Photography and Culture

Papers
(The TQCC of Photography and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
What We See When Invited To Look Differently: Critical Reflections On Socially Engaged Photography10
From the Editors4
From the Editors3
From the Editors3
Palaeoliths and Pareidolia: Photography and Archaeological Stone Collecting From the Discovery of Deep Time to the Eolith Controversies3
From Pixel to Grain: Pressure and Touch in Rafael Soldi’s CARGAMONTÓN2
Inuit, the Crown, and Racialized Visuality: Photographs from the 1956 Canadian Governor General’s Arctic Tour1
Aesthetics and Perception: Pastness in Charles Frederick Moore’s Xiyang Lou Imagery1
Picturing African Futures: Photography, Education and International Understanding in a UNESCO Poster Set1
Constructed Realities (2019–2022)1
Punctuated Land: An Exploration of Conflict Through Photographic Practice1
Missing Home. A Photograph of my Mother with Her Box Ready to Return to Her Home1
The Beach, the Sea, the Fence: Spain’s Necro-Frontier and Humanitarian Photography1
‘Viewing the Landscape’: Views from Expatria, Landscape Traditions and Staying Outside1
Making Meaning across the Frame: The McKenzie Heritage Picture Archive at Black Cultural Archives1
The ‘Museum of Photographs’: Photomechanical Reproductions of Artworks in the Conway Collection, University of Melbourne1
AI and Photography1
‘How Will We Be Remembered?’: Irene Shwachman’s West End Photographs1
Images from Images: Generative AI and the Reconfiguration of the ‘Photographic’0
Shadows of Reality: A Catalogue of W.G. Sebald’s Photographic Materials0
Being Present: Michael Tsegaye in Addis Ababa0
Introduction: Shaping Cultural Identities Through Photomechanical Reproduction0
Autoportrait – An Interview with Photographer and Artist Hrair Sarkissian0
Computational Photography: The Production of Perpetual Targets0
Lola Álvarez Bravo: Subverting Surrealist Photography in Mexico0
Truth and False in Portraits: Analysis of the Mechanism of ID Portraits in Forged Cards in Rome Under Nazi Occupation0
The Narrative across Photographs: The Silk Roads Photography Gallery0
Feeding AI, Fed by AI: Cognitive Labor and Reversed Organology0
Addressing Uncomfortable Emotions through the Photo-Exhibition Leaving and Waving by Deanna Dikeman0
Shadows Amidst: Cultural Identity in the Spectrum of Visibility and Invisibility0
Postcards and Japonisme: Visual Representations and Cultural Circulation in Edwardian Britain0
Chircales , the City, and the Peasant’s Dreams of Buenvivir0
Lúa Ribeira, Subida al cielo (Ascent into Heaven), 17.03.2023 Until 02.07.2023, Kutxa Kultur Artegunea Donostia—San Sebastian, Spain0
Imagining the Divine0
The Legal History of an Alinari Postcard: Photomechanical Reproduction and the Illustrated Postcard Industry at the Turn of the Twentieth Century0
Reproducing a Nation: The Photomechanical Construction of Norway 1884–19050
The Art Book Wit Stwosz. Ołtarz Krakowski (1951) in the Snares of Ideology: Art Reproduction Between Agency and Appropriation0
Claiming Truth, Picturing Doubt, or: When Knowledge and Ignorance Meet in an ‘Empty’ Picture0
#Ingrid0
Politics Unseen: Group f.64 Photography and the Problem of Purity0
Exhibiting Migration Stories: An Exploration of Poetics in Moysés Zuñiga’s Photography0
Anna Fox, Jenny Matthews and Susan Meiselas in Conversation0
The North Pole0
Border Matters and Metaphors0
Coming and Going Coming and Going By Jim Goldberg, MACK, London. 75£, ISBN: 978-1-912339-77-80
A Photographic Archive in the Network of Migration: A Case Study of the Archive of the Northern and Western Territories at the Institute for Western Affairs in Poznań, Poland0
Migratory Technology: Piracy and Bazaar Culture in India and Nepal0
Reframing the Invention of Photography0
Loss and Found: Barthes, Hidden Biography and Ethical Deficit in Alexander Gardner’s ‘Portrait of Lewis Payne’0
Revealing a Colorized Past from a Family Portrait0
Untitled #3100
Lompatan di Ambang Batas : Agency, Risk, and The Photo Narrative of Three Acts in One Frame at Lake Toba0
From the Editors0
AI and Photography: An Interview with Brooke Belisle0
Staircase Modernism– Moholy-Nagy’s English Photobooks0
Discussing Shared Heritage: Politics of Photomechanically Illustrated Publications on Synagogues in Poland (1895–1957)0
Infertile Grounds – The Photograph as a Site of Memory0
Photography and 21st-Century Migration0
Constructing Knowledge Between East and West: The Photographic Books of Ogawa Kazumasa0
The Caged Song0
The Work of Art in the Age of Computational Creativity0
Fashion Photographers in the AIGC Era: Changes in the Jurisdiction and Creativity from the Perspective of the Sociology of Professions0
Rediscovering the Work of Sham Sundar Das: A Look at the Photographer’s Unrecognized Legacy0
In Visible Presence: Soviet Afterlives in Family PhotosIn Visible Presence: Soviet Afterlives in Family Photos By Oksana Sarkisova and Olga Shevchenko, The MIT Press, Cambridge, Massachusetts, 2023, 40
Between Politics and Fine Arts: Archiving “New China” in “Origin: The Chinese Photography Collection Exhibition, 1957–1980”0
Nadar’s Aerial Photography: Science, Ecstasy, Projection0
Between Topographical Groundwork and Neocolonial Aspirations: The ‘Best Practice’ of Survey Photography in the Chilean-Argentine Boundary Case of 19020
A Different Lens: Pegg Clarke, E. G. Shaw and the History of Australian Women’s Photography0
From the Editors0
Snapshots of Empire Games Journeys: The Vernacular Photography of Peter Heatly and the 1950 Scotland Team0
The Francis Effect and the Significance of Gestures and Images0
From the Editors0
Indigenous Cultures and Post-Mortem Photography0
Nino Jorjadze: First Georgian Woman Photographer – Reporter of the First World War (1884–1968)0
Seen, of Light and Legacy : Abstraction, Archive, and Representation0
A Portfolio from the Series Drift Alignment0
Beauty to the Modernist Eyes: Katsura Imperial Villa as an Experience of Modernism and Modernity0
Photography and Environmental Activism: Visualising the Struggle Against Industrial Pollution0
Colosseum, Rome and the Photographic Liberation of Jane Martha St. John0
“And This Was the Exhibition”: Launderettes, Buses and Canteens as Gallery Spaces in 1970s Britain0
“¡No Nos Desapareceremos!”: Artists Call’s Visual Solidarity with Central America0
Transhistoricizing the Drone: A Comparative Visual Social Semiotic Analysis of Pigeon and Domestic Drone Photography0
Evelyn Hofer and the “Moment of Danger”0
Secondhand Tang Poems : Gazing at Passing Traditions0
Photographic Firsts, Seen from a Distance: Adult Memories of Childhood Camera Experiences0
Paraska Plytka-Horytsvit: Ukrainian Photographer’s Recovered Archive0
Facing the Sun0
From Military Facility to Cultural Heritage: The Goseong GP in Park Jongwoo’s DMZ Photography After the Korean War0
Looking into Themselves. Women Documenting Wars and Their Aftermath0
Portrait Photography from China’s Xinjiang: Capturing Geopolitics and Ethnic Identities on the Frontier0
The Bruckmann Image Archive at the Central Institute for Art History in Munich, Germany0
Revisiting a de-Humanized Shanghai: Speculative Realism in Zhou Ming’s Contemporary Object-Oriented Materialist Documentary Photography0
Messenger, Archive and Memory: Photography as Hermes0
Landmarks0
Infrastructure Photography and the AI Data Center Building Boom0
From the Editors0
Mother, Photography, Reproduction: A Note on Extreme Private Eros : Love Song 19740
Family, Diaspora, and the Politics of Care in Griselda San Martin’s The Wall , 2015-160
Abundance and Absence in AI: A Review of ‘Missing Mirror: Photography through the lens of AI’0
Reassembling Commercial Photographic History: The Mulhearn-Hoedt Archive0
Negative/Positive: A History of Photography0
With Its Many Eyes: Opening Remarks to AI and Photography0
Photography and Remote Warfare: An Inquiry into the Visual Representation of Cyber in News Images0
From the Editors0
Wartime Manchukuo’s Photography Registration System: Mutō Tomio’s Bureaucratic Approach to Photography0
Quarries of Wandering Form: Entanglements and Encounters in Art, History, Geopolitics and the Spatial Relations of the Occupied Palestinian Territories0
0.81349802017212