OOIR: Observatory of International Research

Papers

(The median citation count of Modernist Cultures is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)

Article	Citations
‘Patti Smith, Bloomsbury, and the Afterlives of Modernist Objects’	2
Front matter	1
The Philological Experience in Finnegans Wake	1
Rose Macaulay and Propaganda	1
Review of Andrew Thacker, Modernism, Space and the City: Outsiders and Affect in Paris, Vienna, Berlin and London	1
Notes on Contributors	1
Review of Modernism at the Beach: Queer Ecologies & the Coastal Commons by Hannah Freed-Thall	1
Front matter	0
Notes on Contributors	0
Back matter	0
Notes on Contributors	0
The Limits of Critique? Reading the Wild Psychoanalyst in Djuna Barnes’ Nightwood	0
Plays and Fragments: Antigone, Film, Modernity	0
Reading Ray: Avant-Garde and Transnationalism in Interwar Britain	0
‘savage warnings and notations’: The Women Charting New Sensory Terrains in the Wake of Intelligence Work	0
Thinking Backwards/Looking Forwards: Ali Smith’s Virginia Woolf, Metamodernism’s Paranoia	0
‘Puppet of skeletal escapade’: Dance Dialogues in Mina Loy and Carl Van Vechten	0
Permission to Wonder: The Palimpsestic Interplay of H.D. & Freud	0
Front matter	0
Back matter	0
Back matter	0
More Swallows to Follow: Sweeping, Swirling, Wheeling Turns in H.D.’s Asphodel	0
Introduction: Women, Modernism, and Intelligence Work	0
‘The novel is going to rediscover itself’: Dorothy Richardson, The Freewoman, and Individual Expression	0
A ‘world of method and intrigue’: Muriel Spark's Literary Intelligence	0

‘On the Perimeter and Fringe of War’: Norman Nicholson, Rural Modernity and Wartime	0
Notes on Contributors	0
Sylvia Townsend Warner and the Revolutionary Garden Georgic	0
Modernist Beauty Cultures: Mina Loy and Elizabeth Arden's Gendered Economies of Ageing	0
‘Only he remains’: René Char, Botteghe Oscure, and Postwar Poetic Translation	0
Review of What Was Literary Impressionism? by Michael Fried	0
Are Puns Mere? Christine Brooke-Rose's Amalgamemnon	0
‘The dawn, the dawn, it comes too soon!’: The Medieval Alba in Ford Madox Ford's Parade's End	0
Black lives and peripatetic practice in Sylvia Townsend Warner’s Summer Will Show and David Garnett’s The Sailor’s Return	0
‘Strange Growths’?: Jean Rhys’s Second World War Material	0
Enchanted Aesthetic Lineages and Queer Intersubjectivity: Walter Pater, Vernon Lee, and Virginia Woolf	0
Heard But Not Seen: Gardens and Their Child Ghosts in Rudyard Kipling, T. S. Eliot and Lucy M. Boston	0
Back matter	0
B.S. Johnson's Scaffolding: Form, the City, Cancer, Weeds	0
Back matter	0
Front matter	0
Notes on Contributors	0
Notes on Contributors	0
Alexandra Ksenofontova, The Modernist Screenplay: Experimental Writing for Silent Film	0
Notes on Contributors	0
Bombing Cultural Heritage: Nancy Cunard, Art Humanitarianism, and Primitivist Wars in Morocco, Ethiopia, and Spain	0
Notes on Contributors	0
Before a New Architecture: Frederick Etchells and the Emergence of Architectural Modernity in Britain, from W.R. Lethaby to Le Corbusier	0
Front matter	0
Traces of War in Virginia Woolf's Night and Day	0
Shangri-La on the Popular Front: ‘China’, the Global Left, and Auden and Isherwood’s Journey to a War	0
Rural Ritual, Gardened Faith: Ford Madox Ford's Memorial Plots	0
Notes on Contributors	0
‘Choreopiscopally’: James Joyce's ‘Nausicaa’ and Vaslav Nijinsky's The Afternoon of a Faun	0
Front matter	0
Review of Katherine Ebury, Modern Literature and the Death Penalty, 1890–1950	0
‘Unreal enchantment’: poetic vocatio(n) and the spoken word in Marcel Proust's À la recherche du temps perdu	0
Re-gendering Smart Classicism: Franklin P. Adams, Dorothy Parker, and the Middlebrow Classical Verse Revival	0
Notes on Contributors	0
Obituary: Professor Lawrence S. Rainey	0
Helen Sutherland in Interwar Northumberland: Patronage and Place	0
A Tale of Two Coasts: H.D.’s ‘Mira-Mare’ and Robert Herring’s Cactus Coast	0
‘A draughtsman of words’: The Modernist Crafting of Prosodic Intermediality in E. E. Cummings’ Fauvist and Cubist Palettes	0
Front matter	0
Samuel Beckett's Radio Geographies	0
In Memoriam: Professor Laura Marcus	0
Review of The Edinburgh Companion to D.H. Lawrence and the Arts, edited by Catherine Brown and Susan Reid and The Many Drafts of D.H. Lawrence: Creative Flux, Genetic Dialogism, and the Dile	0
Notes on Contributors	0
Narratives of Resistance and Remembering in Marcel Proust's Railway Station	0
Back matter	0
Outside Joke: Virginia Woolf’s Freshwater and Coterie Insularity	0
Notes on Contributors	0
Modernism, Inflation and the Gold Standard in T.S. Eliot and Ezra Pound	0
Under Suspicion: Christine Brooke-Rose, Intelligence Work, and the Theory Wars	0
Anna Snaith, ed., Sound and Literature	0

Review of Modernism and Theology: Rainer Maria Rilke, T. S. Eliot, Czesław Miłosz by Joanna Rzepa	0
‘I am short of puff’: Katherine Mansfield's Poetics of Breathing	0
Rebecca West and the Double Agent	0
Notes on Contributors	0
Review of Russomania: Russian Culture and the Creation of British Modernism, 1881–1992 by Rebecca Beasley	0
Back matter	0
Front matter	0
‘Like Somebody Else's War': Similes in David Jones's In Parenthesis	0
Back matter	0
Beckett's Molloy, the Promise of Youth, and the Postwar	0
Front matter	0
Front matter	0
‘Earmarks of Design’: Finnegans Wake, Aurality, and Joyce's Common Reader	0
The Nuclear Family from Wellington to Hiroshima: Eithne Wilkins's ‘Oranges and Lemons’	0
Front matter	0
Hugh Sykes Davies's Petron: Surrealism, Politics, and Hiking	0
Concrete Poetics and Non-Art in John Cage and Dom Sylvester Houédard	0
‘Sick Hands, Thin and White, Were Always Slipping Offerings across My Windowsill, Offerings for the Little Birdlings’: Multispecies Encounters within and around Modern Rural British Sanatoria	0
Front matter	0
Muriel Rukeyser's Idea of Poetry: A History of Abstraction	0
Surveillance, Security, and Wartime Propaganda: John Lehmann at the BBC	0
‘Cheerful AND Profound!’: Elizabeth Bishop’s Buster Keaton	0
Back matter	0
Back matter	0
‘Who in This World Knows Anything of Any Other Heart?’: Ford Madox Ford and the New Cardiology	0
The Armoured Self, Un-becoming the Subject: Reading Julia Ducournau’s Titane (2021) Via Wyndham Lewis and Vorticism	0
Review of Modernism, Material Culture and the First World War by Cedric Van Dijck	0
Back matter	0
Displacements: Current Work on Japanese Modernism	0
Bombast and Sesquipedalian Words: Translation, Mistranslation, and the Epigraph to The Waste Land	0
Spades and Gravers: Clare Leighton, Victor Gollancz and the Radical Countryside	0
Back matter	0
Guest Editor's Introduction	0
Front matter	0
A Peculiar Kind of Particularity: Plants and Animals in Marianne Moore’s Early Poetry	0
Global South Modernism: Tagore, Victoria Ocampo, and the Geopolitics of Horizontal Relations	0
Anglo-French Poetic Exchanges in the Little Magazines, 1908–1914	0
‘Fact’ and ‘Truth’: Empire and Culture in David Jones’ The Grail Mass	0
Back matter	0
Bureaucracy across Borders: Administering Cosmopolitan Hospitality at the English P.E.N., 1930–1945	0
Rebecca West's ‘Seamed Red Hand’	0
Beardsley Men in Early Twentieth-Century Russia: Modernising Decadent Masculinity	0
‘Count Me Out’: Ulysses and/as the Great Refusal	0