Journal of the Society for American Music

Papers
(The median citation count of Journal of the Society for American Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
A “Fresh New Music Mix” for the 1980s: Broadcasting Multiculturalism on Crossover Radio2
Negotiating Convention: Pop-Ups and Populism at the San Francisco Opera2
Theory on the South Side: Muhal Richard Abrams's Engagement with Joseph Schillinger's System of Musical Composition2
Music and Deafness in the Nineteenth-Century U.S. Imagination1
Defining the Songs of Incarceration: The Lomax Prison Project at a Critical Juncture1
Curricular Reform and a Culture of Listening: Lessons from the Rosedale Freedom Project1
Private Equity Blues: Warner Music Group, Nonesuch Records, and Jazz in the Era of Financialization1
“A Most Valuable Curiosity”: Music Manuscripts, Authorship, Composition, and Gender at the Ephrata Cloister in Eighteenth-Century Pennsylvania1
Finding Florence Mills: The Voice of the Harlem Jazz Queen in the Compositions of William Grant Still and Edmund Thornton Jenkins1
Music is a Place: Oprys and the Rural Working-Class Constitution of Public Space1
“The influence of Melody upon man in the wild state of nature”: Enslaved Parishioners, Anglican Violence, and Racialized Listening in a Jamaica Parish1
Singing “Past, Present and Future”: Music in Early American Commemoration1
“For Thee America! For Thee Syria?”: Alexander Maloof, Orientalist Music, and the Politics of the SyrianMahjar1
Dashon Burton's Song Sermon: Corporeal Liveness and the Solemnizing Breath1
Ethnic Irony in Melvin B. Tolson's “Dark Symphony”0
Preaching from the Choir: Music Departments and Their Discontents0
Lying in the Middle: Musical Theater and Belief at the Heart of America By Jake Johnson. Urbana, IL: University of Illinois Press, 2021.0
Manifest Technique: Hip Hop, Empire, and Visionary Filipino American Culture By Mark R. Villegas. Urbana: University of Illinois Press, 2021.0
Got To Be Something Here: The Rise of the Minneapolis Sound By Andrea Swensson. Minneapolis: University of Minnesota Press, 2021.0
SAM volume 15 issue 1 Cover and Front matter0
Fuser. Harmonix. Windows PC, Nintendo Switch, PlayStation 4, and Xbox One. 20200
Fostering the “Art of Forceful Speech”: Music in the Century Club of California, 1888–1920—CORRIGENDUM0
All Rights Reserved: Behind the Strategic Copyright of “We Shall Overcome”0
SAM volume 17 issue 2 Cover and Back matter0
Ginger Smock: Narratives of Perpetual Discovery, Jazz Historiography, and the “Swinging Lady of the Violin”0
Samantha Ege, piano, with John Paul Ekin, piano. Black Renaissance Woman: Piano Music by Florence Price, Margaret Bonds, Nora Holt, Betty Jackson King, Helen Hagan Lontano Records Ltd, 2022, CD0
Atmospheric Noise: The Indefinite Urbanism of Los Angeles By Marina Peterson. Durham, NC: Duke University Press, 2021.0
American Gamelan and the Ethnomusicological Imagination By Elizabeth A. Clendinning. Chicago, IL: University of Illinois Press, 2020.0
“All I See Is Your Booty and Cleavage”: Sex and the Contemporary Gospel Song (1988–2017)0
Affective Interruptions: Political Collectivity in Halftime0
Hearing Epistemic Sound in Experimental (Music) Systems, 1958–730
SAM volume 16 issue 3 Cover and Front matter0
SAM volume 16 issue 4 Cover and Front matter0
Bill Monroe: The Life and Music of the Blue Grass Man By Tom Ewing. Urbana: University of Illinois Press, 2018. - Dixie Dewdrop: The Uncle Dave Macon Story By Michael D. Doubler. Urbana: University of0
Record Cultures: The Transformation of the U.S. Record Industry By Kyle Barnett. Ann Arbor: University of Michigan Press, 2020.0
Archives of African American Music and Culture, Indiana University, https://aaamc.indiana.edu/0
SAM volume 14 issue 4 Cover and Back matter0
SAM volume 15 issue 2 Cover and Back matter0
The Passions of Peter Sellars: Staging the Music By Susan McClary. Ann Arbor, MI: University of Michigan Press, 2019.0
Rodrigo Brandão. Outros Barato. Ingua Records, 2018, CD.0
SAM volume 14 issue 4 Cover and Front matter0
Mahalia Jackson and the Black Gospel Field By Mark Burford. New York, NY: Oxford University Press, 2019.0
Crossing Bar Lines: The Politics and Practices of Black Musical Space By James Gordon Williams. Jackson: University Press of Mississippi, 20210
Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White By Kimberly Mack. University of Massachusetts Press, 2020.0
Digital Sound Studies. Edited by Mary Caton Lingold, Darren Muellwer, and Whitney Trettien. Durham, NC: Duke University Press, 2018.0
Contributors0
Historical Records: Reissuing as Curatorial Practice in Harry Smith's Anthology of American Folk Music0
SAM volume 15 issue 4 Cover and Front matter0
Leonard Bernstein and Washington, D.C.: Works, Politics, Performances Edited by Daniel Abraham, Alicia Kopfstein-Penk, and Andrew H. Weaver. Eastman Studies in Music. Rochester, NY: University of Roch0
The Lady Swings: Memoirs of a Jazz Drummer By Dottie Dodgion and Wayne Enstice. Urbana: University of Illinois Press, 2021.0
SAM volume 18 issue 1 Cover and Front matter0
SAM volume 18 issue 2 Cover and Back matter0
Balanchine and Kirstein's American Enterprise By James Steichen. New York: Oxford University Press, 2019.0
Rethinking Reich Edited by Sumanth Gopinath and Pwyll ap Siôn. New York: Oxford University Press, 2019.0
Heitor Villa-Lobos and the Traces of Coloniality in Andrés Segovia's Guitar Repertoire0
Groundhog Summers and the Search for the Black Messiah Noname. “Song 33.” Song 33—Single. Noname, 2020. - Adia Victoria. “South Gotta Change.” South Gotta Change—Single. Atlantantic Recording Corporat0
Media Editors' Note0
Fostering the “Art of Forceful Speech”: Music in the Century Club of California, 1888–19200
“Aaron Copland Collection,” Digital Collections, Library of Congress, https://www.loc.gov/collections/aaron-copland/0
Hungry Listening: Resonant Theory for Indigenous Sound Studies By Dylan Robinson. Minneapolis: University of Minnesota Press, 2020.0
SAM volume 15 issue 3 Cover and Back matter0
“I'm on My Way to a Heav'nly Lan’”:Porgy and Bessas American Religious Export to the USSR0
Musical Entanglements: Ely Haimowitz and Orchestral Music under the US Army Military Government in Korea, 1945–19480
The Court as Concert Hall: Music at the U.S. Supreme Court0
Forging a Lineage: Kinship, Mobility, and the Zildjian Cymbal0
Against the Grain Theatre'sMessiah/Complexand Indigenous Sovereignty0
Agave Baroque and Reginald L. Mobley. American Originals: A New World, A New Canon Acis Productions LLC. 2021.0
Músicas coloniales a debate: Procesos de intercambio euroamericanos Edited by Javier Marín López. Madrid: Instituto Complutense de Ciencias Musicales, 2018. - El villancico en la encrucijada: Nuevas p0
Club Petroushka, Émigré Performance, and New York's Russian Nightclubs of the Roaring Twenties0
Coleccionistas de Sonido Website. 2022. https://www.coleccionistasdesonidos.com/0
George C. Wolfe. Ma Rainey's Black Bottom Netflix, 2020. 1 hr, 34 min - Dee Rees. Bessie HBO Films, 2015. 1 hr, 55 min.0
Unlikely Angel: The Songs of Dolly Parton By Lydia Hamessley. Urbana: University of Illinois Press, 2020.0
Los Rurales Y Los Amigos de Buena Vista. Ocotitia. Released February 26, 2021. Cugate Clásicos Latinos, LC 08867, 2021. CD.0
Tania León's Stride: A Polyrhythmic Life By Alejandro L. Madrid. Urbana: University of Illinois Press, 2021.0
What We Talk about When We Talk about Live Smooth Jazz: Sonic Suburbanization, Multipurpose Places of Assembly, and Collective Memory in Regional Cleveland0
A Multiplicity of Stories: Reading Feminist Orientalism in Scheherazade.2 – CORRIGENDUM0
A Sound History: Lawrence Gellert, Black Musical Protest, and White Denial By Steven P. Garabedian. Amherst: University of Massachusetts Press, 2020.0
“I'm Workin’ on My Buildin”: Freedom and Foundation-Building in Florence Price's Two Violin Fantasies0
Silent Film Sound & Music Archive: A Digital Repository. https://www.sfsma.org0
Capturing the Zeitgeist: Preserving American Music and Culture in the Mashups of DJ Earworm0
“A Much More Valuable Signature”: Gender, Factory Labor, and the Mythology of Builder-Signed Amplifiers from Fender's “Tweed” Era, 1948–600
The Sonic Episteme: Acoustic Resonance, Neoliberalism, and Biopolitics By Robin James. Durham: Duke University Press, 2019.0
SAM volume 15 issue 4 Cover and Back matter0
Punched Holes: Piano Rolls and the Visual Representation of Sound in White-Smith v. Apollo (1908)0
Conjured from Fragments: KMD'sMr. Hoodand the Transformative Poetics of the Golden Age Rap Album0
Panpipes and Ponchos: Musical Folklorization and the Rise of the Andean Conjunto Tradition in La Paz, Bolivia By Fernando Rios. New York: Oxford University Press, 2020.0
The Jazz Bubble: Neoclassical Jazz in Neoliberal Culture. By Dale Chapman. Oakland: University of California Press, 2018.0
Racism on Trial in U.S. Symphony Orchestras0
Institute for Composer Diversity, https://www.composerdiversity.com/0
SAM volume 17 issue 4 Cover and Back matter0
Caroline Shaw and Sō Percussion. Let the Soil Play its Simple Part Released June 25, 2021. Nonesuch Records, SKU#075597915891, 2021. CD0
Che Apalache. Rearrange My Heart. Free Dirt Records, 2019.0
Listen But Don't Ask Question: Hawaiian Slack Key Guitar Across the TransPacific By Kevin Fellezs. Durham: Duke University Press, 2019.0
SAM volume 15 issue 3 Cover and Front matter0
“The Silent Partner”: Tonearms and Modular Masculinities in U.S. Midcentury Hi-Fi Culture0
SAM volume 17 issue 1 Cover and Back matter0
Make it Count While We're Here: Words, Music, and the Summer of 2020 LL Cool J. “Untitled.” Instagram, May 31, 2020. https://www.instagram.com/tv/CA4BGv9gvm8/?hl=en. - Lil Baby. “The Bigger Picture.” 0
Soul on Soul: The Life and Music of Mary Lou Williams By Tammy L. Kernodle. Urbana, IL: University of Illinois Press, 2020, 2nd edition.0
Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania By Sarah Justina Eyerly. Bloomington, IN: Indiana University Press, 2020.0
SAM volume 17 issue 3 Cover and Back matter0
“To Speak As an Oracle of Christ”: Bishop G. E. Patterson and the Afterlives of Ecstasy0
Contributors0
Ornette Coleman: The Territory and the Adventure By Maria Golia. London: Reaktion Books, 2020.0
Teaching Freedom Song as Antiracist Praxis0
Leonard Bernstein and the Language of Jazz By Katherine A. Baber. Urbana: University of Illinois Press, 2019.0
A Multiplicity of Stories: Reading Feminist Orientalism in Scheherazade.20
Beyoncé: At Work, On Screen, and Online Edited by Martin Iddon and Melanie L. Marshall. Bloomington: Indiana University Press, 2020.0
Battlestar Galacticaand Space Opera: Transforming a Subgenre0
Queers of Steel: Camp in John Williams's Superman (1978) and Jerry Goldsmith's Supergirl (1984)0
Everybody Sing! Community Singing in the American Picture Palace. By Esther M. Morgan-Ellis. Athens: University of Georgia Press, 2018.0
Music and Camp. Edited by Christopher Moore and Philip Purvis. Middletown, CT: Wesleyan University Press, 2018.0
American Harmony: Inspired Choral Miniatures from New England, Appalachia, the Mid-Atlantic, the South, and the Midwest Edited by Nym Cooke. Boston: David R. Godine, 2017.0
SAM volume 18 issue 1 Cover and Back matter0
The Berkeley Folk Music Festival & the Folk Revival on the US West Coast—An Introduction. Northwestern University. Website. https://sites.northwestern.edu/bfmf/0
Binational Indianism in James DeMars’s Guadalupe, Our Lady of the Roses0
Experimentalisms in Practice: Musical Perspectives from Latin America. Edited by Ana R. Alonso-Minutti, Eduardo Herrera, and Alejandro L. Madrid. Oxford: Oxford University Press, 2018.0
Dawn of the DAW: The Studio as Musical Instrument. By Adam Patrick Bell. New York: Oxford University Press, 2018.0
Ry Cooder and Taj Mahal. Get on Board. Nonesuch/Warner Records, 2022, CD.0
Dancers on a Grid: Musical Minimalism Arrives at New York City Ballet in 19830
Zenaida Romeu, Camerata Romeu. La Bella Habana CD. Habana, Cuba: Cugate Classics, 2019.0
Jon Batiste. WE ARE Verve Records, 20210
“I'd Rather [Sound] Blue”: Listening to Agency, Hybridity, and Intersectionality in the Vocal Recordings of Fanny Brice and Barbra Streisand0
New York Klezmer in the Early Twentieth Century: The Music of Naftule Brandwein and Dave Tarras By Joel Rubin. Rochester, NY: University of Rochester Press, 2020.0
Whose History?: The Americas and Music Curricula in the United States0
The Hymnal: A Reading History. By Christopher N. Phillips. Baltimore, MD: Johns Hopkins University Press, 2018.0
Joni Mitchell's Urges for Going, 1965–67: Coffeehouses, Counterculture, and Care0
Bernice Johnson Reagon's Musical Coalition Politics, 1966–810
Stephanie Economou. Assassin's Creed Valhalla: Dawn of Ragnarok. Ubisoft Music, 20220
“VeryFemale, with the Allure of a Foreign Aura”: Vocality, Gender, and European Exoticism in the US Careers of Alice Babs and Caterina Valente0
Max Lifchitz: A Transmodern Composer in American Music?0
African Diaspora Music Project Videmus Inc. Website. https://africandiasporamusicproject.org/.0
SAM volume 17 issue 1 Cover and Front matter0
Chronicling Stankonia: The Rise of the Hip-Hop South By Regina N. Bradley. Chapel Hill, NC: University of North Carolina Press, 2021.0
Haunthenticity: Musical Replay and the Fear of the Real By Tracy McMullen. Middletown, CT: Wesleyan University Press, 2019.0
SAM volume 17 issue 4 Cover and Front matter0
SAM volume 16 issue 2 Cover and Front matter0
SAM volume 18 issue 2 Cover and Front matter0
Between Beats: The Jazz Tradition and Black Vernacular Dance By Christi Jay Wells. New York: Oxford University Press, 2021.0
SAM volume 16 issue 2 Cover and Back matter0
Drumming Asian America: Taiko, Performance, and Cultural Politics. By Angela K. Ahlgren. New York: Oxford University Press, 2018.0
George Frederick Bristow By Katherine K. Preston. Urbana, IL: University of Illinois Press, 2020.0
Blackface Minstrelsy and the Reception of Elizabeth Taylor Greenfield0
Blending the Popular and the Profound: Organ Concerts at the 1893 World's Columbian Exposition0
“The Hall Does Not Make the Space”: Disrupting Concert Hall Norms in Hannibal's One Land, One River, One People0
The Velvet Underground Todd Haynes, director. Criterion Collection Blu-ray. 2021.0
Home is Together: Sounds of Belonging in the Correspondence of Two Japanese American Families Separated by Wartime Incarceration0
Sell a Song of Safety: Children, Radio, and the Safety Patrol0
The Padrone By George Whitefield Chadwick. Edited by Marianne Betz. Music of the United States of America. Madison, WI: A-R Editions, 2017.0
“Women's Suffrage in Sheet Music,” Digital Collections, Library of Congress, https://www.loc.gov/collections/womens-suffrage-sheet-music/0
Charles Ives, Complete Symphonies Los Angeles Philharmonic, Gustavo Dudamel, conductor. Deutsche Grammophon, 2 CDs, B0033369-02, 2020.0
The American Piano Industry: Episodes in the History of a Great Enterprise By William E. Hettrick. Hillsdale, NY: Pendragon Press, 2020.0
Singing Out: GALA Choruses and Social Change By Heather MacLachlan. Ann Arbor: University of Michigan Press, 2020.0
SAM volume 16 issue 4 Cover and Back matter0
SAM volume 15 issue 2 Cover and Front matter0
SAM volume 16 issue 1 Cover and Back matter0
Leslie Uggams, Sing Along with Mitch (1961–64), and the Reverberations of Minstrelsy0
Selling Orchestral Music in the Vaudeville Age: The Duncan-Damrosch Tours, 1908–19110
SAM volume 17 issue 2 Cover and Front matter0
Philippa Duke Schuyler. Seven Pillars of Wisdom Sarah Masterson, piano. Centaur Records 3944, 20220
Are Popular Music Curricula Antiracist?: The CCNY Music Department as a Case Study0
Darby Wheeler, dir. Hip-Hop Evolution Banger Films, 2016. Streaming0
Christian Sacred Music in the Americas Edited by Andrew Shenton and Joanna Smolko. Lanham, Maryland: Rowman & Littlefield, 2021.0
Motor City Music: A Detroiter Looks Back By Mark Slobin. New York: Oxford University Press, 2019.0
Five Years Ahead of My Time: Garage Rock from the 1950s to the Present By Seth Bovey. London: Reaktion Books, 2019.0
SAM volume 16 issue 3 Cover and Back matter0
Amazing Grace, directed by Sydney Pollack (Neon, 2018); Whitney, directed by Kevin Macdonald (Miramax, 2018).0
Duke Ellington, El Rey del Jazz and the Mexico City Massacre of 19680
Noble Sissle and Eubie Blake: Shuffle Along Music of the United States Volume 29. Recent Researches in American Music Volume 85. Edited by Lyn Schenbeck and Lawrence Schenbeck. Middleton, WI: A-R Edit0
Met Opera on Demand https://www.metopera.org/season/on-demand/0
SAM volume 15 issue 1 Cover and Back matter0
Libby Larsen: Composing an American Life. By Denise Von Glahn. Urbana: University of Illinois Press, 2017.—CORRIGENDUM0
Carter. By David Schiff. New York: Oxford University Press, 2018.0
Contributors0
SAM volume 16 issue 1 Cover and Front matter0
The Spiritualist Ear0
Televising Talent: Musicality, Meritocracy, and the Aesthetics of Exclusion0
Sing and Sing On: Sentinel Musicians and the Making of the Ethiopian American Diaspora By Kay Kaufman Shelemay. London and Chicago, IL: University of Chicago Press, 2022.0
Accountability and Imagination in Undergraduate Curricular Reform0
Making Music American: 1917 and the Transformation of Culture. By E. Douglas Bomberger. New York: Oxford University Press, 2018.0
Industry: Bang on a Can and New Music in the MarketplaceBy William Robin. New York: Oxford University Press, 2021.0
Hollywood Harmony: Musical Wonder and the Sound of Cinema. By Frank Lehman. New York: University of Oxford Press, 2018.0
“I Just Told Them Like It Was”: Performance and History at Colonial Williamsburg0
Unbinding Gentility: Women Making Music in the Nineteenth Century South By Candace Bailey. Urbana: University of Illinois Press, 2021.0
Joshua McCarter Simpson's Songs and Mid-Nineteenth Century Antislavery Activism0
SAM volume 17 issue 3 Cover and Front matter0
Remembering the Cotton Screwmen: Inter-racial Waterfront Labor and the Development of Sailors’ Chanties0
God Rock, Inc.: The Business of Niche Music By Andrew Mall. Oakland, CA: University of California Press, 2021.0
Terrible Freedom: The Life and Work of Lucia Dlugoszewski By Amy C. Beal. Oakland, CA: University of California Press, 2022.0
The ASCAP-BMI Feud, Status Panic, and the Struggle for Cold War Consensus0
Hillbilly Maidens, Okies, and Cowgirls: Women's Country Music, 1930–1960 By Stephanie Vander Wel. Urbana: University of Illinois Press, 2020.0
The Sound of a Superpower: Musical Americanism and the Cold War. By Emily Abrams Ansari. Oxford: Oxford University Press, 2018.0
The Karl Muck Scandal: Classical Music and Xenophobia in World War I America by Melissa D. Burrage, Rochester: University of Rochester Press, 2019.0
Opera and Land: Settler Colonialism and the Geopolitics of Music at the Carlisle Indian Industrial School0
Wonderful Design: Glamour in the Hollywood Musical By Lloyd Whitesell. New York: Oxford University Press, 2018.0
More Than One “Double Life”: Artistic Conceptions, Networks, and Negotiations in Benny Goodman's Commissions to Paul Hindemith and Darius Milhaud0
Dvořák's Prophecy: A New Narrative for American Classical Music Produced by Joseph Horowitz. Naxos, 20210
Sonic Domination and the Politics of Race in Southern Antebellum Hymnody0
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