OOIR: Observatory of International Research

Papers

(The TQCC of Contemporary Womens Writing is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
“It Was the Worst of Times, It Was the Worst of Times”: Brexit and Literary Mood in Ali Smith’s Autumn	3
Clinging to Flesh: Embodied Experience in Contemporary Women’s Dystopias	2
A Language of Her Own: Willful Displacement and Nomadic Subjectivity in Jhumpa Lahiri	2
The Spatial Politics of Nation-Building: Minority Women Writers in Anglophone Malaysian and Singapore Literatures	1
I Can See Through You: Double Vision in Jennifer Egan’s Look at Me and Alexandra Kleeman’s You Too Can Have a Body Like Mine	1
Autotheory as Feminist Practice in Art, Writing, and Criticism	1
American Lyric, American Surveillance, and Claudia Rankine’sCitizen	1
“Systemic, Transhistoric, Institutionalized, and Legitimized Antipathy”: Epistemic and Sexual Violence inA Girl Is a Half-formed ThingandMilkman	1
“What’s Real?”: Digital Technology and Negative Affect in Jennifer Egan’sLook at MeandThe Keep	1
Fearsome Worlds and Uncanny Children: Gothic Early Childhoods in Condé’sLa Migration des coeursand Kincaid’sThe Autobiography of My Mother	1
Ad Singularitatem: Multiplicity, Commonplaced Selves, and Miscellanies in Siri Hustvedt’s The Blazing World	1
Misreading Anita Brookner: Aestheticism, Intertextuality, and the Queer Nineteenth Century	0
Mapping the Unhomely in Edna O’Brien’s The Little Red Chairs	0
Marina Warner and the Ethics of Telling Silenced Stories	0
Contemporary Women’s Post-Apocalyptic Fiction	0
“I Never Told My Story”: An Analysis of Stalking in Women’s Memoirs	0
Heart in the Right Place: Thatcherism and Love in Jeanette Winterson’s The Passion	0
Maternal Abandonment and Queer Resistance in Twenty-First-Century Swedish Literature	0
Gender and the Monstrous-Feminine: Subversion in Naomi Alderman’s The Power	0
Contemporary Feminist Life Writing: The New Audacity	0
Reading Hilary Mantel: Haunted Decades	0
Jeanette Winterson and Religion	0
Multiculturalism, Biotechnology, and Biopolitics in Zadie Smith’sWhite Teeth	0
Atypical True Crime, Laughing at Offenders, and the Publishing Industry: An Interview with Myriam Gurba	0
“A Stern Language of Beauty”: Ecological Grief and Ecofeminist Ethics in Paula Meehan’s Poetry	0

Bodies of Information: Intersectional Feminism and Digital Humanities	0
Reading Contemporary Black British and African American Women Writers: Race, Ethics, Narrative Form	0
Jennifer Egan, New Sincerity, and the Genre Turn in Contemporary Fiction	0
Little Monsters: Austerity, Anxiety, and the Monstrous Child in Doris Lessing’sThe Fifth Child	0
Joanna Russ. Modern Masters of Science Fiction	0
Autofiction: A Female Francophone Aesthetic of Exile	0
Introduction: Angela Carter and Japan—A Global Perspective	0
(Per)Forming Italian American (In)Famous Ties: Revisiting the “Mean” Streets through Louisa Ermelino’s Spring Street Trilogy	0
A Visit from the Goon Squad Reread	0
Angela Carter’s Metaleptic Turn: The Possibilities of “a Mutation, of a Revolution in the Propriety of the Symbolic System”	0
Queer Troublemakers: The Poetics of Flippancy	0
Adapting Margaret Atwood: The Handmaid’s Tale and Beyond	0
The Bloomsbury Handbook to Edwidge Danticat	0
Girl, Interrupted: Queering the Campus Novel	0
Intersectionality and Transnationalism in Lailā Al-Johanī’s Jāhiliyya (Age of Ignorance)	0
Movement and Memory: Reconfiguring the Significance of Place in Jenny Siler’sEasy MoneyandFlashback	0
Jeanette Winterson’s Narratives of Desire: Rethinking Fetishism	0
Unlikely Angel: The Songs of Dolly Parton	0
Sticky and Stuck: The Lift as a Vehicle in the Production of Social Space in Livi Michael’sUnder a Thin Moonand Loretta Ramkissoon’s “Which Floor?”	0
Ludics and Laughter as Feminist Aesthetic: Angela Carter at Play	0
Adventurous Women in Contemporary American Historical Fiction: Girls’ Own Stories	0
“Morning Glories of the Night”: Angela Carter’s Translational Poetics in Fireworks	0
Awkward Encounters with Sarah Waters: Shame, Reading, and Queer Subjectivity	0
Animal Tricksters from Japanese Folktales in Angela Carter’s Work	0
Chick Lit Meets Silicon Valley: Ana Yen’s Sophia of Silicon Valley and Elisabeth Cohen’s The Glitch	0
Entanglement and Entropy in Claire Messud’s Novels	0
Wanderers: A History of Women Walking	0
Re-Orienting the Fairy Tale: Contemporary Adaptations across Cultures	0
“Only a Bird in a Gilded Cage”: Avianthropes and the Embodiment of the Canorographic Voice in Angela Carter’s “The Erl-King” andNights at the Circus	0
Rethinking the Victim: Gender and Violence in Contemporary Australian Women’s Writing	0