Animation-An Interdisciplinary Journal

Papers
(The median citation count of Animation-An Interdisciplinary Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Music, Memory and Narrative: The Art of Telling in Tale of Tales8
Disney’s Wagner Aesthetic: Music Drama in Pursuit of the Total Artwork8
Editorial6
Formal Education of Animation Workers in Czechoslovakia: The Case of the Cabinet of Animation at FAMU (1987–1991)6
Editorial5
Dematerialization and Digital Ink-Painting Aesthetics in Contemporary Chinese Animation: Redefining the ‘National Style’ in Deep Sea (2023)3
Cross-species Perception and Ecological Disposition in Animation3
Exploring British Sign Language (BSL) Terminology in Animation and Games3
From Ancient Zhiguai Tales to Contemporary Animation: A Study of Visual Rhetoric in ‘Yao-Chinese Folktales’ (2023)3
Animating Embodied Memories: An Inquiry into Medium-Specificity of Animation in Greatness Code (2020)2
Book review: Contemporary Disney Animation: Genre, Gender and Hollywood BenhamouEve, Contemporary Disney Animation: Genre, Gender and Hollywood. Edinburgh: Edinburgh University Press, 2022. 264 pp. IS2
Decoding Posthuman Imagination in Mediated Space: Tian Xiaolei’s Chinese Contemporary Experimental Animation2
Together at a Different Pace: Career Paths and Production Capacities in Czechoslovak and Polish Animation, 1945–19891
Book review: Animated Encounters: Transnational Movements of Chinese Animation, 1940s–1970s DuDaisy Yan, Animated Encounters: Transnational Movements of Chinese Animation, 1940s–1970s. Honolulu: Unive1
Editorial1
Achronologies, Materiality and Mechanics of Time in Optical Moving Image Systems1
The Reconstructed History of the Foundation of the Chinese School of Animation: A Textual Criticism on the ‘Crow Incident’1
Editorial1
Imaginative Animated Non-Fiction: Educating Adults about Child Soldiers1
Animating for Interactivity: The Walk Cycles of Prince of Persia (1989) and Ninja Gaiden (1988)1
Animating Goethe1
Bracing the Opportunities in the Nigerian Animation Industry: Unlocking the Challenging Phase1
Book review: Narodziny i rozkwit Polskiej Rzeczypospolitej Mangowej (The Birth and Flowering of the Polish Manga Republic)1
Book review: Chinese Animation and Socialism: From Animators’ Perspectives DuDaisy Yan (ed.) Chinese Animation and Socialism: From Animators’ Perspectives. Leiden: Brill, 2022. 299pp. ISBN: 97890044991
Editorial1
Reanimating the Master Narrative: How They Shall Not Grow Old Curates the Perception of Common Truth through CGI Animation1
Book review: Animated Film and Disability: Cripping Spectatorship GreenbergSlava, Animated Film and Disability: Cripping Spectatorship. Indiana University Press, 2023. 228 pp.: ISBN 0253064503$28.00 (1
Editorial1
Book review: Coraline: A Closer Look at Studio LAIKA’s Stop-Motion Witchcraft0
Rolling Boil: A Geopolitical Labor History of the Rotoscope0
Book review: Chinese Animation: Multiplicities in Motion DuDaisy YanCrespiJohn A.WangYiman, Chinese Animation: Multiplicities in Motion. Cambridge, MA: Harvard University Asia Center, 2025: 467 pp.: I0
The Phenomenology of Animation0
Between Art and Propaganda: The Rise of Polish Animation 1946–19560
Editorial0
The Demon Child and His Modern Fate: Reconstructing the Nezha Myth in Animated Fabulation0
A View of the Definition, Origination and Development of the Term ‘Chinese School of Animation’0
Book review: 六个面和一个回声——中国美术电影叙事研究 (Six Dimensions and an Echo: Narration in the Chinese Animated Film)0
Chan Aesthetics in Chinese Animation0
Animation of Experiment: The Science Education Film and Useful Animation in China0
Approaching Reflexivity in Animated Documentary through a Spatial Taxonomy: An Analysis of Polonia (2023)0
‘Boys and girls of every age. Wouldn’t you like to see something strange?’ Uncanniness and The Nightmare Before Christmas0
Exploring the Viewer’s Role in Narrative-Based Animated Virtual Reality Experiences: Strategies for Role Activation and Immersive Storytelling0
Laborious Aesthetics: Visible and Invisible Labor in the Spider-Verse franchise0
Far from Houdini: The ‘Magic’ of the VFX Breakdown0
Para-animation in Practice and Theory: The Animateur, the Embodied Gesture and Enchantment0
Editorial0
Implausible Possibility: Freedom and Realism in Live-Action/Animated Gag Comedies0
Outer Worlds: Animated Documentary and Critical Realism0
Editorial0
Narrating Fabrics: Nostalgia in Animated Puppets’ Skin0
Queer Representations in Motion: Documenting Identity through Animation0
Book review: Anime’s Identity: Performativity and Form Beyond Japan SuanStevie, Anime’s Identity: Performativity and Form Beyond Japan.Minneapolis: University of Minnesota Press, 2021. 382 pp. ISBN: 90
Barthes on Steinberg: Panorama, Play, Paradox0
Book review: Pulses of Abstraction: Episodes from a History of Animation0
Book review: Affect and Embodied Meaning in Animation0
Book review: Adaptation for Animation: Transforming Literature Frame by Frame RallHannes, Adaptation for Animation: Transforming Literature Frame by Frame. Taylor & Francis Group, 2020.0
Dichotomies of Control: Animated Labour, Stoic Philosophy, and the Animatronic0
Cosmic Zoom, Powers of Ten and the Contested Politics of Sense0
Book review: Arab Animation: Images of Identity SayfoOmar, Arab Animation: Images of Identity. Edinburgh University Press, 2023: 288 pp. ISBN 978 1 4744 7949 3.0
Editorial0
Book review: Émile Reynaud, Nouveaux Regards RoffatSébastienSaerensSylvieVimenetPascal (eds), Émile Reynaud, Nouveaux Regards. Paris: l’Harmattan, Cinémas d’animations, 2023. 269 pp. ISBN: 978214032030
The Classical Animated Documentary and Its Contemporary Evolution0
Pixar’s Inside Out as a Critique of Disney: Self-alienation and the Culture Industry0
Receiving the Classics: The Curation of Ink Painting Animation in the Early People’s Republic of China0
Walt’s Art History: Late Style, Digital Aesthetics and the ‘Disney Baroque’0
Onomatopoeia, Sound Effects and Humour in Japanese Anime and US Animation Films and Television0
Overcoming the Limits: Zbigniew Rybczyński’s ‘Celluloid Period’ Revisited0
Tones in the Aesthetic Transition from Disney 2D Animated Features to Their ‘Live-Action’ Remakes: Humour vs. Seriousness0
Posthumanism in Recently Animated Adaptations of Chinese Literary Classics0
Posthumous Portraits in Motion: Experimental Animation, Metamorphosis and Reflections on Mortality0
Useful Animation: Iconography, Infrastructure and Impact0
Raising Children for the Communist Party: The Shanghai Animation Film Studio’s Infantilized Style (1950s–1980s)0
Editorial0
An Age of Splendour for Contemporary Spanish Animation: Evolution of an Industry Over the Last Four Decades0
The Repressed, the Forgotten, and the Historical Continuity: On the Two Gaps in the Academic History of the Chinese School of Animation0
Mirosław Kijowicz: Artist versus Production Control System0
The ‘Skills Gap’ in the Animation/VFX Industry in Scotland0
Alive and Lifelike: Theatricality and Animation (through Duck Amuck)0
Modernist Post-Humanism: The Dialectic of Human Automation and Non-Human Animation in the Quay Brothers’ Street of Crocodiles0
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