Journal of Screenwriting

Papers
(The TQCC of Journal of Screenwriting is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-10-01 to 2024-10-01.)
ArticleCitations
The not so universal hero’s journey16
Writing inclusive and diverse children’s television: Transgender representation in ABC Australia’s First Day5
Serial offenders? Defining the boundaries of series and serial TV for screenwriting practice and theory4
Russian web series: Mastering the new format4
Meeting old friends for the first time: A personal reflection on the development of the Screenwriting Research Network3
Screenwriting research in Australia: A truncated (pre)history3
‘I wasn’t open to notes’: S. Craig Zahler, Dragged Across Concrete (2018) and the 157-page screenplay3
Conceptualizing and developing narrative-based virtual reality experiences: A review of disciplinary frameworks and approaches to research2
Art in the ‘big print’: An examination and exercises for cinematic prose writing style2
Editorial2
Roundtable: Pushing the boundaries of the Screenwriting Research Network2
Reading the docufiction script: Harnessing the thin line between facts and fiction2
Spinning and singing: Exploring memory and gender non-conformity through screenwriting for publication first2
Renegotiating the screenplay: Drawing as a method for narrative development in a short film2
How narrative techniques attract young parents: The refiguration of Logger Vick in the Chinese 3D animated film, Boonie Bears: To the Rescue1
Hauntological screenwriting: Reflections on writing Render1
Henson and Juhl’s Tale of Sand: From lost archive to graphic novel and illustrated screenplay1
Gun violence, phenomenal reality and parallel worlds: Christina Kallas’s multi-protagonist narratives in The Rainbow Experiment1
The case for team-based learning in higher education scriptwriting programmes: A narrative literature review1
The biopic screenplay as a research output: Towards a working definition of narrative fiction filmmaking methodology1
Editorial1
The dramatization of the shepherd warrior in Christopher Marlowe’s Tamburlaine and the Jordanian drama Bedouin series Rās Ghlaiṣ (‘The head of Ghlaiṣ’)1
Fear and wonderment in a limitless world: Learning to write from a child’s point of view1
How we role: The collaborative role-playing poetics of the Secret Story Network1
Writing for instructional screens: Expanding the scope for screenwriting practitioners1
Collaborative self-translation in the screenplays of The Godfather trilogy1
Bringing queerness to the surface: Truman Capote’s November 1971 screenplay adaptation of F. Scott Fitzgerald’s The Great Gatsby1
What we cannot see in Sound of Metal and Her Smell: Interplays of awareness, perspective and language in the screenplay text1
‘Do animals talk in this dimension? ’Cos I don’t wanna freak anyone out’: Writing for children’s animation1
Jenő Janovics: Michel Curtiz’s first screenwriter1
In defence of deus ex machina1
Children’s fiction and anime: The case of Shōkōjo Sēra1
The Country Boy: Investigating the Dennis Potter Archive, Forest of Dean, England1
June Mathis: The master class1
The power of schism: Unconventional narrative structure in No Country for Old Men1
Catalysing Elastextity in adaptation screenwriting: The motivic chronotope of liminality1
Writing/performing myself on-screen: Daniel Monks’ memory work on film1
Rethinking our protagonists: Absence on screen and meta-narratives of empire1
Bryan Fuller’s Hannibal: Cannibalizing the canon1
Just dancing with ideology? The role of dramaturgs within the socialist mode of children’s film development1
Investigating a cinematic virtual reality narrative framework for screenwriting1
Narrative structures in Colombian fictional web series published on YouTube1
The deliberated decision in children’s mainstream cinema: On socialization in the discourse of freedom1
Re-defining the Character Arc through Berger and Luckmann’s The Social Construction of Reality1
Theme orientation and the inevitable outcome of structural flaws: Investigating the results of the dominance of theme over action in Farhadi’s The Salesman1
Reginald Rose and the Journey of 12 Angry Men, Phil Rosenzweig (2021)1
Piloting audience emotion for the television anti-heroine: Gender and immorality1
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