Animation-An Interdisciplinary Journal

Papers
(The median citation count of Animation-An Interdisciplinary Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Music, Memory and Narrative: The Art of Telling in Tale of Tales13
Cross-species Perception and Ecological Disposition in Animation4
Disney’s Wagner Aesthetic: Music Drama in Pursuit of the Total Artwork4
Book review: From Mouse Deer to Mouse: 70 Years of Malaysian Animation4
Dematerialization and Digital Ink-Painting Aesthetics in Contemporary Chinese Animation: Redefining the ‘National Style’ in Deep Sea (2023)3
From Ancient Zhiguai Tales to Contemporary Animation: A Study of Visual Rhetoric in ‘Yao-Chinese Folktales’ (2023)3
‘One Out of Harmony with Her Own Time’: Lotte Reiniger, Anachronism and Doing Animation History through Film Society Reconstruction3
Editorial3
Book review: The Queens of Animation: The Untold Story of the Women Who Transformed the World of Disney and Made Cinematic History2
Scotland’s History of Animation: An Exploratory Account of the Key Figures and Influential Events2
Plasmatic and Metamorphic Movement: The Materiality of the Moving Idea2
Achronologies, Materiality and Mechanics of Time in Optical Moving Image Systems2
Animating Goethe2
The Reconstructed History of the Foundation of the Chinese School of Animation: A Textual Criticism on the ‘Crow Incident’1
Editorial1
‘The Blackest Disney Movie of All Time!’: A Goofy Movie and the Production of ‘Film Blackness’1
Editorial1
Bracing the Opportunities in the Nigerian Animation Industry: Unlocking the Challenging Phase1
Book review: Narodziny i rozkwit Polskiej Rzeczypospolitej Mangowej (The Birth and Flowering of the Polish Manga Republic)1
Imaginative Animated Non-Fiction: Educating Adults about Child Soldiers1
Animated Film and Socialist Realism in Poland, 1949–19551
Editorial1
Reanimating the Master Narrative: How They Shall Not Grow Old Curates the Perception of Common Truth through CGI Animation1
Discovering Animation Manuals: Their Place and Role in the History of Animation1
Animating for Interactivity: The Walk Cycles of Prince of Persia (1989) and Ninja Gaiden (1988)1
Book review: Animated Encounters: Transnational Movements of Chinese Animation, 1940s–1970s DuDaisy Yan, Animated Encounters: Transnational Movements of Chinese Animation, 1940s–1970s. Honolulu: Unive1
Raising Children for the Communist Party: The Shanghai Animation Film Studio’s Infantilized Style (1950s–1980s)0
Editorial0
Book review: 六个面和一个回声——中国美术电影叙事研究 (Six Dimensions and an Echo: Narration in the Chinese Animated Film)0
The Animation of Gamers and the Gamers as Animators in Sierra On-Line’s Adventure Games0
An Age of Splendour for Contemporary Spanish Animation: Evolution of an Industry Over the Last Four Decades0
Editorial0
Book review: Aardman Animations: Beyond Stop-Motion0
Posthumanism in Recently Animated Adaptations of Chinese Literary Classics0
Book review: Metalepsis in Animation: Paradoxical Transgressions of Ontological Levels0
Animation of Experiment: The Science Education Film and Useful Animation in China0
Contemporizing the National Style in Chinese Animation: The Case of Nezha (2019)0
Editorial0
Introduction to the Special Issue: New Perspectives on Animation Historiography0
Quentin Tarantino’s Cartoon Violence0
‘Boys and girls of every age. Wouldn’t you like to see something strange?’ Uncanniness and The Nightmare Before Christmas0
Laborious Aesthetics: Visible and Invisible Labor in the Spider-Verse franchise0
Breaking The Stack: Understanding Videogame Animation through Tool-Assisted Speedruns0
Editorial0
Editorial0
Showing How They Made Them Move: Early Making-of Documentaries on the Production of Animated Films0
The Kraft of Labour, Labour as Craft: Hayao Miyazaki’s Images of Work0
The Discourse of Independent Animation in the Contemporary Chinese Context0
The Phenomenology of Animation0
Book review: Affect and Embodied Meaning in Animation0
Walt’s Art History: Late Style, Digital Aesthetics and the ‘Disney Baroque’0
Modernism and Discourses on Animation in 1930s Portugal: The Case of José de Almada Negreiros0
Approaching Reflexivity in Animated Documentary through a Spatial Taxonomy: An Analysis of Polonia (2023)0
Between Art and Propaganda: The Rise of Polish Animation 1946–19560
Chained Animation: Collaborative Forms of Filmmaking in Education0
The Ever-Expanding Scope of Animation Historiography: A Discussion of Interdisciplinary Approaches and Methods0
Book review: Pulses of Abstraction: Episodes from a History of Animation0
Posthumous Portraits in Motion: Experimental Animation, Metamorphosis and Reflections on Mortality0
Editorial0
Reanimating the History and the Forgotten Characteristics of the Zoetrope0
Towards a Conceptual Framework for Abstracted Animation Derived from Motion Captured Movements0
Experiments in Hybrid Documentary and Indigenous Model Animation0
Para-animation in Practice and Theory: The Animateur, the Embodied Gesture and Enchantment0
‘I don’t have a skull… Or bones’: Minor Characters in Disney Animation0
Book review: Batman: The Animated Series0
Editorial0
Book review: Playful Visions: Optical Toys and the Emergence of Children’s Media Culture0
Virtual Production and the Transformation of Cameras Mechanical, Virtual, and Actual0
A Study of the Influence of Music on Audiences’ Cognition of Animation0
Onomatopoeia, Sound Effects and Humour in Japanese Anime and US Animation Films and Television0
Implausible Possibility: Freedom and Realism in Live-Action/Animated Gag Comedies0
Narrating Fabrics: Nostalgia in Animated Puppets’ Skin0
A Modular Genre? Problems in the Reception of the Post-Miyazaki ‘Ghibli Film’0
Grains of Sound: Visual and Sonic Textures in Sand or Peter and the Wolf0
Hanna-Barbera’s Cacophony: Sound Effects and the Production of Movement0
A View of the Definition, Origination and Development of the Term ‘Chinese School of Animation’0
The Demon Child and His Modern Fate: Reconstructing the Nezha Myth in Animated Fabulation0
Book review: Coraline: A Closer Look at Studio LAIKA’s Stop-Motion Witchcraft0
From ‘Trucfilm’ to ‘Animatiefilm’: How the Emergence of Animation as a New Artistic Form Is Reflected in Dutch Terminology0
Cosmic Zoom, Powers of Ten and the Contested Politics of Sense0
Far from Houdini: The ‘Magic’ of the VFX Breakdown0
Exploring the Viewer’s Role in Narrative-Based Animated Virtual Reality Experiences: Strategies for Role Activation and Immersive Storytelling0
Corrigendum to Editorial0
The Classical Animated Documentary and Its Contemporary Evolution0
The ‘Skills Gap’ in the Animation/VFX Industry in Scotland0
Useful Animation: Iconography, Infrastructure and Impact0
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