Artmargins

Papers
(The median citation count of Artmargins is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-03-01 to 2025-03-01.)
ArticleCitations
Art of the Counter-Archive: Rosângela Rennó's Books and the Secret Files of the Dictatorship1
Hidden Green by Miklós Erdély1
Counting Quality, Seeing Patterns1
Reassessing Moscow Conceptualism: The View from the Nest1
Yugoslavia with Strings Attached: Boris Kralj's My Belgrade (2011) and Dubravka Ugrešić and Davor Konjikušić's There's Nothing Here (2020)1
On the Aspirations of Architecture and Design in 20th-Century South Asia1
Socialism in Contemporary African Art: Butchering the End of Time0
Homegrown Heroes: Peasant Masculinity and Nation-Building in Modern Egyptian Art0
Contributors0
Color Charts0
Introduction to “Art, Signs, and Cultures” (1977)0
Developmental Dilemmas0
Art History, Postcolonialism, and the Global Turn0
Introduction to “Revolutionary Painting and the Palestinian Revolution,” by Mohammed Chabâa, and “Palestinian Artists and the Biennial,” from Toni Maraini's “Baghdad 1974: A Summary of the First Arab 0
Amy Sara Carroll's ReMex: Toward an Art History of the NAFTA Era0
Introduction to Jalal AL-E Ahmad's “To Mohassess, For the Wall”0
Out of the Outback, into the Art World: Dotting in Australian Aboriginal Art and the Navigation of Globalization0
Madness as a Form of Knowledge: Pavel Ivanovich Karpov's Creativity of the Mentally Ill0
The Notebook0
Palestinian Artists and the Biennial, from “Baghdad 1974: A Summary of the First Arab Biennial of Fine Arts”0
Cultural Offensive of the Working Classes0
Contributors0
Photography Against Reproduction: Željko Jerman's My Year, 19770
The Problem with Film: Murayama Tomoyoshi's Variations on the Visible0
Art and Class Struggle0
More Phemes0
Contributors0
My Beautiful Picture Book0
Contributors0
Lend Me Your Eyes0
If You Want to Say Something—Speak in the Language of the Language: Ewa Partum's Model of Conceptual Art0
Decolonization, Heritage, And Problems of Forgetting0
Southern Lights: Octavio Paz's “Glimpses of India” and the Art of Relation0
From the Editors0
The Heresy of Didactic Art0
Abstract States: Modernism in Lebanon, Syria, and Turkey0
“None of the Art Stuff Makes Sense Anymore”: An Interview with Luis Camnitzer0
“To Make Books Is to Multiply”: Artists' Books and Feminist Expression in Mexico0
_rt movements0
Back to the Site: Documentary as I Understand It0
Emergency Aesthetics: The Case of the Four Faces of Omarska0
Constellational Modernisms: “Socialist Humanism” and “Contextual Art” in Ion Bitzan and Wanda Mihuleac's Graphic Art of the 1970s0
Banal Cities: The Constructed Urban Landscape in Contemporary South Korean Photography0
“I Lived without Seeing These Art Works”: (Albanian) Socialist Realism and/against Contemporary Art0
The Mythography of Socialism in Contemporary Angolan Art0
In The Vortex of Institutional Lives0
Art, Signs, and Cultures: Iba Ndiaye and Jean Laude in Conversation with Roger Pillaudin0
Chronological Dyslexia: Remembering/Representing/Performing Aids0
What is Radical?0
Memory Zero0
The Aesthetics of “Northern Remnants” in Video Art from China0
Scenes of Access, Politics of Difference0
Introduction: Art's Histories Without Art History0
Dreams/Cinema/Palestine: Unoccupied Spaces in The Dream and My Love Awaits Me by the Sea0
“We Need a Lighthouse Philosopher”: Filipa César and Louis Henderson's Sunstone (2018) and the Portuguese Genealogy of Lens-Based Media0
Erratum: The Persistence of Primitivism and The Debt Collectors0
Ñandutí: Crossroads of Two Worlds: The Lineage and Magic of Ñandutí0
From The Editors0
The Ghosts of Past Events in the Hall of Mirrors0
From the Editors0
The Silence That Words Hold0
Make Me a Picture of the Future: Massinissa Selmani's 1000 Socialist Villages (2015)0
The Persistence of Primitivism and the Debt Collectors0
Editorial Statement0
Sadism to Solidarity: Notes on Art, Philosophy, and the Algerian War0
To Mohassess, For the Wall0
Retraction of Holmes, Ros. 2018. “Meanwhile in China … Miao Ying and the Rise of Chinternet Ugly.” Artmargins 7 (1): 31–570
The Abstract and the Concrete in Modern Art0
Art and Scholarship in Moments of Historical Danger0
From The Editors0
An Aperture Toward Abstraction in Tejal Shah's Moving-Image Works0
From the Editors0
Contributors0
Roundtable on John Clark's The Asian Modern0
Ch'ixi Epistemology and The Potosí Principle in the 21st Century0
Modern Art, Indigeneity, and Nationalism in Paraguay: An Introduction to Josefina Plá's “Ñandutí Crossroads of Two Worlds”0
What Does Art History Have to Say About a Lebanese Sasquatch? The Body of Decolonial Struggle in Amanda Boulos's Art0
Miklós Erdély, Ernst Bloch, Kurt Gödel, and Hidden Green0
The Politics and Aesthetics of Liberation: Revolution and Its Aftermath in Contemporary Artistic Practice from and about Lusophone Africa0
This Past Must Address Its Future: Uses of African Noncontemporaneity in Contemporary Art from the French Borderscape0
Revolutionary Painting and the Palestinian Revolution0
“Real Time Story Telling”: A Performance-Art Festival in the Context of International Networks during the Transitional Period in Poland before and after 19890
Contributors0
Complicating Narratives of Contemporary Chinese Art as Global Art through the Lens of Exhibition Histories0
Grounding the Global: Pathways to Elucidating Tensions in Chinese Contemporary Art0
Introduction to “Back to the Site: Documentary as I Understand It”0
Militant Mappings: A Template Toolkit0
Contributors0
Introduction to “Cultural Offensive of the Working Classes”0
As the Nile Flows or the Camel Walks0
Erratum: Introduction to Jalal Al-e Ahmade “To Mohassess, for the Wall”0
Learning on the Run: From Psycho-Modernism to Fugitive Sociality0
From the Editors0
Art under Neoliberalism0
Degraded Objects, Harrowed Bodies: Roman Stańczak and Shock Therapy in Poland, 1990–960
Navigating Internationalism from Buenos Aires: The Centro de Arte y Comunicación0
Contributors0
Contributors0
The (Calli)graphic Regimes of Contemporary Vietnamese Art0
Notes Toward a Materialist Aesthetics0
Introduction to Tomás Maldonado's “The Abstract and the Concrete in Modern Art” and Alfredo Hlito's “Notes toward a Materialist Aesthetics”0
Taxonomy of Breathing0
Revisiting Rasheed Araeen's Structures: 8bS at Manufactured Art, 19700
Barbad Golshiri's Acts of Alterity0
On-Site in the City: Comparative Urban Aesthetics in Asia at the turn of the 21st Century0
Bags of Stories: Thinking with Household Casebearers in the Anthropocene0
Between the Personal and the Political: On Marianne Wex's Let's Take Back Our Space0
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