ESQ-A Journal of Nineteenth-Century American Literature and Culture

Papers
(The median citation count of ESQ-A Journal of Nineteenth-Century American Literature and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
Contributors1
“Painted for Posterity”: Guerilla Violence and Irregular Warfare in Rebecca Harding Davis’ Civil War Writing1
Seaweed in the Library: Archives in Blue and Green1
Margaret Fuller, Faithful Female Sceptic: The Politics of (Not) Publishing the 1842 "A Credo"0
Reported, Phonographically: Thomas Wentworth Higginson's 1858-1859 Spiritualist Lectures, Extemporaneous Speech, and the Problem of Evidence0
“Liable to the Vagrant Act”: Melancholic Vagrancy in Lydia Maria Child’s Hobomok and Letters from New York0
Unsettling the Nation: Sigourney and the Poetics of Dissent Appendix0
Contributors0
Saying “No!” but not “in Thunder”: Lydia Sigourney and the Poetics of Dissent0
Frederick Douglass, Walking Broadway: Authorship, Authority, and the Urban Publishing Scene in My Bondage and My Freedom0
"it is good we are dreaming": Double Consciousness and the Silent Hysterics of Rebellion in The Monarch of Dreams0
Gender Trouble in the Hollow Earth: Pantaletta, Mizora , and the American Antifeminist Romance0
Thoreau's Saxon Letters0
Contributors0
The Sea Lions: James Fenimore Cooper's Antebellum Jeremiad0
The Universe of Englishmen: Emerson's English Traits and the British Empire0
Tracking Loss in Thomas Wentworth Higginson's "Snow"0
Phillis Wheatley's Abolition Rhetoric and Nineteenth-Century Lyricization0
Contributors0
The Year in Conferences—20230
Lydia Sigourney’s Charter Oak “Enthusiasm”0
Contributors0
Post-Abolitionist Idioms: Colonel Higginson's Record of Benevolent Command0
Antebellum Black Women Preachers’ Feminist Typology0
"Monarchs – are perceptible": Emily Dickinson's Royal Democrats and the Dignity of Individual Sovereignty0
Introduction : Thomas Wentworth Higginson Apart from Dickinson0
Writing Down in the Darkness": The Spellbound Reformer and Fantasies of Legible Blackness in Army Life in a Black Regiment0
"Nauseous Flattery" and "Austere Virtues": Higginson's Bostonian View of Poe0
Contributors0
Contributors0
Smoke and Whiskey: Addiction Networks in Rebecca Harding Davis' "Life in the Iron-Mills"0
Woman in the Nineteenth Century and the Politics of Reprinting, 1845–19800
"We uncertain step": Emily Dickinson, Disability, and Embodied Learning0
Contributors0
White Regionalism and Black Rebellion in Thomas Wentworth Higginson's Travellers and Outlaws : Episodes in American History0
"Nothing beneath—all?": Rebecca Harding Davis' Critique of Possessive Individualism in "Life in the Iron-Mills"0
Between Translation, Transcription, and Revision: Thomas Wentworth Higginson's "Favorite Manual"0
Henry James' Confederate Sympathies: Ingenuous Young Men from the Past and Corrupt Postbellum Politics0
Making American Poetry White: Edmund Clarence Stedman's Poets of America0
The "Irreligion of Thinking Men": Melville's Materialist Genealogy0
Thomas Wentworth Higginson and the Nineteenth-Century Nature Essay0
A Turn to the Center: The Gothic Spinster and Erotic Solitude0
The Noble Reader and the Sound of Thoreau's Words0
Washington Irving's Public House of Spirits0
"If Actresses Ever Are Themselves": Living Pictures, Dying Women, and British Class Pretensions in Alcott's Behind a Mask0
Progressive Portraits: Visual Theory as Politics in Frederick Douglass' Wartime Lectures and Beyond0
Contributors0
A Welcome: Editor’s Note0
The Year in Conferences—20210
"To Toil Patiently through the Long Fable": Thomas Wentworth Higginson in the Woman's Journal0
Lydia Huntley Sigourney, Moral Pieces , and the War of 18120
Contributors0
“To Mold in Clay and Carve in Stone”: Sculptural and Political Form in Margaret Fuller’s Italian Dispatches0
“Cobweb Rhymes”: Why (and How) Lydia Sigourney Still Matters0
Thoreauvian Disappointment: Losing the Plot in The Maine Woods0
Many Voices, One Page: Poetic Innovation and Intercultural Protest in “The Cherokee Mother”0
Hope, Sound, and the Materiality of Print in Frances Ellen Watkins Harper's Periodical Poems0
Contributors0
The Year in Conferences—20220
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