Journal of the Society for American Music

Papers
(The TQCC of Journal of the Society for American Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Theory on the South Side: Muhal Richard Abrams's Engagement with Joseph Schillinger's System of Musical Composition2
A “Fresh New Music Mix” for the 1980s: Broadcasting Multiculturalism on Crossover Radio2
Negotiating Convention: Pop-Ups and Populism at the San Francisco Opera2
“The influence of Melody upon man in the wild state of nature”: Enslaved Parishioners, Anglican Violence, and Racialized Listening in a Jamaica Parish1
Singing “Past, Present and Future”: Music in Early American Commemoration1
“For Thee America! For Thee Syria?”: Alexander Maloof, Orientalist Music, and the Politics of the SyrianMahjar1
Dashon Burton's Song Sermon: Corporeal Liveness and the Solemnizing Breath1
Music and Deafness in the Nineteenth-Century U.S. Imagination1
Defining the Songs of Incarceration: The Lomax Prison Project at a Critical Juncture1
Curricular Reform and a Culture of Listening: Lessons from the Rosedale Freedom Project1
Private Equity Blues: Warner Music Group, Nonesuch Records, and Jazz in the Era of Financialization1
“A Most Valuable Curiosity”: Music Manuscripts, Authorship, Composition, and Gender at the Ephrata Cloister in Eighteenth-Century Pennsylvania1
Finding Florence Mills: The Voice of the Harlem Jazz Queen in the Compositions of William Grant Still and Edmund Thornton Jenkins1
Music is a Place: Oprys and the Rural Working-Class Constitution of Public Space1
Chronicling Stankonia: The Rise of the Hip-Hop South By Regina N. Bradley. Chapel Hill, NC: University of North Carolina Press, 2021.0
The Passions of Peter Sellars: Staging the Music By Susan McClary. Ann Arbor, MI: University of Michigan Press, 2019.0
Haunthenticity: Musical Replay and the Fear of the Real By Tracy McMullen. Middletown, CT: Wesleyan University Press, 2019.0
SAM volume 14 issue 4 Cover and Front matter0
African Diaspora Music Project Videmus Inc. Website. https://africandiasporamusicproject.org/.0
Crossing Bar Lines: The Politics and Practices of Black Musical Space By James Gordon Williams. Jackson: University Press of Mississippi, 20210
Punched Holes: Piano Rolls and the Visual Representation of Sound in White-Smith v. Apollo (1908)0
Contributors0
SAM volume 18 issue 2 Cover and Front matter0
SAM volume 15 issue 4 Cover and Front matter0
SAM volume 16 issue 2 Cover and Back matter0
SAM volume 18 issue 1 Cover and Front matter0
Blackface Minstrelsy and the Reception of Elizabeth Taylor Greenfield0
Balanchine and Kirstein's American Enterprise By James Steichen. New York: Oxford University Press, 2019.0
“The Hall Does Not Make the Space”: Disrupting Concert Hall Norms in Hannibal's One Land, One River, One People0
SAM volume 17 issue 4 Cover and Back matter0
Media Editors' Note0
The Padrone By George Whitefield Chadwick. Edited by Marianne Betz. Music of the United States of America. Madison, WI: A-R Editions, 2017.0
“Aaron Copland Collection,” Digital Collections, Library of Congress, https://www.loc.gov/collections/aaron-copland/0
Charles Ives, Complete Symphonies Los Angeles Philharmonic, Gustavo Dudamel, conductor. Deutsche Grammophon, 2 CDs, B0033369-02, 2020.0
“The Silent Partner”: Tonearms and Modular Masculinities in U.S. Midcentury Hi-Fi Culture0
Groundhog Summers and the Search for the Black Messiah Noname. “Song 33.” Song 33—Single. Noname, 2020. - Adia Victoria. “South Gotta Change.” South Gotta Change—Single. Atlantantic Recording Corporat0
Musical Entanglements: Ely Haimowitz and Orchestral Music under the US Army Military Government in Korea, 1945–19480
SAM volume 16 issue 4 Cover and Back matter0
Forging a Lineage: Kinship, Mobility, and the Zildjian Cymbal0
SAM volume 16 issue 1 Cover and Back matter0
“To Speak As an Oracle of Christ”: Bishop G. E. Patterson and the Afterlives of Ecstasy0
“I'm on My Way to a Heav'nly Lan’”:Porgy and Bessas American Religious Export to the USSR0
Agave Baroque and Reginald L. Mobley. American Originals: A New World, A New Canon Acis Productions LLC. 2021.0
Philippa Duke Schuyler. Seven Pillars of Wisdom Sarah Masterson, piano. Centaur Records 3944, 20220
Club Petroushka, Émigré Performance, and New York's Russian Nightclubs of the Roaring Twenties0
Darby Wheeler, dir. Hip-Hop Evolution Banger Films, 2016. Streaming0
Leonard Bernstein and the Language of Jazz By Katherine A. Baber. Urbana: University of Illinois Press, 2019.0
Unlikely Angel: The Songs of Dolly Parton By Lydia Hamessley. Urbana: University of Illinois Press, 2020.0
Los Rurales Y Los Amigos de Buena Vista. Ocotitia. Released February 26, 2021. Cugate Clásicos Latinos, LC 08867, 2021. CD.0
Met Opera on Demand https://www.metopera.org/season/on-demand/0
What We Talk about When We Talk about Live Smooth Jazz: Sonic Suburbanization, Multipurpose Places of Assembly, and Collective Memory in Regional Cleveland0
SAM volume 16 issue 3 Cover and Back matter0
Everybody Sing! Community Singing in the American Picture Palace. By Esther M. Morgan-Ellis. Athens: University of Georgia Press, 2018.0
“I'm Workin’ on My Buildin”: Freedom and Foundation-Building in Florence Price's Two Violin Fantasies0
SAM volume 16 issue 1 Cover and Front matter0
“A Much More Valuable Signature”: Gender, Factory Labor, and the Mythology of Builder-Signed Amplifiers from Fender's “Tweed” Era, 1948–600
SAM volume 15 issue 1 Cover and Back matter0
Binational Indianism in James DeMars’s Guadalupe, Our Lady of the Roses0
SAM volume 15 issue 4 Cover and Back matter0
Silent Film Sound & Music Archive: A Digital Repository. https://www.sfsma.org0
Making Music American: 1917 and the Transformation of Culture. By E. Douglas Bomberger. New York: Oxford University Press, 2018.0
The Jazz Bubble: Neoclassical Jazz in Neoliberal Culture. By Dale Chapman. Oakland: University of California Press, 2018.0
The Spiritualist Ear0
Institute for Composer Diversity, https://www.composerdiversity.com/0
Conjured from Fragments: KMD'sMr. Hoodand the Transformative Poetics of the Golden Age Rap Album0
SAM volume 17 issue 3 Cover and Front matter0
Che Apalache. Rearrange My Heart. Free Dirt Records, 2019.0
Industry: Bang on a Can and New Music in the MarketplaceBy William Robin. New York: Oxford University Press, 2021.0
SAM volume 15 issue 3 Cover and Front matter0
Unbinding Gentility: Women Making Music in the Nineteenth Century South By Candace Bailey. Urbana: University of Illinois Press, 2021.0
SAM volume 17 issue 1 Cover and Back matter0
The ASCAP-BMI Feud, Status Panic, and the Struggle for Cold War Consensus0
Soul on Soul: The Life and Music of Mary Lou Williams By Tammy L. Kernodle. Urbana, IL: University of Illinois Press, 2020, 2nd edition.0
Hillbilly Maidens, Okies, and Cowgirls: Women's Country Music, 1930–1960 By Stephanie Vander Wel. Urbana: University of Illinois Press, 2020.0
SAM volume 17 issue 3 Cover and Back matter0
God Rock, Inc.: The Business of Niche Music By Andrew Mall. Oakland, CA: University of California Press, 2021.0
Contributors0
More Than One “Double Life”: Artistic Conceptions, Networks, and Negotiations in Benny Goodman's Commissions to Paul Hindemith and Darius Milhaud0
Dvořák's Prophecy: A New Narrative for American Classical Music Produced by Joseph Horowitz. Naxos, 20210
Teaching Freedom Song as Antiracist Praxis0
Opera and Land: Settler Colonialism and the Geopolitics of Music at the Carlisle Indian Industrial School0
A Multiplicity of Stories: Reading Feminist Orientalism in Scheherazade.20
Home is Together: Sounds of Belonging in the Correspondence of Two Japanese American Families Separated by Wartime Incarceration0
Queers of Steel: Camp in John Williams's Superman (1978) and Jerry Goldsmith's Supergirl (1984)0
Lying in the Middle: Musical Theater and Belief at the Heart of America By Jake Johnson. Urbana, IL: University of Illinois Press, 2021.0
Music and Camp. Edited by Christopher Moore and Philip Purvis. Middletown, CT: Wesleyan University Press, 2018.0
Got To Be Something Here: The Rise of the Minneapolis Sound By Andrea Swensson. Minneapolis: University of Minnesota Press, 2021.0
The Berkeley Folk Music Festival & the Folk Revival on the US West Coast—An Introduction. Northwestern University. Website. https://sites.northwestern.edu/bfmf/0
Fostering the “Art of Forceful Speech”: Music in the Century Club of California, 1888–1920—CORRIGENDUM0
Experimentalisms in Practice: Musical Perspectives from Latin America. Edited by Ana R. Alonso-Minutti, Eduardo Herrera, and Alejandro L. Madrid. Oxford: Oxford University Press, 2018.0
SAM volume 17 issue 2 Cover and Back matter0
Singing Out: GALA Choruses and Social Change By Heather MacLachlan. Ann Arbor: University of Michigan Press, 2020.0
Zenaida Romeu, Camerata Romeu. La Bella Habana CD. Habana, Cuba: Cugate Classics, 2019.0
American Gamelan and the Ethnomusicological Imagination By Elizabeth A. Clendinning. Chicago, IL: University of Illinois Press, 2020.0
“I'd Rather [Sound] Blue”: Listening to Agency, Hybridity, and Intersectionality in the Vocal Recordings of Fanny Brice and Barbra Streisand0
Affective Interruptions: Political Collectivity in Halftime0
Selling Orchestral Music in the Vaudeville Age: The Duncan-Damrosch Tours, 1908–19110
Dancers on a Grid: Musical Minimalism Arrives at New York City Ballet in 19830
Joni Mitchell's Urges for Going, 1965–67: Coffeehouses, Counterculture, and Care0
SAM volume 16 issue 4 Cover and Front matter0
Stephanie Economou. Assassin's Creed Valhalla: Dawn of Ragnarok. Ubisoft Music, 20220
Record Cultures: The Transformation of the U.S. Record Industry By Kyle Barnett. Ann Arbor: University of Michigan Press, 2020.0
Motor City Music: A Detroiter Looks Back By Mark Slobin. New York: Oxford University Press, 2019.0
The Hymnal: A Reading History. By Christopher N. Phillips. Baltimore, MD: Johns Hopkins University Press, 2018.0
Max Lifchitz: A Transmodern Composer in American Music?0
Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White By Kimberly Mack. University of Massachusetts Press, 2020.0
SAM volume 17 issue 1 Cover and Front matter0
Rodrigo Brandão. Outros Barato. Ingua Records, 2018, CD.0
Duke Ellington, El Rey del Jazz and the Mexico City Massacre of 19680
SAM volume 17 issue 4 Cover and Front matter0
SAM volume 16 issue 2 Cover and Front matter0
Leonard Bernstein and Washington, D.C.: Works, Politics, Performances Edited by Daniel Abraham, Alicia Kopfstein-Penk, and Andrew H. Weaver. Eastman Studies in Music. Rochester, NY: University of Roch0
Between Beats: The Jazz Tradition and Black Vernacular Dance By Christi Jay Wells. New York: Oxford University Press, 2021.0
Digital Sound Studies. Edited by Mary Caton Lingold, Darren Muellwer, and Whitney Trettien. Durham, NC: Duke University Press, 2018.0
Carter. By David Schiff. New York: Oxford University Press, 2018.0
Drumming Asian America: Taiko, Performance, and Cultural Politics. By Angela K. Ahlgren. New York: Oxford University Press, 2018.0
Rethinking Reich Edited by Sumanth Gopinath and Pwyll ap Siôn. New York: Oxford University Press, 2019.0
Blending the Popular and the Profound: Organ Concerts at the 1893 World's Columbian Exposition0
The Lady Swings: Memoirs of a Jazz Drummer By Dottie Dodgion and Wayne Enstice. Urbana: University of Illinois Press, 2021.0
Sing and Sing On: Sentinel Musicians and the Making of the Ethiopian American Diaspora By Kay Kaufman Shelemay. London and Chicago, IL: University of Chicago Press, 2022.0
The Velvet Underground Todd Haynes, director. Criterion Collection Blu-ray. 2021.0
George Frederick Bristow By Katherine K. Preston. Urbana, IL: University of Illinois Press, 2020.0
Hungry Listening: Resonant Theory for Indigenous Sound Studies By Dylan Robinson. Minneapolis: University of Minnesota Press, 2020.0
“Women's Suffrage in Sheet Music,” Digital Collections, Library of Congress, https://www.loc.gov/collections/womens-suffrage-sheet-music/0
Heitor Villa-Lobos and the Traces of Coloniality in Andrés Segovia's Guitar Repertoire0
The American Piano Industry: Episodes in the History of a Great Enterprise By William E. Hettrick. Hillsdale, NY: Pendragon Press, 2020.0
Fostering the “Art of Forceful Speech”: Music in the Century Club of California, 1888–19200
Sell a Song of Safety: Children, Radio, and the Safety Patrol0
Against the Grain Theatre'sMessiah/Complexand Indigenous Sovereignty0
SAM volume 15 issue 2 Cover and Front matter0
SAM volume 15 issue 3 Cover and Back matter0
Leslie Uggams, Sing Along with Mitch (1961–64), and the Reverberations of Minstrelsy0
The Court as Concert Hall: Music at the U.S. Supreme Court0
SAM volume 17 issue 2 Cover and Front matter0
Coleccionistas de Sonido Website. 2022. https://www.coleccionistasdesonidos.com/0
Are Popular Music Curricula Antiracist?: The CCNY Music Department as a Case Study0
George C. Wolfe. Ma Rainey's Black Bottom Netflix, 2020. 1 hr, 34 min - Dee Rees. Bessie HBO Films, 2015. 1 hr, 55 min.0
Christian Sacred Music in the Americas Edited by Andrew Shenton and Joanna Smolko. Lanham, Maryland: Rowman & Littlefield, 2021.0
Músicas coloniales a debate: Procesos de intercambio euroamericanos Edited by Javier Marín López. Madrid: Instituto Complutense de Ciencias Musicales, 2018. - El villancico en la encrucijada: Nuevas p0
Five Years Ahead of My Time: Garage Rock from the 1950s to the Present By Seth Bovey. London: Reaktion Books, 2019.0
Ethnic Irony in Melvin B. Tolson's “Dark Symphony”0
A Sound History: Lawrence Gellert, Black Musical Protest, and White Denial By Steven P. Garabedian. Amherst: University of Massachusetts Press, 2020.0
Amazing Grace, directed by Sydney Pollack (Neon, 2018); Whitney, directed by Kevin Macdonald (Miramax, 2018).0
Tania León's Stride: A Polyrhythmic Life By Alejandro L. Madrid. Urbana: University of Illinois Press, 2021.0
Noble Sissle and Eubie Blake: Shuffle Along Music of the United States Volume 29. Recent Researches in American Music Volume 85. Edited by Lyn Schenbeck and Lawrence Schenbeck. Middleton, WI: A-R Edit0
A Multiplicity of Stories: Reading Feminist Orientalism in Scheherazade.2 – CORRIGENDUM0
Libby Larsen: Composing an American Life. By Denise Von Glahn. Urbana: University of Illinois Press, 2017.—CORRIGENDUM0
Capturing the Zeitgeist: Preserving American Music and Culture in the Mashups of DJ Earworm0
Contributors0
The Sonic Episteme: Acoustic Resonance, Neoliberalism, and Biopolitics By Robin James. Durham: Duke University Press, 2019.0
Samantha Ege, piano, with John Paul Ekin, piano. Black Renaissance Woman: Piano Music by Florence Price, Margaret Bonds, Nora Holt, Betty Jackson King, Helen Hagan Lontano Records Ltd, 2022, CD0
Televising Talent: Musicality, Meritocracy, and the Aesthetics of Exclusion0
Panpipes and Ponchos: Musical Folklorization and the Rise of the Andean Conjunto Tradition in La Paz, Bolivia By Fernando Rios. New York: Oxford University Press, 2020.0
Accountability and Imagination in Undergraduate Curricular Reform0
Racism on Trial in U.S. Symphony Orchestras0
SAM volume 16 issue 3 Cover and Front matter0
“I Just Told Them Like It Was”: Performance and History at Colonial Williamsburg0
Caroline Shaw and Sō Percussion. Let the Soil Play its Simple Part Released June 25, 2021. Nonesuch Records, SKU#075597915891, 2021. CD0
Joshua McCarter Simpson's Songs and Mid-Nineteenth Century Antislavery Activism0
Listen But Don't Ask Question: Hawaiian Slack Key Guitar Across the TransPacific By Kevin Fellezs. Durham: Duke University Press, 2019.0
SAM volume 14 issue 4 Cover and Back matter0
Hollywood Harmony: Musical Wonder and the Sound of Cinema. By Frank Lehman. New York: University of Oxford Press, 2018.0
Remembering the Cotton Screwmen: Inter-racial Waterfront Labor and the Development of Sailors’ Chanties0
Make it Count While We're Here: Words, Music, and the Summer of 2020 LL Cool J. “Untitled.” Instagram, May 31, 2020. https://www.instagram.com/tv/CA4BGv9gvm8/?hl=en. - Lil Baby. “The Bigger Picture.” 0
Terrible Freedom: The Life and Work of Lucia Dlugoszewski By Amy C. Beal. Oakland, CA: University of California Press, 2022.0
Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania By Sarah Justina Eyerly. Bloomington, IN: Indiana University Press, 2020.0
Mahalia Jackson and the Black Gospel Field By Mark Burford. New York, NY: Oxford University Press, 2019.0
The Sound of a Superpower: Musical Americanism and the Cold War. By Emily Abrams Ansari. Oxford: Oxford University Press, 2018.0
The Karl Muck Scandal: Classical Music and Xenophobia in World War I America by Melissa D. Burrage, Rochester: University of Rochester Press, 2019.0
Beyoncé: At Work, On Screen, and Online Edited by Martin Iddon and Melanie L. Marshall. Bloomington: Indiana University Press, 2020.0
Wonderful Design: Glamour in the Hollywood Musical By Lloyd Whitesell. New York: Oxford University Press, 2018.0
Ornette Coleman: The Territory and the Adventure By Maria Golia. London: Reaktion Books, 2020.0
Historical Records: Reissuing as Curatorial Practice in Harry Smith's Anthology of American Folk Music0
Sonic Domination and the Politics of Race in Southern Antebellum Hymnody0
Preaching from the Choir: Music Departments and Their Discontents0
American Harmony: Inspired Choral Miniatures from New England, Appalachia, the Mid-Atlantic, the South, and the Midwest Edited by Nym Cooke. Boston: David R. Godine, 2017.0
Manifest Technique: Hip Hop, Empire, and Visionary Filipino American Culture By Mark R. Villegas. Urbana: University of Illinois Press, 2021.0
Battlestar Galacticaand Space Opera: Transforming a Subgenre0
SAM volume 18 issue 2 Cover and Back matter0
SAM volume 15 issue 1 Cover and Front matter0
Dawn of the DAW: The Studio as Musical Instrument. By Adam Patrick Bell. New York: Oxford University Press, 2018.0
All Rights Reserved: Behind the Strategic Copyright of “We Shall Overcome”0
SAM volume 18 issue 1 Cover and Back matter0
Ginger Smock: Narratives of Perpetual Discovery, Jazz Historiography, and the “Swinging Lady of the Violin”0
Fuser. Harmonix. Windows PC, Nintendo Switch, PlayStation 4, and Xbox One. 20200
New York Klezmer in the Early Twentieth Century: The Music of Naftule Brandwein and Dave Tarras By Joel Rubin. Rochester, NY: University of Rochester Press, 2020.0
“All I See Is Your Booty and Cleavage”: Sex and the Contemporary Gospel Song (1988–2017)0
Ry Cooder and Taj Mahal. Get on Board. Nonesuch/Warner Records, 2022, CD.0
Hearing Epistemic Sound in Experimental (Music) Systems, 1958–730
Jon Batiste. WE ARE Verve Records, 20210
Atmospheric Noise: The Indefinite Urbanism of Los Angeles By Marina Peterson. Durham, NC: Duke University Press, 2021.0
“VeryFemale, with the Allure of a Foreign Aura”: Vocality, Gender, and European Exoticism in the US Careers of Alice Babs and Caterina Valente0
Bill Monroe: The Life and Music of the Blue Grass Man By Tom Ewing. Urbana: University of Illinois Press, 2018. - Dixie Dewdrop: The Uncle Dave Macon Story By Michael D. Doubler. Urbana: University of0
Whose History?: The Americas and Music Curricula in the United States0
Archives of African American Music and Culture, Indiana University, https://aaamc.indiana.edu/0
Bernice Johnson Reagon's Musical Coalition Politics, 1966–810
SAM volume 15 issue 2 Cover and Back matter0
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