OOIR: Observatory of International Research

Papers

(The TQCC of Early Popular Visual Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)

Article	Citations
Film exhibition for indigenous people in Soviet Siberia: ‘cinema-coming’ and political enlightenment in the red yurt	2
An irregular fellow: the misogynist in silent comedy	1
The dainty: the aesthetics of female film stardom in the transitional period	1
Mozgó fényképek. The scandal and debate around moving images in early Hungarian cinema	1
Antonia Dickson: The kineto-phonograph and the telephony of the future	1
Early photographic federations and the pursuit of collaborative education	1
Imagining British film beauty: gender and national identity in 1920s ‘star search’ contests	1
“Please the women or die”: silent cinema and the construction of female desire	1
Visions of electric media: television in the Victorian and machine ages	0
Early cinema in Asia	0
That Devil’s Trick: hypnotism and the Victorian popular imagination	0
The cinematographic activities of Charles Rider Noble and John MacKenzie in the Balkans (volume two)	0
Cultural syncretism: an investigative study of nineteenth century Sikh Fresco paintings in Baba Sir Khem Singh Bedi’s Haveli in Punjab/Pakistan	0
The Man Who Invented Motion Pictures: a true tale of obsession, murder, and the movies	0
Doing Experimental Media Archaeology: Theory Doing Experimental Media Archaeology: Theory , by Andreas Fickers and Annie van den Oever, De Gruyter Oldenbourg: Berlin, Bo	0
Victorian negatives: literary culture and the dark side of photography in the nineteenth century	0
Transfixed by prehistory: an inquiry into modern art and time	0
Robert Paul and the origins of British cinema	0
Contemplating imperialism: early film reenactments of the South African War	0
Camera negatives, releases, and versions of Charlie Chaplin’s Shoulder Arms (1918)	0
An archeological survey - the Norden collection at the cinema museum	0
Drawing time: Winsor McCay’s lightning sketches on stage and screen	0
The grammar of typography: The Printers’ International Specimen Exchange and Victorian letterpress design reform	0
The Gender of Early Cinema	0
Between the scene and the silver screen: early Romanian cinema and the rediscovery of the ‘lost’ woman film pioneer Marioara Voiculescu	0

Cinema’s original sin: D. W. Griffith, American racism, and the rise of film culture Cinema’s original sin: D. W. Griffith, American racism, and the rise of film culture	0
A companion to D. W. Griffith	0
Robb Wilton’s datebook, 1943–1956	0
Screenwriting teachers 1910–1922: origins, contribution and legacy	0
Generic overlap as a mode of (social) production in Portuguese silent non-fiction film: the case of A Covilhã Industrial, Pitoresca e seus Arredores (1921)	0
Physical culture, posing, and the medium of fitness magazines	0
Méliès – léger d’écran	0
Provenance and early cinema	0
Boarding house blues	0
In Northcliffe Jail: Iris Barry, film journalist	0
Motionless pictures: the waiting public in popular American visual culture, 1870-1930	0
Victorian photography, literature, and the invention of modern memory: already the past	0
Cinema on the Front Line: British Soldiers and Cinema in the First World War	0
The early years of television and the BBC	0
Painting words: aesthetics and the relationship between image and text	0
Women at the wheel: female management and workforce at the nineteenth-century funfair	0
Japonisme and the birth of cinema	0
Speculative landscapes: American art and real estate in the nineteenth century Speculative landscapes: American art and real estate in the nineteenth century , by Ross B	0
Asta Nielsen film trade in Great Britain: pioneering the exclusive long feature star series before the First World War	0
‘A window of the world’: itinerant silent cinemas in rural Australia	0
‘In the world of movies and talkies’: Hollywood in the Yiddish Forverts , 1920-1935	0
Sapho Kiss: Queer Reproduction in Early Cinema	0
Deploying ‘all[-]important moments’: seeing time in Duke University’s collections of early North American advertisements	0
Class, stardom and film: how early film stars were portrayed in The Red Letter	0
Bringing the world to the child. Technologies of global citizenship in American education	0
Lost literacies: experiments in the nineteenth-century US comic strip	0
Proto-cinephilia: retheorizing working class women’s moviegoing pre-1920	0
Queer Timing: The Emergence of Lesbian Sexuality in Early Cinema	0
ReFocus: the films of Paul Leni	0
The picture postcard: a new window into Edwardian Ireland	0
The Victorian idyll in art and literature: subject, ecology, form	0
Movie Mavens: US newspaperwomen take on the movies, 1914-1923	0
Working on marginalised cinema audiences with the Jewish historical press website: illustrated on the quest for Jewish patrons of the palace venue in 1920s Warsaw	0
Adrian Brunel and British cinema of the 1920s: the artist versus the moneybags Adrian Brunel and British cinema of the 1920s: the artist versus the moneybags , by Joseph	0
Ireland Bros.’ Pan-American Electric Carnival: Canadians’ border-crossing circuits of early cinema	0
A million pictures: magic lantern slides in the history of learning	0
The kinematograph theatre arrives: part III of the London county council and the cinematograph	0
‘Twelve thrills for the screen’ or a ‘ludicrous travesty’? Harry A. Berg’s Cosmopolitan Productions Limited and Haunted Houses and Castles of Great Britain (1926)	0
Transnational Trailblazers of Early Cinema: Sarah Bernhardt, Gabrielle Réjane, Mistinguett Transnational Trailblazers of Early Cinema: Sarah Bernhardt, Gabrielle Réjane, Mistinguett	0
Seeing time	0
Spezial-Nummer der Asta Nielsen-Zeitung from 11 November 1911	0
Tracing the Australasian Asta Nielsen Boom in Trove and Papers Past: a tool for recreating the circulation histories of silent films	0
Shedding fresh light on lanterns	0
Between defiance and control: wild animal performance in the interwar circus	0
Guest editorial	0
The spectacle of vision: eye and eyesight in the nineteenth-century scientific press	0
Aeroscopics: media of the Bird’s-Eye View	0
Designing Russian cinema: the production artist and the material environment in silent era film	0
Silent film performance: dramatic bodies on screen	0
A ‘great outrage on human decency’: a trial on lewdness and indecency at a Manchester music hall in 1890	0

Physical characteristics of early films as aids to identification	0
Sound arrives at the Tudor, 1927–1931: programming, attendance and the business of cinema exhibition	0
Fulfilling his debt to civilization: American filmmaker Harold Marvin Shaw, British wartime propaganda, and the anti-Bolshevik The Land of Mystery , 1914–1920	0
Fiction & imagination in early cinema: a philosophical approach to film history	0
Ink-Stained Hollywood: the Triumph of the American cinema’s trade press	0
The British Silent Film Festival and Symposium: an Overview	0
Translation of Charles Cros, ‘process for recording and reproducing colors, forms and movements’ (1867) with an introduction	0
Robert Seymour and nineteenth – century print culture: sketches by Seymour and comic illustration	0
Discomfort food: the culinary imagination in late nineteenth-century French art	0
The Asta Nielsen brand: advertising long feature star series in German local newspapers, 1911 to 1914	0
Muybridge and mobility with an introduction Muybridge and mobility with an introduction by Anthony W. Lee, Berkeley, California, USA, Tim Cresswell, and John Ott, Univer	0
‘The Admiralty has been keeping its pictures’: photography and the British Arctic Expedition, 1875–1876	0
Moving at the speed of sight: before-and-after imagery in nineteenth-century American print culture and the acceleration of visual time	0
《百苗图汇考》(Systematic textual analysis of the Miao albums)	0
Sound, image, silence: art and the aural imagination in the Atlantic world	0
Putting imperial time on show: visual culture in the mid-nineteenth-century anniversaries of Singapore and Batavia	0
Practical Books on Ventriloquism, 1875 – 1905	0
Early film culture in Hong Kong, Taiwan, and Republican China: kaleidoscopic histories	0
City of second sight: nineteenth-century Boston and the making of American visual culture	0
Special effects and German silent film: techno-romantic cinema	0
Magic lanterns and raree shows: metaphors of financial speculation during the bubbles of 1720	0
Castan’s Panopticum: Ein Medium wird besichtigt	0
Cartographic Expeditions and Visual Culture in the Nineteenth-Century Americas	0
Silent film era and marginalised spectatorship	0
The early transnational Chinese cinema industry	0
‘There is no gallery’: race and the politics of space at the Capitol Theatre, New York	0
“Whispers Heard at the Pictures”: women’s work in early cinema	0
White screens, Black fandom: silent film and African American spectatorship in Harlem	0
Serialized space: Chinatown iconography in Universal’s The Master Key	0
Gender and the Nasty Women of history	0
Mary Pickford’s mugshot: early Hollywood celebrities and San Quentin Prison	0
The spectacle of the moon conquest: how visual culture shaped Méliès’ Le voyage dans la Lune and its anti-imperialist satire	0
The visual culture of Meiji Japan: negotiating the transition to modernity The visual culture of Meiji Japan: negotiating the transition to modernity , edited by Ayelet	0
Pictures of poverty: the works of George R. Sims and their screen adaptations	0
‘Cinema: Today’s Theatre’ – Images from the 1914 Cologne Rose Monday Parade	0
The silent muse: the memoirs of Asta Nielsen The silent muse: the memoirs of Asta Nielsen , edited and translated by Julie K. Allen, foreword by Jennifer Bean, Rochester	0
Representing the past in the art of the long nineteenth century: historicism, postmodernism, and internationalism	0
Editorial	0
MoMA goes to Paris in 1938: building and politicizing American Art	0
Between stage and screen: female European stars of early feature films in Australasia	0
Twelve Caesars: images of power from the ancient world to the modern	0
Was Sultan Abdülhamid II suspicious of the cinema? A study of cinema in the Hamidian era (1876–1908)	0
Mabel, Marilyn, and Me: writing about Mabel Normand as a feminist film historian	0
Acting out: cabinet cards and the making of modern photography	0
The auspicious and the mechanized: exploring transitions in temporalities through the wall paintings of Shekhawati (1750–1940)	0
TheMaréoramain the 1900 Universal Exhibition: a simulated Mediterranean voyage from the banks of the Seine	0
The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation	0
Early British animation and cartoonal ‘co-conspiracy’: the case of Jerry the Troublesome Tyke (1925–1927)	0
Cut/copy/paste: fragments from the history of bookwork Cut/copy/paste: fragments from the history of bookwork , by Whitney Trettien, Minneapolis, MN, University of Minne	0
Karlyn [J.F. Burrows], The Stage Artist: Lightning sketches, cartoons, smoke, rag and sand pictures and how to do them (c.1912)	0
Not only divas: special features of films in cinema advertising in Trieste before the First World War	0
The moving image as an instrument of oppression and resistance in Jim Crow Era Jacksonville, Florida, 1907–1917	0
Asta Nielsen, the film star system and the introduction of the long feature film	0
Our Lady Cinema	0
The art of picturing in early modern English literature The art of picturing in early modern English literature , edited by Camila Caporicci and Armelle Sabatiere, Abing	0
Early cinema, modernity and visual culture: the imaginary of the Balkans	0
Shifting scenes of colouration and illumination: the narrative and temporal fluidities of tissue paper stereoviews	0
An amusing optical toy for the hands?: reassessing nineteenth-century British paper peepshows through embodied knowledge	0