Modernist Cultures

Papers
(The TQCC of Modernist Cultures is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
‘Patti Smith, Bloomsbury, and the Afterlives of Modernist Objects’2
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The Philological Experience in Finnegans Wake1
Rose Macaulay and Propaganda1
Review of Andrew Thacker, Modernism, Space and the City: Outsiders and Affect in Paris, Vienna, Berlin and London1
Notes on Contributors1
Review of Modernism at the Beach: Queer Ecologies & the Coastal Commons by Hannah Freed-Thall1
Anglo-French Poetic Exchanges in the Little Magazines, 1908–19140
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Global South Modernism: Tagore, Victoria Ocampo, and the Geopolitics of Horizontal Relations0
Permission to Wonder: The Palimpsestic Interplay of H.D. & Freud0
Rebecca West's ‘Seamed Red Hand’0
‘Count Me Out’: Ulysses and/as the Great Refusal0
Bureaucracy across Borders: Administering Cosmopolitan Hospitality at the English P.E.N., 1930–19450
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More Swallows to Follow: Sweeping, Swirling, Wheeling Turns in H.D.’s Asphodel0
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‘savage warnings and notations’: The Women Charting New Sensory Terrains in the Wake of Intelligence Work0
A ‘world of method and intrigue’: Muriel Spark's Literary Intelligence0
The Limits of Critique? Reading the Wild Psychoanalyst in Djuna Barnes’ Nightwood0
Plays and Fragments: Antigone, Film, Modernity0
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Sylvia Townsend Warner and the Revolutionary Garden Georgic0
Thinking Backwards/Looking Forwards: Ali Smith’s Virginia Woolf, Metamodernism’s Paranoia0
‘Puppet of skeletal escapade’: Dance Dialogues in Mina Loy and Carl Van Vechten0
‘The dawn, the dawn, it comes too soon!’: The Medieval Alba in Ford Madox Ford's Parade's End0
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Enchanted Aesthetic Lineages and Queer Intersubjectivity: Walter Pater, Vernon Lee, and Virginia Woolf0
‘The novel is going to rediscover itself’: Dorothy Richardson, The Freewoman, and Individual Expression0
Introduction: Women, Modernism, and Intelligence Work0
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‘On the Perimeter and Fringe of War’: Norman Nicholson, Rural Modernity and Wartime0
Alexandra Ksenofontova, The Modernist Screenplay: Experimental Writing for Silent Film0
‘Only he remains’: René Char, Botteghe Oscure, and Postwar Poetic Translation0
Modernist Beauty Cultures: Mina Loy and Elizabeth Arden's Gendered Economies of Ageing0
Before a New Architecture: Frederick Etchells and the Emergence of Architectural Modernity in Britain, from W.R. Lethaby to Le Corbusier0
Are Puns Mere? Christine Brooke-Rose's Amalgamemnon0
Review of What Was Literary Impressionism? by Michael Fried0
‘Strange Growths’?: Jean Rhys’s Second World War Material0
Heard But Not Seen: Gardens and Their Child Ghosts in Rudyard Kipling, T. S. Eliot and Lucy M. Boston0
Black lives and peripatetic practice in Sylvia Townsend Warner’s Summer Will Show and David Garnett’s The Sailor’s Return0
Rural Ritual, Gardened Faith: Ford Madox Ford's Memorial Plots0
B.S. Johnson's Scaffolding: Form, the City, Cancer, Weeds0
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Review of Katherine Ebury, Modern Literature and the Death Penalty, 1890–19500
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Obituary: Professor Lawrence S. Rainey0
Bombing Cultural Heritage: Nancy Cunard, Art Humanitarianism, and Primitivist Wars in Morocco, Ethiopia, and Spain0
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‘A draughtsman of words’: The Modernist Crafting of Prosodic Intermediality in E. E. Cummings’ Fauvist and Cubist Palettes0
Traces of War in Virginia Woolf's Night and Day0
Shangri-La on the Popular Front: ‘China’, the Global Left, and Auden and Isherwood’s Journey to a War0
‘Unreal enchantment’: poetic vocatio(n) and the spoken word in Marcel Proust's À la recherche du temps perdu0
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‘Choreopiscopally’: James Joyce's ‘Nausicaa’ and Vaslav Nijinsky's The Afternoon of a Faun0
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Outside Joke: Virginia Woolf’s Freshwater and Coterie Insularity0
Re-gendering Smart Classicism: Franklin P. Adams, Dorothy Parker, and the Middlebrow Classical Verse Revival0
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Under Suspicion: Christine Brooke-Rose, Intelligence Work, and the Theory Wars0
A Tale of Two Coasts: H.D.’s ‘Mira-Mare’ and Robert Herring’s Cactus Coast0
Helen Sutherland in Interwar Northumberland: Patronage and Place0
Rebecca West and the Double Agent0
Samuel Beckett's Radio Geographies0
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Review of The Edinburgh Companion to D.H. Lawrence and the Arts, edited by Catherine Brown and Susan Reid and The Many Drafts of D.H. Lawrence: Creative Flux, Genetic Dialogism, and the Dile0
In Memoriam: Professor Laura Marcus0
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Narratives of Resistance and Remembering in Marcel Proust's Railway Station0
Modernism, Inflation and the Gold Standard in T.S. Eliot and Ezra Pound0
Anna Snaith, ed., Sound and Literature0
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‘I am short of puff’: Katherine Mansfield's Poetics of Breathing0
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Review of Modernism and Theology: Rainer Maria Rilke, T. S. Eliot, Czesław Miłosz by Joanna Rzepa0
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‘Like Somebody Else's War': Similes in David Jones's In Parenthesis0
Muriel Rukeyser's Idea of Poetry: A History of Abstraction0
Review of Russomania: Russian Culture and the Creation of British Modernism, 1881–1992 by Rebecca Beasley0
Beckett's Molloy, the Promise of Youth, and the Postwar0
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Hugh Sykes Davies's Petron: Surrealism, Politics, and Hiking0
The Armoured Self, Un-becoming the Subject: Reading Julia Ducournau’s Titane (2021) Via Wyndham Lewis and Vorticism0
‘Earmarks of Design’: Finnegans Wake, Aurality, and Joyce's Common Reader0
The Nuclear Family from Wellington to Hiroshima: Eithne Wilkins's ‘Oranges and Lemons’0
Spades and Gravers: Clare Leighton, Victor Gollancz and the Radical Countryside0
Concrete Poetics and Non-Art in John Cage and Dom Sylvester Houédard0
‘Sick Hands, Thin and White, Were Always Slipping Offerings across My Windowsill, Offerings for the Little Birdlings’: Multispecies Encounters within and around Modern Rural British Sanatoria0
A Peculiar Kind of Particularity: Plants and Animals in Marianne Moore’s Early Poetry0
‘Cheerful AND Profound!’: Elizabeth Bishop’s Buster Keaton0
Surveillance, Security, and Wartime Propaganda: John Lehmann at the BBC0
‘Fact’ and ‘Truth’: Empire and Culture in David Jones’ The Grail Mass0
‘Who in This World Knows Anything of Any Other Heart?’: Ford Madox Ford and the New Cardiology0
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Beardsley Men in Early Twentieth-Century Russia: Modernising Decadent Masculinity0
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Review of Modernism, Material Culture and the First World War by Cedric Van Dijck0
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Bombast and Sesquipedalian Words: Translation, Mistranslation, and the Epigraph to The Waste Land0
Displacements: Current Work on Japanese Modernism0
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Guest Editor's Introduction0
Reading Ray: Avant-Garde and Transnationalism in Interwar Britain0
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