Journal of Modern Craft

Papers
(The median citation count of Journal of Modern Craft is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
A Collective Fabric on a Cane Loom: a Weaving Workshop by Marta Palau in the 1986 Bienal de La Habana13
Introduction: Exhibiting Craft: Histories, Contexts, Practices Exhibiting Making: Gesture, Skill and Process1
Craft Production in a Socialist Planned Economy: The Case of Jingdezhen’s State-Owned Porcelain Factories in the Mid to Late Twentieth Century1
Black Clay: Black Women, Ceramics and Contemporary Art1
Sustainability and Mask Making. July 8, 20201
Marcia Tucker’s Domestic Politics: Art and Craft in the 1990s1
Masks for This Medical Moment. July 7, 20201
Masks, Art, Protection, and Politics. July 15, 20201
Identity Navigation and Self-Positioning in a Changing Craft World: Creativity and Cultures of Emerging Self-Employed Craft Workers in Jingdezhen1
Exploring the Sea as Studio: The Importance of Labor and Leisure in Sailor Folk Art1
Selling Italy: Craft and Italianness in Italy at Work: Her Renaissance in Design Today (1950–53)1
Fashioning Masks. July 20, 20201
Editorial0
Fashion and Disease Prevention. July 16, 20200
Material Agency and Mutual Transformation: Found Objects as Materials for Making0
Rosie Lee Tompkins: A Retrospective0
Darkhouse Lighthouse Darkhouse Lighthouse Troy Hill Art Houses. Pittsburgh, PA. Permanent installation0
Textile Makerspace: Digital Humanities Meets Craft0
Faith Ringgold: American People0
“The Lure and Lore of Indian Art” American Way (June 1971)0
Commentary0
“Weaving Workshop Proposal,” c.19860
Go For Kogei 20210
Beyond Craft: Textile Practices in the Art Museum0
We Will Walk – Art and Resistance in the American South0
Jeffrey Gibson: It Can Be Said of Them0
Craft, Crises and Colonialism: Reimagining Puerto Rico0
Curating Work: A Series of Exhibitions at the Musée des arts et métiers (2017–2021)0
Theaster Gates: A Clay Sermon0
Editorial0
Editorial0
Ethel Wallace: A Forgotten History of Batik and Fashion0
In Conversation with Bill Hooks0
Conversing in Clay: Ceramics from the LACMA Collection0
Tradition, Modernisation, Création: Tensions in French Craft, 1960-19900
Divine Legacies in Black Jewelry0
Precious Threads and Precarious Lives: Histories of Shawl and Silk Industries of Kashmir, 1846–19500
Ethel Mairet’s Textile Biotechnics and the Aesthetics of Materials0
Crafting Freedom: The Life and Legacy of Free Black Potter Thomas W. Commeraw Crafting Freedom: The Life and Legacy of Free Black Potter Thomas W. Commeraw The New-York 0
Making Trouble: Design and Material Activism0
Collecting Black Studies: The Art of Material Culture at the University of Texas at Austin0
Craft Knowledge and Performance Through Fiber Arts at the John C. Campbell Folk School0
“Stoffe im Raum” (1930)0
Nelly Sethna and the Reception of Textiles between the United States and India0
Crafting Disability: Re-envisioning Indian Textile Traditions0
Cannupa Hanska Luger: Sé’sh Shóto’sh Psí’sh0
Fabric of a Nation: American Quilt Stories0
Chinese Architecture Made by the Tushanwan Workshop in World Exhibitions, 1900–19450
Indisposable: Tactics for Care and MourningFord Foundation Gallery, New York City, 1 October 1, 2022 - December 10, 2022 Indisposable: Tactics for Care and Mourning0
On Dullness: A Sensory Portrait0
Christian Newby: The drum, the chime, the scrape, the splash, the jerk0
Commentary0
Afro-Berber Planet – the Trans-Saharan Arts at the Tiskiwin Museum, from Marrakesh to Timbuktu0
Introduction: Disrupting Boundaries: The Politics of Craft Exhibitions0
Exhibiting Know-How: Curatorial Strategies for the Display of Artisanal Technical Gestures0
“Modern Stained Glass in France and Holland,” Art Notes (1940)0
Performing Craft in Mexico: Artisans, Aesthetics, and the Power of Translation Performing Craft in Mexico: Artisans, Aesthetics, and the Power of Translation Michele Avi0
Plaisir d’offrir: Interview with Florent Dubois0
Strange Clay: Ceramics in Contemporary Art0
Equally Present Temporalities: Craft and the Contemporary at the Museo del Barro, Paraguay0
Obscured Brilliance: Modern and Contemporary Vietnamese Lacquer0
The Nineteenth-Century Industrial Worker as Exhibition Visitor: Ways of Engaging with Making0
Where Craft Starts0
Today’s Anthology for Tommorow’s Crafts CRAFT0
Movers and Makers: Uncertainty, Resilience and Migrant Creativity in Worlds of Flux0
Crafting Aotearoa: A Cultural History of Making in New Zealand and the Wider Moana Oceania0
Introduction0
Queering the Subversive Stitch: Men and the Culture of Needlework0
The Art-Craft Boundary in Contemporary Central China: The Case of Root Carving0
With These Hands: The Rebirth of the American Craftsman (1970)0
Soil and Life in the Field of Craft Studies0
Commentary: Gabriela Mistral on Craft0
“The Gesture Is Everything”: Interview with the Artisan Isabel Oliveira0
Editorial0
The Exhibition as Critical Craft Practice: London’s Little Gallery in 19390
Ceramics in the Expanded Field0
Queer ThreadsThe San Jose Museum of Quilts and Textiles, May 12–August 20, 2023 Curated by John Chaich Queer Threads0
The Origins of the Journal of Modern Craft0
Craft Culture in Early Modern Japan: Materials, Makers, and Mastery0
How a Town of Craft Might be Planned (2011)0
Hear Me Now: The Black Potters of Old Edgefield, South Carolina0
Carrie Moyer and Sheila Pepe in Conversation0
Commentary0
To Know Every Part: Theorizing Craft Narratives Via Fae Myenne Ng’s Bone0
Kai Althoff Goes with Bernard Leach0
Lost Weavings of Atlanta: A Report0
Feminist Subjectivities in Fiber Art and Craft: Shadows of Affect0
Hear Me Now: The Black Potters of Old Edgefield, South CarolinaHear Me Now: The Black Potters of Old Edgefield, South CarolinaMetropolitan Museum of Art, New York City, NY, USA. September 9, 2022–Febr0
Editorial0
Skin Crafts: Affect, Violence, and Materiality in Global Contemporary Art Skin Crafts: Affect, Violence, and Materiality in Global Contemporary Art Julia Skelly, London:0
Commentary0
The Philippine Craftsman: Empire, Education, and the 1915 Panama-Pacific International Exposition0
So Far and Yet So Near: The Artistic Residencies of Contextile Biennale Amidst a Pandemic0
Traditional Women’s Arts (1978)0
Radical Stitch0
“Not From Their Culture”: The Influence of Artisanal Promotion Agents in the Production and Commercialization of Indigenous Crafts in Chaco, Argentina0
Industrial Craft in Australia: Oral Histories of Creativity and Survival0
Sanford Biggers: Codeswitch0
Between Conventional Borders: Excerpts from the {Queer} + {Metals} Project0
Studio CeramicsAlun Graves, Studio Ceramics . London: Thames & Hudson/V&A Museum, 2023. 415pp, 918 illustrations. ISBN 97805004808920
Simon Olding (1954–2022): a Reflection0
Elisabeth Haarr: The Festival Exhibition 20210
Georgia Designer Craftsmen: A Better Understanding0
Editorial0
Craft on the Dirt Circuit: Commerce and Community at a Contemporary Renaissance Festival0
Works in Thread and the Emergence of Israeli Fiber Art0
Sophie Taeuber-Arp: Living Abstraction0
Commentary0
Franz West: Últimas décadas0
Cape Verdean Tapestry and the Artistic Renewal of a Nation: Don’t Let the Weaving Die0
Interview with Jessie Little Doe Baird and Jason Baird0
The New Politics of the Handmade: Craft, Art and Design0
Katie Schwab: small wares0
Body Vessel Clay: Black Women, Ceramics & Contemporary Art0
Extracts from “A Civilization of Technics” (1945)0
Sleight of Hand0
“Blue-Slipped Stone-Burst” – Seeing Destructive Plasticity in Takuro Kuwata0
Editorial0
Reprising Craftsmanship: An Expressive Approach to Skill0
Woody De Othello: Hope Omens0
Teresa Lanceta: Weaving as Open SourceMuseu d’Art Contemporani de Barcelona, April 8–September 11, 2022; Instituto Valenciano de Arte Moderno, October 6, 2022–April 16, 2023. Curated by Nuria Enguita 0
Jacqueline Poncelet: In the Making0
The Meaning of Craft, On Craft, The Soul of Craftsmanship, 19270
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