Critical Studies in Television

Papers
(The TQCC of Critical Studies in Television is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
The ‘Netflix Original’ and what it means for the production of European television content29
The appisation of television: TV apps, discoverability and the software, device and platform ecologies of the internet era19
Transnational co-production, multiplatform television andMy Brilliant Friend18
The platformisation of public service broadcasting in Germany: The network ‘funk’ and the case of Druck/Skam Germany13
Netflix original series, global audiences and discourses of streaming success13
Youthification of television through online media: Production strategies and narrative choices in DRUCK/SKAM Germany12
Streaming difference(s): Netflix and the branding of diversity10
Generation Z’s screen culture: Understanding younger users’ behaviour in the television streaming age – The case of post-crisis Greece10
Researching Binge-Watching9
‘Youthification’ of drama through real-time storytelling: A production study ofblankand the legacy ofSKAM8
‘Recommended for you’: A distant reading of BBC iPlayer6
Co-creating content with children to avoid ‘Uncle Swag’: Strategies for producing public service television drama for tweens and teens at the Danish children’s channel DR Ultra5
Adapt or die? How traditional Spanish TV broadcasters deal with the youth target in the new audio-visual ecosystem4
The ‘youthification’ of television4
Provocation: Why I want to talk television with global platform representatives4
‘Queering’ TV, one character at a time: How audiences respond to gender-diverse TV series on social media platforms4
‘Shoulda, Coulda, Woulda’: Young Swiss audiences’ attitudes, expectations and evaluations of audiovisual news and information content and the implications for public service television4
Provocations, I: What do we need in a crisis? Broadcast TV!4
A Class Act: An interview with Julie Hesmondhalgh on casting, representation and inclusion in British television drama3
Where did you go?! Trans-diegetic address and formal innovation in Phoebe Waller-Bridge’s television series Fleabag3
The curation of European Netflix catalogues on social media: The key role of transnational and local cultural traits3
You get to stop him! Gendered violence and interactive witnessing in Netflix’sKimmy vs The Reverend2
Upending the status quo: Power-sharing and community building inSchitt’s Creek2
‘Don’t let the bastards grind you down’: Feminist resilience/resilient feminism in The Handmaid’s Tale (Hulu, 2017–)2
“Down-to-Earth TV dramas”: The reception of authenticity, reality, and modality in Danish TV dramas2
Book Review: An Analysis of Minute-by-Minute Television in Norway2
Berlin as location and production site for transnational TV drama2
“The Popular Entertainment Side of Broadcasting Should Receive Much More Attention”: The BBC, Comedy, and Nation-Building at Home and Abroad2
Strategic sisterhood and the girlfriend gaze: Representation of girlfriendship in the Chinese TV drama Ode to Joy2
Introducing quantitative reception aesthetics: Television reception and textual engagement2
Curation as methodological enhancement in researching production cultures behind screen content about displaced children in Europe2
‘What are people watching in your area?’: Interrogating the role and reliability of the Netflix top 10 feature1
‘Time to Ranch it Up!’: Ethics and satire in new media1
An academic study of research literature on Czech television: The dawn of taking TV seriously1
Netflix, Spanish television, and La casa de papel: Growing global and local TV together in the multiplatform era1
Crossing the Borders of Queer TV: Depictions of migration and (im)mobility in contemporary LGBTQ television1
Putting the black in Britain back on the BBC1
Female representation in Netflix Global Original programming: A comparative analysis of 2019 drama series1
Book Review: Twin Peaks1
On the harsh realities of researching television in Poland: Traditions, obstacles and perspectives1
Time and timing–A methodological perspective on production analysis1
Banal Koreanness: National imagery in multicultural-themed television shows1
Voices from the emptiness. Developing the agentic rural on Spanish television1
Trans TV dossier, III: Trans TV re-evaluated, part 11
Finding words: Aesthetic criticism and television1
Queen Sono: Netflix Original as postfeminist South African spy thriller1
Editorial1
Book Review: Online TV1
Netflix and Over the Top Politics? The Mechanism TV series and the dynamics of entertainment intervention1
BBC Africa Eye and changing perceptions of Western media among Nigerian audiences1
Dutch television studies and the reinvention of television as a medium in practice1
A perspective on BBC television news in India1
Post-Nordic-noir landscapes: Competition through localisation in Finnish streaming media1
Drugs, Death, Denial and Cancer Care: Using Breaking Bad in the spiritual care of cancer patients1
‘SKAM Italiadid it again’. The multiple lives of a format adaptation from production to audience experience1
Graphic design, music and sound in the BBC’s channel idents, 1991–20211
Book Review: Television and Totalitarianism in Czechoslovakia. From the First Democratic Republic to the Fall of Communism1
Cultural pluralism and diversity on public television: An analysis of the use of sign language on the BBC and TVE1
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