OOIR: Observatory of International Research

Papers

(The TQCC of Contemporary Womens Writing is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)

Article	Citations
Making Her Time (and Time Again): Feminist Phenomenology and Form in Recent British and Irish Fiction Written by Women	3
“It Was the Worst of Times, It Was the Worst of Times”: Brexit and Literary Mood in Ali Smith’s Autumn	2
Narratives of Displacement: On Embodied Experience of Migration in Ulitskaya, Lindén, and Palei	2
Grief As It Is: Genre and Narrative Withholding in the Miserable Memoir	2
A Language of Her Own: Willful Displacement and Nomadic Subjectivity in Jhumpa Lahiri	2
American Lyric, American Surveillance, and Claudia Rankine’sCitizen	1
Fearsome Worlds and Uncanny Children: Gothic Early Childhoods in Condé’sLa Migration des coeursand Kincaid’sThe Autobiography of My Mother	1
Autotheory as Feminist Practice in Art, Writing, and Criticism	1
The Spatial Politics of Nation-Building: Minority Women Writers in Anglophone Malaysian and Singapore Literatures	1
“Systemic, Transhistoric, Institutionalized, and Legitimized Antipathy”: Epistemic and Sexual Violence inA Girl Is a Half-formed ThingandMilkman	1
“What’s Real?”: Digital Technology and Negative Affect in Jennifer Egan’sLook at MeandThe Keep	1
Rape, Victimization, and Agency in Fang Siqi’s Paradise of First Love	1
Ad Singularitatem: Multiplicity, Commonplaced Selves, and Miscellanies in Siri Hustvedt’s The Blazing World	1
Contemporary Feminist Life Writing: The New Audacity	0
Awkward Encounters with Sarah Waters: Shame, Reading, and Queer Subjectivity	0
Chick Lit Meets Silicon Valley: Ana Yen’s Sophia of Silicon Valley and Elisabeth Cohen’s The Glitch	0
Gender and the Monstrous-Feminine: Subversion in Naomi Alderman’s The Power	0
Entanglement and Entropy in Claire Messud’s Novels	0
Heart in the Right Place: Thatcherism and Love in Jeanette Winterson’s The Passion	0
“Only a Bird in a Gilded Cage”: Avianthropes and the Embodiment of the Canorographic Voice in Angela Carter’s “The Erl-King” andNights at the Circus	0
Grrrl Revlonution: Cosmetics, Ugly Beauty, and Grrrling Women in Emma Forrest’s Cherries in the Snow and Thin Skin	0
Movement and Memory: Reconfiguring the Significance of Place in Jenny Siler’sEasy MoneyandFlashback	0
Adapting Margaret Atwood: The Handmaid’s Tale and Beyond	0
Bodies of Information: Intersectional Feminism and Digital Humanities	0
Valerie Gillies: Inscriptions in the Wind	0

The Bloomsbury Handbook to Edwidge Danticat	0
Place and Postcolonial Ecofeminism: Pakistani Women’s Literary and Cinematic Fictions	0
“If You Don’t Get Caught”: Islands, Isolation, and Entrapment in Contemporary Scottish Women’s Poetry	0
Ludics and Laughter as Feminist Aesthetic: Angela Carter at Play	0
Mapping the Unhomely in Edna O’Brien’s The Little Red Chairs	0
Marina Warner and the Ethics of Telling Silenced Stories	0
Why I Choose Poetry (What’s Nation Got to Do with It? What’s Gender Got to Do with It?): A Collective Poetry-Essay by 21 Poets Encountered in Scotland (2016–19)	0
Rebel with a Cause: Domnica Radulescu’s Theater Translated into Spanish	0
Fay Weldon, Feminism, and British Culture: Challenging Cultural and Literary Conventions	0
A Visit from the Goon Squad Reread	0
Scottish Women’s Poetry: Introduction	0
Little Monsters: Austerity, Anxiety, and the Monstrous Child in Doris Lessing’sThe Fifth Child	0
Reading Hilary Mantel: Haunted Decades	0
Autofiction: A Female Francophone Aesthetic of Exile	0
Jeanette Winterson and Religion	0
(Per)Forming Italian American (In)Famous Ties: Revisiting the “Mean” Streets through Louisa Ermelino’s Spring Street Trilogy	0
Re-Orienting the Fairy Tale: Contemporary Adaptations across Cultures	0
Ordinary Affects and Spectrality in Three Works: Carole Giangrande’sMidsummer, Brenda Missen’sTell Anna She’s Safe, and Andrea Thompson’sOver Our Heads	0
Wanderers: A History of Women Walking	0
Misreading Anita Brookner: Aestheticism, Intertextuality, and the Queer Nineteenth Century	0
Girl, Interrupted: Queering the Campus Novel	0
From the Effective to the Affective: Postmemory in Emma Donoghue’s The Sealed Letter	0
Unlikely Angel: The Songs of Dolly Parton	0
Intersectionality and Transnationalism in Lailā Al-Johanī’s Jāhiliyya (Age of Ignorance)	0
Introduction: Angela Carter and Japan—A Global Perspective	0
Rethinking the Victim: Gender and Violence in Contemporary Australian Women’s Writing	0
Joanna Russ. Modern Masters of Science Fiction	0
I Can See Through You: Double Vision in Jennifer Egan’s Look at Me and Alexandra Kleeman’s You Too Can Have a Body Like Mine	0
Long Thoughts With Aritha van Herk. An Interview	0
Animal Tricksters from Japanese Folktales in Angela Carter’s Work	0
Sticky and Stuck: The Lift as a Vehicle in the Production of Social Space in Livi Michael’sUnder a Thin Moonand Loretta Ramkissoon’s “Which Floor?”	0
Angela Carter’s Metaleptic Turn: The Possibilities of “a Mutation, of a Revolution in the Propriety of the Symbolic System”	0
Contemporary Women’s Post-Apocalyptic Fiction	0
Queer Troublemakers: The Poetics of Flippancy	0
Adventurous Women in Contemporary American Historical Fiction: Girls’ Own Stories	0
Late Negotiations: Ecopoetry and Kathleen Jamie	0
“Just a Couple of Queer Fish”: The Queer Possibilities of Rita Mae Brown’s Rubyfruit Jungle	0
Atypical True Crime, Laughing at Offenders, and the Publishing Industry: An Interview with Myriam Gurba	0
Happy Work: An Interview with Lila Matsumoto	0
Multiculturalism, Biotechnology, and Biopolitics in Zadie Smith’sWhite Teeth	0
Jennifer Egan, New Sincerity, and the Genre Turn in Contemporary Fiction	0
“Daughterlands”: Personal and Political Mappings in Scottish Women’s Poetry	0
“A Stern Language of Beauty”: Ecological Grief and Ecofeminist Ethics in Paula Meehan’s Poetry	0
Clinging to Flesh: Embodied Experience in Contemporary Women’s Dystopias	0
Jeanette Winterson’s Narratives of Desire: Rethinking Fetishism	0
“Morning Glories of the Night”: Angela Carter’s Translational Poetics in Fireworks	0
Reading Contemporary Black British and African American Women Writers: Race, Ethics, Narrative Form	0
“I Never Told My Story”: An Analysis of Stalking in Women’s Memoirs	0
Concrete Poetry and Scottish Women’s Writing: The Case of Veronica Forrest-Thomson	0
Maternal Abandonment and Queer Resistance in Twenty-First-Century Swedish Literature	0