Critical Studies in Television

Papers
(The TQCC of Critical Studies in Television is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Non-disruptive streaming: Aesthetic and industrial continuation of legacy television in Prime Video Mexico51
A perspective on BBC television news in India32
Book Review: Global TV Horror27
Spaces for criticism: the Play for Today Viewing Group on work, gender and the body in The Bevellers (1974) and Not for the19
Culture as window dressing? A threefold methodological framework for researching the locality of Netflix series17
Book Review: Audiovisual Content for Children and Adolescents in Scandinavia: Production, Distribution, and Reception in a Multiplatform Era15
Showcasing reality content on the front page: Comparing four services on the Danish video streaming market10
Editorial10
Netflix original series, global audiences and discourses of streaming success7
‘Don’t let the bastards grind you down’: Feminist resilience/resilient feminism in The Handmaid’s Tale (Hulu, 2017–)7
The ‘Netflix Original’ and what it means for the production of European television content7
Netflix’s high-end global telefantasy: Conspicuous and virtual localism7
The curation of European Netflix catalogues on social media: The key role of transnational and local cultural traits6
Book Review: Television and the Genetic Imaginary6
Book Review: Moments in Television: Complexity/simplicity5
Book Review: Heroes in Contemporary British Culture: Television Drama and Reflections of a Nation in Change5
Book Review: A European television fiction renaissance: Premium production models and transnational circulation5
Book Review: An Analysis of Minute-by-Minute Television in Norway4
The ‘youthification’ of television4
‘Common Sense Slimming’ - How the contribution of Joan Robins, television’s ‘afternoon cook’, was not the perfect-fit for the culture of the BBC in the 1950s4
Editorial4
Cultural pluralism and diversity on public television: An analysis of the use of sign language on the BBC and TVE4
Editorial3
Exploring Netflix myths: Towards more media industry studies and empirical research in studying video-on-demand3
Poorly paid, but proud to work in teams producing ‘quality’: An oral history of women’s experiences working in BBC drama2
Female representation in Netflix Global Original programming: A comparative analysis of 2019 drama series2
‘We shouldn’t let great art disappear into BBC Four’s cultural ghetto’: The impact of BBC Four on mainstream arts provision2
‘It started with a kiss’ EastEnders and subversion from within: Domestic ‘queer’ star persona and British social realism2
Awkwardness sells, but who’s buying? How students navigate awkward TV comedy series2
Book Review: Her Stories: Daytime Soap Opera & US Television History2
‘Black Lives Have Always Mattered’: Cultural specificity and transformative representations in Small Axe2
Graphic design, music and sound in the BBC’s channel idents, 1991–20212
Adapt or die? How traditional Spanish TV broadcasters deal with the youth target in the new audio-visual ecosystem2
Let the people speak – The Community Programmes Unit 1972–20022
Broadcasting change: An aerial overview of South African television debates in an age of constant transition2
‘The Custodian of the BBC Archives’: The future of BBC Four as an archive channel1
Post-Nordic-noir landscapes: Competition through localisation in Finnish streaming media1
Following the recipe: Producing The Great British Bake Off in Flanders1
Book Review: And Now for Something Completely Different: Critical Approaches to Monty Python1
Voices from the emptiness. Developing the agentic rural on Spanish television1
Book Review: Screen Plays: Theatre Plays on British Television1
The constructed quality of Israeli TV on Netflix: The cases of Fauda and Shtisel1
Book Review: Hands on Media History. A New Methodology in the Humanities and Social Sciences1
Book Review: TV drama in the multiplatform era: Transnational coproduction and cultural specificity1
Book Review: Reclaiming Popular Documentary1
Televisual transformations: The making of (media) citizens in interventional television productions1
Book Review: Figures of Time: Affect and the Television of Preemption1
Netflix, Spanish television, and La casa de papel: Growing global and local TV together in the multiplatform era1
Book Review: Independent Women: From Film to Television1
From #AltErLove to #LoveIsLove: Transmedia formats, audience engagement and sexual diversity1
The platformisation of public service broadcasting in Germany: The network ‘funk’ and the case of Druck/Skam Germany1
Awakening contaminated lands: (Re)mediated landscapes as transcultural TV memory work, a case study of Sky/HBO miniseries, Chernobyl (2019)1
Grace Wyndham Goldie at the BBC: Reappraising the ‘first lady of television’1
Editorial1
Creating (in) the Arctic: Investigating collaboration and location through a case study of the Arctic noir serial Thin Ice1
Erratum to ‘Rooting’ the BBC: An interview with Rhodri Talfan Davies, Director of BBC Nations1
Book Review: Transmedia/Genre: Rethinking Genre in a Multiplatform Culture1
‘I am in Great Pain, Please Help Me’: Nihilism, Humour, and Rick and Morty1
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