Critical Studies in Television

Papers
(The TQCC of Critical Studies in Television is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
The ‘Netflix Original’ and what it means for the production of European television content40
Streaming difference(s): Netflix and the branding of diversity19
Netflix original series, global audiences and discourses of streaming success19
Transnational co-production, multiplatform television and My Brilliant Friend19
Generation Z’s screen culture: Understanding younger users’ behaviour in the television streaming age – The case of post-crisis Greece15
The platformisation of public service broadcasting in Germany: The network ‘funk’ and the case of Druck/Skam Germany14
Youthification of television through online media: Production strategies and narrative choices in DRUCK/SKAM Germany12
‘Youthification’ of drama through real-time storytelling: A production study of blank and the legacy of SKAM9
‘Recommended for you’: A distant reading of BBC iPlayer8
‘Shoulda, Coulda, Woulda’: Young Swiss audiences’ attitudes, expectations and evaluations of audiovisual news and information content and the implications for public service television6
Adapt or die? How traditional Spanish TV broadcasters deal with the youth target in the new audio-visual ecosystem5
The ‘youthification’ of television5
Provocation: Why I want to talk television with global platform representatives5
The curation of European Netflix catalogues on social media: The key role of transnational and local cultural traits5
Co-creating content with children to avoid ‘Uncle Swag’: Strategies for producing public service television drama for tweens and teens at the Danish children’s channel DR Ultra5
‘What are people watching in your area?’: Interrogating the role and reliability of the Netflix top 10 feature5
Provocations, I: What do we need in a crisis? Broadcast TV!4
Where did you go?! Trans-diegetic address and formal innovation in Phoebe Waller-Bridge’s television series Fleabag4
New scheduling strategies and production culture in public service television in the digital era: The case of DR and TV 2 in Denmark4
Netflix, Spanish television, and La casa de papel: Growing global and local TV together in the multiplatform era4
Strategic sisterhood and the girlfriend gaze: Representation of girlfriendship in the Chinese TV drama Ode to Joy3
Berlin as location and production site for transnational TV drama3
Female representation in Netflix Global Original programming: A comparative analysis of 2019 drama series3
‘Don’t let the bastards grind you down’: Feminist resilience/resilient feminism in The Handmaid’s Tale (Hulu, 2017–)3
Netflix and Over the Top Politics? The Mechanism TV series and the dynamics of entertainment intervention3
Introducing quantitative reception aesthetics: Television reception and textual engagement2
“The Popular Entertainment Side of Broadcasting Should Receive Much More Attention”: The BBC, Comedy, and Nation-Building at Home and Abroad2
You get to stop him! Gendered violence and interactive witnessing in Netflix’s Kimmy vs The Reverend2
Book Review: An Analysis of Minute-by-Minute Television in Norway2
Creating (in) the Arctic: Investigating collaboration and location through a case study of the Arctic noir serial Thin Ice2
“Down-to-Earth TV dramas”: The reception of authenticity, reality, and modality in Danish TV dramas2
‘SKAM Italia did it again’. The multiple lives of a format adaptation from production to audience experience2
Curation as methodological enhancement in researching production cultures behind screen content about displaced children in Europe2
Voices from the emptiness. Developing the agentic rural on Spanish television2
Queen Sono: Netflix Original as postfeminist South African spy thriller2
Enraptured by this Glorious Media Landscape: Anne with an E and cross-platform coproduction1
Graphic design, music and sound in the BBC’s channel idents, 1991–20211
Cultural pluralism and diversity on public television: An analysis of the use of sign language on the BBC and TVE1
‘What do you think it is that makes them who they are’? The connections between Latinx stereotypes, claims of white difference, and characters’ deaths in Breaking Bad1
Banal Koreanness: National imagery in multicultural-themed television shows1
Post-Nordic-noir landscapes: Competition through localisation in Finnish streaming media1
An academic study of research literature on Czech television: The dawn of taking TV seriously1
Finding words: Aesthetic criticism and television1
Positive masculinity or toxic positivity? Apple TV+’s Ted Lasso as a capitalist utopia1
Time and timing–A methodological perspective on production analysis1
Broadcasting and devolution: Radical future?1
Cultural Diversity in Internationally Coproduced High-end Drama1
A perspective on BBC television news in India1
Putting the black in Britain back on the BBC1
Book Review: Twin Peaks1
Editorial1
On the harsh realities of researching television in Poland: Traditions, obstacles and perspectives1
BBC Africa Eye and changing perceptions of Western media among Nigerian audiences1
Dutch television studies and the reinvention of television as a medium in practice1
Following the recipe: Producing The Great British Bake Off in Flanders1
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