Critical Studies in Television

Papers
(The TQCC of Critical Studies in Television is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Reconstructing history in mediatized reality: The Turkish TV dramas Diriliş: Ertuğrul and Payitaht: Abdülhamid55
Spaces for criticism: the Play for Today Viewing Group on work, gender and the body in The Bevellers (197413
Cultural skimming, authenticity, and streaming preferences: Turkish serials ( dizi ) among young audiences in Qatar, Saudi Arabia, and the UAE9
Non-disruptive streaming: Aesthetic and industrial continuation of legacy television in Prime Video Mexico9
Culture as window dressing? A threefold methodological framework for researching the locality of Netflix series7
A perspective on BBC television news in India6
Book Review: Global TV Horror6
Editorial6
Book Review: Audiovisual Content for Children and Adolescents in Scandinavia: Production, Distribution, and Reception in a Multiplatform Era5
Book Review: Adapting Television and Literature WorthyBlytheSheehanPaul (eds.) Adapting Television and Literature, Cham: Palgrave Macmillan, Springer, 2025: 293pp. ISBN 978-3-031-50831-8 £119.99 (hbk)5
Showcasing reality content on the front page: Comparing four services on the Danish video streaming market5
EastEnders and the environment: Communicating the planetary crisis in prime time?5
The evolving ecosystem of Chinese children’s television in a regulated environment4
Breaking boundaries: Smallness and the dynamics of European audiovisual industries in the age of streaming4
Netflix’s high-end global telefantasy: Conspicuous and virtual localism3
Editorial3
‘Common Sense Slimming’ - How the contribution of Joan Robins, television’s ‘afternoon cook’, was not the perfect-fit for the culture of the BBC in the 1950s3
Book Review: A European television fiction renaissance: Premium production models and transnational circulation3
Book Review: Television and the Genetic Imaginary3
Book Review: Heroes in Contemporary British Culture: Television Drama and Reflections of a Nation in Change3
Exploring Netflix myths: Towards more media industry studies and empirical research in studying video-on-demand3
Political consumerism and consumption modes: The case of Hong Kong youths watching Chinese Mainland television dramas3
In front of a live studio audience: Production design and liveness in celebrity chat shows3
Book Review: Moments in Television: Complexity/simplicity3
‘Worthy female victims’? The rape of a white woman as metaphor for colonialism in two miniseries by Hugo Blick3
Awkwardness sells, but who’s buying? How students navigate awkward TV comedy series2
Poorly paid, but proud to work in teams producing ‘quality’: An oral history of women’s experiences working in BBC drama2
Reimagining ‘home advantage’: Youth entertainment in a world of abundance and the challenge to domestic media2
Deconstruction of the superhero subgenre in The Boys : A social satire through characters with mental disorders2
Broadcasting change: An aerial overview of South African television debates in an age of constant transition2
‘It started with a kiss’ EastEnders and subversion from within: Domestic ‘queer’ star persona and British social realism2
Watching TV as a class practice: Brazilian coaches and the therapeutic critique of consumption2
Book Review: Television Drama from Germany: Production, Storytelling and “Quality” KraußFlorian, Television Drama from Germany: Production, Storytelling and “Quality”, Cham: Palgrave Macmillan, 298pp.2
Editorial2
Female representation in Netflix Global Original programming: A comparative analysis of 2019 drama series2
Book Review: German Crime Dramas from Network Television to Netflix SimonSunka, German Crime Dramas from Network Television to Netflix, New York: Bloomsbury Academic, 2023; 361 pp. ISBN 9781501368707 2
Disrupting masculinity: Locating Indian OTT web series as quality television and sites of subversive masculine representations2
Awakening contaminated lands: (Re)mediated landscapes as transcultural TV memory work, a case study of Sky/HBO miniseries, Chernobyl (2019)2
From #AltErLove to #LoveIsLove: Transmedia formats, audience engagement and sexual diversity1
Creating (in) the Arctic: Investigating collaboration and location through a case study of the Arctic noir serial Thin Ice1
Book Review: Reclaiming Popular Documentary1
Televisual transformations: The making of (media) citizens in interventional television productions1
Alienating through anger? Diasporic Muslim girls’ coming-of-age in France and Belgium through the white gaze of the SKAM franchise1
Book Review: TV drama in the multiplatform era: Transnational coproduction and cultural specificity1
Editorial1
Women and activism in the screen industries: a discussion prompted by Women’s Activism Behind the Screens: Trade Unions and Gender Inequality in the B1
Book Review: Screen Plays: Theatre Plays on British Television1
Grace Wyndham Goldie at the BBC: Reappraising the ‘first lady of television’1
Voices from the emptiness. Developing the agentic rural on Spanish television1
Editorial1
Book Review: Figures of Time: Affect and the Television of Preemption1
Book Reviews: Love Wars: Television romantic comedy IrwinMary, Love Wars: Television Romantic Comedy, London: Bloomsbury, 2025: 240 pp. ISBN 9781784533465 £85 (hbk), 9781350120150 £76.50 (Epub and Mob1
Book Review: Independent Women: From Film to Television1
‘I am in Great Pain, Please Help Me’: Nihilism, Humour, and Rick and Morty1
The constructed quality of Israeli TV on Netflix: The cases of Fauda and Shtisel1
Book Review: Transmedia/Genre: Rethinking Genre in a Multiplatform Culture1
Netflix, Spanish television, and La casa de papel : Growing global and local TV together in the multiplatform era1
Post-Nordic-noir landscapes: Competition through localisation in Finnish streaming media1
Paul Rotha at the BBC and The World Is Ours revisited1
‘Black Lives Have Always Mattered’: Cultural specificity and transformative representations in Small Axe1
Young, wild, and free? Rai and its industrial challenges for contemporary Italian teen content1
Memory, remembrance and nostalgia in Ken Burns’ The Vietnam War1
Global platforms, new media generations and Anglo-American hegemony: An exploration of young audience viewing and language preferences in four European countries1
Erratum to ‘Rooting’ the BBC: An interview with Rhodri Talfan Davies, Director of BBC Nations1
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