OOIR: Observatory of International Research

Papers

(The median citation count of Contemporary Womens Writing is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)

Article	Citations
Adventurous Women in Contemporary American Historical Fiction: Girls’ Own Stories	3
Intersectionality and Transnationalism in Lailā Al-Johanī’s Jāhiliyya (Age of Ignorance)	2
Jeanette Winterson and Religion	1
“What’s Real?”: Digital Technology and Negative Affect in Jennifer Egan’sLook at MeandThe Keep	1
Reading Contemporary Black British and African American Women Writers: Race, Ethics, Narrative Form	1
Entanglement and Entropy in Claire Messud’s Novels	1
Movement and Memory: Reconfiguring the Significance of Place in Jenny Siler’sEasy MoneyandFlashback	1
Contemporary Feminist Life Writing: The New Audacity	1
Little Monsters: Austerity, Anxiety, and the Monstrous Child in Doris Lessing’sThe Fifth Child	0
Adapting Margaret Atwood: The Handmaid’s Tale and Beyond	0
Autofiction: A Female Francophone Aesthetic of Exile	0
Marina Warner and the Ethics of Telling Silenced Stories	0
“Systemic, Transhistoric, Institutionalized, and Legitimized Antipathy”: Epistemic and Sexual Violence inA Girl Is a Half-formed ThingandMilkman	0
Queer Troublemakers: The Poetics of Flippancy	0
Gender and the Monstrous-Feminine: Subversion in Naomi Alderman’s The Power	0
Atypical True Crime, Laughing at Offenders, and the Publishing Industry: An Interview with Myriam Gurba	0
“It Was the Worst of Times, It Was the Worst of Times”: Brexit and Literary Mood in Ali Smith’s Autumn	0
“A Stern Language of Beauty”: Ecological Grief and Ecofeminist Ethics in Paula Meehan’s Poetry	0
“I Never Told My Story”: An Analysis of Stalking in Women’s Memoirs	0
Animal Tricksters from Japanese Folktales in Angela Carter’s Work	0
Jennifer Egan, New Sincerity, and the Genre Turn in Contemporary Fiction	0
“Morning Glories of the Night”: Angela Carter’s Translational Poetics in Fireworks	0
The Bloomsbury Handbook to Edwidge Danticat	0
Sticky and Stuck: The Lift as a Vehicle in the Production of Social Space in Livi Michael’sUnder a Thin Moonand Loretta Ramkissoon’s “Which Floor?”	0
Introduction: Angela Carter and Japan—A Global Perspective	0

Girl, Interrupted: Queering the Campus Novel	0
Angela Carter’s Metaleptic Turn: The Possibilities of “a Mutation, of a Revolution in the Propriety of the Symbolic System”	0
(Per)Forming Italian American (In)Famous Ties: Revisiting the “Mean” Streets through Louisa Ermelino’s Spring Street Trilogy	0
Chick Lit Meets Silicon Valley: Ana Yen’s Sophia of Silicon Valley and Elisabeth Cohen’s The Glitch	0
Mapping the Unhomely in Edna O’Brien’s The Little Red Chairs	0
American Lyric, American Surveillance, and Claudia Rankine’sCitizen	0
Jeanette Winterson’s Narratives of Desire: Rethinking Fetishism	0
I Can See Through You: Double Vision in Jennifer Egan’s Look at Me and Alexandra Kleeman’s You Too Can Have a Body Like Mine	0
Wanderers: A History of Women Walking	0
Ludics and Laughter as Feminist Aesthetic: Angela Carter at Play	0
Bodies of Information: Intersectional Feminism and Digital Humanities	0
Fearsome Worlds and Uncanny Children: Gothic Early Childhoods in Condé’sLa Migration des coeursand Kincaid’sThe Autobiography of My Mother	0
Reading Hilary Mantel: Haunted Decades	0
Heart in the Right Place: Thatcherism and Love in Jeanette Winterson’s The Passion	0
Clinging to Flesh: Embodied Experience in Contemporary Women’s Dystopias	0