Modernist Cultures

Papers
(The median citation count of Modernist Cultures is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Beardsley Men in Early Twentieth-Century Russia: Modernising Decadent Masculinity2
Periodically Queer: Sexology and Non-Normative Sexualities in the Little Magazine The Masses2
Jerusalem Building: Lolly Willowes, Blake and Rural Politics1
Global South Modernism: Tagore, Victoria Ocampo, and the Geopolitics of Horizontal Relations1
‘Who in This World Knows Anything of Any Other Heart?’: Ford Madox Ford and the New Cardiology1
Rural Ritual, Gardened Faith: Ford Madox Ford's Memorial Plots1
Dumb and Forked: The Street Tree Poetics of Millay and Williams1
Under Suspicion: Christine Brooke-Rose, Intelligence Work, and the Theory Wars1
‘I am short of puff’: Katherine Mansfield's Poetics of Breathing1
‘Some master of design’: W.B. Yeats and the Free State Coinage0
Concrete Poetics and Non-Art in John Cage and Dom Sylvester Houédard0
Back matter0
‘Puppet of skeletal escapade’: Dance Dialogues in Mina Loy and Carl Van Vechten0
Spades and Gravers: Clare Leighton, Victor Gollancz and the Radical Countryside0
Farming and Agriculture in Literary Modernism0
Front matter0
Plays and Fragments: Antigone, Film, Modernity0
Notes on Contributors0
Reading Ray: Avant-Garde and Transnationalism in Interwar Britain0
Review of What Was Literary Impressionism? by Michael Fried0
Bureaucracy across Borders: Administering Cosmopolitan Hospitality at the English P.E.N., 1930–19450
‘Unreal enchantment’: poetic vocatio(n) and the spoken word in Marcel Proust's À la recherche du temps perdu0
A Peculiar Kind of Particularity: Plants and Animals in Marianne Moore’s Early Poetry0
‘restore to us the necessary BLIZZARDS’: Early Twentieth-Century Visions of Climatic Change0
Front matter0
Re-gendering Smart Classicism: Franklin P. Adams, Dorothy Parker, and the Middlebrow Classical Verse Revival0
The Definitive Editor: Alfred Kreymborg and the Others Magazine-Anthology Duo0
Notes on Contributors0
Front matter0
Introduction: Women, Modernism, and Intelligence Work0
Andrew Gaedtke, Modernism and the Machinery of Madness: Psychosis, Technology, and Narrative Worlds0
Back matter0
Notes on Contributors0
Sylvia Townsend Warner and the Revolutionary Garden Georgic0
Notes on Contributors0
Black lives and peripatetic practice in Sylvia Townsend Warner’s Summer Will Show and David Garnett’s The Sailor’s Return0
‘Patti Smith, Bloomsbury, and the Afterlives of Modernist Objects’0
Front matter0
Front matter0
Notes on Contributors0
Anglo-French Poetic Exchanges in the Little Magazines, 1908–19140
Are Puns Mere? Christine Brooke-Rose's Amalgamemnon0
Front matter0
Samuel Beckett's Radio Geographies0
Notes on Contributors0
Back matter0
Narratives of Resistance and Remembering in Marcel Proust's Railway Station0
Bombast and Sesquipedalian Words: Translation, Mistranslation, and the Epigraph to The Waste Land0
A ‘world of method and intrigue’: Muriel Spark's Literary Intelligence0
In Memoriam: Professor Laura Marcus0
Guest Editor's Introduction0
‘Machinic Desire’: Wyndham Lewis, Masculinity and the Sublime Horror of Technological War0
Displacements: Current Work on Japanese Modernism0
‘The novel is going to rediscover itself’: Dorothy Richardson, The Freewoman, and Individual Expression0
Yeats's Birds: Recognising the Animal0
Front matter0
Back matter0
Beckett's Molloy, the Promise of Youth, and the Postwar0
Back matter0
Back matter0
A Tale of Two Coasts: H.D.’s ‘Mira-Mare’ and Robert Herring’s Cactus Coast0
Retreating to the Country: R.C. Sherriff's Rural Interwar Novels & Environmental Politics0
Kate Armond, Modernism and the Theatre of the Baroque0
‘Cheerful AND Profound!’: Elizabeth Bishop’s Buster Keaton0
Back matter0
Notes on Contributors0
Back matter0
Back matter0
Front matter0
Front matter0
Heard But Not Seen: Gardens and Their Child Ghosts in Rudyard Kipling, T. S. Eliot and Lucy M. Boston0
Hugh Sykes Davies's Petron: Surrealism, Politics, and Hiking0
Bombing Cultural Heritage: Nancy Cunard, Art Humanitarianism, and Primitivist Wars in Morocco, Ethiopia, and Spain0
Back matter0
Notes on Contributors0
Traces of War in Virginia Woolf's Night and Day0
‘Strange Growths’?: Jean Rhys’s Second World War Material0
The Nuclear Family from Wellington to Hiroshima: Eithne Wilkins's ‘Oranges and Lemons’0
Rebecca West's ‘Seamed Red Hand’0
Front matter0
‘Sick Hands, Thin and White, Were Always Slipping Offerings across My Windowsill, Offerings for the Little Birdlings’: Multispecies Encounters within and around Modern Rural British Sanatoria0
Review of Katherine Ebury, Modern Literature and the Death Penalty, 1890–19500
Notes on Contributors0
Review of Andrew Thacker, Modernism, Space and the City: Outsiders and Affect in Paris, Vienna, Berlin and London0
Review of Russomania: Russian Culture and the Creation of British Modernism, 1881–1992 by Rebecca Beasley0
Notes on Contributors0
Before a New Architecture: Frederick Etchells and the Emergence of Architectural Modernity in Britain, from W.R. Lethaby to Le Corbusier0
Rebecca West and the Double Agent0
‘Fact’ and ‘Truth’: Empire and Culture in David Jones’ The Grail Mass0
‘Choreopiscopally’: James Joyce's ‘Nausicaa’ and Vaslav Nijinsky's The Afternoon of a Faun0
The Philological Experience in Finnegans Wake0
Notes on Contributors0
Outside Joke: Virginia Woolf’s Freshwater and Coterie Insularity0
Permission to Wonder: The Palimpsestic Interplay of H.D. & Freud0
Alexandra Ksenofontova, The Modernist Screenplay: Experimental Writing for Silent Film0
Review of Modernism and Theology: Rainer Maria Rilke, T. S. Eliot, Czesław Miłosz by Joanna Rzepa0
B.S. Johnson's Scaffolding: Form, the City, Cancer, Weeds0
Obituary: Professor Lawrence S. Rainey0
Front matter0
Front matter0
Notes on Contributors0
Back matter0
Introduction: Modernism and the Environment0
Rose Macaulay and Propaganda0
Surveillance, Security, and Wartime Propaganda: John Lehmann at the BBC0
‘On the Perimeter and Fringe of War’: Norman Nicholson, Rural Modernity and Wartime0
Review of Modernism at the Beach: Queer Ecologies & the Coastal Commons by Hannah Freed-Thall0
More Swallows to Follow: Sweeping, Swirling, Wheeling Turns in H.D.’s Asphodel0
Helen Sutherland in Interwar Northumberland: Patronage and Place0
Notes on Contributors0
Anna Snaith, ed., Sound and Literature0
Review of The Edinburgh Companion to D.H. Lawrence and the Arts, edited by Catherine Brown and Susan Reid and The Many Drafts of D.H. Lawrence: Creative Flux, Genetic Dialogism, and the Dile0
‘The dawn, the dawn, it comes too soon!’: The Medieval Alba in Ford Madox Ford's Parade's End0
Modernism, Inflation and the Gold Standard in T.S. Eliot and Ezra Pound0
Back matter0
Shangri-La on the Popular Front: ‘China’, the Global Left, and Auden and Isherwood’s Journey to a War0
‘savage warnings and notations’: The Women Charting New Sensory Terrains in the Wake of Intelligence Work0
Back matter0
Front matter0
0.038733005523682