Journal of Screenwriting

Papers
(The TQCC of Journal of Screenwriting is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Beyond textual fidelity: Creator interactions, professional boundaries and cultural hierarchies in Israel’s youth media adaptation system6
How we role: The collaborative role-playing poetics of the Secret Story Network5
Textual perspectives: Screenwriting styles, modes and languages4
The Sun and Her Stars: Salka Viertel and Hitler’s Exiles in the Golden Age of Hollywood, Donna Rifkin (2020)3
Representing the child-free woman in the twenty-first century biopic3
Script development: Writing beyond Hollywood2
In Custody: From written text to audio-visual discourse through a postcolonial lens2
Editorial2
Editorial2
Arc analysis: Redefining character arcs for ‘constant’ characters2
Lire des scénarios: Pour une approche interdisciplinaire et renouvelée des pratiques scénaristiques, Gabrielle Tremblay (2024)2
Neither artificial nor intelligent: Applications of artificial intelligence (AI) and creative machine learning in screenwriting and screen story development in the Charismatic Consortium2
Crafting characters: Screenplay archives from a star-studies perspective (Love Is My Profession, Claude Autant-Lara, 1958)2
The dramatization of the shepherd warrior in Christopher Marlowe’s Tamburlaine and the Jordanian drama Bedouin series Rās Ghlaiṣ (‘The head of Ghlaiṣ’)1
En Cas De Malheur, De Simenon A Autant-Lara (1956-1958): Essai De Genetique Scenaristique, Alain Boillat (2020)11
Editorial1
Introduction: Trauma, screenwriting and suffering – Beyond the gospel of story1
The accented Japanese screenplay: Transnational currents in contemporary Japanese cinema1
The case for team-based learning in higher education scriptwriting programmes: A narrative literature review1
Directory of World Cinema: Africa, Blandine Stefanson and Sheila Petty (eds) (2014)1
How backstory and direct address reformulate the Shakespearean character on television: The case of the missing psychological motivation for House of Cards’ Frank Underwood1
Bryan Fuller’s Hannibal: Cannibalizing the canon1
Refocus: The Films of Lawrence Kasdan, Brett Davies (2024)1
Reginald Rose and the Journey of 12 Angry Men, Phil Rosenzweig (2021)1
Teaching screenwriting from the inside out: The importance of writers’ inner, emotional discoveries in understanding the tools of screenwriting1
The economic case for equality in screenplays: The Bechdel test, female dialogue and box office revenue1
The power of schism: Unconventional narrative structure in No Country for Old Men1
Investigating a cinematic virtual reality narrative framework for screenwriting1
Stories we sell: Intellectual property, ownership and the impact on Canadian screenwriters1
Report from the 2024 Screenwriting Research Network Conference1
Piloting audience emotion for the television anti-heroine: Gender and immorality1
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