Critical Studies in Television

Article	Citations
The ‘Netflix Original’ and what it means for the production of European television content	27
The appisation of television: TV apps, discoverability and the software, device and platform ecologies of the internet era	19
Transnational co-production, multiplatform television andMy Brilliant Friend	18
The platformisation of public service broadcasting in Germany: The network ‘funk’ and the case of Druck/Skam Germany	13
Netflix original series, global audiences and discourses of streaming success	13
Youthification of television through online media: Production strategies and narrative choices in DRUCK/SKAM Germany	12
Generation Z’s screen culture: Understanding younger users’ behaviour in the television streaming age – The case of post-crisis Greece	10
Researching Binge-Watching	9
‘Youthification’ of drama through real-time storytelling: A production study ofblankand the legacy ofSKAM	8
Streaming difference(s): Netflix and the branding of diversity	7
‘Recommended for you’: A distant reading of BBC iPlayer	6
Co-creating content with children to avoid ‘Uncle Swag’: Strategies for producing public service television drama for tweens and teens at the Danish children’s channel DR Ultra	5
Adapt or die? How traditional Spanish TV broadcasters deal with the youth target in the new audio-visual ecosystem	4
The ‘youthification’ of television	4
Provocation: Why I want to talk television with global platform representatives	4
‘Queering’ TV, one character at a time: How audiences respond to gender-diverse TV series on social media platforms	4
‘Shoulda, Coulda, Woulda’: Young Swiss audiences’ attitudes, expectations and evaluations of audiovisual news and information content and the implications for public service television	4
Provocations, I: What do we need in a crisis? Broadcast TV!	4
Where did you go?! Trans-diegetic address and formal innovation in Phoebe Waller-Bridge’s television series Fleabag	3
Gender and age inequalities in television and news production culture in Poland: Ethnography in a public broadcasting company	3
The curation of European Netflix catalogues on social media: The key role of transnational and local cultural traits	3
A Class Act: An interview with Julie Hesmondhalgh on casting, representation and inclusion in British television drama	3
“The Popular Entertainment Side of Broadcasting Should Receive Much More Attention”: The BBC, Comedy, and Nation-Building at Home and Abroad	2
Strategic sisterhood and the girlfriend gaze: Representation of girlfriendship in the Chinese TV drama Ode to Joy	2
Book Review: An Analysis of Minute-by-Minute Television in Norway	2

Curation as methodological enhancement in researching production cultures behind screen content about displaced children in Europe	2
You get to stop him! Gendered violence and interactive witnessing in Netflix’sKimmy vs The Reverend	2
Introducing quantitative reception aesthetics: Television reception and textual engagement	2
‘Don’t let the bastards grind you down’: Feminist resilience/resilient feminism in The Handmaid’s Tale (Hulu, 2017–)	2
“Down-to-Earth TV dramas”: The reception of authenticity, reality, and modality in Danish TV dramas	2
‘You wonder ever if you’re a bad man?’: Toxic masculinity, paratexts and think pieces circulating around season one of HBO’sTrue Detective	2
Berlin as location and production site for transnational TV drama	2
Queen Sono: Netflix Original as postfeminist South African spy thriller	1
Editorial	1
Portuguese Soap Operas: A case study on the emergence of an original production culture	1
Upending the status quo: Power-sharing and community building inSchitt’s Creek	1
‘What are people watching in your area?’: Interrogating the role and reliability of the Netflix top 10 feature	1
‘Time to Ranch it Up!’: Ethics and satire in new media	1
Netflix, Spanish television, and La casa de papel: Growing global and local TV together in the multiplatform era	1
A perspective on BBC television news in India	1
Putting the black in Britain back on the BBC	1
‘SKAM Italiadid it again’. The multiple lives of a format adaptation from production to audience experience	1
Book Review: Twin Peaks	1
Book Review: Television and Totalitarianism in Czechoslovakia. From the First Democratic Republic to the Fall of Communism	1
Cultural pluralism and diversity on public television: An analysis of the use of sign language on the BBC and TVE	1
BBC Africa Eye and changing perceptions of Western media among Nigerian audiences	1
Dutch television studies and the reinvention of television as a medium in practice	1
Post-Nordic-noir landscapes: Competition through localisation in Finnish streaming media	1
Trans TV dossier, III: Trans TV re-evaluated, part 1	1
Drugs, Death, Denial and Cancer Care: Using Breaking Bad in the spiritual care of cancer patients	1
Graphic design, music and sound in the BBC’s channel idents, 1991–2021	1
Female representation in Netflix Global Original programming: A comparative analysis of 2019 drama series	1
Book Review: Online TV	1
Netflix and Over the Top Politics? The Mechanism TV series and the dynamics of entertainment intervention	1
Time and timing–A methodological perspective on production analysis	1
Banal Koreanness: National imagery in multicultural-themed television shows	1
Voices from the emptiness. Developing the agentic rural on Spanish television	1
An academic study of research literature on Czech television: The dawn of taking TV seriously	1
Transnational European Cultures of Production	1
Provocation, II: Not another article on the Wire: How hierarchies of gender undermine TV scholarship and lead to abuse	0
Editorial	0
Favourite books about the BBC: Archives, anecdotes, policies and programmes	0
‘Are we having fun yet?’: The Starz television network and Party Down as indie TV	0
Book Review: Sporting Realities. Critical Readings of the Sports Documentary	0
New scheduling strategies and production culture in public service television in the digital era: The case of DR and TV 2 in Denmark	0
Book Review: Camp TV: Trans Gender Queer Sitcom History	0
‘In on the ground floor’: Women and the early BBC television service, 1932–1939	0
Enraptured by this Glorious Media Landscape: Anne with an E and cross-platform coproduction	0
Book Review: On Living with Television	0
‘It was Bauhaus without realising we were Bauhaus:’ BBC women and Youth and Entertainment programming in the North	0
In the midst of the global and the local: Neo-Ottoman detectives of Filinta	0
‘Make sense of it’: Cult and complex TV fandoms, post-Truth discourse and an excess of meaning in Twin Peaks: Season 3	0
Bitesizes, battlegrounds and bedtimes: Children at the BBC	0
Book Review: Popularizing Japanese TV: The Cultural, Economic and Emotional Dimensions of Infotainment Discourse	0
Book Review: Television and the Genetic Imaginary	0

Producing zombie television: AMC, The Walking Dead, and the institutional dynamics of green-lighting hard-edged horror on cable	0
Editorial	0
Book Review: The Killing	0
Editorial	0
Medicalized reality weight-loss television and the negotiation of neoliberalism on My 600 Pound Life	0
Book Review: Exploring Television Acting	0
‘We shouldn’t let great art disappear into BBC Four’s cultural ghetto’: The impact of BBC Four on mainstream arts provision	0
Book Review: TV Antiquity: Swords, Sandals, Blood and Sand	0
Book Review: Telly-Guillotined: How Television Changed India	0
Analysing the melancholy of Nordic Noir as stimmung: Affective world-building in The Bridge	0
Book Review: Producing British Television Drama: Local Production in a Global Era	0
Book Review: Her Stories: Daytime Soap Opera & US Television History	0
Book Review: Their Own Best Creations: Women Writers in Postwar Television	0
Editorial	0
Book Review: Netflix Nations: The Geography of Digital Distribution	0
Editorial	0
Editorial	0
Book Review: The Pedagogy of Queer TV	0
Book Review: Netflix & the Re-invention of Television	0
Book Review: North East of England on Film and Television	0
The endeavour for political and professional freedom in Hungarian television during the 1956 October revolution	0
Editorial	0
Broadcasting and devolution: Radical future?	0
Erratum to ‘Rooting’ the BBC: An interview with Rhodri Talfan Davies, Director of BBC Nations	0
Book Review: The Early Years of Television and the BBC	0
Book Review: Reclaiming Popular Documentary	0
Book Review: Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars	0
A modern version of restoration comedy? Double entendre, objectification, fearful men and rakes manqué in the television work of Benny Hill	0
Book Review: Heroes in Contemporary British Culture: Television Drama and Reflections of a Nation in Change	0
Supporting children’s drama in the on demand age: Assessing the efficacy of forty years of Australian policy frameworks and funding schemes	0
Book Reviews: Convergent Chinese Television Industries: An Ethnography of Chinese Production Cultures	0
Book Review: From Telenovelas to Netflix: Transnational, Transverse Television in Latin America	0
Book Review: Remembering British Television: Audience, Archive and Industry	0
Book Review: Fighting for the Future: Essays on Star Trek: Discovery	0
Book Review: Transatlantic Television Drama: Industries, Programs, and Fans	0
Book Review: Geopolitics, Northern Europe, And Nordic Noir: What Television Series Tell Us About World Politics	0
BBC television news in the world: An introduction	0
Book Review: Biographical Television Drama	0
A future without homophobia? Gay men and personal responsibility in the Chilean telenovela Casa de Muñecos	0
Editorial	0
Book Review: Gender and Early Television. Mapping Women’s Role in Emerging US and British Media, 1850-1950	0
Book Review: Writings on Media: History of the Present	0
Autism spectrum disorder in contemporary American sitcoms: Narrative and social implication	0
Jill Craigie and the BBC: Postwar television, feminist histories and modern femininities	0
Editorial	0
Book Review: The Aesthetics of Nostalgia TV: Production Design and the Boomer Era	0
Book Review: Global TV Horror	0
‘Black Lives Have Always Mattered’: Cultural specificity and transformative representations in Small Axe	0
Editorial	0
Book Review: Gender and Seriality: Practices and Politics of Contemporary US Television	0
Book Review: Screening Characters: Theories of Character in Film, Television, and Interactive Media	0
Government public relations, audiovisual communication and the informalisation of Sweden	0
PackagingHouse of CardsandThe Knick: How talent intermediaries manage the indie-auteur brand to sell premium television	0
Book Review: Television and the Afghan Culture Wars Brought to You by Foreigners, Warlords, and Activists	0
Book Review: Special Issue of Journal of Popular Television on ‘Histories and new directions: Soap opera/serial narrative research’	0
Book Review: Documentaries and China’s National Image	0
Crossing the Borders of Queer TV: Depictions of migration and (im)mobility in contemporary LGBTQ television	0
Poorly paid, but proud to work in teams producing ‘quality’: An oral history of women’s experiences working in BBC drama	0
Book Review: Between Habit and Thought in the New Serial Drama	0
‘That’s good’: An industrial, ethics-focused analysis of the televised works of Anthony Bourdain	0
Book Review: Netflix and Streaming Video: The Business of Subscriber-Funded Video on Demand	0
Book Review: Watching Game of Thrones: How Audiences Engage with Dark Television	0
Child’s play: Addressing the young Cold War audience in Captain Video and His Video Rangers (1949–1955)	0
The Last Broadcast: Reflections on the life and legacy of BBC Four	0
Book Review: Independent Women: From Film to Television	0
Book Review: Imagining Politics: Interpretations in Political Science and Political Television	0
Introduction: Trans TV dossier, III: Trans TV re-evaluated, part 2	0
Let the people speak – The Community Programmes Unit 1972–2002	0
Drama Out of a Crisis: A Celebration of Play for Today	0
Book Review: Television Goes to the Movies	0
Book Review: And Now for Something Completely Different: Critical Approaches to Monty Python	0
Book Review: A European television fiction renaissance: Premium production models and transnational circulation	0
Book Review: Hands on Media History. A New Methodology in the Humanities and Social Sciences	0
Book Review: Radical Mainstream: Independent Film, Video & TV in Britain 1974-1990	0
Deterritorialisation of Korean TV dramas in “Netflix Originals”: “We are living in the Squid Game world”	0
History and Place in Television Drama: Liverpool in Cilla and Boys From the Blackstuff	0
Memory, remembrance and nostalgia in Ken Burns’ The Vietnam War	0
Reality television and the politics of mass surveillance in channel 4’s Hunted	0
Book Review: Danish Television Drama: Global Lessons from a Small Nation	0
Book Review: Gladiators in Suits: Race, Gender, and the Politics of Representation in Scandal; Becoming: Genre, Queerness, and Transformation in NBC’s Hannibal	0

Book Review: Celebrity Chefs, Food Media and the Politics of Eating	0
Televisual transformations: The making of (media) citizens in interventional television productions	0
Book Review: Landcapes of Detectorists	0
Women and activism in the screen industries: a discussion prompted byWomen’s Activism Behind the Screens:Trade Unions and Gender Inequality in the British Film and Television Industriesb	0
‘How the Music was Made’: Television, musicology and BBC Four	0
Cultural Diversity in Internationally Coproduced High-end Drama	0
Book Review: Broadcasting for Wales: The Early Years of S4C	0
Book Review: Television in Turkey: Local Production, Transnational Expansion, and Political Aspirations	0
‘Common Sense Slimming’ - How the contribution of Joan Robins, television’s ‘afternoon cook’, was not the perfect-fit for the culture of the BBC in the 1950s	0
Book Review: Horrible White People: Gender, Genre, and Television’s Precarious Whiteness	0
Book Review: Fanvids: Television, Women, and Home Media Re-Use	0
Book Review: Seeing by Electricity: The Emergence of Television, 1878-1939	0
Book Review: Binge-Watching and Contemporary Television Studies	0
‘What do you think it is that makes them who they are’? The connections between Latinx stereotypes, claims of white difference, and characters’ deaths inBreaking Bad	0
Book Review: TV snapshots: An archive of everyday life	0
Positive masculinity or toxic positivity? Apple TV+’s Ted Lasso as a capitalist utopia	0
Book Review: European Television Crime Drama and Beyond	0
Book Review: Nordic Noir, Adaptation, Appropriation	0
‘Nation shall speak peace unto nation’? The BBC and the nations	0
Book Review: Queerbaiting and Fandom: Teasing Fans Through Homoerotic Possibilities	0
From traditional regionalism to national distinction: German television co-productions through time	0
Book Review: Friends: A Reading of the Sitcom	0
Editorial	0
Book Review: The Television Code: Regulating the Screen to Safeguard the Industry	0
Book Review: Women in Neoliberal Postfeminist Television Drama: Representing Gendered Experiences of the Second World War	0
Book Review: Telenovelas and Transformation: Saving Brazil’s Television Industry	0
The constructed quality of Israeli TV on Netflix: The cases of Fauda and Shtisel	0
TV drama production studios of Istanbul: From empty sound stages to standing sets	0
Book Review: Serial Pinboarding in Contemporary Television	0
Book Review: Television Comedy and Femininity: Queering Gender	0
Book Review: Twilight Zone	0
Book Review: Television’s Spatial Capital Location, Relocation, Dislocation	0
Book Review: Joss Whedon	0
Book Review: Homicide: Life on the Street	0
Awkwardness sells, but who’s buying? How students navigate awkward TV comedy series	0
Editorial	0
Beyond stealing: The determinants/motivations of Czech audiences to pay for audiovisual content	0
Following the recipe: ProducingThe Great British Bake Offin Flanders	0
Book Review: Television and the Embodied Viewer: Affect and Meaning in the Digital Age	0
Broadcasting change: An aerial overview of South African television debates in an age of constant transition	0
Book Review: Down in Treme; Race, Place and New Orleans on Television	0
Book Review: Birth of the Binge: Serial TV and the End of Leisure	0
Book Review: The Golden Girls	0
Interview with David Waine (1944–2021) Head of Network Production Centre/Head of Broadcasting, BBC Pebble Mill, 1983–1994	0
Book Review: Woman Up: Invoking Feminism in Quality Television	0
Book Review: Inside Reality TV: Producing Race, Gender, and Sexuality on Big Brother	0
Why translations matter – An introduction to Critical Studies in Television’s new section ‘In Translation’	0
‘Rooting’ the BBC: An interview with Rhodri Talfan Davies, Director of BBC Nations	0
On the harsh realities of researching television in Poland: Traditions, obstacles and perspectives	0
Sheilas and the Beeb: How the BBC provided liberating pathways for ABC women in the early years of television	0
Binge-watching and mental illness versus comfort TV and mental health in WandaVision	0
Book Review: Figures of Time: Affect and the Television of Preemption	0
Grace Wyndham Goldie at the BBC: Reappraising the ‘first lady of television’	0
Book Review: Television before TV: New media and exhibition culture in Europe and the USA, 1928–1939	0
Book Review: Moments in Television: Complexity/simplicity	0
Book Review: Transnational Strategies and Digital Production Cultures at the NRK	0
Book Review: Breaking Bad and Cinematic Television	0
‘I miss when my problems were about nothing’: Millennial angst, neoliberal feminism, and paratexts in Search Party (2016–2022)	0
Creating (in) the Arctic: Investigating collaboration and location through a case study of the Arctic noir serial Thin Ice	0
Book Review: You’re Nicked: Investigating British Television Police Series	0
‘The Custodian of the BBC Archives’: The future of BBC Four as an archive channel	0
Book Review: Contemporary British Television Drama	0
Finding words: Aesthetic criticism and television	0
Book Review: Joss Whedon vs. The Horror Tradition: The Production of Genre in Buffy and Beyond	0
Book Review: Lesbians on Television: New Queer Visibility & the Lesbian Normal	0
Television will archive itself: Channel 4’s role in revalorising ‘old’ TV	0