Contemporary Womens Writing

Papers
(The TQCC of Contemporary Womens Writing is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
Adventurous Women in Contemporary American Historical Fiction: Girls’ Own Stories3
Entanglement and Entropy in Claire Messud’s Novels2
Intersectionality and Transnationalism in Lailā Al-Johanī’s Jāhiliyya (Age of Ignorance)2
Movement and Memory: Reconfiguring the Significance of Place in Jenny Siler’sEasy MoneyandFlashback2
Introduction: Angela Carter and Japan—A Global Perspective1
Gender and the Monstrous-Feminine: Subversion in Naomi Alderman’s The Power1
Autofiction: A Female Francophone Aesthetic of Exile0
American Lyric, American Surveillance, and Claudia Rankine’sCitizen0
Animal Tricksters from Japanese Folktales in Angela Carter’s Work0
Angela Carter’s Metaleptic Turn: The Possibilities of “a Mutation, of a Revolution in the Propriety of the Symbolic System”0
Heart in the Right Place: Thatcherism and Love in Jeanette Winterson’s The Passion0
Clinging to Flesh: Embodied Experience in Contemporary Women’s Dystopias0
Sticky and Stuck: The Lift as a Vehicle in the Production of Social Space in Livi Michael’sUnder a Thin Moonand Loretta Ramkissoon’s “Which Floor?”0
Jeanette Winterson’s Narratives of Desire: Rethinking Fetishism0
“I Never Told My Story”: An Analysis of Stalking in Women’s Memoirs0
Girl, Interrupted: Queering the Campus Novel0
“It Was the Worst of Times, It Was the Worst of Times”: Brexit and Literary Mood in Ali Smith’s Autumn0
“A Stern Language of Beauty”: Ecological Grief and Ecofeminist Ethics in Paula Meehan’s Poetry0
Mapping the Unhomely in Edna O’Brien’s The Little Red Chairs0
“Morning Glories of the Night”: Angela Carter’s Translational Poetics in Fireworks0
Adapting Margaret Atwood: The Handmaid’s Tale and Beyond0
Atypical True Crime, Laughing at Offenders, and the Publishing Industry: An Interview with Myriam Gurba0
(Per)Forming Italian American (In)Famous Ties: Revisiting the “Mean” Streets through Louisa Ermelino’s Spring Street Trilogy0
Chick Lit Meets Silicon Valley: Ana Yen’s Sophia of Silicon Valley and Elisabeth Cohen’s The Glitch0
Little Monsters: Austerity, Anxiety, and the Monstrous Child in Doris Lessing’sThe Fifth Child0
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