OOIR: Observatory of International Research

Papers

(The TQCC of Modernist Cultures is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)

Article	Citations
‘A Masterpiece of Camouflage’: Modernism and Interwar Australia	2
Dumb and Forked: The Street Tree Poetics of Millay and Williams	1
‘Who in This World Knows Anything of Any Other Heart?’: Ford Madox Ford and the New Cardiology	1
‘I am short of puff’: Katherine Mansfield's Poetics of Breathing	1
Jerusalem Building: Lolly Willowes, Blake and Rural Politics	1
‘within the reach of all’: Bringing Art to the People in Interwar Britain	1
Humphrey Jennings's ‘Film Fables’: Democracy and Image in The Silent Village	1
Beardsley Men in Early Twentieth-Century Russia: Modernising Decadent Masculinity	1
Periodically Queer: Sexology and Non-Normative Sexualities in the Little Magazine The Masses	1
Samuel Beckett's Radio Geographies	0
Susan Cannon Harris, Irish Drama and the Other Revolutions: Playwrights, Sexual Politics and the International Left, 1892–1964	0
Back matter	0
Review of Katherine Ebury, Modern Literature and the Death Penalty, 1890–1950	0
Notes on Contributors	0
Keri Hulme's Breath Poetics	0
Displacements: Current Work on Japanese Modernism	0
Bombast and Sesquipedalian Words: Translation, Mistranslation, and the Epigraph to The Waste Land	0
Notes on Contributors	0
Back matter	0
Front matter	0
‘Choreopiscopally’: James Joyce's ‘Nausicaa’ and Vaslav Nijinsky's The Afternoon of a Faun	0
Farming and Agriculture in Literary Modernism	0
Rebecca West and the Double Agent	0
Outside Joke: Virginia Woolf’s Freshwater and Coterie Insularity	0
Retreating to the Country: R.C. Sherriff's Rural Interwar Novels & Environmental Politics	0

Anglo-French Poetic Exchanges in the Little Magazines, 1908–1914	0
Alexandra Ksenofontova, The Modernist Screenplay: Experimental Writing for Silent Film	0
A Tale of Two Coasts: H.D.’s ‘Mira-Mare’ and Robert Herring’s Cactus Coast	0
Modernisms: Aotearoa New Zealand–Australia–Fiji, 1926–1986	0
Obituary: Professor Lawrence S. Rainey	0
Front matter	0
Shangri-La on the Popular Front: ‘China’, the Global Left, and Auden and Isherwood’s Journey to a War	0
Re-gendering Smart Classicism: Franklin P. Adams, Dorothy Parker, and the Middlebrow Classical Verse Revival	0
Notes on Contributors	0
Back matter	0
‘restore to us the necessary BLIZZARDS’: Early Twentieth-Century Visions of Climatic Change	0
Back matter	0
Back matter	0
Front matter	0
Notes on Contributors	0
Back matter	0
Andrew Gaedtke, Modernism and the Machinery of Madness: Psychosis, Technology, and Narrative Worlds	0
Front matter	0
Black lives and peripatetic practice in Sylvia Townsend Warner’s Summer Will Show and David Garnett’s The Sailor’s Return	0
Back matter	0
‘Syncopated Nerves’: Jazz and the Pathology of Modern Youth in Noël Coward's 1920s Theatre	0
Rebecca West's ‘Seamed Red Hand’	0
Back matter	0
Global South Modernism: Tagore, Victoria Ocampo, and the Geopolitics of Horizontal Relations	0
Front matter	0
Are Puns Mere? Christine Brooke-Rose's Amalgamemnon	0
‘Some master of design’: W.B. Yeats and the Free State Coinage	0
Front matter	0
Notes on Contributors	0
Notes on Contributors	0
Hearing Voices: The Extended Mind in Evelyn Waugh's The Ordeal of Gilbert Pinfold	0
A ‘world of method and intrigue’: Muriel Spark's Literary Intelligence	0
‘Puppet of skeletal escapade’: Dance Dialogues in Mina Loy and Carl Van Vechten	0
Plays and Fragments: Antigone, Film, Modernity	0
Notes on Contributors	0
Traces of War in Virginia Woolf's Night and Day	0
Front matter	0
Bureaucracy across Borders: Administering Cosmopolitan Hospitality at the English P.E.N., 1930–1945	0
Yeats's Birds: Recognising the Animal	0
Front matter	0
Back matter	0
Review of Modernism and Theology: Rainer Maria Rilke, T. S. Eliot, Czesław Miłosz by Joanna Rzepa	0
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Front matter	0
‘Machinic Desire’: Wyndham Lewis, Masculinity and the Sublime Horror of Technological War	0
Front matter	0
Back matter	0
The Definitive Editor: Alfred Kreymborg and the Others Magazine-Anthology Duo	0
Notes on Contributors	0
Ariane Mildenberg, Modernism and Phenomenology: Literature, Philosophy, Art	0

Front matter	0
Introduction: Modernism and the Environment	0
Notes on Contributors	0
Bombing Cultural Heritage: Nancy Cunard, Art Humanitarianism, and Primitivist Wars in Morocco, Ethiopia, and Spain	0
Empire, Nation, Tribe: The Imagined Communities of The Te Kooti Trail in New Zealand, 1927	0
Front matter	0
‘Strange Growths’?: Jean Rhys’s Second World War Material	0
‘The dawn, the dawn, it comes too soon!’: The Medieval Alba in Ford Madox Ford's Parade's End	0
Notes on Contributors	0
‘savage warnings and notations’: The Women Charting New Sensory Terrains in the Wake of Intelligence Work	0
‘An Inverted Eden’: Modernity and Anti-Modernism in D'Arcy Cresswell's The Forest	0
Notes on Contributors	0
Interwar Imaginings of Collective Cognition	0
Fanfrolico and After: The Lindsay Aesthetic in the Cultural Cold War	0
Review of Russomania: Russian Culture and the Creation of British Modernism, 1881–1992 by Rebecca Beasley	0
Concrete Poetics and Non-Art in John Cage and Dom Sylvester Houédard	0
‘Patti Smith, Bloomsbury, and the Afterlives of Modernist Objects’	0
Review of What Was Literary Impressionism? by Michael Fried	0
The Nuclear Family from Wellington to Hiroshima: Eithne Wilkins's ‘Oranges and Lemons’	0
The Linocuts of Ethel Spowers: A Vision Apart	0
Before a New Architecture: Frederick Etchells and the Emergence of Architectural Modernity in Britain, from W.R. Lethaby to Le Corbusier	0
In Memoriam: Professor Laura Marcus	0
‘The novel is going to rediscover itself’: Dorothy Richardson, The Freewoman, and Individual Expression	0
Rural Ritual, Gardened Faith: Ford Madox Ford's Memorial Plots	0
Modernism, Inflation and the Gold Standard in T.S. Eliot and Ezra Pound	0
Back matter	0
Beckett's Molloy, the Promise of Youth, and the Postwar	0
Permission to Wonder: The Palimpsestic Interplay of H.D. & Freud	0
Back matter	0
The Philological Experience in Finnegans Wake	0
Review of The Edinburgh Companion to D.H. Lawrence and the Arts, edited by Catherine Brown and Susan Reid and The Many Drafts of D.H. Lawrence: Creative Flux, Genetic Dialogism, and the Dile	0
A Peculiar Kind of Particularity: Plants and Animals in Marianne Moore’s Early Poetry	0
B.S. Johnson's Scaffolding: Form, the City, Cancer, Weeds	0
Kate Armond, Modernism and the Theatre of the Baroque	0
Reading Ray: Avant-Garde and Transnationalism in Interwar Britain	0
‘Cheerful AND Profound!’: Elizabeth Bishop’s Buster Keaton	0
Surveillance, Security, and Wartime Propaganda: John Lehmann at the BBC	0
Under Suspicion: Christine Brooke-Rose, Intelligence Work, and the Theory Wars	0
Front matter	0
More Swallows to Follow: Sweeping, Swirling, Wheeling Turns in H.D.’s Asphodel	0
Introduction: Women, Modernism, and Intelligence Work	0
Rose Macaulay and Propaganda	0
Anna Snaith, ed., Sound and Literature	0
Notes on Contributors	0
Review of Modernism at the Beach: Queer Ecologies & the Coastal Commons by Hannah Freed-Thall	0
‘For I have fed on foreign bread’: Modernism, Colonial Education and Fijian Literature	0
Notes on Contributors	0
Review of Andrew Thacker, Modernism, Space and the City: Outsiders and Affect in Paris, Vienna, Berlin and London	0