OOIR: Observatory of International Research

Papers

(The TQCC of Artmargins is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)

Article	Citations
Reframing Landscape	2
_rt movements	1
Contributors	1
Introduction to “City as Landscape” (1970) by Matsuda Masao (1933–2020)	1
The Persistence of Primitivism and the Debt Collectors	1
“I Lived without Seeing These Art Works”: (Albanian) Socialist Realism and/against Contemporary Art	1
Reassessing Moscow Conceptualism: The View from the Nest	1
Introduction: Art's Histories Without Art History	1
Navigating Internationalism from Buenos Aires: The Centro de Arte y Comunicación	1
Southern Lights: Octavio Paz's “Glimpses of India” and the Art of Relation	0
What Does Art History Have to Say About a Lebanese Sasquatch? The Body of Decolonial Struggle in Amanda Boulos's Art	0
Contributors	0
Lend Me Your Eyes	0
Roundtable on John Clark's The Asian Modern	0
Grounding the Global: Pathways to Elucidating Tensions in Chinese Contemporary Art	0
Editorial Statement	0
The Role of Artists' Collectives in Producing State Socialist Art in 1950s Romania the Bottom-Up, Pragmatic Professionalization of State Commissions	0
This Past Must Address Its Future: Uses of African Noncontemporaneity in Contemporary Art from the French Borderscape	0
Erratum: Introduction to Jalal Al-e Ahmade “To Mohassess, for the Wall”	0
Chronological Dyslexia: Remembering/Representing/Performing Aids	0
Marta Minujín's Destructive Intervention	0
Curating as (Expanded) Art History in Southeast Asia: Recent Independent Projects in Ho Chi Minh City, Luang Prabang, and Phnom Penh	0
Introduction to Jalal AL-E Ahmad's “To Mohassess, For the Wall”	0
Introduction to “Revolutionary Painting and the Palestinian Revolution,” by Mohammed Chabâa, and “Palestinian Artists and the Biennial,” from Toni Maraini's “Baghdad 1974: A Summary of the First Arab	0
Erratum: The Persistence of Primitivism and The Debt Collectors	0

Miklós Erdély, Ernst Bloch, Kurt Gödel, and Hidden Green	0
Emergency Aesthetics: The Case of the Four Faces of Omarska	0
Contributors	0
Art under Neoliberalism	0
“None of the Art Stuff Makes Sense Anymore”: An Interview with Luis Camnitzer	0
Yugoslavia with Strings Attached: Boris Kralj's My Belgrade (2011) and Dubravka Ugrešić and Davor Konjikušić's There's Nothing Here (2020)	0
Icons of Hell 7 Dictators, 700 Portraits, 7 Pages	0
Art Centers and Peripheral Art [A Lecture at the University of Hamburg, October 15, 1982]	0
Memory Zero	0
The Ghosts of Past Events in the Hall of Mirrors	0
Counting Quality, Seeing Patterns	0
Ch'ixi Epistemology and The Potosí Principle in the 21st Century	0
Contributors	0
Revisiting Rasheed Araeen's Structures: 8bS at Manufactured Art, 1970	0
Introduction to Tomás Maldonado's “The Abstract and the Concrete in Modern Art” and Alfredo Hlito's “Notes toward a Materialist Aesthetics”	0
From The Editors	0
Contributors	0
Jugaad	0
Dreams/Cinema/Palestine: Unoccupied Spaces in The Dream and My Love Awaits Me by the Sea	0
Degraded Objects, Harrowed Bodies: Roman Stańczak and Shock Therapy in Poland, 1990–96	0
A Book Review in the Form of a Polemic Chad Elias's Posthumous Images: Contemporary Art and Memory Politics in Post-Civil War Lebanon and the Old New World Order	0
Art, Signs, and Cultures: Iba Ndiaye and Jean Laude in Conversation with Roger Pillaudin	0
Fury and the Landscape Film: Three Men Who Left Their Will on Concrete	0
Agitated Together Again: The Laboratoire Agit'art at Dak'art's 13th Biennale	0
Out of the Outback, into the Art World: Dotting in Australian Aboriginal Art and the Navigation of Globalization	0
Art and Peace (1966)	0
From The Editors	0
Introduction to Alioune Diop's “Art and Peace” (1966)	0
Landscape and Its Double: The Technological Sublime	0
From the Editors	0
Revolutionary Painting and the Palestinian Revolution	0
An Introduction to Nicos Hadjinicolaou's “Art Centers and Peripheral Art” (1982)	0
In The Vortex of Institutional Lives	0
Bags of Stories: Thinking with Household Casebearers in the Anthropocene	0
Between the Personal and the Political: On Marianne Wex's Let's Take Back Our Space	0
From the Editors	0
If You Want to Say Something—Speak in the Language of the Language: Ewa Partum's Model of Conceptual Art	0
Amy Sara Carroll's ReMex: Toward an Art History of the NAFTA Era	0
Taxonomy of Breathing	0
From the Editors	0
A Room with a landscape: Vedute from the Palace of the Privileged Company of Trieste and Rijeka	0
From the Editors	0
Hidden Green by Miklós Erdély	0
Devětsil and Dada: A Poetics of Play in the Interwar Czech Avant-Garde	0
Contributors	0
Contributors	0
The Abstract and the Concrete in Modern Art	0
Color Charts	0
Photography Against Reproduction: Željko Jerman's My Year, 1977	0
Homegrown Heroes: Peasant Masculinity and Nation-Building in Modern Egyptian Art	0

Escape the Landscape	0
The Notebook	0
The Silence That Words Hold	0
On Impossibility: Finding Vietnam in a Jordanian-Soviet Film Archive	0
Art History, Postcolonialism, and the Global Turn	0
Madness as a Form of Knowledge: Pavel Ivanovich Karpov's Creativity of the Mentally Ill	0
Barbad Golshiri's Acts of Alterity	0
Contributors	0
Contributors	0
Notes Toward a Materialist Aesthetics	0
What is Radical?	0
Militant Landscape: Notes on Counter-Figuration from Early Modern Genre Formation to Contemporary Practices, or, Landscape after the Failure of Representation	0
More Phemes	0
Scenes of Access, Politics of Difference	0
Palestinian Artists and the Biennial, from “Baghdad 1974: A Summary of the First Arab Biennial of Fine Arts”	0
Introduction to “Art, Signs, and Cultures” (1977)	0
Retraction of Holmes, Ros. 2018. “Meanwhile in China … Miao Ying and the Rise of Chinternet Ugly.” Artmargins 7 (1): 31–57	0
From the Editors	0
Art of the Counter-Archive: Rosângela Rennó's Books and the Secret Files of the Dictatorship	0
Art and Class Struggle	0
To Mohassess, For the Wall	0
The Heresy of Didactic Art	0
Art and Scholarship in Moments of Historical Danger	0
On the Aspirations of Architecture and Design in 20th-Century South Asia	0
Bricolage Within the Imperial Divide: Introduction to Iftikhar Dadi and Elizabeth Dadi's Jugaad	0
Sadism to Solidarity: Notes on Art, Philosophy, and the Algerian War	0
“To Make Books Is to Multiply”: Artists' Books and Feminist Expression in Mexico	0
Complicating Narratives of Contemporary Chinese Art as Global Art through the Lens of Exhibition Histories	0
Learning on the Run: From Psycho-Modernism to Fugitive Sociality	0