Journal of Modern Craft

Papers
(The median citation count of Journal of Modern Craft is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
Craft Production in a Socialist Planned Economy: The Case of Jingdezhen’s State-Owned Porcelain Factories in the Mid to Late Twentieth Century1
Fashioning Masks. July 20, 20201
Exploring the Sea as Studio: The Importance of Labor and Leisure in Sailor Folk Art1
Crafting Fetish Across Materials and Sexual Styles: An Interview with Skeeter of Mr. S Leather1
Sustainability and Mask Making. July 8, 20201
Masks for This Medical Moment. July 7, 20201
Masks, Art, Protection, and Politics. July 15, 20201
Marcia Tucker’s Domestic Politics: Art and Craft in the 1990s1
Traditional Women’s Arts (1978)0
Introduction: Disrupting Boundaries: The Politics of Craft Exhibitions0
Excerpts from Système des Beaux-Arts [System of the Fine Arts], 1920.0
Strange Clay: Ceramics in Contemporary Art0
Faith Ringgold: American People0
We Will Walk – Art and Resistance in the American South0
The Event of a Thread: Global Narratives in Textiles0
Movers and Makers: Uncertainty, Resilience and Migrant Creativity in Worlds of Flux0
Introduction: Exhibiting Craft: Histories, Contexts, Practices Exhibiting Making: Gesture, Skill and Process0
Obscured Brilliance: Modern and Contemporary Vietnamese Lacquer0
Queering the Subversive Stitch: Men and the Culture of Needlework0
Editorial0
Industry, Craft, Modern Architecture, and Regional Identity at the Paris 1925 and 1937 International Expositions0
With These Hands: The Rebirth of the American Craftsman (1970)0
Editorial0
Industrial Craft in Australia: Oral Histories of Creativity and Survival0
Sophie Taeuber-Arp: Living Abstraction0
The Exhibition as Critical Craft Practice: London’s Little Gallery in 19390
Theaster Gates: A Clay Sermon0
Making Knowing: Craft in Art, 1950–20190
Building the Machine in the Workshop: the Maison du peuple of Clichy, 1935–19400
Craft Culture in Early Modern Japan: Materials, Makers, and Mastery0
Conversing in Clay: Ceramics from the LACMA Collection0
Editorial0
Ceramics in the Expanded Field0
Franz West: Últimas décadas0
Interview with Jessie Little Doe Baird and Jason Baird0
Sleight of Hand0
Collecting Black Studies: The Art of Material Culture at the University of Texas at Austin0
“Blue-Slipped Stone-Burst” – Seeing Destructive Plasticity in Takuro Kuwata0
BYOC (Bring-Your-Own-Craft)0
Lost Weavings of Atlanta: A Report0
Nelly Sethna and the Reception of Textiles between the United States and India0
Christian Newby: The drum, the chime, the scrape, the splash, the jerk0
Skin Crafts: Affect, Violence, and Materiality in Global Contemporary Art Skin Crafts: Affect, Violence, and Materiality in Global Contemporary Art Julia Skelly, London:0
Woody De Othello: Hope Omens0
Networks, Labour and Migration among Indian Muslim Artisans0
Proud Raven, Panting Wolf: Carving Alaska’s New Deal Totem Parks0
“The Lure and Lore of Indian Art” American Way (June 1971)0
Black Clay: Black Women, Ceramics and Contemporary Art0
The Philippine Craftsman: Empire, Education, and the 1915 Panama-Pacific International Exposition0
Let’s Face It: Mask Design Competition0
“Not From Their Culture”: The Influence of Artisanal Promotion Agents in the Production and Commercialization of Indigenous Crafts in Chaco, Argentina0
Performing Craft in Mexico: Artisans, Aesthetics, and the Power of Translation Performing Craft in Mexico: Artisans, Aesthetics, and the Power of Translation Michele Avi0
Identity Navigation and Self-Positioning in a Changing Craft World: Creativity and Cultures of Emerging Self-Employed Craft Workers in Jingdezhen0
Today’s Anthology for Tommorow’s Crafts CRAFT0
Georgia Designer Craftsmen: A Better Understanding0
Editorial0
Between Conventional Borders: Excerpts from the {Queer} + {Metals} Project0
Ethel Wallace: A Forgotten History of Batik and Fashion0
The Worker in the Window: Class, Cut Glass, and the Spectacle of Work, 19100
“Weaving Workshop Proposal,” c.19860
The Art-Craft Boundary in Contemporary Central China: The Case of Root Carving0
Teresa Lanceta: Weaving as Open SourceMuseu d’Art Contemporani de Barcelona, April 8–September 11, 2022; Instituto Valenciano de Arte Moderno, October 6, 2022–April 16, 2023. Curated by Nuria Enguita 0
Elisabeth Haarr: The Festival Exhibition 20210
Beyond Craft: Textile Practices in the Art Museum0
In Conversation with Bill Hooks0
Katie Schwab: small wares0
Queer ThreadsThe San Jose Museum of Quilts and Textiles, May 12–August 20, 2023 Curated by John Chaich Queer Threads0
Commentary0
Cape Verdean Tapestry and the Artistic Renewal of a Nation: Don’t Let the Weaving Die0
Doctrine of the Hands0
“The Gesture Is Everything”: Interview with the Artisan Isabel Oliveira0
The New Politics of the Handmade: Craft, Art and Design0
Body Vessel Clay: Black Women, Ceramics & Contemporary Art0
Divine Legacies in Black Jewelry0
Negotiations of Socialist Modernity: The Czech Glass Figurine (From the Late 1940s-1960s)0
“Stoffe im Raum” (1930)0
Feminist Subjectivities in Fiber Art and Craft: Shadows of Affect0
Kai Althoff Goes with Bernard Leach0
Editorial0
Commentary0
Rosie Lee Tompkins: A Retrospective0
Exhibiting Know-How: Curatorial Strategies for the Display of Artisanal Technical Gestures0
Fabric of a Nation: American Quilt Stories0
Afro-Berber Planet – the Trans-Saharan Arts at the Tiskiwin Museum, from Marrakesh to Timbuktu0
In a Cloud, in a Wall, in a Chair: Six Modernists in Mexico at Midcentury0
Plaisir d’offrir: Interview with Florent Dubois0
Commentary0
A Collective Fabric on a Cane Loom: a Weaving Workshop by Marta Palau in the 1986 Bienal de La Habana0
Sanford Biggers: Codeswitch0
Cleanliness, Clarity – and Craft: Material Politics in German Design, 1919–19390
Works in Thread and the Emergence of Israeli Fiber Art0
Curating Work: A Series of Exhibitions at the Musée des arts et métiers (2017–2021)0
Go For Kogei 20210
Editorial0
Crafting Aotearoa: A Cultural History of Making in New Zealand and the Wider Moana Oceania0
Jeffrey Gibson: It Can Be Said of Them0
Editorial0
Covid-19 Global Quilt0
Equally Present Temporalities: Craft and the Contemporary at the Museo del Barro, Paraguay0
The Politics of Vietnamese Craft: American Diplomacy and Domestication0
Indisposable: Tactics for Care and MourningFord Foundation Gallery, New York City, 1 October 1, 2022 - December 10, 2022 Indisposable: Tactics for Care and Mourning0
Revising the Past: A Conversation with Sjoerd Vroonland0
The Nineteenth-Century Industrial Worker as Exhibition Visitor: Ways of Engaging with Making0
Commentary: Gabriela Mistral on Craft0
Making Trouble: Design and Material Activism0
Extracts from “A Civilization of Technics” (1945)0
Tradition, Modernisation, Création: Tensions in French Craft, 1960-19900
Precious Threads and Precarious Lives: Histories of Shawl and Silk Industries of Kashmir, 1846–19500
Craftsmanship and Industrial Production of Italian Furniture During the Interwar Period0
Editorial0
The Origins of the Journal of Modern Craft0
The Shape of Craft0
Restoring the Wheelwright’s Shop0
Ethel Mairet’s Textile Biotechnics and the Aesthetics of Materials0
Chinese Architecture Made by the Tushanwan Workshop in World Exhibitions, 1900–19450
Fashion and Disease Prevention. July 16, 20200
The Meaning of Craft, On Craft, The Soul of Craftsmanship, 19270
Commentary0
Carrie Moyer and Sheila Pepe in Conversation0
Selling Italy: Craft and Italianness in Italy at Work: Her Renaissance in Design Today (1950–53)0
Materials, Artistic Craftwork, and Modernist Furniture Design: The Kuyken Firm in the Netherlands and Belgium 1918–19400
So Far and Yet So Near: The Artistic Residencies of Contextile Biennale Amidst a Pandemic0
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