Journal of Modern Craft

Papers
(The median citation count of Journal of Modern Craft is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-03-01 to 2025-03-01.)
ArticleCitations
Fabric of a Nation: American Quilt Stories13
Crafting Freedom: The Life and Legacy of Free Black Potter Thomas W. Commeraw Crafting Freedom: The Life and Legacy of Free Black Potter Thomas W. Commeraw The New-York 1
Carrie Moyer and Sheila Pepe in Conversation1
Woody De Othello: Hope Omens1
The Origins of the Journal of Modern Craft1
The New Politics of the Handmade: Craft, Art and Design1
“Stoffe im Raum” (1930)1
Beyond Craft: Textile Practices in the Art Museum0
Plaisir d’offrir: Interview with Florent Dubois0
On Dullness: A Sensory Portrait0
Introduction0
Darkhouse Lighthouse Darkhouse Lighthouse Troy Hill Art Houses. Pittsburgh, PA. Permanent installation0
Jacqueline Poncelet: In the Making0
Ethel Mairet’s Textile Biotechnics and the Aesthetics of Materials0
“Weaving Workshop Proposal,” c.19860
Editorial0
Elisabeth Haarr: The Festival Exhibition 20210
Faith Ringgold: American People0
Body Vessel Clay: Black Women, Ceramics & Contemporary Art0
Obscured Brilliance: Modern and Contemporary Vietnamese Lacquer0
Rosie Lee Tompkins: A Retrospective0
Afro-Berber Planet – the Trans-Saharan Arts at the Tiskiwin Museum, from Marrakesh to Timbuktu0
Strange Clay: Ceramics in Contemporary Art0
“Modern Stained Glass in France and Holland,” Art Notes (1940)0
Crafted Kinship: Inside the Creative Practices of Contemporary Black Caribbean Makers; New Women’s Work: Reimagining “Feminine” Craft in Contemporary Art0
Precious Threads and Precarious Lives: Histories of Shawl and Silk Industries of Kashmir, 1846–19500
Teresa Lanceta: Weaving as Open SourceMuseu d’Art Contemporani de Barcelona, April 8–September 11, 2022; Instituto Valenciano de Arte Moderno, October 6, 2022–April 16, 2023. Curated by Nuria Enguita 0
Black Clay: Black Women, Ceramics and Contemporary Art0
In Conversation with Bill Hooks0
Craft Culture in Early Modern Japan: Materials, Makers, and Mastery0
With These Hands: The Rebirth of the American Craftsman (1970)0
Editorial0
The Exhibition as Critical Craft Practice: London’s Little Gallery in 19390
Hear Me Now: The Black Potters of Old Edgefield, South Carolina0
Performing Craft in Mexico: Artisans, Aesthetics, and the Power of Translation Performing Craft in Mexico: Artisans, Aesthetics, and the Power of Translation Michele Avi0
Curating Work: A Series of Exhibitions at the Musée des arts et métiers (2017–2021)0
Katie Schwab: small wares0
Queer ThreadsThe San Jose Museum of Quilts and Textiles, May 12–August 20, 2023 Curated by John Chaich Queer Threads0
Georgia Designer Craftsmen: A Better Understanding0
Ceramics in the Expanded Field0
Craft Production in a Socialist Planned Economy: The Case of Jingdezhen’s State-Owned Porcelain Factories in the Mid to Late Twentieth Century0
The Meaning of Craft, On Craft, The Soul of Craftsmanship, 19270
Identity Navigation and Self-Positioning in a Changing Craft World: Creativity and Cultures of Emerging Self-Employed Craft Workers in Jingdezhen0
To Know Every Part: Theorizing Craft Narratives Via Fae Myenne Ng’s Bone0
Craft on the Dirt Circuit: Commerce and Community at a Contemporary Renaissance Festival0
So Far and Yet So Near: The Artistic Residencies of Contextile Biennale Amidst a Pandemic0
Hear Me Now: The Black Potters of Old Edgefield, South CarolinaHear Me Now: The Black Potters of Old Edgefield, South CarolinaMetropolitan Museum of Art, New York City, NY, USA. September 9, 2022–Febr0
Redesigning Hereke Carpets: A Modernization Path Through Patterns and Compositions at Sümerbank in 1960s Turkiye0
Industrial Craft in Australia: Oral Histories of Creativity and Survival0
Skin Crafts: Affect, Violence, and Materiality in Global Contemporary Art Skin Crafts: Affect, Violence, and Materiality in Global Contemporary Art Julia Skelly, London:0
Reprising Craftsmanship: An Expressive Approach to Skill0
Radical Stitch0
Lost Weavings of Atlanta: A Report0
Jeffrey Gibson: It Can Be Said of Them0
The Philippine Craftsman: Empire, Education, and the 1915 Panama-Pacific International Exposition0
Cape Verdean Tapestry and the Artistic Renewal of a Nation: Don’t Let the Weaving Die0
Go For Kogei 20210
Editorial0
Feminist Subjectivities in Fiber Art and Craft: Shadows of Affect0
Commentary0
No por natural es sostenible: Experiencias desde el arte popular (Not for natural is sustainable: Experiences from folk art)0
Cultural Artefacts as the Transmission of Socio-Cultural Experience: Exploring the Role of the Pashmina Shawl as a Repository of Memory0
Textile Makerspace: Digital Humanities Meets Craft0
Selling Italy: Craft and Italianness in Italy at Work: Her Renaissance in Design Today (1950–53)0
Tradition, Modernisation, Création: Tensions in French Craft, 1960-19900
Cannupa Hanska Luger: Sé’sh Shóto’sh Psí’sh0
Sophie Taeuber-Arp: Living Abstraction0
Making Trouble: Design and Material Activism0
Ethel Wallace: A Forgotten History of Batik and Fashion0
Editorial0
Divine Legacies in Black Jewelry0
Craft Knowledge and Performance Through Fiber Arts at the John C. Campbell Folk School0
Queering the Subversive Stitch: Men and the Culture of Needlework0
Simon Olding (1954–2022): a Reflection0
Soil and Life in the Field of Craft Studies0
“The Gesture Is Everything”: Interview with the Artisan Isabel Oliveira0
Movers and Makers: Uncertainty, Resilience and Migrant Creativity in Worlds of Flux0
Introduction: Exhibiting Craft: Histories, Contexts, Practices Exhibiting Making: Gesture, Skill and Process0
Editorial0
Studio CeramicsAlun Graves, Studio Ceramics . London: Thames & Hudson/V&A Museum, 2023. 415pp, 918 illustrations. ISBN 97805004808920
Sanford Biggers: Codeswitch0
How a Town of Craft Might be Planned (2011)0
A Collective Fabric on a Cane Loom: a Weaving Workshop by Marta Palau in the 1986 Bienal de La Habana0
Exhibiting Know-How: Curatorial Strategies for the Display of Artisanal Technical Gestures0
Material Agency and Mutual Transformation: Found Objects as Materials for Making0
Amazonian Indigenous Cultures in Art and Anthropological Exhibitions0
Equally Present Temporalities: Craft and the Contemporary at the Museo del Barro, Paraguay0
Commentary0
Thread Control: The Future of Digital Weaving0
Sabotage: The Conscious Withdrawal of the Workers’ Industrial Efficiency (1917)0
The Persian Carpet in Crisis: The Emergence of Modern Dyeing Education in Qajar Iran (1882–1922)0
Between Conventional Borders: Excerpts from the {Queer} + {Metals} Project0
Introduction: Disrupting Boundaries: The Politics of Craft Exhibitions0
Marcia Tucker’s Domestic Politics: Art and Craft in the 1990s0
“Not From Their Culture”: The Influence of Artisanal Promotion Agents in the Production and Commercialization of Indigenous Crafts in Chaco, Argentina0
The Nineteenth-Century Industrial Worker as Exhibition Visitor: Ways of Engaging with Making0
Traditional Women’s Arts (1978)0
Commentary0
Indisposable: Tactics for Care and MourningFord Foundation Gallery, New York City, 1 October 1, 2022 - December 10, 2022 Indisposable: Tactics for Care and Mourning0
Theaster Gates: A Clay Sermon0
Commentary: Gabriela Mistral on Craft0
Nelly Sethna and the Reception of Textiles between the United States and India0
Commentary0
Christian Newby: The drum, the chime, the scrape, the splash, the jerk0
The Art-Craft Boundary in Contemporary Central China: The Case of Root Carving0
Collecting Black Studies: The Art of Material Culture at the University of Texas at Austin0
Chinese Architecture Made by the Tushanwan Workshop in World Exhibitions, 1900–19450
Works in Thread and the Emergence of Israeli Fiber Art0
Crafting Aotearoa: A Cultural History of Making in New Zealand and the Wider Moana Oceania0
Franz West: Últimas décadas0
Extracts from “A Civilization of Technics” (1945)0
Editorial0
Where Craft Starts0
Commentary0
Craft, Crises and Colonialism: Reimagining Puerto Rico0
Tender Loving Care0
Crafting Disability: Re-envisioning Indian Textile Traditions0
Conversing in Clay: Ceramics from the LACMA Collection0
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