Journal of Screenwriting

Papers
(The TQCC of Journal of Screenwriting is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Textual perspectives: Screenwriting styles, modes and languages16
Women Make Horror: Filmmaking, Feminism, Genre, Alison Peirse (ed.) (2020)5
Representing the child-free woman in the twenty-first century biopic3
Editorial3
How we role: The collaborative role-playing poetics of the Secret Story Network3
Arc analysis: Redefining character arcs for ‘constant’ characters2
Editorial2
In Custody: From written text to audio-visual discourse through a postcolonial lens2
Meeting old friends for the first time: A personal reflection on the development of the Screenwriting Research Network2
Fear and wonderment in a limitless world: Learning to write from a child’s point of view2
Crafting characters: Screenplay archives from a star-studies perspective (Love Is My Profession, Claude Autant-Lara, 1958)2
The Sun and Her Stars: Salka Viertel and Hitler’s Exiles in the Golden Age of Hollywood, Donna Rifkin (2020)2
Portraying disability with trauma: A case study of documentary screenwriting in presenting visually impaired subject1
Character composition: A new framework for TV serial drama characters1
The accented Japanese screenplay: Transnational currents in contemporary Japanese cinema1
Catalysing Elastextity in adaptation screenwriting: The motivic chronotope of liminality1
The case for team-based learning in higher education scriptwriting programmes: A narrative literature review1
Directory of World Cinema: Africa, Blandine Stefanson and Sheila Petty (eds) (2014)1
How backstory and direct address reformulate the Shakespearean character on television: The case of the missing psychological motivation for House of Cards’ Frank Underwood1
The dramatization of the shepherd warrior in Christopher Marlowe’s Tamburlaine and the Jordanian drama Bedouin series Rās Ghlaiṣ (‘The head of Ghlaiṣ’)1
The deliberated decision in children’s mainstream cinema: On socialization in the discourse of freedom1
Robert De Niro at Work From Screenplay to Screen Performance, Adam Ganz and Steven Price (2020)1
Script Development: Critical Approaches, Creative Practices, International Perspectives, Craig Batty and Stayci Taylor (eds) (2021)1
Editorial1
Reginald Rose and the Journey of 12 Angry Men, Phil Rosenzweig (2021)1
Report from the 2024 Screenwriting Research Network Conference1
Language and Television Series: A Linguistic Approach to TV Dialogue, Monika Bednarek (2018)1
Bryan Fuller’s Hannibal: Cannibalizing the canon1
Children’s fiction and anime: The case of Shōkōjo Sēra1
The economic case for equality in screenplays: The Bechdel test, female dialogue and box office revenue1
Refocus: The Films of Lawrence Kasdan, Brett Davies (2024)1
Piloting audience emotion for the television anti-heroine: Gender and immorality1
Scripting the silhouette: Writing around the participant in interactive virtual reality experiences1
Scripting Bollywood, Anubha Yadav (2021)1
Teaching screenwriting from the inside out: The importance of writers’ inner, emotional discoveries in understanding the tools of screenwriting1
Screenwriting is Filmmaking: The Theory and Practice of Writing for the Screen, Brian Dunnigan (2019)1
Investigating a cinematic virtual reality narrative framework for screenwriting1
En Cas De Malheur, De Simenon A Autant-Lara (1956-1958): Essai De Genetique Scenaristique, Alain Boillat (2020)11
The power of schism: Unconventional narrative structure in No Country for Old Men1
Introduction: Trauma, screenwriting and suffering – Beyond the gospel of story1
Creative Practice Research in the Age of Neoliberal Hopelessness, Agnieszka Piotrowska (ed.) (2020)1
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