Comparative Drama

Papers
(The TQCC of Comparative Drama is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)
ArticleCitations
Keeping the Violence Out of Sight: Representing Systems of Oppression with Offstage Violence2
Arthur Miller's Suicidology of the Stage: Suicide and Dramatic Form in Death of a Salesman2
Cue Tears: On the Act of Crying by Daniel Sack (review)1
Living with Shakespeare: Saint Helen's Parish, London, 1593-1598 by Geoffrey Marsh1
Theatre of Anger: Radical Transnational Performance in Contemporary Berlin by Olivia Landry0
Measuring Protagonism in Early Modern European Theatre: A Distant Reading of the Character of Sophonisba0
Shakespeare and Latinidad ed. by Trevor Boffone and Carla Della Gatta0
Vows, Veils, and Masks: The Performance of Marriage in the Plays of Eugene O'Neill by Beth Wynstra (review)0
Contributors0
Diplomatic, Migrant, Intercultural: Chinese Opera’s Performance Modes in the Contemporary West0
Introduction: Text & Presentation0
Contributors0
Contributors0
Introduction: Shakespeare and Contemporary Fiction0
Paul Griffiths's let me tell you, Hamlet , and the Intertextual Mode of Literary Adaptation0
Forty Years On: The Funding Conundrum at The Finborough0
Gender and Pilgrimage in The Digby Mary Magdalene0
'Be Yourself, Inasmuch as it Suits the Job': "Authenticity" in Practice at Berlin's Maxim Gorki and London's Royal Court0
"Only Write the Good Parts": Playwright Lucas Hnath in Conversation with Jay Malarcher0
Queering The Winter's Tale in Jeanette Winterson's The Gap of Time0
Stages of Loss: The English Comedians and Their Reception by George Oppitz-Trotman0
Contributors0
Cultures of Witnessing: Law and the York Plays by Emma Lipton (review)0
What Kind of Cosmopolitanism? Transplantation and Displacement in the (Re)construction of Theatrical Nationality in Early Twentieth-Century China and Japan0
Art Acts: Reframing the White Gaze in Claudia Rankine's The White Card0
Staging the Market Mechanisms of Medieval Mating in Den utro hustru0
Contributors0
Shaping Dance Canons: Criticism, Aesthetics, and Equity by Kate Mattingly (review)0
"The world's a theatre of theft": Islamic Imposture in Tomkis' Albumazar0
Afterword0
Staging America: The Artistic Legacy of the Provincetown Players by Jeffery Kennedy (review)0
The Perfect Joke: Autopathography and Humor in Sarah Ruhl's The Clean House0
The Theatre of Sa’dallah Wannous: A Critical Study of the Syrian Playwright and Public Intellectual ed. by Sonja Mejcher-Atassi and Robert Myers0
Contributors0
Law as Performance: Theatricality, Spectatorship and the Making of Law in Ancient, Medieval and Early Modern Europe by Julie Stone Peters (review)0
Transforming Tradition: The Reform of Chinese Theater in the 1950s and Early 1960s by Siyuan Liu0
Contributors0
Euphoria in Unhappiness: Technology and Revelation in Jennifer Haley's Neighborhood 3: Requisition of Doom and The Nether0
Macbeth by William Shakespeare (review)0
Institutionalized Violence and Oppression: Ambiguity, Complicity and Resistance in El Campo and The Conduct of Life0
Shadows of the Enlightenment: Tragic Drama during Europe's Age of Reason ed. by Blair Hoxby0
Making a Play for God: The Sacre Rappresentzioni of Renaissance Florence by Nerida Newbigin0
"The Isle Is Full of Noises": the Many Tempests of Margaret Atwood's Hag-Seed0
Hercules and the King of Portugal: Icons of Masculinity and Nation in Calderón’s Spain by Dian Fox0
Torvald's Question: Italo Svevo and James Joyce Stage Modern Masculinity0
Decommissioning the Bard: Chloe Gong's These Violent Delights as Anticolonial Edutainment0
High Rise eState of Mind: Love and Honesty in the Midst of London's Neoliberal Housing Crisis0
Noël Coward: The Playwright's Craft in a Changing Theatre by Russell Jackson, and: Masquerade: The Lives of Noël Coward by Oliver Soden (review)0
The Resistible Rise of Isli-Crouch Upon-Thames: New Metropolitanism in New British Drama0
The Paracelsan Philosophy and Plot in Romeo and Juliet0
Shakespeare's Essays: Sampling Montaigne from Hamlet to The Tempest by Peter Platt (review)0
The Drama of Serial Conversion in Early Modern England by Holly Crawford Pickett (review)0
Scripts of Blackness: Early Modern Performance Culture and the Making of Race by Noémie Ndiaye (review)0
”Simply Sitting in a Chair”: Questioning Representational Practice and Dramatic Convention in Marguerite Duras’s L’Amante anglaise and The Viaducts of Seine-et-Oise0
'Creating Change Where it Matters the Most': Artistic Directorship and Representation in the London Theatre0
Rewriting Idolatry: Doctor Faustus and Romeo and Juliet0
From Wilder’s Our Town (1938) to Churchill’s Escaped Alone (2016): Mediatization and the Collapse of the Large Into the Local0
“I want a bath!”: On the Depth and Limits of Universalist Liquefaction in Sarah Ruhl’s Eurydice0
"Old Words into Something New": David Bowie and Enda Walsh's Lazarus0
Le Théâtre du Soleil: The First Fifty-Five Years by Béatrice Picon-Vallin0
Theater, War, and Revolution in Eighteenth-Century France and Its Empire by Logan J. Connors (review)0
Theatres of Feeling: Affect, Performance, and the Eighteenth-Century Stage by Jean I. Marsden0
Bad Blood: Staging Race Between Early Modern England and Spain by Emily Weissbourd (review)0
The Theatre of Anthony Neilson by Trish Reid0
Anxious Masculinity in the Drama of Arthur Miller and Beyond: Salesmen, Sluggers and Big Daddies by Claire Gleitman (review)0
Let the Right One In by Jack Thorne (review)0
“Home Away from Home”: Diasporic Consciousness and Everyday Third Places in Tom Murphy’s Conversations on a Homecoming (1985) and Inua Ellams’ Barber Shop Chronicles (2017)0
The Theatre Couple in Early Modern Italy: Self-Fashioning and Mutual Marketing by Serena Laiena (review)0
Comedy and Crisis: Pieter Langendijk, the Dutch, and the Speculative Bubbles of 1720 by Joyce Goggin and Frans De Bruyn0
Persia in Early Modern English Drama, 1530–1699: The Imagined Empire by Chloë Houston (review)0
Flexibility, Abstraction, Orthodoxy: The Lehman Trilogy and (the) British Capital0
The Prospero of Wonderland; or, Miranda Carroll, Author of Station Eleven0
Thomas, Lord Cromwell Recontextualized: An Economic Fable in Response to The Merchant of Venice0
"In this show let me an actor be": Joining in with Doctor Faustus0
"The world to me is but a ceaseless storm": Pericles, The Porpoise , and the Resistance of Exile0
From R.U.R. to Westworld: Personal Revolt, Digital Technology, and the Making of a New Robot Ur-text0
Introduction: There's No Place Like London: Theatrical Landscapes of a City in Recovery0
Contributors0
To Remind You Of My Love: London's Love Affair With The American Musical0
Under the Influence: Adaptation, Adultery, and Acceptance in Anton Chekhov's Uncle Vanya and Ryusuke Hamaguchi's Drive My Car0
Communal Justice in Shakespeare's England: Drama, Law, Emotion by Penelope Geng0
In Memoriam: Clifford O. Davidson: 1932–20240
Longing to Stay Tied: Maggie O'Farrell's Hamnet as a Work of Creative Criticism0
Staging Haiti in Nineteenth-Century America: Revolution, Race, and Popular Performance by Peter P. Reed (review)0
Rita, Sue and #Metoo: The Royal Court Theatre, London, and Liberalism0
“The Bible say”: August Wilson’s Scriptural Improvisation0
Pragmatic Liberation and the Politics of Puerto Rican Diasporic Drama by Jon D Rossini (review)0
“It’s only a play”: Ibsen’s A Doll’s House (1879), Adamson’s Wife (2019), and the Relevance of Historical Theatre0
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