Journal of the Society for American Music

Papers
(The median citation count of Journal of the Society for American Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
SAM volume 16 issue 3 Cover and Back matter3
Chronicling Stankonia: The Rise of the Hip-Hop South By Regina N. Bradley. Chapel Hill, NC: University of North Carolina Press, 2021.2
SAM volume 17 issue 2 Cover and Back matter1
African Diaspora Music Project Videmus Inc. Website. https://africandiasporamusicproject.org/.1
William Levi Dawson: American Music Educator. By Mark Hugh Malone. Jackson: University Press of Mississippi, 2023. - William L. Dawson By Gwynne Kuhner Brown. Urbana: University of Illinois Press, 201
SAM volume 18 issue 1 Cover and Back matter1
Jon Batiste. WE ARE Verve Records, 20211
Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White By Kimberly Mack. University of Massachusetts Press, 2020.1
Minimalism and the Politics of Inclusion1
Opera and Land: Settler Colonialism and the Geopolitics of Music at the Carlisle Indian Industrial School1
The Infinite Star: Nostalgia, Iconography, and Madonna’s “Vogue”0
The Berkeley Folk Music Festival & the Folk Revival on the US West Coast—An Introduction. Northwestern University. Website. https://sites.northwestern.edu/bfmf/0
Sonic Domination and the Politics of Race in Southern Antebellum Hymnody0
Sound Experiments: The Music of the AACM By Paul Steinbeck. Chicago, IL: University of Chicago Press, 2022.0
Forging a Lineage: Kinship, Mobility, and the Zildjian Cymbal0
SAM volume 17 issue 1 Cover and Back matter0
“No Now, No Then, No Here, No There”: The Inner World of Undine Smith Moore0
Between Beats: The Jazz Tradition and Black Vernacular Dance By Christi Jay Wells. New York: Oxford University Press, 2021.0
My Daddy Rocks Me: Queer Voice and Desire in the Music of Frankie “Half Pint” Jaxon0
Private Equity Blues: Warner Music Group, Nonesuch Records, and Jazz in the Era of Financialization0
Listening “deep down things”: The Dark Ecology of Sarah Kirkland Snider’s Mass for the Endangered0
George Frederick Bristow By Katherine K. Preston. Urbana, IL: University of Illinois Press, 2020.0
Music and Mystique in Muscle Shoals By Christopher M. Reali. Urbana: University of Illinois Press, 20220
SAM volume 17 issue 4 Cover and Back matter0
Record Cultures: The Transformation of the U.S. Record Industry By Kyle Barnett. Ann Arbor: University of Michigan Press, 2020.0
Binational Indianism in James DeMars’s Guadalupe, Our Lady of the Roses0
Jeff Scott, Passion for Bach and Coltrane. Imani Winds, Harlem Quartet, A.B. Spellman, Alex Brown, Edward Perez, Neal Smith. Recorded June 28−29, 2023. Imani Winds Media.0
SAM volume 18 issue 3 Cover and Back matter0
Beyoncé, Cowboy Carter. Parkwood Entertainment/Columbia Records, 20240
SAM volume 17 issue 1 Cover and Front matter0
How Hip Hop Became Hit Pop: Radio, Rap, and Race By Amy Coddington. Oakland, CA: University of California Press, 2023.0
Sing and Sing On: Sentinel Musicians and the Making of the Ethiopian American Diaspora By Kay Kaufman Shelemay. London and Chicago, IL: University of Chicago Press, 2022.0
Taylor Swift: The Eras Tour (Taylor's Version) Directed by Sam Wrench. Taylor Swift Productions, 2023. Streaming on Disney+0
To Boldly Go Where Others Have Gone Before: Music, Memory, and Nostalgia in Star Trek0
Jon Batiste’s Beethoven Blues: Transformation, Creativity, and Conversations with the Canon0
Philippa Duke Schuyler. Seven Pillars of Wisdom Sarah Masterson, piano. Centaur Records 3944, 20220
Call, Response, and Compromisso: Ethical Practice in Capoeira of Backland Bahia, Brazil0
“A Most Valuable Curiosity”: Music Manuscripts, Authorship, Composition, and Gender at the Ephrata Cloister in Eighteenth-Century Pennsylvania0
Joni Mitchell's Urges for Going, 1965–67: Coffeehouses, Counterculture, and Care0
Leonard Feather and the Gender Ignorant Language of Jazz Mastery0
The Padrone By George Whitefield Chadwick. Edited by Marianne Betz. Music of the United States of America. Madison, WI: A-R Editions, 2017.0
SAM volume 17 issue 3 Cover and Front matter0
Fostering the “Art of Forceful Speech”: Music in the Century Club of California, 1888–1920—CORRIGENDUM0
“A Much More Valuable Signature”: Gender, Factory Labor, and the Mythology of Builder-Signed Amplifiers from Fender's “Tweed” Era, 1948–600
SAM volume 19 issue 4 Cover and Back matter0
Sell a Song of Safety: Children, Radio, and the Safety Patrol0
More Than One “Double Life”: Artistic Conceptions, Networks, and Negotiations in Benny Goodman's Commissions to Paul Hindemith and Darius Milhaud0
Joshua McCarter Simpson's Songs and Mid-Nineteenth Century Antislavery Activism0
PUBLIQuartet, What Is American. Bright Shiny Things, BSTC-0171, 2022, CD.0
A Sound History: Lawrence Gellert, Black Musical Protest, and White Denial By Steven P. Garabedian. Amherst: University of Massachusetts Press, 2020.0
Ry Cooder and Taj Mahal. Get on Board. Nonesuch/Warner Records, 2022, CD.0
Stride Organology: Fats Waller’s Victor Pipe Organ Recordings, 1926–19280
Hungry Listening: Resonant Theory for Indigenous Sound Studies By Dylan Robinson. Minneapolis: University of Minnesota Press, 2020.0
Industry: Bang on a Can and New Music in the MarketplaceBy William Robin. New York: Oxford University Press, 2021.0
The Sonic Episteme: Acoustic Resonance, Neoliberalism, and Biopolitics By Robin James. Durham: Duke University Press, 2019.0
The Violin as Archive: Genealogies of Sound and Memory in Holocaust Film0
Encanto (Original Motion Picture Soundtrack). Walt Disney Records, B09GYH5WK6, 2021, Streaming.0
Amplifications of Black Sound from Colonial Mexico: Vocality and Beyond By Sarah Finley. Vanderbilt University Press, 2024.0
The Passions of Peter Sellars: Staging the Music By Susan McClary. Ann Arbor, MI: University of Michigan Press, 2019.0
Affective Interruptions: Political Collectivity in Halftime0
SAM volume 17 issue 4 Cover and Front matter0
“I'm Workin’ on My Buildin”: Freedom and Foundation-Building in Florence Price's Two Violin Fantasies0
SAM volume 16 issue 4 Cover and Front matter0
Ornette Coleman: The Territory and the Adventure By Maria Golia. London: Reaktion Books, 2020.0
SAM volume 19 issue 2 Cover and Front matter0
Christian Sacred Music in the Americas Edited by Andrew Shenton and Joanna Smolko. Lanham, Maryland: Rowman & Littlefield, 2021.0
Sounding Latin Music, Hearing the Americas By Jairo Moreno. Chicago: The University of Chicago Press, 2023.0
Silkroad Ensemble, American Railroad, a Musical Journey of Reclamation, Nonesuch Records, 20240
God Rock, Inc.: The Business of Niche Music By Andrew Mall. Oakland, CA: University of California Press, 2021.0
Terrible Freedom: The Life and Work of Lucia Dlugoszewski By Amy C. Beal. Oakland, CA: University of California Press, 2022.0
SAM volume 19 issue 3 Cover and Back matter0
“An Entire Sacred Effort”: Hymnody and Mythopoetics in John Williams’s Score for Steven Spielberg’s Lincoln (2012)0
Samantha Ege, piano, with John Paul Ekin, piano. Black Renaissance Woman: Piano Music by Florence Price, Margaret Bonds, Nora Holt, Betty Jackson King, Helen Hagan Lontano Records Ltd, 2022, CD0
Songbooks: The Literature of American Popular Music By Eric Weisbard. Durham, NC, and London: Duke University Press, 2021.0
SAM volume 16 issue 4 Cover and Back matter0
Operatic Infrastructures: Materiality and Meaning in 1890s London, Paris, and New York By Flora Willson. University of Chicago Press, 2026.0
Live Music in America. A History from Jenny Lind to Beyoncé By Steve Waksman. New York, NY: Oxford University Press, 2022.0
The Year That Made the Musical: 1924 and the Glamour of Musical Theater By William A. Everett. Cambridge University Press, 2024.0
Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania By Sarah Justina Eyerly. Bloomington, IN: Indiana University Press, 2020.0
Beyoncé: At Work, On Screen, and Online Edited by Martin Iddon and Melanie L. Marshall. Bloomington: Indiana University Press, 2020.0
Remembering the Cotton Screwmen: Inter-racial Waterfront Labor and the Development of Sailors’ Chanties0
Hearing Epistemic Sound in Experimental (Music) Systems, 1958–730
Historical Records: Reissuing as Curatorial Practice in Harry Smith's Anthology of American Folk Music0
Agave Baroque and Reginald L. Mobley. American Originals: A New World, A New Canon Acis Productions LLC. 2021.0
“Feel The Tears I Cried Today”: Barbra Streisand and the Sentimental Mode0
SAM volume 17 issue 2 Cover and Front matter0
Musical Migration and Imperial New York: Early Cold War Scenes By Brigid Cohen. Chicago: University of Chicago Press, 2022.0
A Chance to Harmonize: How FDR’s Hidden Music Unit Sought to Save America from the Great Depression—One Song at a Time. By Sheryl Kaskowitz. New York, NY: Pegasus Books, 20240
Bad Infrastructure, Good Craic: Affective Transformation at Irish Traditional Music Festivals in the Catskills0
Tania León's Stride: A Polyrhythmic Life By Alejandro L. Madrid. Urbana: University of Illinois Press, 2021.0
SAM volume 19 issue 1 Cover and Back matter0
A Complete Unknown. Directed by James Mangold. Searchlight Pictures, 2024.0
New York Klezmer in the Early Twentieth Century: The Music of Naftule Brandwein and Dave Tarras By Joel Rubin. Rochester, NY: University of Rochester Press, 2020.0
Home is Together: Sounds of Belonging in the Correspondence of Two Japanese American Families Separated by Wartime Incarceration0
Panpipes and Ponchos: Musical Folklorization and the Rise of the Andean Conjunto Tradition in La Paz, Bolivia By Fernando Rios. New York: Oxford University Press, 2020.0
Caroline Shaw and Sō Percussion. Let the Soil Play its Simple Part Released June 25, 2021. Nonesuch Records, SKU#075597915891, 2021. CD0
Jake Heggie. Intelligence. Gene Scheer, Librettist. Janai Bruggar, Jamie Barton, J’Nai Bridges, Singers. Jawole Willa Jo Zollar, Choreographer. Urban Bush Women Company Dancers and Houston Grand Opera0
Aaron Copland in Latin America: Music and Cultural Politics By Carol A. Hess. Urbana, IL: University of Illinois Press, 2023.0
Racism on Trial in U.S. Symphony Orchestras0
SAM volume 18 issue 2 Cover and Back matter0
SamBop NYC: Brazilian Jazz in New York City During the New Millennium By Marc Gidal. Oxford University Press, 2024.0
The Bastard Instrument: A Cultural History of the Electric Bass By Brian F. Wright. University of Michigan Press, 2024.0
The American Piano Industry: Episodes in the History of a Great Enterprise By William E. Hettrick. Hillsdale, NY: Pendragon Press, 2020.0
The Spiritualist Ear0
Sinatras in Blackface: Critical Nostalgia in Postapartheid Performance0
Dancers on a Grid: Musical Minimalism Arrives at New York City Ballet in 19830
Crossing Bar Lines: The Politics and Practices of Black Musical Space By James Gordon Williams. Jackson: University Press of Mississippi, 20210
Whose Country Music?: Genre, Identity, and Belonging in Twenty-First-Century Country Music Culture Edited by Paula J. Bishop and Jada E. Watson. Cambridge: Cambridge University Press, 2023.0
Músicas coloniales a debate: Procesos de intercambio euroamericanos Edited by Javier Marín López. Madrid: Instituto Complutense de Ciencias Musicales, 2018. - El villancico en la encrucijada: Nuevas p0
American Gamelan and the Ethnomusicological Imagination By Elizabeth A. Clendinning. Chicago, IL: University of Illinois Press, 2020.0
Women in American Operas of the 1950s: Undoing Gendered Archetypes By Monica A. Hershberger. Rochester, NY: University of Rochester Press, 2023.0
Music and Cosmopolitanism: Rio de Janeiro at the Turn of the 20 th Century. By Cristina Magaldi. New York, NY: Oxford University Press, 2024.0
Got To Be Something Here: The Rise of the Minneapolis Sound By Andrea Swensson. Minneapolis: University of Minnesota Press, 2021.0
The Lady Swings: Memoirs of a Jazz Drummer By Dottie Dodgion and Wayne Enstice. Urbana: University of Illinois Press, 2021.0
The Velvet Underground Todd Haynes, director. Criterion Collection Blu-ray. 2021.0
Unlikely Angel: The Songs of Dolly Parton By Lydia Hamessley. Urbana: University of Illinois Press, 2020.0
Songs of Slavery and Emancipation By Mat Callahan. Jackson, MS: University of Mississippi Press, 2022.0
What the Tests Don’t Measure: Transforming Power-over Constructs of Musical Talent through Neurodivergent Musicality0
Atmospheric Noise: The Indefinite Urbanism of Los Angeles By Marina Peterson. Durham, NC: Duke University Press, 2021.0
Ginger Smock: Narratives of Perpetual Discovery, Jazz Historiography, and the “Swinging Lady of the Violin”0
Two Adaptations, Both Alike in Dignity: West Side Story and the Cinematic Impact of an American Film Musical0
Heitor Villa-Lobos and the Traces of Coloniality in Andrés Segovia's Guitar Repertoire0
Darby Wheeler, dir. Hip-Hop Evolution Banger Films, 2016. Streaming0
Music DH. Website: https://rutgersdh.github.io/musicdh/.0
Lamestains: Grunge, Sub Pop and the Music of the Loser. By Nicholas Attfield. London, UK: Reaktion Books, 2023.0
Singing Out: GALA Choruses and Social Change By Heather MacLachlan. Ann Arbor: University of Michigan Press, 2020.0
Punched Holes: Piano Rolls and the Visual Representation of Sound in White-Smith v. Apollo (1908)0
Dvořák's Prophecy: A New Narrative for American Classical Music Produced by Joseph Horowitz. Naxos, 20210
Theory on the South Side: Muhal Richard Abrams's Engagement with Joseph Schillinger's System of Musical Composition0
Inside Chinese Theater: Community and Artistry in Nineteenth-Century California and Beyond By Nancy Yunhwa Rao. University of Illinois Press, 2025.0
Unbinding Gentility: Women Making Music in the Nineteenth Century South By Candace Bailey. Urbana: University of Illinois Press, 2021.0
What We Talk about When We Talk about Live Smooth Jazz: Sonic Suburbanization, Multipurpose Places of Assembly, and Collective Memory in Regional Cleveland0
Samuel Barber: His Life and Legacy. By Howard Pollack. Urbana: University of Illinois Press, 2023.0
Stephanie Economou. Assassin's Creed Valhalla: Dawn of Ragnarok. Ubisoft Music, 20220
“I Just Told Them Like It Was”: Performance and History at Colonial Williamsburg0
Institute for Composer Diversity, https://www.composerdiversity.com/0
SAM volume 19 issue 4 Cover and Front matter0
SAM volume 18 issue 3 Cover and Front matter0
Capturing the Zeitgeist: Preserving American Music and Culture in the Mashups of DJ Earworm0
SAM volume 19 issue 2 Cover and Back matter0
Max Lifchitz: A Transmodern Composer in American Music?0
SAM volume 18 issue 1 Cover and Front matter0
Indigenous Audibilities: Music, Heritage, and Collections in the Americas By Amanda Minks. Oxford: Oxford University Press, 20230
Lying in the Middle: Musical Theater and Belief at the Heart of America By Jake Johnson. Urbana, IL: University of Illinois Press, 2021.0
Manifest Technique: Hip Hop, Empire, and Visionary Filipino American Culture By Mark R. Villegas. Urbana: University of Illinois Press, 2021.0
SAM volume 17 issue 3 Cover and Back matter0
SAM volume 19 issue 1 Cover and Front matter0
Diccionario de la Zarzuela. Website. 2026. https://diccionariodelazarzuela.es/dz0
A Fine Romance: Adapting Broadway to Hollywood in the Studio System Era By Geoffrey Block. Oxford, UK: Oxford University Press, 2023.0
Citations, Misunderstandings, and Authenticity in Coleridge-Taylor's Spiritual Arrangements0
The Court as Concert Hall: Music at the U.S. Supreme Court0
Televising Talent: Musicality, Meritocracy, and the Aesthetics of Exclusion0
Barbie: The Album Atlantic Recording Corporation, Warner Bros. Entertainment, Inc. & Mattel, 2023.0
History, Hopes, and Dreams: National Country Music Month and the Nostalgia Feedback Loop0
The Possibility Machine: Music and Myth in Las Vegas Edited by Jake Johnson. Urbana, IL: University of Illinois Press, 2023.0
Dora Dean and the Performance of Black Womanhood in the “Coon Song” Craze0
Mele on the Mauna: Perpetuating Genealogies of Hawaiian Musical Activism on Maunakea By Joseph Keola Donaghy. Indiana University Press, 2024.0
Coleccionistas de Sonido Website. 2022. https://www.coleccionistasdesonidos.com/0
West Is Up, How to Get to The Suburbs, and Other Spatial Logics of DC's Punk Scene0
The Future of Rock and Roll: 97X WOXY and the Fight for True Independence By Robin James. Chapel Hill: University of North Carolina Press, 2023.0
Bernice Johnson Reagon's Musical Coalition Politics, 1966–810
Overcoming Regional Outsiderness in Hip-Hop: A Case Study of Minnesota Group Atmosphere’s Assertion of Historical Authenticity0
Desert Specters: Commemoration and Myth in Doctor Atomic and Oppenheimer0
SAM volume 16 issue 3 Cover and Front matter0
SAM volume 19 issue 3 Cover and Front matter0
SAM volume 18 issue 2 Cover and Front matter0
Against the Grain Theatre'sMessiah/Complexand Indigenous Sovereignty0
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