OOIR: Observatory of International Research

Papers

(The TQCC of Photography and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
When Photographs Fail, When Monuments Fall: Photography and Reparations in Canada	11
Photographic Digital Heritage in Cultural Conflicts: A Critical Introduction	5
Transhistoricizing the Drone: A Comparative Visual Social Semiotic Analysis of Pigeon and Domestic Drone Photography	4
Indigenous Uses of Photographic Digital Heritage in Postcolonizing Australia	4
Inuit, the Crown, and Racialized Visuality: Photographs from the 1956 Canadian Governor General’s Arctic Tour	2
Pandemic Photography: Images from COVID-19 in India	2
[Dream] Images of Earth in Quarantine – Some Photographs in Times of Crisis without Humans	2
Sheltering the Ghosts? Digitized Photographs of Political Victims and World War II Veterans on Russian Online Databases	2
Possible Traces of Whiteness	1
Extension of Meanings: Text and Image in Contemporary Chinese Photographic Works	1
The National is Personal: Domestic Photographs in Israel’s Authorized Digital Heritage	1
Theorizing New Photographies in Contemporary China: An Introduction	1
Digital Visual Activism: Photography and the Re-Opening of the Unresolved Truth and Reconciliation Commission Cases in Post-Apartheid South Africa	1
Selecting Views of Las Trampas: Contact Sheets by Fred E. Mang Jr. and David Jones at the New Mexico State Records Center and Archives	0
The North Pole	0
Between Topographical Groundwork and Neocolonial Aspirations: The ‘Best Practice’ of Survey Photography in the Chilean-Argentine Boundary Case of 1902	0
Photography and Remote Warfare: An Inquiry into the Visual Representation of Cyber in News Images	0
From the Editors	0
Get in: Rhetoric and Realities of Diversity in the Global University	0
Infertile Grounds – The Photograph as a Site of Memory	0
Nino Jorjadze: First Georgian Woman Photographer – Reporter of the First World War (1884–1968)	0
Lúa Ribeira, Subida al cielo (Ascent into Heaven), 17.03.2023 Until 02.07.2023, Kutxa Kultur Artegunea Donostia—San Sebastian, Spain	0
Tethered Lamb in the Flow: The Tension Between Historical Contemplation and Present Aliveness in the Odes of Taca Sui	0
Nadar’s Aerial Photography: Science, Ecstasy, Projection	0
Being Present: Michael Tsegaye in Addis Ababa	0

For Those Who Played: Representing Indigenous Music in The Complete Works of Zhuang Xueben	0
“The Queer Optics of the Vietnamese Diaspora: Reframing the Visual Archive in ‘The opposite of looking is not invisibility. The opposite of yellow is not gold.’”	0
John Møller’s ‘Photographic Memory’ – Professional Photography of Greenlandic Inuit and Danish Administrators at the Turn of the Twentieth Century	0
Looking into Themselves. Women Documenting Wars and Their Aftermath	0
Animal Bodies, Oil, and the Apocalyptic in the First Gulf War Aftermath	0
The Beach, the Sea, the Fence: Spain’s Necro-Frontier and Humanitarian Photography	0
#Ingrid	0
Mel Bochner’s Actual Size (Hand), 1968: Dissecting Technology’s Smooth Surface	0
Colosseum, Rome and the Photographic Liberation of Jane Martha St. John	0
Kodachrome Plantation: Bruce Jackson’s Color Prison Photographs	0
Indigenous Cultures and Post-Mortem Photography	0
Photographic Education in Uganda	0
In a World Fit for Humans? Posthumanism and the Nature-Culture Continuum in the Prix Pictet	0
The Francis Effect and the Significance of Gestures and Images	0
“We Live in a Wagon Never Going Anywhere:” The Representations of Housing Conditions and Tuberculosis in Zagreb between the Two World Wars	0
Imagining the Divine	0
Mother, Photography, Reproduction: A Note on Extreme Private Eros : Love Song 1974	0
“Multiethnic Pioneers”: Representation of Korean Agrarian Villages inManshū gurafuand the Vision of a Multiethnic State	0
Border Matters and Metaphors	0
Us in Relation to the Universe—Collaborative North-South Photographic Practice Research	0
From Military Facility to Cultural Heritage: The Goseong GP in Park Jongwoo’s DMZ Photography After the Korean War	0
‘How Will We Be Remembered?’: Irene Shwachman’s West End Photographs	0
A Different Lens: Pegg Clarke, E. G. Shaw and the History of Australian Women’s Photography	0
“And This Was the Exhibition”: Launderettes, Buses and Canteens as Gallery Spaces in 1970s Britain	0
Suburban Herbarium	0
(De)Colonial Positioning	0
Operation Overlord: Civilian Photography and Artistic Mediation	0
Coming and Going Coming and Going By Jim Goldberg, MACK, London. 75£, ISBN: 978-1-912339-77-8	0
Revisiting a de-Humanized Shanghai: Speculative Realism in Zhou Ming’s Contemporary Object-Oriented Materialist Documentary Photography	0
Lola Álvarez Bravo: Subverting Surrealist Photography in Mexico	0
From the Editors	0
Days of Isolation: Queering a Pandemic - Playing Myself/Selves	0
The UNRWA Film and Photo Archive	0
Reborn-Digital Tutankhamun: Howard Carter and an Egyptian Archaeologist, Name Unknown	0
Crime Scenes: Landscape, Memory and Atrocity in Jorge Barbi’s El Final, Aquí	0
Missing Home. A Photograph of my Mother with Her Box Ready to Return to Her Home	0
The Kashmir Conflict Archive	0
Rediscovering the Work of Sham Sundar Das: A Look at the Photographer’s Unrecognized Legacy	0
Migratory Technology: Piracy and Bazaar Culture in India and Nepal	0
Shadows of Reality: A Catalogue of W.G. Sebald’s Photographic Materials	0
Henri Cartier-Bresson’s ‘Man and Machine’: Rethinking the Cold War Traffic in Photographs, against the Grain	0
Evelyn Hofer and the “Moment of Danger”	0
“Grateful” Children and “Humanitarian” Marines: Georgette “Dickey” Chapelle’s Vietnam Photography, 1962	0
Negative/Positive: A History of Photography	0
Photography and 21st-Century Migration	0
Postcards from the End of the World	0
Punctuated Land: An Exploration of Conflict Through Photographic Practice	0
Photographs in Chinese Film Publications in the 1930s: Archives from the Republic of China Periodicals Full-Text Database (1911–1949)	0
Photography and Environmental Activism: Visualising the Struggle Against Industrial Pollution	0
Making Meaning across the Frame: The McKenzie Heritage Picture Archive at Black Cultural Archives	0

Shadows Amidst: Cultural Identity in the Spectrum of Visibility and Invisibility	0
A Portfolio from the Series Drift Alignment	0
School Photos in Liquid Time: Reframing Difference	0
Exhibiting Migration Stories: An Exploration of Poetics in Moysés Zuñiga’s Photography	0
‘Viewing the Landscape’: Views from Expatria, Landscape Traditions and Staying Outside	0
Loss and Found: Barthes, Hidden Biography and Ethical Deficit in Alexander Gardner’s ‘Portrait of Lewis Payne’	0
Palaeoliths and Pareidolia: Photography and Archaeological Stone Collecting From the Discovery of Deep Time to the Eolith Controversies	0
Humanism after the Human: An Introduction	0
‘Unseeing’ Photography: Academic Freedom and Human Rights after Tiananmen	0
In Visible Presence: Soviet Afterlives in Family PhotosIn Visible Presence: Soviet Afterlives in Family Photos By Oksana Sarkisova and Olga Shevchenko, The MIT Press, Cambridge, Massachusetts, 2023, 4	0
Addressing Uncomfortable Emotions through the Photo-Exhibition Leaving and Waving by Deanna Dikeman	0
“¡No Nos Desapareceremos!”: Artists Call’s Visual Solidarity with Central America	0
From the Editors	0
Fashion, Plastic and Myths in Color	0
Documents from the Edges of Conflict	0
From the Editors	0
Ottomar Anschütz’s Animal Photography through the Lens of Darwinism	0
Bridge Street, Chester	0
Secondhand Tang Poems : Gazing at Passing Traditions	0
Corona Equivalents	0
Beauty to the Modernist Eyes: Katsura Imperial Villa as an Experience of Modernism and Modernity	0
Amateurism: An Alternative Narrative of Photography in China, Part I	0
From the Editors	0
The Hybrid Dialectics Interview between Warren S. Neidich and Erik Morse	0
Finding You Is My Courage: New Stories of Homecoming in Chinese Photography Since the 2000s	0
Punjabi Migration to the Black Country: A Photographic Journey through History, Cultures and Digital Technology	0
Searching for the Homeland with Stories and Sands: ‘My Tarim’ and ‘Sand, Sand, and Sand’	0
Countless Ways of Knowing: Looking at Images beyond the Frame as a Practice of Liberatory Pedagogy	0
Snapshots of Empire Games Journeys: The Vernacular Photography of Peter Heatly and the 1950 Scotland Team	0
The Narrative across Photographs: The Silk Roads Photography Gallery	0
From the Editors	0
Family, Diaspora, and the Politics of Care in Griselda San Martin’s The Wall , 2015-16	0