OOIR: Observatory of International Research

Papers

(The median citation count of Animation-An Interdisciplinary Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)

Article	Citations
Contemporizing the National Style in Chinese Animation: The Case ofNezha(2019)	9
The Animated Document: Animation’s Dual Indexicality in Mixed Realities	7
Is the YouTube Animation Algorithm-Friendly? How YouTube’s Algorithm Influences the Evolution of Animation Production on the Internet	5
Phytograms: Rebuilding Human–Plant Affiliations	4
Reviewing and Updating the 12 Principles of Animation	3
Situating Netflix’s Original Adult Animation: Observing Taste Cultures and the Legacies of ‘Quality’ Television throughBoJack HorsemanandBig Mouth	3
Book review: Pervasive Animation	2
Reanimating the Dark Knight: Superheroes, Animation and the Critical Reception ofThe Lego Batman Movie	2
The Demon Child and His Modern Fate: Reconstructing the Nezha Myth in Animated Fabulation	2
The Animation of Gamers and the Gamers as Animators in Sierra On-Line’s Adventure Games	2
The Ever-Expanding Scope of Animation Historiography: A Discussion of Interdisciplinary Approaches and Methods	2
‘I don’t have a skull… Or bones’: Minor Characters in Disney Animation	2
The Golden Age of Spanish Animation (1939–1951)	2
Hanna-Barbera’s Cacophony: Sound Effects and the Production of Movement	2
Plasmatic and Metamorphic Movement: The Materiality of the Moving Idea	1
Batman and the World of Tomorrow: Yesterday’s Technological Future in the Animated Film Batman: Mask of the Phantasm	1
A View of the Definition, Origination and Development of the Term ‘Chinese School of Animation’	1
The Afterlife as Emotional Utopia in Coco	1
Breaking The Stack: Understanding Videogame Animation through Tool-Assisted Speedruns	1
Grains of Sound: Visual and Sonic Textures inSand or Peter and the Wolf	1
Reanimating the History and the Forgotten Characteristics of the Zoetrope	1
Music, Memory and Narrative: The Art of Telling in Tale of Tales	1
Discovering Animation Manuals: Their Place and Role in the History of Animation	1
A Study of the Influence of Music on Audiences’ Cognition of Animation	1
Crowdfunding as a Catalyst for Contemporary Chinese Animation	1

‘Tones from Out of Nowhere’ and Other Non-sensedness: Re-membering the Synthetic Sound Films of Oskar Fischinger and Làszló Moholy-Nagy	1
Editorial	0
Book review: Hayao Miyazaki: Exploring the Early Work of Japan’s Greatest Animator	0
Corrigendum to Editorial	0
Towards a Conceptual Framework for Abstracted Animation Derived from Motion Captured Movements	0
From ‘Trucfilm’ to ‘Animatiefilm’: How the Emergence of Animation as a New Artistic Form Is Reflected in Dutch Terminology	0
Onomatopoeia, Sound Effects and Humour in Japanese Anime and US Animation Films and Television	0
Book review: Pulses of Abstraction: Episodes from a History of Animation	0
Book review: Teaching Japanese Popular Culture	0
Between Art and Propaganda: The Rise of Polish Animation 1946–1956	0
Book review: The Queens of Animation: The Untold Story of the Women Who Transformed the World of Disney and Made Cinematic History	0
Across the Traces: Lawrence Jordan’s Animated Documents	0
Animating Goethe	0
Cosmic Zoom, Powers of Ten and the Contested Politics of Sense	0
Approaching Reflexivity in Animated Documentary through a Spatial Taxonomy: An Analysis of Polonia (2023)	0
The Reconstructed History of the Foundation of the Chinese School of Animation: A Textual Criticism on the ‘Crow Incident’	0
Far from Houdini: The ‘Magic’ of the VFX Breakdown	0
Showing How They Made Them Move: Early Making-of Documentaries on the Production of Animated Films	0
Book review: Aardman Animations: Beyond Stop-Motion	0
Animating Management: Nonlinear Simulation and Management Theory at Pixar	0
Scotland’s History of Animation: An Exploratory Account of the Key Figures and Influential Events	0
Book review: The Animation Studies Reader	0
The Classical Animated Documentary and Its Contemporary Evolution	0
Implausible Possibility: Freedom and Realism in Live-Action/Animated Gag Comedies	0
‘The Blackest Disney Movie of All Time!’: A Goofy Movie and the Production of ‘Film Blackness’	0
Book review: Playful Visions: Optical Toys and the Emergence of Children’s Media Culture	0
The Discourse of Independent Animation in the Contemporary Chinese Context	0
Introduction to the Special Issue: New Perspectives on Animation Historiography	0
Editorial	0
An Age of Splendour for Contemporary Spanish Animation: Evolution of an Industry Over the Last Four Decades	0
‘One Out of Harmony with Her Own Time’: Lotte Reiniger, Anachronism and Doing Animation History through Film Society Reconstruction	0
Modernism and Discourses on Animation in 1930s Portugal: The Case of José de Almada Negreiros	0
Book review: Metalepsis in Animation: Paradoxical Transgressions of Ontological Levels	0
Making Sense of Complex Narration in Perfect Blue	0
Book review: From Mouse Deer to Mouse: 70 Years of Malaysian Animation	0
Achronologies, Materiality and Mechanics of Time in Optical Moving Image Systems	0
Book review: Batman: The Animated Series	0
Para-animation in Practice and Theory: The Animateur, the Embodied Gesture and Enchantment	0
Animated Film and Socialist Realism in Poland, 1949–1955	0
Chained Animation: Collaborative Forms of Filmmaking in Education	0
Animation of Experiment: The Science Education Film and Useful Animation in China	0
Editorial	0
From Songfilms to Telecomics: Vallée Video and the New Market for Postwar Animation	0
Editorial	0
Editorial	0
Editorial	0
The Korean Socio-Political Context of the 1970s in Robot Taekwon V (1976)	0
Useful Animation: Iconography, Infrastructure and Impact	0
The Kraft of Labour, Labour as Craft: Hayao Miyazaki’s Images of Work	0
Reanimating the Master Narrative: How They Shall Not Grow Old Curates the Perception of Common Truth through CGI Animation	0

Experiments in Hybrid Documentary and Indigenous Model Animation	0
Editorial	0
A Modular Genre? Problems in the Reception of the Post-Miyazaki ‘Ghibli Film’	0
Editorial	0
Walt’s Art History: Late Style, Digital Aesthetics and the ‘Disney Baroque’	0
Quentin Tarantino’s Cartoon Violence	0
Imaginative Animated Non-Fiction: Educating Adults about Child Soldiers	0
Editorial	0
Editorial	0
Virtual Production and the Transformation of Cameras Mechanical, Virtual, and Actual	0
Book review: Fantasy/Animation: Connections between Media, Mediums and Genres	0
Animating for Interactivity: The Walk Cycles of Prince of Persia (1989) and Ninja Gaiden (1988)	0
Book review: Norman McLaren: Between the Frames	0
Editorial	0