Journal of Modern Craft

Papers
(The TQCC of Journal of Modern Craft is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
A Collective Fabric on a Cane Loom: a Weaving Workshop by Marta Palau in the 1986 Bienal de La Habana13
Introduction: Exhibiting Craft: Histories, Contexts, Practices Exhibiting Making: Gesture, Skill and Process1
Craft Production in a Socialist Planned Economy: The Case of Jingdezhen’s State-Owned Porcelain Factories in the Mid to Late Twentieth Century1
Black Clay: Black Women, Ceramics and Contemporary Art1
Sustainability and Mask Making. July 8, 20201
Marcia Tucker’s Domestic Politics: Art and Craft in the 1990s1
Masks for This Medical Moment. July 7, 20201
Masks, Art, Protection, and Politics. July 15, 20201
Identity Navigation and Self-Positioning in a Changing Craft World: Creativity and Cultures of Emerging Self-Employed Craft Workers in Jingdezhen1
Exploring the Sea as Studio: The Importance of Labor and Leisure in Sailor Folk Art1
Selling Italy: Craft and Italianness in Italy at Work: Her Renaissance in Design Today (1950–53)1
Fashioning Masks. July 20, 20201
Cape Verdean Tapestry and the Artistic Renewal of a Nation: Don’t Let the Weaving Die0
Franz West: Últimas décadas0
Interview with Jessie Little Doe Baird and Jason Baird0
Commentary0
Body Vessel Clay: Black Women, Ceramics & Contemporary Art0
Katie Schwab: small wares0
Extracts from “A Civilization of Technics” (1945)0
The New Politics of the Handmade: Craft, Art and Design0
“Blue-Slipped Stone-Burst” – Seeing Destructive Plasticity in Takuro Kuwata0
Reprising Craftsmanship: An Expressive Approach to Skill0
Sleight of Hand0
Editorial0
Teresa Lanceta: Weaving as Open SourceMuseu d’Art Contemporani de Barcelona, April 8–September 11, 2022; Instituto Valenciano de Arte Moderno, October 6, 2022–April 16, 2023. Curated by Nuria Enguita 0
The Meaning of Craft, On Craft, The Soul of Craftsmanship, 19270
Woody De Othello: Hope Omens0
Jacqueline Poncelet: In the Making0
Fashion and Disease Prevention. July 16, 20200
Rosie Lee Tompkins: A Retrospective0
Editorial0
Material Agency and Mutual Transformation: Found Objects as Materials for Making0
Faith Ringgold: American People0
Darkhouse Lighthouse Darkhouse Lighthouse Troy Hill Art Houses. Pittsburgh, PA. Permanent installation0
Textile Makerspace: Digital Humanities Meets Craft0
“Weaving Workshop Proposal,” c.19860
“The Lure and Lore of Indian Art” American Way (June 1971)0
Commentary0
Beyond Craft: Textile Practices in the Art Museum0
We Will Walk – Art and Resistance in the American South0
Go For Kogei 20210
Craft, Crises and Colonialism: Reimagining Puerto Rico0
Curating Work: A Series of Exhibitions at the Musée des arts et métiers (2017–2021)0
Jeffrey Gibson: It Can Be Said of Them0
Editorial0
Theaster Gates: A Clay Sermon0
Editorial0
In Conversation with Bill Hooks0
Conversing in Clay: Ceramics from the LACMA Collection0
Ethel Wallace: A Forgotten History of Batik and Fashion0
Precious Threads and Precarious Lives: Histories of Shawl and Silk Industries of Kashmir, 1846–19500
Divine Legacies in Black Jewelry0
Ethel Mairet’s Textile Biotechnics and the Aesthetics of Materials0
Tradition, Modernisation, Création: Tensions in French Craft, 1960-19900
Collecting Black Studies: The Art of Material Culture at the University of Texas at Austin0
Making Trouble: Design and Material Activism0
Craft Knowledge and Performance Through Fiber Arts at the John C. Campbell Folk School0
Crafting Freedom: The Life and Legacy of Free Black Potter Thomas W. Commeraw Crafting Freedom: The Life and Legacy of Free Black Potter Thomas W. Commeraw The New-York 0
Nelly Sethna and the Reception of Textiles between the United States and India0
Cannupa Hanska Luger: Sé’sh Shóto’sh Psí’sh0
“Stoffe im Raum” (1930)0
Crafting Disability: Re-envisioning Indian Textile Traditions0
Indisposable: Tactics for Care and MourningFord Foundation Gallery, New York City, 1 October 1, 2022 - December 10, 2022 Indisposable: Tactics for Care and Mourning0
Christian Newby: The drum, the chime, the scrape, the splash, the jerk0
Chinese Architecture Made by the Tushanwan Workshop in World Exhibitions, 1900–19450
Fabric of a Nation: American Quilt Stories0
On Dullness: A Sensory Portrait0
Introduction: Disrupting Boundaries: The Politics of Craft Exhibitions0
Commentary0
Afro-Berber Planet – the Trans-Saharan Arts at the Tiskiwin Museum, from Marrakesh to Timbuktu0
Performing Craft in Mexico: Artisans, Aesthetics, and the Power of Translation Performing Craft in Mexico: Artisans, Aesthetics, and the Power of Translation Michele Avi0
Exhibiting Know-How: Curatorial Strategies for the Display of Artisanal Technical Gestures0
“Modern Stained Glass in France and Holland,” Art Notes (1940)0
Equally Present Temporalities: Craft and the Contemporary at the Museo del Barro, Paraguay0
Plaisir d’offrir: Interview with Florent Dubois0
Strange Clay: Ceramics in Contemporary Art0
The Nineteenth-Century Industrial Worker as Exhibition Visitor: Ways of Engaging with Making0
Where Craft Starts0
Obscured Brilliance: Modern and Contemporary Vietnamese Lacquer0
Movers and Makers: Uncertainty, Resilience and Migrant Creativity in Worlds of Flux0
Crafting Aotearoa: A Cultural History of Making in New Zealand and the Wider Moana Oceania0
Today’s Anthology for Tommorow’s Crafts CRAFT0
The Art-Craft Boundary in Contemporary Central China: The Case of Root Carving0
Introduction0
Queering the Subversive Stitch: Men and the Culture of Needlework0
Commentary: Gabriela Mistral on Craft0
Soil and Life in the Field of Craft Studies0
“The Gesture Is Everything”: Interview with the Artisan Isabel Oliveira0
With These Hands: The Rebirth of the American Craftsman (1970)0
Ceramics in the Expanded Field0
The Exhibition as Critical Craft Practice: London’s Little Gallery in 19390
Queer ThreadsThe San Jose Museum of Quilts and Textiles, May 12–August 20, 2023 Curated by John Chaich Queer Threads0
Editorial0
Craft Culture in Early Modern Japan: Materials, Makers, and Mastery0
Hear Me Now: The Black Potters of Old Edgefield, South Carolina0
The Origins of the Journal of Modern Craft0
How a Town of Craft Might be Planned (2011)0
Commentary0
Kai Althoff Goes with Bernard Leach0
Carrie Moyer and Sheila Pepe in Conversation0
To Know Every Part: Theorizing Craft Narratives Via Fae Myenne Ng’s Bone0
Feminist Subjectivities in Fiber Art and Craft: Shadows of Affect0
Editorial0
Lost Weavings of Atlanta: A Report0
Hear Me Now: The Black Potters of Old Edgefield, South CarolinaHear Me Now: The Black Potters of Old Edgefield, South CarolinaMetropolitan Museum of Art, New York City, NY, USA. September 9, 2022–Febr0
The Philippine Craftsman: Empire, Education, and the 1915 Panama-Pacific International Exposition0
Skin Crafts: Affect, Violence, and Materiality in Global Contemporary Art Skin Crafts: Affect, Violence, and Materiality in Global Contemporary Art Julia Skelly, London:0
Commentary0
Radical Stitch0
So Far and Yet So Near: The Artistic Residencies of Contextile Biennale Amidst a Pandemic0
Traditional Women’s Arts (1978)0
Industrial Craft in Australia: Oral Histories of Creativity and Survival0
Sanford Biggers: Codeswitch0
“Not From Their Culture”: The Influence of Artisanal Promotion Agents in the Production and Commercialization of Indigenous Crafts in Chaco, Argentina0
Studio CeramicsAlun Graves, Studio Ceramics . London: Thames & Hudson/V&A Museum, 2023. 415pp, 918 illustrations. ISBN 97805004808920
Simon Olding (1954–2022): a Reflection0
Between Conventional Borders: Excerpts from the {Queer} + {Metals} Project0
Georgia Designer Craftsmen: A Better Understanding0
Editorial0
Elisabeth Haarr: The Festival Exhibition 20210
Sophie Taeuber-Arp: Living Abstraction0
Craft on the Dirt Circuit: Commerce and Community at a Contemporary Renaissance Festival0
Works in Thread and the Emergence of Israeli Fiber Art0
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