OOIR: Observatory of International Research

Papers

(The median citation count of Photography and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)

Article	Citations
What We See When Invited To Look Differently: Critical Reflections On Socially Engaged Photography	8
From the Editors	3
Palaeoliths and Pareidolia: Photography and Archaeological Stone Collecting From the Discovery of Deep Time to the Eolith Controversies	2
From the Editors	2
From Pixel to Grain: Pressure and Touch in Rafael Soldi’s CARGAMONTÓN	1
‘Viewing the Landscape’: Views from Expatria, Landscape Traditions and Staying Outside	1
Constructed Realities (2019–2022)	1
Punctuated Land: An Exploration of Conflict Through Photographic Practice	1
AI and Photography	1
Tethered Lamb in the Flow: The Tension Between Historical Contemplation and Present Aliveness in the Odes of Taca Sui	1
Making Meaning across the Frame: The McKenzie Heritage Picture Archive at Black Cultural Archives	1
‘How Will We Be Remembered?’: Irene Shwachman’s West End Photographs	1
From the Editors	1
The Beach, the Sea, the Fence: Spain’s Necro-Frontier and Humanitarian Photography	1
Missing Home. A Photograph of my Mother with Her Box Ready to Return to Her Home	1
Inuit, the Crown, and Racialized Visuality: Photographs from the 1956 Canadian Governor General’s Arctic Tour	1
Negative/Positive: A History of Photography	0
Abundance and Absence in AI: A Review of ‘Missing Mirror: Photography through the lens of AI’	0
Discussing Shared Heritage: Politics of Photomechanically Illustrated Publications on Synagogues in Poland (1895–1957)	0
The ‘Museum of Photographs’: Photomechanical Reproductions of Artworks in the Conway Collection, University of Melbourne	0
Nino Jorjadze: First Georgian Woman Photographer – Reporter of the First World War (1884–1968)	0
With Its Many Eyes: Opening Remarks to AI and Photography	0
“And This Was the Exhibition”: Launderettes, Buses and Canteens as Gallery Spaces in 1970s Britain	0
Photography and Remote Warfare: An Inquiry into the Visual Representation of Cyber in News Images	0
Searching for the Homeland with Stories and Sands: ‘My Tarim’ and ‘Sand, Sand, and Sand’	0

Revisiting a de-Humanized Shanghai: Speculative Realism in Zhou Ming’s Contemporary Object-Oriented Materialist Documentary Photography	0
Seen, of Light and Legacy : Abstraction, Archive, and Representation	0
From the Editors	0
Reassembling Commercial Photographic History: The Mulhearn-Hoedt Archive	0
Reframing the Invention of Photography	0
Mother, Photography, Reproduction: A Note on Extreme Private Eros : Love Song 1974	0
Portrait Photography from China’s Xinjiang: Capturing Geopolitics and Ethnic Identities on the Frontier	0
Untitled #310	0
Truth and False in Portraits: Analysis of the Mechanism of ID Portraits in Forged Cards in Rome Under Nazi Occupation	0
A Different Lens: Pegg Clarke, E. G. Shaw and the History of Australian Women’s Photography	0
Facing the Sun	0
The Legal History of an Alinari Postcard: Photomechanical Reproduction and the Illustrated Postcard Industry at the Turn of the Twentieth Century	0
Chircales , the City, and the Peasant’s Dreams of Buenvivir	0
From Military Facility to Cultural Heritage: The Goseong GP in Park Jongwoo’s DMZ Photography After the Korean War	0
The North Pole	0
The Bruckmann Image Archive at the Central Institute for Art History in Munich, Germany	0
Revealing a Colorized Past from a Family Portrait	0
Landmarks	0
The Narrative across Photographs: The Silk Roads Photography Gallery	0
Photographic Education in Uganda	0
Family, Diaspora, and the Politics of Care in Griselda San Martin’s The Wall , 2015-16	0
The Art Book Wit Stwosz. Ołtarz Krakowski (1951) in the Snares of Ideology: Art Reproduction Between Agency and Appropriation	0
Theorizing New Photographies in Contemporary China: An Introduction	0
Looking into Themselves. Women Documenting Wars and Their Aftermath	0
For Those Who Played: Representing Indigenous Music in The Complete Works of Zhuang Xueben	0
Exhibiting Migration Stories: An Exploration of Poetics in Moysés Zuñiga’s Photography	0
Constructing Knowledge Between East and West: The Photographic Books of Ogawa Kazumasa	0
Aesthetics and Perception: Pastness in Charles Frederick Moore’s Xiyang Lou Imagery	0
From the Editors	0
Infrastructure Photography and the AI Data Center Building Boom	0
Feeding AI, Fed by AI: Cognitive Labor and Reversed Organology	0
Coming and Going Coming and Going By Jim Goldberg, MACK, London. 75£, ISBN: 978-1-912339-77-8	0
A Portfolio from the Series Drift Alignment	0
Rediscovering the Work of Sham Sundar Das: A Look at the Photographer’s Unrecognized Legacy	0
Wartime Manchukuo’s Photography Registration System: Mutō Tomio’s Bureaucratic Approach to Photography	0
Claiming Truth, Picturing Doubt, or: When Knowledge and Ignorance Meet in an ‘Empty’ Picture	0
Beauty to the Modernist Eyes: Katsura Imperial Villa as an Experience of Modernism and Modernity	0
Photography and Environmental Activism: Visualising the Struggle Against Industrial Pollution	0
Snapshots of Empire Games Journeys: The Vernacular Photography of Peter Heatly and the 1950 Scotland Team	0
AI and Photography: An Interview with Brooke Belisle	0
Colosseum, Rome and the Photographic Liberation of Jane Martha St. John	0
Infertile Grounds – The Photograph as a Site of Memory	0
Transhistoricizing the Drone: A Comparative Visual Social Semiotic Analysis of Pigeon and Domestic Drone Photography	0
Anna Fox, Jenny Matthews and Susan Meiselas in Conversation	0
Days of Isolation: Queering a Pandemic - Playing Myself/Selves	0
Lúa Ribeira, Subida al cielo (Ascent into Heaven), 17.03.2023 Until 02.07.2023, Kutxa Kultur Artegunea Donostia—San Sebastian, Spain	0
Shadows Amidst: Cultural Identity in the Spectrum of Visibility and Invisibility	0
Imagining the Divine	0
Border Matters and Metaphors	0
Introduction: Shaping Cultural Identities Through Photomechanical Reproduction	0

Reproducing a Nation: The Photomechanical Construction of Norway 1884–1905	0
Between Politics and Fine Arts: Archiving “New China” in “Origin: The Chinese Photography Collection Exhibition, 1957–1980”	0
Evelyn Hofer and the “Moment of Danger”	0
The Francis Effect and the Significance of Gestures and Images	0
From the Editors	0
Postcards and Japonisme: Visual Representations and Cultural Circulation in Edwardian Britain	0
Loss and Found: Barthes, Hidden Biography and Ethical Deficit in Alexander Gardner’s ‘Portrait of Lewis Payne’	0
Being Present: Michael Tsegaye in Addis Ababa	0
From the Editors	0
Paraska Plytka-Horytsvit: Ukrainian Photographer’s Recovered Archive	0
Indigenous Cultures and Post-Mortem Photography	0
A Photographic Archive in the Network of Migration: A Case Study of the Archive of the Northern and Western Territories at the Institute for Western Affairs in Poznań, Poland	0
#Ingrid	0
The Hybrid Dialectics Interview between Warren S. Neidich and Erik Morse	0
Nadar’s Aerial Photography: Science, Ecstasy, Projection	0
Migratory Technology: Piracy and Bazaar Culture in India and Nepal	0
Quarries of Wandering Form: Entanglements and Encounters in Art, History, Geopolitics and the Spatial Relations of the Occupied Palestinian Territories	0
Between Topographical Groundwork and Neocolonial Aspirations: The ‘Best Practice’ of Survey Photography in the Chilean-Argentine Boundary Case of 1902	0
“¡No Nos Desapareceremos!”: Artists Call’s Visual Solidarity with Central America	0
Shadows of Reality: A Catalogue of W.G. Sebald’s Photographic Materials	0
Fashion Photographers in the AIGC Era: Changes in the Jurisdiction and Creativity from the Perspective of the Sociology of Professions	0
Secondhand Tang Poems : Gazing at Passing Traditions	0
Staircase Modernism– Moholy-Nagy’s English Photobooks	0
Addressing Uncomfortable Emotions through the Photo-Exhibition Leaving and Waving by Deanna Dikeman	0
Computational Photography: The Production of Perpetual Targets	0
Images from Images: Generative AI and the Reconfiguration of the ‘Photographic’	0
Photography and 21st-Century Migration	0
Messenger, Archive and Memory: Photography as Hermes	0
The Work of Art in the Age of Computational Creativity	0
In Visible Presence: Soviet Afterlives in Family PhotosIn Visible Presence: Soviet Afterlives in Family Photos By Oksana Sarkisova and Olga Shevchenko, The MIT Press, Cambridge, Massachusetts, 2023, 4	0
Amateurism: An Alternative Narrative of Photography in China, Part I	0
From the Editors	0
Politics Unseen: Group f.64 Photography and the Problem of Purity	0
Finding You Is My Courage: New Stories of Homecoming in Chinese Photography Since the 2000s	0
Lola Álvarez Bravo: Subverting Surrealist Photography in Mexico	0
Extension of Meanings: Text and Image in Contemporary Chinese Photographic Works	0