Animation-An Interdisciplinary Journal

Papers
(The TQCC of Animation-An Interdisciplinary Journal is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Contemporizing the National Style in Chinese Animation: The Case ofNezha(2019)10
The Animated Document: Animation’s Dual Indexicality in Mixed Realities7
Is the YouTube Animation Algorithm-Friendly? How YouTube’s Algorithm Influences the Evolution of Animation Production on the Internet5
Reviewing and Updating the 12 Principles of Animation3
Situating Netflix’s Original Adult Animation: Observing Taste Cultures and the Legacies of ‘Quality’ Television throughBoJack HorsemanandBig Mouth3
Hanna-Barbera’s Cacophony: Sound Effects and the Production of Movement3
The Animation of Gamers and the Gamers as Animators in Sierra On-Line’s Adventure Games2
The Demon Child and His Modern Fate: Reconstructing the Nezha Myth in Animated Fabulation2
A View of the Definition, Origination and Development of the Term ‘Chinese School of Animation’2
‘I don’t have a skull… Or bones’: Minor Characters in Disney Animation2
The Ever-Expanding Scope of Animation Historiography: A Discussion of Interdisciplinary Approaches and Methods2
Discovering Animation Manuals: Their Place and Role in the History of Animation1
A Study of the Influence of Music on Audiences’ Cognition of Animation1
Crowdfunding as a Catalyst for Contemporary Chinese Animation1
The Afterlife as Emotional Utopia in Coco1
Breaking The Stack: Understanding Videogame Animation through Tool-Assisted Speedruns1
Batman and the World of Tomorrow: Yesterday’s Technological Future in the Animated Film Batman: Mask of the Phantasm1
Reanimating the History and the Forgotten Characteristics of the Zoetrope1
Music, Memory and Narrative: The Art of Telling in Tale of Tales1
Plasmatic and Metamorphic Movement: The Materiality of the Moving Idea1
Grains of Sound: Visual and Sonic Textures inSand or Peter and the Wolf1
‘Tones from Out of Nowhere’ and Other Non-sensedness: Re-membering the Synthetic Sound Films of Oskar Fischinger and Làszló Moholy-Nagy1
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