Journal of Modern Craft

Papers
(The TQCC of Journal of Modern Craft is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Works in Thread and the Emergence of Israeli Fiber Art13
Queer ThreadsThe San Jose Museum of Quilts and Textiles, May 12–August 20, 2023 Curated by John Chaich Queer Threads1
Commentary1
Crafting Freedom: The Life and Legacy of Free Black Potter Thomas W. Commeraw Crafting Freedom: The Life and Legacy of Free Black Potter Thomas W. Commeraw The New-York 1
Faith Ringgold: American People1
Beyond Craft: Textile Practices in the Art Museum1
Introduction1
Woody De Othello: Hope Omens1
Introduction: Exhibiting Craft: Histories, Contexts, Practices Exhibiting Making: Gesture, Skill and Process0
Craft Culture in Early Modern Japan: Materials, Makers, and Mastery0
How a Town of Craft Might be Planned (2011)0
Commentary0
Commentary: Gabriela Mistral on Craft0
“The Gesture Is Everything”: Interview with the Artisan Isabel Oliveira0
Feminist Subjectivities in Fiber Art and Craft: Shadows of Affect0
Simon Olding (1954–2022): a Reflection0
Commentary0
The Nineteenth-Century Industrial Worker as Exhibition Visitor: Ways of Engaging with Making0
“Weaving Workshop Proposal,” c.19860
Body Vessel Clay: Black Women, Ceramics & Contemporary Art0
Textile Makerspace: Digital Humanities Meets Craft0
Hear Me Now: The Black Potters of Old Edgefield, South Carolina0
Carrie Moyer and Sheila Pepe in Conversation0
The Persian Carpet in Crisis: The Emergence of Modern Dyeing Education in Qajar Iran (1882–1922)0
Exhibiting Know-How: Curatorial Strategies for the Display of Artisanal Technical Gestures0
Making Trouble: Design and Material Activism0
Extracts from “A Civilization of Technics” (1945)0
The Art-Craft Boundary in Contemporary Central China: The Case of Root Carving0
With These Hands: The Rebirth of the American Craftsman (1970)0
Cape Verdean Tapestry and the Artistic Renewal of a Nation: Don’t Let the Weaving Die0
Where Craft Starts0
Editorial0
Georgia Designer Craftsmen: A Better Understanding0
Crafting Aotearoa: A Cultural History of Making in New Zealand and the Wider Moana Oceania0
On Dullness: A Sensory Portrait0
Craft Knowledge and Performance Through Fiber Arts at the John C. Campbell Folk School0
Rosie Lee Tompkins: A Retrospective0
Editorial0
Theaster Gates: A Clay Sermon0
Craft, Crises and Colonialism: Reimagining Puerto Rico0
Tender Loving Care0
Sophie Taeuber-Arp: Living Abstraction0
Elisabeth Haarr: The Festival Exhibition 20210
So Far and Yet So Near: The Artistic Residencies of Contextile Biennale Amidst a Pandemic0
Nelly Sethna and the Reception of Textiles between the United States and India0
Strange Clay: Ceramics in Contemporary Art0
Lost Weavings of Atlanta: A Report0
Franz West: Últimas décadas0
Indisposable: Tactics for Care and MourningFord Foundation Gallery, New York City, 1 October 1, 2022 - December 10, 2022 Indisposable: Tactics for Care and Mourning0
Crafted Kinship: Inside the Creative Practices of Contemporary Black Caribbean Makers; New Women’s Work: Reimagining “Feminine” Craft in Contemporary Art0
Curating Work: A Series of Exhibitions at the Musée des arts et métiers (2017–2021)0
Marcia Tucker’s Domestic Politics: Art and Craft in the 1990s0
The Exhibition as Critical Craft Practice: London’s Little Gallery in 19390
Radical Stitch0
Go For Kogei 20210
In Conversation with Bill Hooks0
Sabotage: The Conscious Withdrawal of the Workers’ Industrial Efficiency (1917)0
To Know Every Part: Theorizing Craft Narratives Via Fae Myenne Ng’s Bone0
Divine Legacies in Black Jewelry0
Tradition, Modernisation, Création: Tensions in French Craft, 1960-19900
Darkhouse Lighthouse Darkhouse Lighthouse Troy Hill Art Houses. Pittsburgh, PA. Permanent installation0
Plaisir d’offrir: Interview with Florent Dubois0
Teresa Lanceta: Weaving as Open SourceMuseu d’Art Contemporani de Barcelona, April 8–September 11, 2022; Instituto Valenciano de Arte Moderno, October 6, 2022–April 16, 2023. Curated by Nuria Enguita 0
Amazonian Indigenous Cultures in Art and Anthropological Exhibitions0
Editorial0
Equally Present Temporalities: Craft and the Contemporary at the Museo del Barro, Paraguay0
Editorial0
A Collective Fabric on a Cane Loom: a Weaving Workshop by Marta Palau in the 1986 Bienal de La Habana0
Introduction: Disrupting Boundaries: The Politics of Craft Exhibitions0
Fabric of a Nation: American Quilt Stories0
Queering the Subversive Stitch: Men and the Culture of Needlework0
Hear Me Now: The Black Potters of Old Edgefield, South CarolinaHear Me Now: The Black Potters of Old Edgefield, South CarolinaMetropolitan Museum of Art, New York City, NY, USA. September 9, 2022–Febr0
Thread Control: The Future of Digital Weaving0
Craft on the Dirt Circuit: Commerce and Community at a Contemporary Renaissance Festival0
Selling Italy: Craft and Italianness in Italy at Work: Her Renaissance in Design Today (1950–53)0
The New Politics of the Handmade: Craft, Art and Design0
Christian Newby: The drum, the chime, the scrape, the splash, the jerk0
Identity Navigation and Self-Positioning in a Changing Craft World: Creativity and Cultures of Emerging Self-Employed Craft Workers in Jingdezhen0
No por natural es sostenible: Experiencias desde el arte popular (Not for natural is sustainable: Experiences from folk art)0
Obscured Brilliance: Modern and Contemporary Vietnamese Lacquer0
Reprising Craftsmanship: An Expressive Approach to Skill0
Craft Production in a Socialist Planned Economy: The Case of Jingdezhen’s State-Owned Porcelain Factories in the Mid to Late Twentieth Century0
Katie Schwab: small wares0
Black Clay: Black Women, Ceramics and Contemporary Art0
Editorial0
Studio CeramicsAlun Graves, Studio Ceramics . London: Thames & Hudson/V&A Museum, 2023. 415pp, 918 illustrations. ISBN 97805004808920
Cultural Artefacts as the Transmission of Socio-Cultural Experience: Exploring the Role of the Pashmina Shawl as a Repository of Memory0
Precious Threads and Precarious Lives: Histories of Shawl and Silk Industries of Kashmir, 1846–19500
Traditional Women’s Arts (1978)0
Afro-Berber Planet – the Trans-Saharan Arts at the Tiskiwin Museum, from Marrakesh to Timbuktu0
Chinese Architecture Made by the Tushanwan Workshop in World Exhibitions, 1900–19450
Jacqueline Poncelet: In the Making0
Commentary0
Commentary0
Movers and Makers: Uncertainty, Resilience and Migrant Creativity in Worlds of Flux0
Ceramics in the Expanded Field0
Soil and Life in the Field of Craft Studies0
The Meaning of Craft, On Craft, The Soul of Craftsmanship, 19270
“Stoffe im Raum” (1930)0
Ethel Wallace: A Forgotten History of Batik and Fashion0
Editorial0
Redesigning Hereke Carpets: A Modernization Path Through Patterns and Compositions at Sümerbank in 1960s Turkiye0
Industrial Craft in Australia: Oral Histories of Creativity and Survival0
The Origins of the Journal of Modern Craft0
Skin Crafts: Affect, Violence, and Materiality in Global Contemporary Art Skin Crafts: Affect, Violence, and Materiality in Global Contemporary Art Julia Skelly, London:0
Between Conventional Borders: Excerpts from the {Queer} + {Metals} Project0
Ethel Mairet’s Textile Biotechnics and the Aesthetics of Materials0
Conversing in Clay: Ceramics from the LACMA Collection0
Crafting Disability: Re-envisioning Indian Textile Traditions0
“Not From Their Culture”: The Influence of Artisanal Promotion Agents in the Production and Commercialization of Indigenous Crafts in Chaco, Argentina0
Performing Craft in Mexico: Artisans, Aesthetics, and the Power of Translation Performing Craft in Mexico: Artisans, Aesthetics, and the Power of Translation Michele Avi0
Cannupa Hanska Luger: Sé’sh Shóto’sh Psí’sh0
Collecting Black Studies: The Art of Material Culture at the University of Texas at Austin0
“Modern Stained Glass in France and Holland,” Art Notes (1940)0
The Philippine Craftsman: Empire, Education, and the 1915 Panama-Pacific International Exposition0
Sanford Biggers: Codeswitch0
Material Agency and Mutual Transformation: Found Objects as Materials for Making0
Jeffrey Gibson: It Can Be Said of Them0
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