Journal of the Society for American Music

Papers
(The TQCC of Journal of the Society for American Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
SAM volume 16 issue 3 Cover and Back matter3
African Diaspora Music Project Videmus Inc. Website. https://africandiasporamusicproject.org/.1
Minimalism and the Politics of Inclusion1
Jon Batiste. WE ARE Verve Records, 20211
Opera and Land: Settler Colonialism and the Geopolitics of Music at the Carlisle Indian Industrial School1
SAM volume 17 issue 2 Cover and Back matter1
Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White By Kimberly Mack. University of Massachusetts Press, 2020.1
William Levi Dawson: American Music Educator. By Mark Hugh Malone. Jackson: University Press of Mississippi, 2023. - William L. Dawson By Gwynne Kuhner Brown. Urbana: University of Illinois Press, 201
SAM volume 18 issue 1 Cover and Back matter1
Chronicling Stankonia: The Rise of the Hip-Hop South By Regina N. Bradley. Chapel Hill, NC: University of North Carolina Press, 2021.1
Terrible Freedom: The Life and Work of Lucia Dlugoszewski By Amy C. Beal. Oakland, CA: University of California Press, 2022.1
SAM volume 17 issue 3 Cover and Back matter0
Bad Infrastructure, Good Craic: Affective Transformation at Irish Traditional Music Festivals in the Catskills0
The Court as Concert Hall: Music at the U.S. Supreme Court0
Singing Out: GALA Choruses and Social Change By Heather MacLachlan. Ann Arbor: University of Michigan Press, 2020.0
Punched Holes: Piano Rolls and the Visual Representation of Sound in White-Smith v. Apollo (1908)0
SAM volume 18 issue 2 Cover and Front matter0
“To Speak As an Oracle of Christ”: Bishop G. E. Patterson and the Afterlives of Ecstasy0
Bernice Johnson Reagon's Musical Coalition Politics, 1966–810
Sounding Latin Music, Hearing the Americas By Jairo Moreno. Chicago: The University of Chicago Press, 2023.0
SAM volume 18 issue 2 Cover and Back matter0
Crossing Bar Lines: The Politics and Practices of Black Musical Space By James Gordon Williams. Jackson: University Press of Mississippi, 20210
Got To Be Something Here: The Rise of the Minneapolis Sound By Andrea Swensson. Minneapolis: University of Minnesota Press, 2021.0
PUBLIQuartet, What Is American. Bright Shiny Things, BSTC-0171, 2022, CD.0
Darby Wheeler, dir. Hip-Hop Evolution Banger Films, 2016. Streaming0
Capturing the Zeitgeist: Preserving American Music and Culture in the Mashups of DJ Earworm0
SAM volume 18 issue 1 Cover and Front matter0
Home is Together: Sounds of Belonging in the Correspondence of Two Japanese American Families Separated by Wartime Incarceration0
Dvořák's Prophecy: A New Narrative for American Classical Music Produced by Joseph Horowitz. Naxos, 20210
Lying in the Middle: Musical Theater and Belief at the Heart of America By Jake Johnson. Urbana, IL: University of Illinois Press, 2021.0
New York Klezmer in the Early Twentieth Century: The Music of Naftule Brandwein and Dave Tarras By Joel Rubin. Rochester, NY: University of Rochester Press, 2020.0
The Possibility Machine: Music and Myth in Las Vegas Edited by Jake Johnson. Urbana, IL: University of Illinois Press, 2023.0
Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania By Sarah Justina Eyerly. Bloomington, IN: Indiana University Press, 2020.0
Panpipes and Ponchos: Musical Folklorization and the Rise of the Andean Conjunto Tradition in La Paz, Bolivia By Fernando Rios. New York: Oxford University Press, 2020.0
Caroline Shaw and Sō Percussion. Let the Soil Play its Simple Part Released June 25, 2021. Nonesuch Records, SKU#075597915891, 2021. CD0
The Future of Rock and Roll: 97X WOXY and the Fight for True Independence By Robin James. Chapel Hill: University of North Carolina Press, 2023.0
Sound Experiments: The Music of the AACM By Paul Steinbeck. Chicago, IL: University of Chicago Press, 2022.0
A Sound History: Lawrence Gellert, Black Musical Protest, and White Denial By Steven P. Garabedian. Amherst: University of Massachusetts Press, 2020.0
“I'm Workin’ on My Buildin”: Freedom and Foundation-Building in Florence Price's Two Violin Fantasies0
SAM volume 16 issue 3 Cover and Front matter0
West Is Up, How to Get to The Suburbs, and Other Spatial Logics of DC's Punk Scene0
SAM volume 16 issue 2 Cover and Back matter0
Christian Sacred Music in the Americas Edited by Andrew Shenton and Joanna Smolko. Lanham, Maryland: Rowman & Littlefield, 2021.0
The Berkeley Folk Music Festival & the Folk Revival on the US West Coast—An Introduction. Northwestern University. Website. https://sites.northwestern.edu/bfmf/0
SAM volume 19 issue 1 Cover and Back matter0
Forging a Lineage: Kinship, Mobility, and the Zildjian Cymbal0
George Frederick Bristow By Katherine K. Preston. Urbana, IL: University of Illinois Press, 2020.0
SAM volume 17 issue 1 Cover and Back matter0
Sell a Song of Safety: Children, Radio, and the Safety Patrol0
Max Lifchitz: A Transmodern Composer in American Music?0
A Fine Romance: Adapting Broadway to Hollywood in the Studio System Era By Geoffrey Block. Oxford, UK: Oxford University Press, 2023.0
SAM volume 16 issue 4 Cover and Back matter0
“I Just Told Them Like It Was”: Performance and History at Colonial Williamsburg0
Institute for Composer Diversity, https://www.composerdiversity.com/0
Agave Baroque and Reginald L. Mobley. American Originals: A New World, A New Canon Acis Productions LLC. 2021.0
Dora Dean and the Performance of Black Womanhood in the “Coon Song” Craze0
Live Music in America. A History from Jenny Lind to Beyoncé By Steve Waksman. New York, NY: Oxford University Press, 2022.0
Beyoncé, Cowboy Carter. Parkwood Entertainment/Columbia Records, 20240
Songs of Slavery and Emancipation By Mat Callahan. Jackson, MS: University of Mississippi Press, 2022.0
Aaron Copland in Latin America: Music and Cultural Politics By Carol A. Hess. Urbana, IL: University of Illinois Press, 2023.0
Sing and Sing On: Sentinel Musicians and the Making of the Ethiopian American Diaspora By Kay Kaufman Shelemay. London and Chicago, IL: University of Chicago Press, 2022.0
Heitor Villa-Lobos and the Traces of Coloniality in Andrés Segovia's Guitar Repertoire0
The Passions of Peter Sellars: Staging the Music By Susan McClary. Ann Arbor, MI: University of Michigan Press, 2019.0
God Rock, Inc.: The Business of Niche Music By Andrew Mall. Oakland, CA: University of California Press, 2021.0
All Rights Reserved: Behind the Strategic Copyright of “We Shall Overcome”0
Whose Country Music?: Genre, Identity, and Belonging in Twenty-First-Century Country Music Culture Edited by Paula J. Bishop and Jada E. Watson. Cambridge: Cambridge University Press, 2023.0
Desert Specters: Commemoration and Myth in Doctor Atomic and Oppenheimer0
How Hip Hop Became Hit Pop: Radio, Rap, and Race By Amy Coddington. Oakland, CA: University of California Press, 2023.0
SAM volume 19 issue 1 Cover and Front matter0
Citations, Misunderstandings, and Authenticity in Coleridge-Taylor's Spiritual Arrangements0
Televising Talent: Musicality, Meritocracy, and the Aesthetics of Exclusion0
Private Equity Blues: Warner Music Group, Nonesuch Records, and Jazz in the Era of Financialization0
Philippa Duke Schuyler. Seven Pillars of Wisdom Sarah Masterson, piano. Centaur Records 3944, 20220
Historical Records: Reissuing as Curatorial Practice in Harry Smith's Anthology of American Folk Music0
Leonard Feather and the Gender Ignorant Language of Jazz Mastery0
A Multiplicity of Stories: Reading Feminist Orientalism in Scheherazade.2 – CORRIGENDUM0
The Padrone By George Whitefield Chadwick. Edited by Marianne Betz. Music of the United States of America. Madison, WI: A-R Editions, 2017.0
Women in American Operas of the 1950s: Undoing Gendered Archetypes By Monica A. Hershberger. Rochester, NY: University of Rochester Press, 2023.0
Stride Organology: Fats Waller’s Victor Pipe Organ Recordings, 1926–19280
Ry Cooder and Taj Mahal. Get on Board. Nonesuch/Warner Records, 2022, CD.0
Racism on Trial in U.S. Symphony Orchestras0
SAM volume 19 issue 3 Cover and Back matter0
Encanto (Original Motion Picture Soundtrack). Walt Disney Records, B09GYH5WK6, 2021, Streaming.0
Two Adaptations, Both Alike in Dignity: West Side Story and the Cinematic Impact of an American Film Musical0
The Spiritualist Ear0
Unlikely Angel: The Songs of Dolly Parton By Lydia Hamessley. Urbana: University of Illinois Press, 2020.0
SAM volume 17 issue 4 Cover and Front matter0
SAM volume 17 issue 3 Cover and Front matter0
Against the Grain Theatre'sMessiah/Complexand Indigenous Sovereignty0
Industry: Bang on a Can and New Music in the MarketplaceBy William Robin. New York: Oxford University Press, 2021.0
SAM volume 19 issue 2 Cover and Front matter0
SAM volume 19 issue 2 Cover and Back matter0
A Complete Unknown. Directed by James Mangold. Searchlight Pictures, 2024.0
Jeff Scott, Passion for Bach and Coltrane. Imani Winds, Harlem Quartet, A.B. Spellman, Alex Brown, Edward Perez, Neal Smith. Recorded June 28−29, 2023. Imani Winds Media.0
Music DH. Website: https://rutgersdh.github.io/musicdh/.0
SAM volume 16 issue 2 Cover and Front matter0
Musical Migration and Imperial New York: Early Cold War Scenes By Brigid Cohen. Chicago: University of Chicago Press, 2022.0
Stephanie Economou. Assassin's Creed Valhalla: Dawn of Ragnarok. Ubisoft Music, 20220
Theory on the South Side: Muhal Richard Abrams's Engagement with Joseph Schillinger's System of Musical Composition0
Unbinding Gentility: Women Making Music in the Nineteenth Century South By Candace Bailey. Urbana: University of Illinois Press, 2021.0
Hearing Epistemic Sound in Experimental (Music) Systems, 1958–730
SAM volume 18 issue 3 Cover and Front matter0
Joshua McCarter Simpson's Songs and Mid-Nineteenth Century Antislavery Activism0
Music and Mystique in Muscle Shoals By Christopher M. Reali. Urbana: University of Illinois Press, 20220
SAM volume 17 issue 4 Cover and Back matter0
SAM volume 16 issue 4 Cover and Front matter0
Blending the Popular and the Profound: Organ Concerts at the 1893 World's Columbian Exposition0
Remembering the Cotton Screwmen: Inter-racial Waterfront Labor and the Development of Sailors’ Chanties0
Fostering the “Art of Forceful Speech”: Music in the Century Club of California, 1888–1920—CORRIGENDUM0
Fuser. Harmonix. Windows PC, Nintendo Switch, PlayStation 4, and Xbox One. 20200
Músicas coloniales a debate: Procesos de intercambio euroamericanos Edited by Javier Marín López. Madrid: Instituto Complutense de Ciencias Musicales, 2018. - El villancico en la encrucijada: Nuevas p0
“A Much More Valuable Signature”: Gender, Factory Labor, and the Mythology of Builder-Signed Amplifiers from Fender's “Tweed” Era, 1948–600
Beyoncé: At Work, On Screen, and Online Edited by Martin Iddon and Melanie L. Marshall. Bloomington: Indiana University Press, 2020.0
The American Piano Industry: Episodes in the History of a Great Enterprise By William E. Hettrick. Hillsdale, NY: Pendragon Press, 2020.0
Affective Interruptions: Political Collectivity in Halftime0
“Feel The Tears I Cried Today”: Barbra Streisand and the Sentimental Mode0
Joni Mitchell's Urges for Going, 1965–67: Coffeehouses, Counterculture, and Care0
“The Silent Partner”: Tonearms and Modular Masculinities in U.S. Midcentury Hi-Fi Culture0
The Lady Swings: Memoirs of a Jazz Drummer By Dottie Dodgion and Wayne Enstice. Urbana: University of Illinois Press, 2021.0
Tania León's Stride: A Polyrhythmic Life By Alejandro L. Madrid. Urbana: University of Illinois Press, 2021.0
Binational Indianism in James DeMars’s Guadalupe, Our Lady of the Roses0
More Than One “Double Life”: Artistic Conceptions, Networks, and Negotiations in Benny Goodman's Commissions to Paul Hindemith and Darius Milhaud0
Indigenous Audibilities: Music, Heritage, and Collections in the Americas By Amanda Minks. Oxford: Oxford University Press, 20230
Record Cultures: The Transformation of the U.S. Record Industry By Kyle Barnett. Ann Arbor: University of Michigan Press, 2020.0
What We Talk about When We Talk about Live Smooth Jazz: Sonic Suburbanization, Multipurpose Places of Assembly, and Collective Memory in Regional Cleveland0
Samantha Ege, piano, with John Paul Ekin, piano. Black Renaissance Woman: Piano Music by Florence Price, Margaret Bonds, Nora Holt, Betty Jackson King, Helen Hagan Lontano Records Ltd, 2022, CD0
Dancers on a Grid: Musical Minimalism Arrives at New York City Ballet in 19830
Songbooks: The Literature of American Popular Music By Eric Weisbard. Durham, NC, and London: Duke University Press, 2021.0
Barbie: The Album Atlantic Recording Corporation, Warner Bros. Entertainment, Inc. & Mattel, 2023.0
SAM volume 19 issue 3 Cover and Front matter0
American Gamelan and the Ethnomusicological Imagination By Elizabeth A. Clendinning. Chicago, IL: University of Illinois Press, 2020.0
Between Beats: The Jazz Tradition and Black Vernacular Dance By Christi Jay Wells. New York: Oxford University Press, 2021.0
Coleccionistas de Sonido Website. 2022. https://www.coleccionistasdesonidos.com/0
Sonic Domination and the Politics of Race in Southern Antebellum Hymnody0
The Velvet Underground Todd Haynes, director. Criterion Collection Blu-ray. 2021.0
Manifest Technique: Hip Hop, Empire, and Visionary Filipino American Culture By Mark R. Villegas. Urbana: University of Illinois Press, 2021.0
The Sonic Episteme: Acoustic Resonance, Neoliberalism, and Biopolitics By Robin James. Durham: Duke University Press, 2019.0
Ginger Smock: Narratives of Perpetual Discovery, Jazz Historiography, and the “Swinging Lady of the Violin”0
Atmospheric Noise: The Indefinite Urbanism of Los Angeles By Marina Peterson. Durham, NC: Duke University Press, 2021.0
Call, Response, and Compromisso: Ethical Practice in Capoeira of Backland Bahia, Brazil0
“A Most Valuable Curiosity”: Music Manuscripts, Authorship, Composition, and Gender at the Ephrata Cloister in Eighteenth-Century Pennsylvania0
Fostering the “Art of Forceful Speech”: Music in the Century Club of California, 1888–19200
Ornette Coleman: The Territory and the Adventure By Maria Golia. London: Reaktion Books, 2020.0
SAM volume 17 issue 2 Cover and Front matter0
Taylor Swift: The Eras Tour (Taylor's Version) Directed by Sam Wrench. Taylor Swift Productions, 2023. Streaming on Disney+0
SAM volume 17 issue 1 Cover and Front matter0
Hungry Listening: Resonant Theory for Indigenous Sound Studies By Dylan Robinson. Minneapolis: University of Minnesota Press, 2020.0
SAM volume 18 issue 3 Cover and Back matter0
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