Critical Studies in Television

Article	Citations
The ‘Netflix Original’ and what it means for the production of European television content	40
Netflix original series, global audiences and discourses of streaming success	19
Transnational co-production, multiplatform television and My Brilliant Friend	19
Streaming difference(s): Netflix and the branding of diversity	19
Generation Z’s screen culture: Understanding younger users’ behaviour in the television streaming age – The case of post-crisis Greece	15
The platformisation of public service broadcasting in Germany: The network ‘funk’ and the case of Druck/Skam Germany	14
Youthification of television through online media: Production strategies and narrative choices in DRUCK/SKAM Germany	12
‘Youthification’ of drama through real-time storytelling: A production study of blank and the legacy of SKAM	9
‘Recommended for you’: A distant reading of BBC iPlayer	8
‘Shoulda, Coulda, Woulda’: Young Swiss audiences’ attitudes, expectations and evaluations of audiovisual news and information content and the implications for public service television	6
Provocation: Why I want to talk television with global platform representatives	5
The curation of European Netflix catalogues on social media: The key role of transnational and local cultural traits	5
Co-creating content with children to avoid ‘Uncle Swag’: Strategies for producing public service television drama for tweens and teens at the Danish children’s channel DR Ultra	5
‘What are people watching in your area?’: Interrogating the role and reliability of the Netflix top 10 feature	5
Adapt or die? How traditional Spanish TV broadcasters deal with the youth target in the new audio-visual ecosystem	5
The ‘youthification’ of television	5
Where did you go?! Trans-diegetic address and formal innovation in Phoebe Waller-Bridge’s television series Fleabag	4
New scheduling strategies and production culture in public service television in the digital era: The case of DR and TV 2 in Denmark	4
Netflix, Spanish television, and La casa de papel: Growing global and local TV together in the multiplatform era	4
Provocations, I: What do we need in a crisis? Broadcast TV!	4
Female representation in Netflix Global Original programming: A comparative analysis of 2019 drama series	3
‘Don’t let the bastards grind you down’: Feminist resilience/resilient feminism in The Handmaid’s Tale (Hulu, 2017–)	3
Netflix and Over the Top Politics? The Mechanism TV series and the dynamics of entertainment intervention	3
Strategic sisterhood and the girlfriend gaze: Representation of girlfriendship in the Chinese TV drama Ode to Joy	3
Berlin as location and production site for transnational TV drama	3

Creating (in) the Arctic: Investigating collaboration and location through a case study of the Arctic noir serial Thin Ice	2
“Down-to-Earth TV dramas”: The reception of authenticity, reality, and modality in Danish TV dramas	2
‘SKAM Italia did it again’. The multiple lives of a format adaptation from production to audience experience	2
Curation as methodological enhancement in researching production cultures behind screen content about displaced children in Europe	2
Voices from the emptiness. Developing the agentic rural on Spanish television	2
Queen Sono: Netflix Original as postfeminist South African spy thriller	2
Introducing quantitative reception aesthetics: Television reception and textual engagement	2
“The Popular Entertainment Side of Broadcasting Should Receive Much More Attention”: The BBC, Comedy, and Nation-Building at Home and Abroad	2
You get to stop him! Gendered violence and interactive witnessing in Netflix’s Kimmy vs The Reverend	2
Book Review: An Analysis of Minute-by-Minute Television in Norway	2
Finding words: Aesthetic criticism and television	1
Positive masculinity or toxic positivity? Apple TV+’s Ted Lasso as a capitalist utopia	1
Time and timing–A methodological perspective on production analysis	1
Broadcasting and devolution: Radical future?	1
Cultural Diversity in Internationally Coproduced High-end Drama	1
A perspective on BBC television news in India	1
Putting the black in Britain back on the BBC	1
Book Review: Twin Peaks	1
Editorial	1
On the harsh realities of researching television in Poland: Traditions, obstacles and perspectives	1
BBC Africa Eye and changing perceptions of Western media among Nigerian audiences	1
Dutch television studies and the reinvention of television as a medium in practice	1
Following the recipe: Producing The Great British Bake Off in Flanders	1
Enraptured by this Glorious Media Landscape: Anne with an E and cross-platform coproduction	1
Graphic design, music and sound in the BBC’s channel idents, 1991–2021	1
Cultural pluralism and diversity on public television: An analysis of the use of sign language on the BBC and TVE	1
‘What do you think it is that makes them who they are’? The connections between Latinx stereotypes, claims of white difference, and characters’ deaths in Breaking Bad	1
Banal Koreanness: National imagery in multicultural-themed television shows	1
Post-Nordic-noir landscapes: Competition through localisation in Finnish streaming media	1
An academic study of research literature on Czech television: The dawn of taking TV seriously	1
Within power constraints: Forty years of the successes and failures of talent shows in China	0
Editorial	0
Provocation, II: Not another article on the Wire: How hierarchies of gender undermine TV scholarship and lead to abuse	0
History and Place in Television Drama: Liverpool in Cilla and Boys From the Blackstuff	0
A future without homophobia? Gay men and personal responsibility in the Chilean telenovela Casa de Muñecos	0
Editorial	0
Analysing the melancholy of Nordic Noir as stimmung: Affective world-building inThe Bridge	0
A modern version of restoration comedy? Double entendre, objectification, fearful men and rakes manqué in the television work of Benny Hill	0
Culture as window dressing? A threefold methodological framework for researching the locality of Netflix series	0
‘It was Bauhaus without realising we were Bauhaus:’ BBC women and Youth and Entertainment programming in the North	0
‘Rooting’ the BBC: An interview with Rhodri Talfan Davies, Director of BBC Nations	0
Book Review: Radical Mainstream: Independent Film, Video & TV in Britain 1974-1990	0
Book Review: A European television fiction renaissance: Premium production models and transnational circulation	0
Favourite books about the BBC: Archives, anecdotes, policies and programmes	0
Book Review: Women in Neoliberal Postfeminist Television Drama: Representing Gendered Experiences of the Second World War	0
‘We shouldn’t let great art disappear into BBC Four’s cultural ghetto’: The impact of BBC Four on mainstream arts provision	0
Book Review: Turkish drama serials the importance and influence of a globally popular TV phenomenon	0
Book Review: Moments in Television: Complexity/simplicity	0
Re-heating the “First” Thanksgiving: the Thanksgiving episode as settler colonial narrative	0
Book Review: Seeing by Electricity: The Emergence of Television, 1878-1939	0

Book Review: Watching Game of Thrones: How Audiences Engage with Dark Television	0
Editorial	0
‘Common Sense Slimming’ - How the contribution of Joan Robins, television’s ‘afternoon cook’, was not the perfect-fit for the culture of the BBC in the 1950s	0
Book Review: TV drama in the multiplatform era: Transnational coproduction and cultural specificity	0
BBC television news in the world: An introduction	0
Awakening contaminated lands: (Re)mediated landscapes as transcultural TV memory work, a case study of Sky/HBO miniseries, Chernobyl (2019)	0
‘Are we having fun yet?’: The Starz television network and Party Down as indie TV	0
Editorial	0
Book Review: Film and television production in the age of climate crisis towards a greener screen	0
Book Review: Their Own Best Creations: Women Writers in Postwar Television	0
Book Review: Figures of Time: Affect and the Television of Preemption	0
Pleasure’s ascendancy: Against queer youth panic	0
Book Review: Hands on Media History. A New Methodology in the Humanities and Social Sciences	0
Supporting children’s drama in the on demand age: Assessing the efficacy of forty years of Australian policy frameworks and funding schemes	0
Book Reviews: Convergent Chinese Television Industries: An Ethnography of Chinese Production Cultures	0
Is prompt engineering the future of screenwriting? Views of professional screenwriters and commissioners about the impact of AI technologies on their profession	0
The Last Broadcast: Reflections on the life and legacy of BBC Four	0
Book Review: Breaking Bad and Cinematic Television	0
Landscapes in the frame: Anthropocene screens	0
Book Review: Danish Television Drama: Global Lessons from a Small Nation	0
‘That’s good’: An industrial, ethics-focused analysis of the televised works of Anthony Bourdain	0
Editorial	0
Book Review: Serial Pinboarding in Contemporary Television	0
TV drama production studios of Istanbul: From empty sound stages to standing sets	0
Book Review: Television and the Genetic Imaginary	0
Binge-watching and mental illness versus comfort TV and mental health in WandaVision	0
Book Review: Television and the Afghan Culture Wars Brought to You by Foreigners, Warlords, and Activists	0
Jill Craigie and the BBC: Postwar television, feminist histories and modern femininities	0
Book Review: Global TV Horror	0
Television will archive itself: Channel 4’s role in revalorising ‘old’ TV	0
Book Review: Television’s Spatial Capital Location, Relocation, Dislocation	0
Book Review: Monsters on Maple Street: The Twilight Zone and the Postwar American Dream	0
‘The Custodian of the BBC Archives’: The future of BBC Four as an archive channel	0
Poorly paid, but proud to work in teams producing ‘quality’: An oral history of women’s experiences working in BBC drama	0
Book Review: Imagining Politics: Interpretations in Political Science and Political Television	0
Book Review: The Golden Girls	0
Book Review: European Television Crime Drama and Beyond	0
Book Review: Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars	0
Grace Wyndham Goldie at the BBC: Reappraising the ‘first lady of television’	0
Book Review: Public Television in Poland: Political Pressure and Public Service Media in a Post-communist Country	0
Book Review: Television and the Embodied Viewer: Affect and Meaning in the Digital Age	0
Book Review: Down in Treme; Race, Place and New Orleans on Television	0
From traditional regionalism to national distinction: German television co-productions through time	0
Book Review: Gender and Seriality: Practices and Politics of Contemporary US Television	0
Let the people speak – The Community Programmes Unit 1972–2002	0
Book Review: The Television Code: Regulating the Screen to Safeguard the Industry	0
Producing zombie television: AMC,The Walking Dead, and the institutional dynamics of green-lighting hard-edged horror on cable	0
Editorial	0
Book Review: Writings on Media: History of the Present	0
Book Review: Television in Turkey: Local Production, Transnational Expansion, and Political Aspirations	0
Book Review: Homicide: Life on the Street	0
Book Review: Television Goes to the Movies	0
Book Review: Biographical Television Drama	0
Book Review: Transmedia/Genre: Rethinking Genre in a Multiplatform Culture	0
Editorial	0
‘Make sense of it’: Cult and complex TV fandoms, post-Truth discourse and an excess of meaning in Twin Peaks: Season 3	0
‘Nation shall speak peace unto nation’? The BBC and the nations	0
Book Review: Lesbians on Television: New Queer Visibility & the Lesbian Normal	0
Book Review: Audiovisual Content for Children and Adolescents in Scandinavia: Production, Distribution, and Reception in a Multiplatform Era	0
Book Review: Television before TV: New media and exhibition culture in Europe and the USA, 1928–1939	0
Government public relations, audiovisual communication and the informalisation of Sweden	0
Book Review: Transnational Korean Television: Cultural Storytelling and Digital Audiences	0
Book Review: Contemporary British Television Drama	0
The underground and end of geologic imaginations in the Finnish/Swedish TV Series White Wall	0
Book Review: Celebrity Chefs, Food Media and the Politics of Eating	0
Book Review: TV snapshots: An archive of everyday life	0
Book Review: Horrible White People: Gender, Genre, and Television’s Precarious Whiteness	0
Book Review: Indie TV: Industry, Aesthetics and Medium Specificity	0
The endeavour for political and professional freedom in Hungarian television during the 1956 October revolution	0
Book Review: Transnational Strategies and Digital Production Cultures at the NRK	0
Drama Out of a Crisis: A Celebration of Play for Today	0
Screening Greenland in Borgen—Power & Glory: The on- and off-screen contestedness of Arctic landscapes and locations	0
Book Review: Broadcasting for Wales: The Early Years of S4C	0
‘In on the ground floor’: Women and the early BBC television service, 1932–1939	0
‘How the Music was Made’: Television, musicology and BBC Four	0
Beyond stealing: The determinants/motivations of Czech audiences to pay for audiovisual content	0
Book Review: Fighting for the Future: Essays on Star Trek: Discovery	0
Book Review: Fanvids: Television, Women, and Home Media Re-Use	0
Televisual transformations: The making of (media) citizens in interventional television productions	0
Book Review: Woman Up: Invoking Feminism in Quality Television	0

Gay as cute: Unpacking cuteness in contemporary gay teen drama series	0
Book Review: Twilight Zone	0
Book Review: Television studies in Queer times	0
In the midst of the global and the local: Neo-Ottoman detectives of Filinta	0
Netflix’s high-end global telefantasy: Conspicuous and virtual localism	0
Deterritorialisation of Korean TV dramas in “Netflix Originals”: “We are living in the Squid Game world”	0
Book Review: Gender and Early Television. Mapping Women’s Role in Emerging US and British Media, 1850-1950	0
Memory, remembrance and nostalgia in Ken Burns’ The Vietnam War	0
Book Review: North East of England on Film and Television	0
Book Review: And Now for Something Completely Different: Critical Approaches to Monty Python	0
Book Review: Telenovelas and Transformation: Saving Brazil’s Television Industry	0
Book Review: Landcapes of Detectorists	0
Book Review: Reclaiming Popular Documentary	0
Book Review: Friends: A Reading of the Sitcom	0
Editorial	0
Book Review: Independent Women: From Film to Television	0
Editorial	0
Sheilas and the Beeb: How the BBC provided liberating pathways for ABC women in the early years of television	0
Interview with David Waine (1944–2021) Head of Network Production Centre/Head of Broadcasting, BBC Pebble Mill, 1983–1994	0
Book Review: Queerbaiting and Fandom: Teasing Fans Through Homoerotic Possibilities	0
A See change? The problematic (visual) politics of screening the Anthropocene	0
Reality television and the politics of mass surveillance in channel 4’s Hunted	0
From #AltErLove to #LoveIsLove: Transmedia formats, audience engagement and sexual diversity	0
Book Review: TV Antiquity: Swords, Sandals, Blood and Sand	0
‘Black Lives Have Always Mattered’: Cultural specificity and transformative representations in Small Axe	0
Why translations matter – An introduction to Critical Studies in Television’s new section ‘In Translation’	0
Book Review: Binge-Watching and Contemporary Television Studies	0
Book Review: Screen Plays: Theatre Plays on British Television	0
Bitesizes, battlegrounds and bedtimes: Children at the BBC	0
Book Review: Cinematic digital television: negotiating the nexus of production, reception and aesthetics	0
Autism spectrum disorder in contemporary American sitcoms: Narrative and social implication	0
Book Review: Between Habit and Thought in the New Serial Drama	0
Erratum to ‘Rooting’ the BBC: An interview with Rhodri Talfan Davies, Director of BBC Nations	0
Broadcasting change: An aerial overview of South African television debates in an age of constant transition	0
Book Review: The Early Years of Television and the BBC	0
Editorial	0
Book Review: Nordic Noir, Adaptation, Appropriation	0
Showcasing reality content on the front page: Comparing four services on the Danish video streaming market	0
Book Review: Geopolitics, Northern Europe, And Nordic Noir: What Television Series Tell Us About World Politics	0
Book Review: Netflix and Streaming Video: The Business of Subscriber-Funded Video on Demand	0
Book Review: The Aesthetics of Nostalgia TV: Production Design and the Boomer Era	0
Book Review: Period Drama	0
Book Review: Television and Repetition	0
Book Review: Heroes in Contemporary British Culture: Television Drama and Reflections of a Nation in Change	0
Medicalized reality weight-loss television and the negotiation of neoliberalism on My 600 Pound Life	0
Book Review: On Living with Television	0
Book Review: Her Stories: Daytime Soap Opera & US Television History	0
Book Review: Documentaries and China’s National Image	0
Book Review: Camp TV: Trans Gender Queer Sitcom History	0
Editorial	0
Book Review: Telly-Guillotined: How Television Changed India	0
Book Review: Sporting Realities. Critical Readings of the Sports Documentary	0
Book Review: From Telenovelas to Netflix: Transnational, Transverse Television in Latin America	0
The constructed quality of Israeli TV on Netflix: The cases of Fauda and Shtisel	0
Book Review: Special Issue of Journal of Popular Television on ‘Histories and new directions: Soap opera/serial narrative research’	0
‘I miss when my problems were about nothing’: Millennial angst, neoliberal feminism, and paratexts in Search Party (2016–2022)	0
Women and activism in the screen industries: a discussion prompted by Women’s Activism Behind the Screens: Trade Unions and Gender Inequality in the British Film and Television Industries	0
Awkwardness sells, but who’s buying? How students navigate awkward TV comedy series	0
Book Review: Joss Whedon	0