OOIR: Observatory of International Research

Papers

(The median citation count of Early Popular Visual Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)

Article	Citations
Roll of honour films: a reappraisal	2
Early photographic federations and the pursuit of collaborative education	1
In Northcliffe Jail: Iris Barry, film journalist	1
Tracing the Australasian Asta Nielsen Boom in Trove and Papers Past: a tool for recreating the circulation histories of silent films	1
The dainty: the aesthetics of female film stardom in the transitional period	1
Our Lady Cinema	1
The Man Who Invented Motion Pictures: a true tale of obsession, murder, and the movies	1
Tiger in a photographic gaze: an analysis of early animal photography in India	0
Designing Russian cinema: the production artist and the material environment in silent era film	0
Women at the wheel: female management and workforce at the nineteenth-century funfair	0
Film exhibition for indigenous people in Soviet Siberia: ‘cinema-coming’ and political enlightenment in the red yurt	0
Méliès – léger d’écran	0
A ‘great outrage on human decency’: a trial on lewdness and indecency at a Manchester music hall in 1890	0
Silent film era and marginalised spectatorship	0
The cinematographic activities of Charles Rider Noble and John MacKenzie in the Balkans (volume two)	0
White screens, Black fandom: silent film and African American spectatorship in Harlem	0
Adrian Brunel and British cinema of the 1920s: the artist versus the moneybags Adrian Brunel and British cinema of the 1920s: the artist versus the moneybags , by Joseph	0
Spezial-Nummer der Asta Nielsen-Zeitung from 11 November 1911	0
Antonia Dickson: The kineto-phonograph and the telephony of the future	0
Karlyn [J.F. Burrows], The Stage Artist: Lightning sketches, cartoons, smoke, rag and sand pictures and how to do them (c.1912)	0
Ireland Bros.’ Pan-American Electric Carnival: Canadians’ border-crossing circuits of early cinema	0
Special effects and German silent film: techno-romantic cinema	0
TheMaréoramain the 1900 Universal Exhibition: a simulated Mediterranean voyage from the banks of the Seine	0
Asta Nielsen film trade in Great Britain: pioneering the exclusive long feature star series before the First World War	0
Practical Books on Ventriloquism, 1875 – 1905	0

Physical characteristics of early films as aids to identification	0
Speculative landscapes: American art and real estate in the nineteenth century Speculative landscapes: American art and real estate in the nineteenth century , by Ross B	0
Guest editorial	0
The grammar of typography: The Printers’ International Specimen Exchange and Victorian letterpress design reform	0
Generic overlap as a mode of (social) production in Portuguese silent non-fiction film: the case of A Covilhã Industrial, Pitoresca e seus Arredores (1921)	0
Representing the past in the art of the long nineteenth century: historicism, postmodernism, and internationalism	0
ReFocus: the films of Paul Leni	0
Queer Timing: The Emergence of Lesbian Sexuality in Early Cinema	0
‘There is no gallery’: race and the politics of space at the Capitol Theatre, New York	0
Early British animation and cartoonal ‘co-conspiracy’: the case of Jerry the Troublesome Tyke (1925–1927)	0
Franco-Indian exchanges from 1905 to the early 1920s: Pathé, Legrand and Madan	0
The early years of television and the BBC	0
Robb Wilton’s datebook, 1943–1956	0
The art of picturing in early modern English literature The art of picturing in early modern English literature , edited by Camila Caporicci and Armelle Sabatiere, Abing	0
Transnational Trailblazers of Early Cinema: Sarah Bernhardt, Gabrielle Réjane, Mistinguett Transnational Trailblazers of Early Cinema: Sarah Bernhardt, Gabrielle Réjane, Mistinguett	0
Aeroscopics: media of the Bird’s-Eye View	0
Sapho Kiss: Queer Reproduction in Early Cinema	0
The silent muse: the memoirs of Asta Nielsen The silent muse: the memoirs of Asta Nielsen , edited and translated by Julie K. Allen, foreword by Jennifer Bean, Rochester	0
Physical culture, posing, and the medium of fitness magazines	0
Transfixed by prehistory: an inquiry into modern art and time	0
Fiction & imagination in early cinema: a philosophical approach to film history	0
Mozgó fényképek. The scandal and debate around moving images in early Hungarian cinema	0
Cut/copy/paste: fragments from the history of bookwork Cut/copy/paste: fragments from the history of bookwork , by Whitney Trettien, Minneapolis, MN, University of Minne	0
Editorial	0
A companion to D. W. Griffith	0
The spectacle of the moon conquest: how visual culture shaped Méliès’ Le voyage dans la Lune and its anti-imperialist satire	0
Shifting scenes of colouration and illumination: the narrative and temporal fluidities of tissue paper stereoviews	0
Between stage and screen: female European stars of early feature films in Australasia	0
The moving image as an instrument of oppression and resistance in Jim Crow Era Jacksonville, Florida, 1907–1917	0
Mabel, Marilyn, and Me: writing about Mabel Normand as a feminist film historian	0
Gender and the Nasty Women of history	0
Early cinema, modernity and visual culture: the imaginary of the Balkans	0
Moving at the speed of sight: before-and-after imagery in nineteenth-century American print culture and the acceleration of visual time	0
Early cinema as photographic history: audience and theatrical space in colonial Bombay 1910–1915	0
Sound, image, silence: art and the aural imagination in the Atlantic world	0
Between defiance and control: wild animal performance in the interwar circus	0
The tarnished myth of British precedence: William Friese-Greene, Robert Paul and evidence vs. boosterism	0
Robert Seymour and nineteenth – century print culture: sketches by Seymour and comic illustration	0
Asta Nielsen, the film star system and the introduction of the long feature film	0
The visual culture of Meiji Japan: negotiating the transition to modernity The visual culture of Meiji Japan: negotiating the transition to modernity , edited by Ayelet	0
Motionless pictures: the waiting public in popular American visual culture, 1870-1930	0
The British Silent Film Festival and Symposium: an Overview	0
Drawing time: Winsor McCay’s lightning sketches on stage and screen	0
The Gender of Early Cinema	0
Contemplating imperialism: early film reenactments of the South African War	0
Imagining British film beauty: gender and national identity in 1920s ‘star search’ contests	0
Serialized space: Chinatown iconography in Universal’s The Master Key	0
“Whispers Heard at the Pictures”: women’s work in early cinema	0
Endless intervals: cinema, psychology, and semiotechnics around 1900	0
The Lads of the Village : from stage to screen to court	0

Working on marginalised cinema audiences with the Jewish historical press website: illustrated on the quest for Jewish patrons of the palace venue in 1920s Warsaw	0
The spectacle of vision: eye and eyesight in the nineteenth-century scientific press	0
Keystone’s mystical sphere: covert transgressions within a disciplinary regime	0
Fulfilling his debt to civilization: American filmmaker Harold Marvin Shaw, British wartime propaganda, and the anti-Bolshevik The Land of Mystery , 1914–1920	0
The picture postcard: a new window into Edwardian Ireland	0
Cartographic Expeditions and Visual Culture in the Nineteenth-Century Americas	0
Between the scene and the silver screen: early Romanian cinema and the rediscovery of the ‘lost’ woman film pioneer Marioara Voiculescu	0
“Please the women or die”: silent cinema and the construction of female desire	0
Was Sultan Abdülhamid II suspicious of the cinema? A study of cinema in the Hamidian era (1876–1908)	0
‘Twelve thrills for the screen’ or a ‘ludicrous travesty’? Harry A. Berg’s Cosmopolitan Productions Limited and Haunted Houses and Castles of Great Britain (1926)	0
Maurice Elvey and Hindle Wakes : ‘the greatest English play ever written’	0
Cinema on the Front Line: British Soldiers and Cinema in the First World War	0
Ink-Stained Hollywood: the Triumph of the American cinema’s trade press	0
Lost literacies: experiments in the nineteenth-century US comic strip	0
Sound arrives at the Tudor, 1927–1931: programming, attendance and the business of cinema exhibition	0
Putting imperial time on show: visual culture in the mid-nineteenth-century anniversaries of Singapore and Batavia	0
Pictures of poverty: the works of George R. Sims and their screen adaptations	0
Painting words: aesthetics and the relationship between image and text	0
Muybridge and mobility with an introduction Muybridge and mobility with an introduction by Anthony W. Lee, Berkeley, California, USA, Tim Cresswell, and John Ott, Univer	0
Provenance and early cinema	0
Twelve Caesars: images of power from the ancient world to the modern	0
Aesthetic and moral objections to hand-painted films in the Scottish Highlands	0
City of second sight: nineteenth-century Boston and the making of American visual culture	0
Class, stardom and film: how early film stars were portrayed in The Red Letter	0
Discomfort food: the culinary imagination in late nineteenth-century French art	0
Movie Mavens: US newspaperwomen take on the movies, 1914-1923	0
MoMA goes to Paris in 1938: building and politicizing American Art	0
Ghosts in the glass: the rise and fall of Victorian autostereoscopic photography	0
An amusing optical toy for the hands?: reassessing nineteenth-century British paper peepshows through embodied knowledge	0
The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation	0
William Friese-Greene & the art of collaboration	0
Mary Pickford’s mugshot: early Hollywood celebrities and San Quentin Prison	0
Magic lanterns and raree shows: metaphors of financial speculation during the bubbles of 1720	0
Colonial film markets in the early 20 ^th century Mediterranean	0
Proto-cinephilia: retheorizing working class women’s moviegoing pre-1920	0
The kinematograph theatre arrives: part III of the London county council and the cinematograph	0
Doing Experimental Media Archaeology: Theory Doing Experimental Media Archaeology: Theory , by Andreas Fickers and Annie van den Oever, De Gruyter Oldenbourg: Berlin, Bo	0
Shedding fresh light on lanterns	0
‘A game of hare and hounds with one small terrier puffing well in the rear’: working at the birth of British silent cinema music	0
‘A window of the world’: itinerant silent cinemas in rural Australia	0
The auspicious and the mechanized: exploring transitions in temporalities through the wall paintings of Shekhawati (1750–1940)	0
The British Silent Film Festival and Symposium: Part Two	0
An archeological survey - the Norden collection at the cinema museum	0
Cinema’s original sin: D. W. Griffith, American racism, and the rise of film culture Cinema’s original sin: D. W. Griffith, American racism, and the rise of film culture	0
Deploying ‘all[-]important moments’: seeing time in Duke University’s collections of early North American advertisements	0
‘Cinema: Today’s Theatre’ – Images from the 1914 Cologne Rose Monday Parade	0
Seeing time	0
‘The Admiralty has been keeping its pictures’: photography and the British Arctic Expedition, 1875–1876	0
Silent film performance: dramatic bodies on screen	0
The Victorian idyll in art and literature: subject, ecology, form	0
Not only divas: special features of films in cinema advertising in Trieste before the First World War	0
Techniques of Illusion: a cultural and media history of stage magic in the late nineteenth century	0
‘In the world of movies and talkies’: Hollywood in the Yiddish Forverts , 1920-1935	0
Boarding house blues	0
The Asta Nielsen brand: advertising long feature star series in German local newspapers, 1911 to 1914	0