Journal of Mathematics and Music

Papers
(The median citation count of Journal of Mathematics and Music is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Algebraic tunings8
Exhaustive chord progressions and their use in music composition5
Topological data analysis of Korean music in Jeongganbo: a cycle structure5
About some products of Fourier coefficients: proving a conjecture of Jason Yust5
A review of Godfried Toussaint's The Geometry of Musical Rhythm4
Mathematical foundations of complex tonality3
Tonal harmony and the topology of dynamical score networks3
In Memoriam2
A geometric framework for pitch estimation on acoustic musical signals2
Mathematical model of modulation in traditional Chinese music: theory and computational implementation2
Ostinatos in Black-Atlantic traditions: generic-specific similarity and proximity2
An algebra of chords for a non-degenerate Tonnetz2
On the divisions of the octave in generalized Pythagorean scales and their bidimensional representation2
Towards a mathematical foundation for music theory and composition: a theory of structure2
The inconstancy of music2
Colleague, collaborator, friend Jack Douthett (1942–2021)2
Overcoming amnesia: on Xenakis's algebraic sources for musical theorization and composition2
Turning the volvelle: Exploring Jack Douthett's voice leading dynamics2
Antisphere : exploring non-Euclidean musical spaces1
Letters on Hook's group, 20001
Symbolic dynamical scales: modes, orbitals, and transversals1
Three-string inharmonic networks1
Genredynamics: a perceptual calculus of genre1
Two letters by Jack Douthett on uniform triadic transformations1
Explicit presentations of topological categories of gestures1
Exploring Musical Spaces: A Synthesis of Mathematical Approaches1
Renaissance canons with asymmetric schemes1
Machine composition of Korean music via topological data analysis and artificial neural network1
Musical stylistic analysis: a study of intervallic transition graphs via persistent homology1
The envelopes and amplitude fluctuations of consonant intervals and chords, and their inversions, arising in different tuning systems0
Iterative method of construction for almost smooth rhythms0
A different kind of meantone temperament and a novel mapping from the harmonic series to Pythagorean pitch classes0
Jack Douthett and mathematical music theory0
Composing Cagean silence0
Quantum approach to jam session0
Choosing the representative tones of an abstract Pythagorean scale with regard to just intonation0
An integer linear programming model for tilings0
Structural properties of multi-octave scales0
Hierarchical set theory0
Generalizations of Euler's Tonnetz on triangulated surfaces0
Music-driven geometric and topologic intuition: a case study with the Klein bottle0
Correction0
Jack Douthett’s letters0
Fishing for complements with chord, scale, and rhythm nets0
Type and class vectors and matrices in ℤn. Application to ℤ6, ℤ7, and ℤ120
Diatonic minimum spread tuning0
Rhythm, mathematics, and Godfried Toussaint0
Abstract representations for musical models: towards a metalanguage for music0
Lifting pitch-class spaces into ambient temperaments0
Parsimonious sequences of pitch-class sets: bipartition through inversion and its applications to music composition0
A geometric model for cadential forces0
Parsimonious sequences of finite sets and their applications to chord progressions and music composition0
An exercise in formalizing jazz leadsheet structures0
Quantum-like melody perception0
Barberpole tempo illusions0
Grammar-based compression and its use in symbolic music analysis0
Minimum description length for selection of models of musical rhythm0
The scale of the Old Hispanic chant0
Correction0
Teponazcuauhtla, or “Forest of Resonances” Mesoamerican Plot of Harmony0
The melodic beat: exploring asymmetry inpolskaperformance0
Hadamard transforms of pure-duple rhythms0
Letters on P-Relations, 1992–19970
The line of fifths and the co-evolution of tonal pitch-classes0
A framework for topological music analysis (TMA)0
Partitions, their classes, and multicolour evenness0
A three-dimensional timbre model via Peano curves0
Musicological, computational, and conceptual aspects of first-species counterpoint theory0
A comparative analysis of melodic rhythm in two corpora of American popular music0
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