Psychology of Aesthetics Creativity and the Arts

(The median citation count of Psychology of Aesthetics Creativity and the Arts is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 500 papers]. The publications cover those that have been published in the past four years, i.e., from 2019-09-01 to 2023-09-01.)
Creative behavior as agentic action.105
Understanding the confounding effect of fluency in divergent thinking scores: Revisiting average scores to quantify artifactual correlation.63
Problem finding and creativity: A meta-analytic review.47
Testing conditions and creative performance: Meta-analyses of the impact of time limits and instructions.44
What should people be told when they take a divergent thinking test? A meta-analytic review of explicit instructions for divergent thinking.43
Intellectual risk taking: A moderating link between creative confidence and creative behavior?42
Order, complexity, and aesthetic appreciation.40
Integrative systematic review of drama therapy intervention research.38
Measuring divergent thinking originality with human raters and text-mining models: A psychometric comparison of methods.35
Linking trauma to posttraumatic growth and mental health through emotional and cognitive creativity.34
The Vienna Art Interest and Art Knowledge Questionnaire (VAIAK): A unified and validated measure of art interest and art knowledge.33
Does intelligence strengthen creative metacognition?32
The motor creativity paradox: Constraining to release degrees of freedom.32
Correlation = causation? Music training, psychology, and neuroscience.28
Experiencing flow while viewing art: Development of the Aesthetic Experience Questionnaire.22
Does thinking about Einstein make people entity theorists? Examining the malleability of creative mindsets.22
Quantifying the if, the when, and the what of the sublime: A survey and latent class analysis of incidence, emotions, and distinct varieties of personal sublime experiences.19
Are people working together inclined towards practicality? A process analysis of creative ideation in individuals and dyads.19
The creative self and creative thinking: An exploration of predictive effects using Bayes factor analyses.17
Does activist art have the capacity to raise awareness in audiences?—A study on climate change art at the ArtCOP21 event in Paris.17
Reflection in the creative process of early adolescents: The mediating roles of creative metacognition, self-efficacy, and self-concept.16
Measuring self-regulated learning during creative problem-solving with SRL microanalysis.15
Taking the good with the bad: The impact of forecasting timing and valence on idea evaluation and creativity.15
Improvisational theater classes improve self-concept.15
The relationship among different types of arts engagement, empathy, and prosocial behavior.15
The relationship between demographics, behavioral and experiential engagement factors, and the use of artistic creative activities to regulate emotions.14
Divergent thinking and creative achievement—How strong is the link? An updated meta-analysis.14
The nature of perception and emotion in aesthetic appreciation: A response to Makin’s challenge to empirical aesthetics.13
Do you feel like I do? A study of spontaneous and deliberate emotion sharing and understanding between artists and perceivers of installation art.13
The role of information search in creative problem solving.13
Testing equal odds in creativity research.13
Participation in life-review playback theater enhances mental health of community-dwelling older adults: A randomized controlled trial.12
Vulnerability to psychopathology and creativity: The role of approach-avoidance motivation and novelty seeking.12
What are the benefits of mind wandering to creativity?12
The neglect of idea diversity in creative idea generation and evaluation.12
From music making to affective well-being in everyday life: The mediating role of need satisfaction.12
Exploring aesthetic fluency: The roles of personality, nature relatedness, and art activities.12
Mind wandering outside the box—About the role of off-task thoughts and their assessment during creative incubation.11
Facing the sublime: Physiological correlates of the relationship between fear and the sublime.11
Creativity and unethicality: A systematic review and meta-analysis.11
The Aesthetic Responsiveness Assessment (AReA): A screening tool to assess individual differences in responsiveness to art in English and German.11
Order, complexity, and aesthetic preferences for neatly organized compositions.11
An improved taxonomy of creativity measures based on salient task attributes.11
The creative self: Do people distinguish creative self-perceptions, efficacy, and personal identity?10
A novel coding scheme for assessing responses in divergent thinking: An embodied approach.10
Selection into, and academic benefits from, arts-related courses in middle school among low-income, ethnically diverse youth.9
Navigating creative paradoxes: Exploration and exploitation effort drive novelty and usefulness.9
The Vienna Art Picture System (VAPS): A data set of 999 paintings and subjective ratings for art and aesthetics research.9
Empirical development of a screening method for mental, social, and physical wellness in amateur and professional circus artists.9
Music and verbal ability—A twin study of genetic and environmental associations.8
Making the CASE for shadow creativity.8
What types of daydreaming predict creativity? Laboratory and experience sampling evidence.8
Effect of dialogical appreciation based on visual thinking strategies on art-viewing strategies.8
Beyond the big personality dimensions: Consistency and specificity of associations between the Dark Triad traits and creativity.8
How constraints impact creativity: An interaction paradigm.8
Development of the R library “jrt”: Automated item response theory procedures for judgment data and their application with the consensual assessment technique.8
Creative adaptability and emotional well-being during the COVID-19 pandemic: An international study.8
Exploration of discriminant validity in divergent thinking tasks: A meta-analysis.8
Olfactory and gustatory beauty: Aesthetic emotions and trait appreciation of beauty.7
A divergent approach to pareidolias—Exploring creativity in a novel way.7
Inspired by art: Higher aesthetic appeal elicits increased felt inspiration in a creative writing task.7
The relationship between lifetime book reading and empathy in adolescents: Examining transportability as a moderator.7
Visual preference for abstract curvature and for interior spaces: Beyond undergraduate student samples.7
Cultural withdrawal during COVID-19 lockdown: Impact in a sample of 828 artists and recipients of highbrow culture in Germany.7
Understanding inner music: A dimensional approach to musical imagery.7
Dual pathways in creative writing processes.6
Experiencing musical beauty: Emotional subtypes and their physiological and musico-acoustic correlates.6
Automated scoring of figural creativity using a convolutional neural network.6
Seeking (dis)order: Ordering appeals but slight disorder and complex order trigger interest.6
Do parents and children perceive creativity similarly? A dyadic study of creative mindsets.6
Learning to see by learning to draw: A longitudinal analysis of the relationship between representational drawing training and visuospatial skill.6
Physiological synchrony in audiences of live concerts.6
But, how can we make “art?” Artistic production versus realistic copying and perceptual advantages of artists.6
Why people press “like”: A new measure for aesthetic appeal derived from Instagram data.5
Self-regulation for creative activity: The same or different across domains?5
Explaining standardized educational test scores: The role of creativity above and beyond GPA and personality.5
Theater majors compared with nonmajors: Investigating temperament and emotion beliefs, awareness, regulation, and perception.5
Musical aesthetic sensitivity.5
Liking for abstract and representational art: National identity as an art appreciation heuristic.5
Music self-efficacy, self-esteem, and help-seeking orientation among amateur musicians who use online music tutorials.5
Effects of environmental experience on audience experience of street performance (busking).5
Transactions between adolescents’ after school activities and divergent thinking.5
Preference for paintings is also affected by curvature.5
Predictors of creativity in young people: Using frequentist and Bayesian approaches in estimating the importance of individual and contextual factors.5
Selection into, and academic benefits from, middle school dance elective courses among urban youth.5
Fifty years later and still working: Rediscovering Paulus et al’s (1970) automated scoring of divergent thinking tests.5
Is a “real” artwork better than a reproduction? A meta-analysis of the genuineness effect.5
From dropping out to dropping in: Exploring why individuals cease participation in musical activities and the support needed to reengage them.5
Reexamining subjective creativity assessments in science tasks: An application of the rater-mediated assessment framework and many-facet Rasch model.5
Enhancing and explaining art-making for mood-repair: The benefits of positive growth-oriented instructions and quiet ego contemplation.5
Ambiguity and beauty: Japanese-German cross-cultural comparisons on aesthetic evaluation of haiku poetry.5
Gravitating toward the arts during the COVID-19 pandemic.5
A meta-analysis of network positions and creative performance: Differentiating creativity conceptualizations and measurement approaches.5
The kitsch switch—or (when) do experts dislike Thomas Kinkade art? A study of time-based evaluation changes in top-down versus bottom-up assessment.5
Contextualizing information enhances the experience of environmental art.4
Two routes to aesthetic preference, one route to aesthetic inference.4
Creative idea forecasting: The effect of task exposure on idea evaluation.4
In the dark cube: Movie theater context enhances the valuation and aesthetic experience of watching films.4
Creative minecrafters: Cognitive and personality determinants of creativity, novelty, and usefulness in minecraft.4
A Model of Creative Aging (MOCA): Unlocking the potential of constraints for creativity in older adults.4
Effectiveness of drama-based therapies on mental health outcomes: A systematic review and meta-analysis of controlled studies.4
Consensual assessment in the new domain of e-textiles: Comparing insights from expert, quasi-expert, and novice judges.4
What you read and what you believe: Genre exposure and beliefs about relationships.4
The aesthetic experience of live concerts: Self-reports and psychophysiology.4
Radically revolutionary or pretty flowers? The impact of curatorial narrative of artistic deviance on perceived artist influence.4
Temporal individual differences and creativity: An exploratory investigation.4
The utility of divergent and convergent thinking in the problem construction processes during creative problem-solving.4
Eudaimonia, hedonia, and fan behavior: Examining the motives of fans of fictional texts.4
Is humor temperament associated with being creative, original, and funny? A tale of three studies.4
The influence of anger and anxiety on idea generation: Taking a closer look at integral and incidental emotion effects.4
Pushing the boundaries of reality: Science fiction, creativity, and the moral imagination.4
Audience responses to diverse superheroes: The roles of gender and race in forging connections with media characters in superhero franchise films.4
Patterns of psychological vulnerabilities and resources in artists and nonartists.4
Vigilance and social chills with music: Evidence for two types of musical chills.4
Impact of contextualizing information on aesthetic experience and psychophysiological responses to art in a museum: A naturalistic randomized controlled trial.4
Relationships between depression, self-reflection, brooding, and creative thinking in a psychiatric sample.4
Personality of Nobel Prize laureates: Differences across domains and relationship to public recognition.4
Constructing the associations between creative role identity, creative self-efficacy, and teaching for creativity for primary and secondary teachers.4
Creative achievement and individual differences: Associations across and within the domains of creativity.4
The effect of temperament, expertise in art, and formal elements of paintings on their aesthetic appraisal.4
Grumpy toddlers and dead pheasants: Visual art preferences are predicted by preferences for the depicted objects.3
Motivational processes that support arts participation: An examination of goal orientations and aspirations.3
Collaboration, cognitive effort, and self-reference in United Kingdom top 5 pop music lyrics 1960–2015.3
Interdependencies between openness and creativity of fifth graders.3
Does the typeface on album cover influence expectations and perception of music?3
Figuring out what they feel: Exposure to eudaimonic narrative fiction is related to mentalizing ability.3
What counts as aesthetics in science? A bibliometric analysis and visualization of the scientific literature from 1970 to 2018.3
Creative thinking and executive functions: Associations and training effects in adolescents.3
Artists have superior local and global processing abilities but show a preference for initially drawing globally.3
Awe is associated with creative personality, convergent creativity, and everyday creativity.3
Shared meaning in representational and abstract visual art: An empirical study.3
The role of local and global symmetry in pleasure, interest, and complexity judgments of natural scenes.3
Social exclusion increases antisocial tendencies: Evidence from retaliatory ideation in a malevolent creativity task.3
The use of drawing as an emotion regulation technique with children.3
Not just clowning around: Investigating psychological mechanisms underlying accidents in a heterogeneous group of contemporary circus artists.3
The pleasures of reading fiction explained by flow, presence, identification, suspense, and cognitive involvement.3
Less is more: The effect of visiting duration on the perceived restorativeness of museums.3
Do art lovers lead happier and even healthier lives? Investigating the psychological and physical benefits of savoring art.3
Developmental trends in creative ability: A cross-sectional examination of figural and verbal domains across the school-age years.3
Can art change the way we see?3
Processing fluency, processing style, and aesthetic response to artistic photographs.3
Native reading direction modulates eye movements during aesthetic preference and brightness judgments.3
What is good is beautiful (and what isn’t, isn’t): How moral character affects perceived facial attractiveness.3
Examining associations between montage painting imagery and symptoms of depression and posttraumatic stress among active-duty military service members.3
The role of expertise in visual exploration and aesthetic judgment of residential building façades: An eye-tracking study.3
Task instructions influence the effects of impaired self-control on creative cognition.3
Do you chill when I chill? A cross-cultural study of strong emotional responses to music.3
Is there a general “art fatigue” effect? A cross-paradigm, cross-cultural study of repeated art viewing in the laboratory.3
The benefits of drawing to regulate sadness and anger: Distraction versus expression.3
Interest and investment in fictional romances.3
Smooth as glass and hard as stone? On the conceptual structure of the aesthetics of materials.3
Age and recognition for one’s creative hobby are associated with fewer depressive symptoms in middle-aged and older adults.3
Visual perception of the built environment in virtual reality: A systematic characterization of human aesthetic experience in spaces with curved boundaries.3
Worth the effort? Comparing different youtube vlog production styles in terms of viewers’ identification, parasocial response, immersion, and enjoyment.3
The impact of top performers in creative groups.3
The art of feeling different: Exploring the diversity of emotions experienced during an art museum visit.3
The artwork and the beholder: A probabilistic model for the joint scaling of persons and objects.3
The spectrum of distributed creativity: Tango dancing and its generative modalities.3
Construction and validation of a computerized creativity assessment tool with automated scoring based on deep-learning techniques.3
Accounting for expressions of curiosity and enjoyment during music listening.3
Viewers recognize the process of creating artworks with admiration: Evidence from experimental manipulation of prior experience.3
Open to laugh: The role of openness to experience in humor production ability.2
Cultural diversity in oculometric parameters when viewing art and non-art.2
Further validating the VAIAK: Defining a psychometric model, configural measurement invariance, reliability, and practical guidelines.2
Applying bodily sensation maps to art-elicited emotions: An explorative study.2
Constraints to malevolent innovation in terrorist attacks.2
Associations between music training and cognitive abilities: The special case of professional musicians.2
The Goldsmiths Dance Sophistication Index (Gold-DSI): A psychometric tool to assess individual differences in dance experience.2
Poetry-elicited emotions: Reading experience and psychological mechanisms.2
It is not always better to have more ideas: Serial order and the trade-off between fluency and elaboration in divergent thinking tasks.2
Is there an artistry to lighting? The complexity of illuminating three-dimensional artworks.2
The balancing act: An empirical study introducing and removing constraints in idea generation.2
Examining the quality of art in STEAM learning activities.2
What makes textures beautiful? Effects of shared orientation.2
Visual exploration mediates the influence of personal traits on responses to artworks in an art gallery setting.2
Creative self-enhancement in a team context: The role of gender, creative self-concept, and trait hypercompetitiveness.2
Don't go with your gut: Exploring the role of motivation in aesthetic experiences.2
The association of TPH genes with creative insight performance.2
“Like static noise in a beautiful landscape”: A mixed-methods approach to rationales and features of disliked voices in popular music.2
Big-C creativity in artists and scientists is associated with more random global but less random local fMRI functional connectivity.2
Melody in poems and songs: Fundamental statistical properties predict aesthetic evaluation.2
Gender differences in creative potential: A meta-analysis of mean differences and variability.2
Do open or closed postures boost creative performance? The effects of postural feedback on divergent and convergent thinking.2
The composition of abstract images – Differences between artists and laypersons.2
Back where I belong: Rereading as a risk-free pathway to social connection.2
Together in the dark?: Investigating the understanding and feeling of intended emotions between viewers and professional artists at the Venice Biennale.2
Contact improvisation dance practice predicts greater mu rhythm desynchronization during action observation.2
Motivation to make music matters: Daily autonomous motivation, flow, and well-being in hobby musicians.2
The textual features of fiction that appeal to readers: Emotion and abstractness.2
Overexcitability in actors.2
Aesthetic judgments of music: Reliability, consistency, criteria, self-insight, and expertise.2
Measuring art knowledge: Item response theory and differential item functioning analysis of the Aesthetic Fluency Scale.2
Can art promote understanding? A review of the psychology and neuroscience of aesthetic cognitivism.2
Presenting TaMuNaBe: A taxonomy of museum navigation behaviors.2
A multifactorial model of visual imagery and its relationship to creativity and the vividness of Visual Imagery Questionnaire.2
Beauty is not in the eye but in the inner head: Evidence from environmental advertising.2
Great expectations: Misleading effects of images in the alternate uses task.2
“I feel like I am in that place and I would like to see more”: Aesthetic and embodiment components of tourist destination image.2
Underlying elements of image quality assessment: Preference and terminology for communicating image quality characteristics.1
Universality and specificity of the kindchenschema: A cross-cultural study on cute rectangles.1
Implicit responses in the judgment of attractiveness in faces with differing levels of makeup.1
Narrative aesthetic absorption in audiobooks is predicted by blink rate and acoustic features.1
Development and validation of the Aesthetic Processing Preference Scale (APPS).1
Understanding metaphor in art: Distinguishing literal giants from metaphorical challenges.1
Seeing outside the box: Salient associations disrupt visual idea generation.1
Art as communication: Fulfilling Gricean communication principles predicts aesthetic liking.1
Movement-based music in the classroom: Investigating the effects of music programs incorporating body movement in primary school children.1
Babies’ engagement in music theater performances: A microanalytical study of the aesthetic experiences in early childhood.1
The spectatorship of portraits by naïve beholders.1
The shower effect: Mind wandering facilitates creative incubation during moderately engaging activities.1
How verbal cues help to see and understand art.1
Groovin’ to the cultural beat: Preferences for danceable music represent cultural affordances for high-arousal negative emotions.1
The influence of empathy on the perceptual response to visual art.1
The creative mind in daily life: How cognitive and affective experiences relate to creative thinking and behavior.1
How architecture evokes awe: Predicting awe through architectural features of building interiors.1
The influence of culture on the viewing of Western and East Asian paintings.1
A latent profile analysis of creativity: Associations of convergent and divergent thinking with subclinical schizotypal, obsessive-compulsive, and affective symptoms.1
On the mutual relation between art experience and viewing time.1
Tactile beauty is in the hand, but also in the eye of the beholder: Interaction between haptic and visual experiences in aesthetic judgement.1
Individual differences in aesthetic engagement and proneness to aesthetic chill: Associations with stress-related growth orientation.1
The impact of surface cleaning restoration of paintings on observers’ eye fixation patterns and artworks’ pictorial qualities.1
Prosocial motivation and creativity in the arts and sciences: Qualitative and quantitative evidence.1
How insecure narcissists become cultural omnivores: Consuming highbrow culture for status seeking and lowbrow culture for integrity signaling.1
Reliability and validity of a novel Ambulatory Battery of Creativity (ABC).1
Culture, personal values, personality, uses of music, and musical taste.1
On the overlap between aesthetic disposition, cultural eclecticism, and openness: An interdisciplinary study.1
The contribution of integrated arts-based groups to people with mental health conditions and community members: Processes and outcomes.1
The next step for the VAIAK: An item-focused analysis.1
Beyond the single picture: Aesthetic experiences with photography series in an exhibition context.1
Visual attention bias for self-made artworks.1
The effects of literariness on social-cognitive skills: Examining narrative engagement, transportation, and identification as moderators.1
From “a nothing” to something special: Art as a space of holding attunement in the creative experience of Holocaust survivor artists.1
Who hates magic? Exploring the loathing of legerdemain.1
The structure of musical dislikes.1
Self- and other-reported creativity and its association with personality in a cappella singers.1
An empirical assessment of cinematic continuity.1
To map or not to map: Professional actors are capable of validly connecting extremely distant verbal analogues.1
The time-course of fixations in representational paintings: A cross-cultural study.1
Just a joke? Can sexist comedy harm women’s cognitive performance?1
Shaping film: A quantitative formal analysis of contemporary empathy-eliciting Hollywood cinema.1
Individual differences in aesthetic engagement and proneness to aesthetic chill: Associations with awe.1
Differentiating the visual aesthetics of the sublime and the beautiful: Selective effects of stimulus size, height, and color on sublimity and beauty ratings in photographs.1
“Kneweth one who makes these notes . . .”: Personality, individual differences, and liking of nouveau roman and existentialist literature and film.1
Musical ethnocultural identity, happiness, and internalizing symptoms in youth.1
Storytelling as a fundamental form of acting.1
The temporal instability of aesthetic preferences.1
Cultural-match effect on the appreciation of traditional and contemporary visual arts: Evidence from Poland and Hong Kong.1
How perfect are imperfect rhymes? Effects of phonological similarity and verse context on rhyme perception.1
Slow looking at still art: The effect of manipulating audio context and image category on mood and engagement during an online slow looking exercise.1
Altar-ing aesthetic emotions: Exploring responses to ecologically valid beauty stimuli and their relationship to trait engagement with beauty.1
Once upon a time: A school positive narrative intervention for promoting well-being and creativity in elementary school children.1
Neuroticism, musical emotion regulation, musical coping, mental health, and musicianship characteristics.1
Psychopathology in world-class artistic and scientific creativity.1
Supervisor Idea Adoption Scale: Construction, reliability, and initial validity evidence.1
Does writing promote social cognition? The role of fictionality and social content.1
Free association ability distinguishes highly creative artists from scientists: Findings from the Big-C Project.1
Images influencing images: How pictorial context affects the emotional interpretation of art photographs.0
Editors’ introduction November 2019.0
Supplemental Material for The Structure of Musical Dislikes0
Knowledge and the perceived value of paintings: The role of time, presence, and the contagion effect on art evaluation.0
Color’s perceptual diversity and categorical harmony improve aesthetic experience.0
Musical contingent self-worth moderates the association between music training and tonal working memory.0
Supplemental Material for Are Androgynous People More Creative Than Gender Conforming People?0
Supplemental Material for “Like Static Noise in a Beautiful Landscape”: A Mixed-Methods Approach to Rationales and Features of Disliked Voices in Popular Music0
Children’s absorption in fiction: Self-reports by avid and occasional readers.0
Supplemental Material for Self-Regulation for Creative Activity: The Same or Different Across Domains?0
Creativity enhancement methods for adults: A meta-analysis.0
Supplemental Material for The Aesthetic Responsiveness Assessment (AReA) in Farsi Language: A Scale Validation and Cultural Adaptation Study0
All that glitters is gold: Development and validation of the Product Aesthetics Inventory (PAI).0
The Aesthetic Responsiveness Assessment (AReA) in Farsi language: A scale validation and cultural adaptation study.0
Supplemental Material for Social Exclusion Increases Antisocial Tendencies: Evidence from Retaliatory Ideation in a Malevolent Creativity Task0
Supplemental Material for Exploration of Discriminant Validity in Divergent Thinking Tasks: A Meta-Analysis0
Viewing images of jagged texture in digital artwork affects body sensations: A virtual reality study.0
Supplemental Material for Object-Based Practice Effects Recover the Graphic Object Concept in Alzheimer’s Dementia0
Supplemental Material for Development and Validation of the Aesthetic Processing Preference Scale (APPS)0
Maybe your child could have painted that: Comparing abstract works by artists, abstract art child prodigies, and typical children.0
What’s in a name? Book title salience and the psychology of fiction.0
Supplemental Material for Effect of Hedonic Contrasts on Movie Appreciation0
Supplemental Material for Prosocial Motivation and Creativity in the Arts and Sciences: Qualitative and Quantitative Evidence0
Supplemental Material for Temporal Individual Differences and Creativity: An Exploratory Investigation0
Editors’ introduction.0
Supplemental Material for Impact of Veteran Journeys Opera on Audience Member Attitudes Related to Veterans With Posttraumatic Stress or Unstable Housing0
Cognitive reappraisal and creative self-concept among higher education students: A latent class analysis.0
Supplemental Material for Conceptualizing and Measuring Ability Emotional Creativity0
Once known, twice hedonic: Enjoying Shakespeare’s sonnets through rereading—A deep learning perspective.0
Supplemental Material for Differential Effects of Film Genre on Viewers’ Absorption, Identification, and Enjoyment0
Supplemental Material for How Filmmakers Guide the Eye: The Effect of Average Shot Length on Intersubject Attentional Synchrony0
Stereo viewing upsets cinematic continuity: Filmic cuts are more salient in 3D than in 2D movies.0
Review of Understanding aesthetics, creativity and the arts: An interdisciplinary approach.0
Supplemental Material for Viewers Recognize the Process of Creating Artworks With Admiration: Evidence From Experimental Manipulation of Prior Experience0
Supplemental Material for The Effect of Implicit Theories of Human Beauty and Perceived Pressure on Cosmetic Consumption0
A MAD method to assess idea novelty: Improving validity of automatic scoring using maximum associative distance (MAD).0
Conceptualizing and measuring ability emotional creativity.0
Supplemental Material for Inspired by Art: Higher Aesthetic Appeal Elicits Increased Felt Inspiration in a Creative Writing Task0
Supplemental Material for From “a Nothing” to Something Special: Art as a Space of Holding Attunement in the Creative Experience of Holocaust Survivor Artists0
Differential effects of film genre on viewers’ absorption, identification, and enjoyment.0
Supplemental Material for The Aesthetic Responsiveness Assessment (AReA): A Screening Tool to Assess Individual Differences in Responsiveness to Art in English and German0
Supplemental Material for Audience Responses to Diverse Superheroes: The Roles of Gender and Race in Forging Connections With Media Characters in Superhero Franchise Films0
Impact of Veteran Journeys opera on audience member attitudes related to veterans with posttraumatic stress or unstable housing.0
Planning new ideas: Does time management tendency benefit daily creativity?0
Editors’ introduction November 2022.0
Supplemental Material for Creative Achievement and Individual Differences: Associations Across and Within the Domains of Creativity0
Supplemental Material for Photographs That Repulse or Entice: Sense-Making and Emotional Experiencing of Artistic Photographs0
Facial reactions to face representations in art: An electromyography study.0
Supplemental Material for Open to Laugh: The Role of Openness to Experience in Humor Production Ability0
The role of listener features in musical emotion induction: The contributions of musical expertise, personality dispositions, and mood state.0
An randomized study of El Sistema-inspired youth music education programming: Evidence addressing executive function and social–emotional learning.0
The effect of visual recognition on listener choices when searching for music in playlists.0
Supplemental Material for Personality of Nobel Prize Laureates: Differences Across Domains and Relationship to Public Recognition0
Self-awareness of musical ability.0
More light about each other: Theater education as a context for developing social awareness and relationship skills.0
Personality traits can predict architectural preferences: A machine learning approach.0
Supplemental Material for Radically Revolutionary or Pretty Flowers? The Impact of Curatorial Narrative of Artistic Deviance on Perceived Artist Influence0
Supplemental Material for Differentiating the Visual Aesthetics of the Sublime and the Beautiful: Selective Effects of Stimulus Size, Height, and Color on Sublimity and Beauty Ratings in Photographs0
Supplemental Material for Automated Feedback and Creativity: On the Role of Metacognitive Monitoring in Divergent Thinking0
Matching on action: Effects of action speed and viewpoint on perceived continuity across match-action film edits.0
Supplemental Material for Do You Chill When I Chill? A Cross-Cultural Study of Strong Emotional Responses to Music0
Supplemental Material for A Novel Coding Scheme for Assessing Responses in Divergent Thinking: An Embodied Approach0
Creativity to prompt willpower: Feeling more creative predicts subsequent activated positive affect and increased willpower in daily life.0
Supplemental Material for Narrative Aesthetic Absorption in Audiobooks Is Predicted by Blink Rate and Acoustic Features0
Supplemental Material for Big-C Creativity in Artists and Scientists is Associated With More Random Global but Less Random Local fMRI Functional Connectivity0
Exploring barriers to and drivers of participatory arts engagement in early adolescence.0
Supplemental Material for Creative Idea Forecasting: The Effect of Task Exposure on Idea Evaluation0
Examining the attribute inheritance in Janusian thinking: An intensional study on the mechanisms of combining opposite concepts.0
Supplemental Material for Is There a General “Art Fatigue” Effect? A Cross-Paradigm, Cross-Cultural Study of Repeated Art Viewing in the Laboratory0
Supplemental Material for A Divergent Approach to Pareidolias—Exploring Creativity in a Novel Way0
Supplemental Material for Vigilance and Social Chills With Music: Evidence for Two Types of Musical Chills0
Supplemental Material for The Textual Features of Fiction That Appeal to Readers: Emotion and Abstractness0
Supplemental Material for The Goldsmiths Dance Sophistication Index (Gold-DSI): A Psychometric Tool to Assess Individual Differences in Dance Experience0
Supplemental Material for The Impact of Top Performers in Creative Groups0
Supplemental Material for Shared Meaning in Representational and Abstract Visual Art: An Empirical Study0
Editors’ introduction, February 2023.0
Supplemental Material for An Itsy Bitsy Audience: Live Performance Facilitates Infants’ Attention and Heart Rate Synchronization0
Supplemental Material for Further Validating the VAIAK: Defining a Psychometric Model, Configural Measurement Invariance, Reliability, and Practical Guidelines0
Supplemental Material for The Pleasures of Reading Fiction Explained by Flow, Presence, Identification, Suspense, and Cognitive Involvement0
Review of Integrated care for the traumatized: A whole-person approach.0
Supplemental Material for Beyond Togetherness: Interactional Dissensus Fosters Creativity and Tension in Freely Improvised Musical Duos0
Eyelight enhances perceived emotional responses to cinema.0
An initial examination of computer programs as creative works.0
Editors’ introduction.0
Review of Understanding the beauty appreciation trait: Empirical research on seeking beauty in all things.0
Temporal-and orientation-based properties of the relationship between imagination-and observation-based face drawings.0
Supplemental Material for Music-Evoked Pleasantness Modulates Theta Synchronization Within a Fronto-Temporal Music-Related Network0
Mood and creativity in children: Differential impacts on convergent and divergent thinking.0
Supplemental Material for Measuring Divergent Thinking Originality With Human Raters and Text-Mining Models: A Psychometric Comparison of Methods0
Supplemental Material for A Computational Approach to Studying Aesthetic Judgments of Ambiguous Artworks0
Tuning systems and european colonialism in Africa.0
Supplemental Material for More Light About Each Other: Theater Education as a Context for Developing Social Awareness and Relationship Skills0
Supplemental Material for The Aesthetic Quality Model: Complexity and Randomness as Foundations of Visual Beauty by Signaling Quality0
Supplemental Material for Back Where I Belong: Rereading as a Risk-Free Pathway to Social Connection0
Supplemental Material for Implicit Responses in the Judgment of Attractiveness in Faces With Differing Levels of Makeup0
Supplemental Material for All That Glitters Is Gold: Development and Validation of the Product Aesthetics Inventory (PAI)0
An opportunity to find oneself at the end of a paintbrush: Exploration of an artist-led prison intervention model bringing people from prison and local 0
Sharing research outcomes with traditional owners.0
Supplemental Material for Intellectual Risk Taking: A Moderating Link Between Creative Confidence and Creative Behavior?0
Supplemental Material for The Relationship Between Demographics, Behavioral and Experiential Engagement Factors, and the Use of Artistic Creative Activities to Regulate Emotions0
Board games enhance creativity: Evidence from two studies.0
Supplemental Material for Creative Thinking and Executive Functions: Associations and Training Effects in Adolescents0
Supplemental Material for Is Humor Temperament Associated With Being Creative, Original, and Funny? A Tale of Three Studies0
Supplemental Material for Awe is Associated With Creative Personality, Convergent Creativity, and Everyday Creativity0
Do only the most creative entrepreneurial artists succeed? The linear and nonlinear relationship between creative personality and entrepreneurial performance.0
Mental imagery in aesthetic appreciation and the understanding of the self and others.0
Supplemental Material for Toward Equitable Creativity Self-Assessment: Measurement Invariance and Mean Differences Across Ethnicity in the Kaufman Domains of Creativity Scale0
Supplemental Material for Knowledge and the Perceived Value of Paintings: The Role of Time, Presence, and the Contagion Effect on Art Evaluation0
Does the frame of an artwork matter? Cultural framing and aesthetic judgments for abstract and representational art.0
Songs as a way of listening to cultures across generations? A comparison of Canada and the United States through their famous songs from 1975 to 2017.0
Supplemental Material for Music and Verbal Ability—A Twin Study of Genetic and Environmental Associations0
Supplemental Material for The Role of Listener Features in Musical Emotion Induction: The Contributions of Musical Expertise, Personality Dispositions, and Mood State0
Supplemental Material for How Much Does Performance Quality Matter in Musical Emotion Induction? Main Effects and Interaction Effects With Listener Features0
Art made by artificial intelligence: The effect of authorship on aesthetic judgments.0
Editors’ introduction.0
Editors’ introduction February 2020.0
A computational approach to studying aesthetic judgments of ambiguous artworks.0
Supplemental Material for A MAD Method to Assess Idea Novelty: Improving Validity of Automatic Scoring Using Maximum Associative Distance (MAD)0
Development and validation of the Mechanisms of Engagement in the Arts and Humanities scales.0
Supplemental Material for What Is Good Is Beautiful (and What Isn’t, Isn’t): How Moral Character Affects Perceived Facial Attractiveness0
Who likes the grotesque? Mapping individual differences in liking of grotesque artworks.0
Differentiating types of cinematographic shot changes by cut through an EEG power spectral analysis.0
Supplemental Material for Processing Fluency, Processing Style, and Aesthetic Response to Artistic Photographs0
Appreciating paintings of the virtuous: The influence of perceived artist morality on aesthetic judgment of their works.0
Comparing effects of visual thinking strategies in a classroom and a museum.0
Supplemental Material for Does the Frame of an Artwork Matter? Cultural Framing and Aesthetic Judgments for Abstract and Representational Art0
“I may look fake but I’m real where it counts”: Positivity and authenticity in the songs of Dolly Parton.0
Supplemental Material for Figuring Out What They Feel: Exposure to Eudaimonic Narrative Fiction Is Related to Mentalizing Ability0
Brain networks supporting scientific creative thinking.0
Music-evoked pleasantness modulates theta synchronization within a fronto-temporal music-related network.0
Spirit behind appearance: Facial motion increases facial attractiveness through perceived vitality.0
The appeal of aesthetics: A cross-cultural lexical analysis.0
Editors’ introduction May 2020.0
Supplemental Material for Effectiveness of Drama-Based Therapies on Mental Health Outcomes: A Systematic Review and Meta-Analysis of Controlled Studies0
Supplemental Material for How Do Examples Impact Divergent Thinking? The Interplay Between Associative and Executive Processes0
Supplemental Material for Who Likes the Grotesque? Mapping Individual Differences in Liking of Grotesque Artworks0
Supplemental Material for Smooth as Glass and Hard as Stone? On the Conceptual Structure of the Aesthetics of Materials0
Why Boulder Springs has no boulders and no springs: Evolved landscape preferences and naming conventions.0
Object-based practice effects recover the graphic object concept in Alzheimer’s dementia.0
Supplemental Material for Can Persistence Improve Creativity? The Effects of Implicit Beliefs About Creativity on Creative Performance0
Trust the process: The effects of iteration in children’s creative processes on their creative products.0
Supplemental Material for Ambiguity and Beauty: Japanese-German Cross-Cultural Comparisons on Aesthetic Evaluation of Haiku Poetry0
From Perugino to Picasso: Holistic processing of faces in paintings.0
Supplemental Material for Order, Complexity, and Aesthetic Preferences for Neatly Organized Compositions0
Perceiving versus scrutinizing: Viewers do not default to awareness of small spatiotemporal inconsistencies in movie edits.0
The effect of implicit theories of human beauty and perceived pressure on cosmetic consumption.0
With, against, or without? Familiarity and copresence increase interactional dissensus and relational plasticity in freely improvising duos.0
Editors' introduction August 2022.0
Supplemental Material for Movement-Based Music in the Classroom: Investigating the Effects of Music Programs Incorporating Body Movement in Primary School Children0
Pupil dilation is driven by perceptions of naturalness of color composition in paintings.0
Supplemental Material for Impact of Contextualizing Information on Aesthetic Experience and Psychophysiological Responses to Art in a Museum: A Naturalistic Randomized Controlled Trial0
Edit blindness is not related to immersion and presence in Hollywood movies.0
Supplemental Material for What Makes Textures Beautiful? Effects of Shared Orientation0
“And you don't like, don't like the way I talk”: Authenticity in the language of bruce springsteen.0
Supplemental Material for Aesthetic Judgments of Music: Reliability, Consistency, Criteria, Self-Insight, and Expertise0
Editors’ introduction, February 2022.0
The model of failed foregrounding.0
Supplemental Material for Cultural Diversity in Oculometric Parameters When Viewing Art and Non-Art0
Green slime and orange blimps: A linguistic analysis of Nickelodeon’s kids’ choice awards.0
Evaluation of aesthetic pleasure in schizophrenia spectrum disorders, using the eye-tracking methodology.0
Thinking outside the box: The influence of product metaphors on aesthetic judgements in design innovations.0
Supplemental Material for A Multifactorial Model of Visual Imagery and Its Relationship to Creativity and the Vividness of Visual Imagery Questionnaire0
Supplemental Material for Comparing Effects of Visual Thinking Strategies in a Classroom and a Museum0
Reciprocal relations between autonomous motivation and creativity: A longitudinal investigation of Chinese children and adolescents.0
Supplemental Material for Mental Imagery in Aesthetic Appreciation and the Understanding of the Self and Others0
“Interest and Investment in Fictional Romances": Correction to Van Monsjou and Mar (2019).0
Supplemental Material for Color’s Perceptual Diversity and Categorical Harmony Improve Aesthetic Experience0
Editors’ introduction November 2020.0
Supplemental Material for The Creative Self: Do People Distinguish Creative Self-Perceptions, Efficacy, and Personal Identity?0
Editorial, February 2021.0
Supplemental Material for Development and Validation of the Mechanisms of Engagement in the Arts and Humanities Scales0
The influence of formats and preferences on the aesthetic experience of classical music concert streams.0
Supplemental Material for Patterns of Psychological Vulnerabilities and Resources in Artists and Nonartists0
Effect of hedonic contrasts on movie appreciation.0
Are androgynous people more creative than gender conforming people?0
Supplemental Material for The Kitsch Switch—or (When) Do Experts Dislike Thomas Kinkade Art? A Study of Time-Based Evaluation Changes in Top-Down Versus Bottom-Up Assessment0
Supplemental Material for Increasing Music Preference Through Guided Self-Framing: A Comparison of Historical and Imaginative Approaches0
Supplemental Material for Reflection in the Creative Process of Early Adolescents: The Mediating Roles of Creative Metacognition, Self-Efficacy, and Self-Concept0
Supplemental Material for Gender Differences in Creative Potential: A Meta-Analysis of Mean Differences and Variability0
Supplemental Material for Divergent Thinking and Creative Achievement—How Strong Is the Link? An Updated Meta-Analysis0
Supplemental Material for Spirit Behind Appearance: Facial Motion Increases Facial Attractiveness Through Perceived Vitality0
Participation in intensive orchestral music training does not cause gains in executive functioning, self-perception, or attitudes toward school in young children.0
An exploratory mixed method study on teachers’ creative skill development with metaphor in language, gesture, and pedagogy.0
Supplemental Material for Does Writing Promote Social Cognition? The Role of Fictionality and Social Content0
A survey of the conceptual structure of aesthetic response to sports.0
Supplemental Material for Motivation to Make Music Matters: Daily Autonomous Motivation, Flow, and Well-Being in Hobby Musicians0
Supplemental Material for Poetry-Elicited Emotions: Reading Experience and Psychological Mechanisms0
Toward equitable creativity self-assessment: Measurement invariance and mean differences across ethnicity in the Kaufman Domains of Creativity Scale.0
Preference for curvature in paintings extends to museum context.0
Supplemental Material for Cultural-Match Effect on the Appreciation of Traditional and Contemporary Visual Arts: Evidence From Poland and Hong Kong0
Supplemental Material for Predictors of Creativity in Young People: Using Frequentist and Bayesian Approaches in Estimating the Importance of Individual and Contextual Factors0
Lexical divergence in collaborative creativity.0
Does reading a single short story of literary fiction improve social-cognitive skills? Testing the priming hypothesis.0
Don't throw the “bad” ideas away! Multidimensional top scoring increases reliability of divergent thinking tasks.0
Supplemental Material for Creative Adaptability and Emotional Well-Being During the COVID-19 Pandemic: An International Study0
Supplemental Material for The Aesthetic Experience of Live Concerts: Self-Reports and Psychophysiology0
How much does performance quality matter in musical emotion induction? Main effects and interaction effects with listener features.0
Acting gender: Actors’ experiences of gender role conformity and hopes for their characters.0
How filmmakers guide the eye: The effect of average shot length on intersubject attentional synchrony.0
Supplemental Material for How Perfect Are Imperfect Rhymes? Effects of Phonological Similarity and Verse Context on Rhyme Perception0
The good, the bad, and the complex: A mini meta-analysis of integrative complexity, entertainment, and perceptions of quality.0
Virtual art visits: Examining the effects of slow looking on well-being in an online environment.0
Supplemental Material for D-I-WHAT? Identifying Creative Domains in Do-It-Yourself Videos on YouTube0
Supplemental Material for Beyond the Single Picture: Aesthetic Experiences With Photography Series in an Exhibition Context0
Supplemental Material for The Next Step for the VAIAK: An Item-Focused Analysis0
Eye and lips in artistic profiles.0
Explaining the curvature effect: Perceptual and hedonic evaluations of visual contour.0
Review of An Uneasy Guest in the Schoolhouse.0
Supplemental Material for An Exploratory Study of Historical Representations of Love in an Art Gallery Exhibition0
How do examples impact divergent thinking? The interplay between associative and executive processes.0
How stable is the creative self-concept? A latent state-trait analysis.0
Drawing portraits and still lifes from 2D and 3D sources.0
Supplemental Material for An Randomized Study of El Sistema-Inspired Youth Music Education Programming: Evidence Addressing Executive Function and Social–Emotional Learning0
The role of transparency in color preferences: Sweetness expectation and preference for translucency.0
Supplemental Material for Virtual Art Visits: Examining the Effects of Slow Looking on Well-Being in an Online Environment0
Review of Creativity & art: Neuroscientific and psychoanalytic perspectives.0
Ambivalence of artistic photographs stimulates interest and the motivation to engage.0
The aesthetic quality model: Complexity and randomness as foundations of visual beauty by signaling quality.0
Supplemental Material for Appreciating Paintings of the Virtuous: The Influence of Perceived Artist Morality on Aesthetic Judgment of Their Works0
How momentary affect impacts retrospective evaluations of musical experiences.0
Editors’ introduction August 2020.0
Supplemental Material for Creativity to Prompt Willpower: Feeling More Creative Predicts Subsequent Activated Positive Affect and Increased Willpower in Daily Life0
Increasing music preference through guided self-framing: A comparison of historical and imaginative approaches.0
Supplemental Material for Creative Artificial Intelligence and Narrative Transportation0
Content warnings reduce aesthetic appreciation of visual art.0
Supplemental Material for An Empirical Assessment of Cinematic Continuity0
Supplemental Material for Enhancing and Explaining Art-Making for Mood-Repair: The Benefits of Positive Growth-Oriented Instructions and Quiet Ego Contemplation0
Touch the color change: Representation of color change using tactile grating patterns.0
Creative artificial intelligence and narrative transportation.0
Supplemental Material for Melody in Poems and Songs: Fundamental Statistical Properties Predict Aesthetic Evaluation0
Editors’ introduction May 2022.0
Supplemental Material for Pupil Dilation Is Driven by Perceptions of Naturalness of Color Composition in Paintings0
Supplemental Material for Effects of Environmental Experience on Audience Experience of Street Performance (Busking)0
On the physical variables filmmakers use to engage viewers.0
Supplemental Material for Art as Communication: Fulfilling Gricean Communication Principles Predicts Aesthetic Liking0
An itsy bitsy audience: Live performance facilitates infants’ attention and heart rate synchronization.0
An exploratory study of historical representations of love in an art gallery exhibition.0
Supplemental Material for Visual Exploration Mediates the Influence of Personal Traits on Responses to Artworks in an Art Gallery Setting0
Guest editor's introduction April 2023.0
One hundred and fifty years after Fechner: A view from the “middle of the storm”.0
Artificial intelligence and art: Identifying the aesthetic judgment factors that distinguish human- and machine-generated artwork.0
Does creativity relate to innovation or destruction? An explanation from the perspective of novelty and usefulness.0
Focus of attention affects togetherness experiences and body interactivity in piano duos.0
Makeup works by modifying factors of facial beauty.0