OOIR: Observatory of International Research

Papers

(The median citation count of Photography and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
When Photographs Fail, When Monuments Fall: Photography and Reparations in Canada	11
Photographic Digital Heritage in Cultural Conflicts: A Critical Introduction	5
Indigenous Uses of Photographic Digital Heritage in Postcolonizing Australia	4
Transhistoricizing the Drone: A Comparative Visual Social Semiotic Analysis of Pigeon and Domestic Drone Photography	4
Sheltering the Ghosts? Digitized Photographs of Political Victims and World War II Veterans on Russian Online Databases	2
Inuit, the Crown, and Racialized Visuality: Photographs from the 1956 Canadian Governor General’s Arctic Tour	2
Pandemic Photography: Images from COVID-19 in India	2
[Dream] Images of Earth in Quarantine – Some Photographs in Times of Crisis without Humans	2
Theorizing New Photographies in Contemporary China: An Introduction	1
Digital Visual Activism: Photography and the Re-Opening of the Unresolved Truth and Reconciliation Commission Cases in Post-Apartheid South Africa	1
Possible Traces of Whiteness	1
Extension of Meanings: Text and Image in Contemporary Chinese Photographic Works	1
The National is Personal: Domestic Photographs in Israel’s Authorized Digital Heritage	1
In Visible Presence: Soviet Afterlives in Family PhotosIn Visible Presence: Soviet Afterlives in Family Photos By Oksana Sarkisova and Olga Shevchenko, The MIT Press, Cambridge, Massachusetts, 2023, 4	0
The North Pole	0
‘Unseeing’ Photography: Academic Freedom and Human Rights after Tiananmen	0
“¡No Nos Desapareceremos!”: Artists Call’s Visual Solidarity with Central America	0
From the Editors	0
Addressing Uncomfortable Emotions through the Photo-Exhibition Leaving and Waving by Deanna Dikeman	0
Documents from the Edges of Conflict	0
From the Editors	0
Fashion, Plastic and Myths in Color	0
Bridge Street, Chester	0
Corona Equivalents	0
Ottomar Anschütz’s Animal Photography through the Lens of Darwinism	0

Beauty to the Modernist Eyes: Katsura Imperial Villa as an Experience of Modernism and Modernity	0
From the Editors	0
The Hybrid Dialectics Interview between Warren S. Neidich and Erik Morse	0
Punjabi Migration to the Black Country: A Photographic Journey through History, Cultures and Digital Technology	0
Searching for the Homeland with Stories and Sands: ‘My Tarim’ and ‘Sand, Sand, and Sand’	0
Snapshots of Empire Games Journeys: The Vernacular Photography of Peter Heatly and the 1950 Scotland Team	0
#Ingrid	0
Family, Diaspora, and the Politics of Care in Griselda San Martin’s The Wall , 2015-16	0
Kodachrome Plantation: Bruce Jackson’s Color Prison Photographs	0
The Narrative across Photographs: The Silk Roads Photography Gallery	0
Between Topographical Groundwork and Neocolonial Aspirations: The ‘Best Practice’ of Survey Photography in the Chilean-Argentine Boundary Case of 1902	0
In a World Fit for Humans? Posthumanism and the Nature-Culture Continuum in the Prix Pictet	0
Selecting Views of Las Trampas: Contact Sheets by Fred E. Mang Jr. and David Jones at the New Mexico State Records Center and Archives	0
From the Editors	0
Imagining the Divine	0
Photography and Remote Warfare: An Inquiry into the Visual Representation of Cyber in News Images	0
Infertile Grounds – The Photograph as a Site of Memory	0
Border Matters and Metaphors	0
Get in: Rhetoric and Realities of Diversity in the Global University	0
Lúa Ribeira, Subida al cielo (Ascent into Heaven), 17.03.2023 Until 02.07.2023, Kutxa Kultur Artegunea Donostia—San Sebastian, Spain	0
Tethered Lamb in the Flow: The Tension Between Historical Contemplation and Present Aliveness in the Odes of Taca Sui	0
‘How Will We Be Remembered?’: Irene Shwachman’s West End Photographs	0
Nino Jorjadze: First Georgian Woman Photographer – Reporter of the First World War (1884–1968)	0
Being Present: Michael Tsegaye in Addis Ababa	0
For Those Who Played: Representing Indigenous Music in The Complete Works of Zhuang Xueben	0
Nadar’s Aerial Photography: Science, Ecstasy, Projection	0
John Møller’s ‘Photographic Memory’ – Professional Photography of Greenlandic Inuit and Danish Administrators at the Turn of the Twentieth Century	0
Looking into Themselves. Women Documenting Wars and Their Aftermath	0
“The Queer Optics of the Vietnamese Diaspora: Reframing the Visual Archive in ‘The opposite of looking is not invisibility. The opposite of yellow is not gold.’”	0
The Beach, the Sea, the Fence: Spain’s Necro-Frontier and Humanitarian Photography	0
Mel Bochner’s Actual Size (Hand), 1968: Dissecting Technology’s Smooth Surface	0
Animal Bodies, Oil, and the Apocalyptic in the First Gulf War Aftermath	0
Colosseum, Rome and the Photographic Liberation of Jane Martha St. John	0
Indigenous Cultures and Post-Mortem Photography	0
Photographic Education in Uganda	0
The Francis Effect and the Significance of Gestures and Images	0
Missing Home. A Photograph of my Mother with Her Box Ready to Return to Her Home	0
“We Live in a Wagon Never Going Anywhere:” The Representations of Housing Conditions and Tuberculosis in Zagreb between the Two World Wars	0
Mother, Photography, Reproduction: A Note on Extreme Private Eros : Love Song 1974	0
Shadows of Reality: A Catalogue of W.G. Sebald’s Photographic Materials	0
Us in Relation to the Universe—Collaborative North-South Photographic Practice Research	0
“Grateful” Children and “Humanitarian” Marines: Georgette “Dickey” Chapelle’s Vietnam Photography, 1962	0
“Multiethnic Pioneers”: Representation of Korean Agrarian Villages inManshū gurafuand the Vision of a Multiethnic State	0
A Different Lens: Pegg Clarke, E. G. Shaw and the History of Australian Women’s Photography	0
Postcards from the End of the World	0
From Military Facility to Cultural Heritage: The Goseong GP in Park Jongwoo’s DMZ Photography After the Korean War	0
Suburban Herbarium	0
Photography and Environmental Activism: Visualising the Struggle Against Industrial Pollution	0
“And This Was the Exhibition”: Launderettes, Buses and Canteens as Gallery Spaces in 1970s Britain	0
Operation Overlord: Civilian Photography and Artistic Mediation	0

A Portfolio from the Series Drift Alignment	0
(De)Colonial Positioning	0
Lola Álvarez Bravo: Subverting Surrealist Photography in Mexico	0
‘Viewing the Landscape’: Views from Expatria, Landscape Traditions and Staying Outside	0
Coming and Going Coming and Going By Jim Goldberg, MACK, London. 75£, ISBN: 978-1-912339-77-8	0
Revisiting a de-Humanized Shanghai: Speculative Realism in Zhou Ming’s Contemporary Object-Oriented Materialist Documentary Photography	0
Days of Isolation: Queering a Pandemic - Playing Myself/Selves	0
The UNRWA Film and Photo Archive	0
From the Editors	0
Crime Scenes: Landscape, Memory and Atrocity in Jorge Barbi’s El Final, Aquí	0
The Kashmir Conflict Archive	0
Reborn-Digital Tutankhamun: Howard Carter and an Egyptian Archaeologist, Name Unknown	0
Migratory Technology: Piracy and Bazaar Culture in India and Nepal	0
Henri Cartier-Bresson’s ‘Man and Machine’: Rethinking the Cold War Traffic in Photographs, against the Grain	0
Rediscovering the Work of Sham Sundar Das: A Look at the Photographer’s Unrecognized Legacy	0
Evelyn Hofer and the “Moment of Danger”	0
Negative/Positive: A History of Photography	0
Photography and 21st-Century Migration	0
Punctuated Land: An Exploration of Conflict Through Photographic Practice	0
Secondhand Tang Poems : Gazing at Passing Traditions	0
Photographs in Chinese Film Publications in the 1930s: Archives from the Republic of China Periodicals Full-Text Database (1911–1949)	0
Making Meaning across the Frame: The McKenzie Heritage Picture Archive at Black Cultural Archives	0
Amateurism: An Alternative Narrative of Photography in China, Part I	0
School Photos in Liquid Time: Reframing Difference	0
Finding You Is My Courage: New Stories of Homecoming in Chinese Photography Since the 2000s	0
Shadows Amidst: Cultural Identity in the Spectrum of Visibility and Invisibility	0
Loss and Found: Barthes, Hidden Biography and Ethical Deficit in Alexander Gardner’s ‘Portrait of Lewis Payne’	0
Countless Ways of Knowing: Looking at Images beyond the Frame as a Practice of Liberatory Pedagogy	0
Exhibiting Migration Stories: An Exploration of Poetics in Moysés Zuñiga’s Photography	0
Humanism after the Human: An Introduction	0
From the Editors	0
Palaeoliths and Pareidolia: Photography and Archaeological Stone Collecting From the Discovery of Deep Time to the Eolith Controversies	0