): 31–57	0
The Heresy of Didactic Art	0
From the Editors	0