Journal of British Cinema and Television

Papers
(The median citation count of Journal of British Cinema and Television is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Michael Balcon's Vision of a National Cinema: Propaganda, the Producer and the Market4
War and Peace: Play for Today’s Home Front Quintet3
Down and Out in Birmingham and Leeds: Thinking the Lumpenproletariat in the Films of Penny Woolcock3
Chris Pallant, Beyond Bagpuss: A History of Smallfilms Animation Studio2
Bryony Dixon, The Story of Victorian Film2
Back matter2
Emily Caston, British Music Video, 1966–2016: Genre, Authenticity and Art2
Front matter2
Obituary: ‘The role and importance of institutions’: Tony Smith1
Alan Lovell 1935–20211
Matthew Smith, The Child in British Cinema1
Angus MacPhail's Frozen Credits: Film Authorship and Collaboration in British Middlebrow and Celebrity Culture1
‘Bridal Outfits from the Heart of Filmland’: Clothes Rationing, Wartime Film Production and Gainsborough Pictures’ Studio Hire Service1
Front matter1
Debbie McWilliams and the Elusive Role of the Casting Director in the Bond Franchise1
Back matter1
David Anderson, Landscape and Subjectivity in the Work of Patrick Keiller, W.G. Sebald, and Iain Sinclair1
Retraction Notice: ‘“The Desert and the Dream”: Film in Wales since 2000’1
‘Like a velvet whisper’: Nikki van der Zyl – The Voice of James Bond's Women1
The BFI, Cultural Diversity and its Faltering Response to Social and Epistemic Injustice1
Jamie Medhurst, The Early Years of Television and the BBC1
Lindsey Decker, Transnationalism and Genre Hybridity in New British Horror Cinema1
Memories of Home: The Belfast Films of Mark Cousins and Kenneth Branagh1
Josephine Botting, Adrian Brunel and British Cinema of the 1920s: The Artist versus the Moneybags0
Front matter0
Jez Stewart, The Story of British Animation0
Back matter0
Reith and the Pre-television Child: The BBC’s Struggle to Understand Britain’s First Generation of Child Radio Listeners through Children’s Hour (1922–7)0
‘Praise these daring men’: ACT Films Ltd, 1950–19630
A Historical Framework for Understanding Public Service Media and Children’s Education in the UK: BBC School Broadcasting 1924–20080
The New Northern Ireland as a Crime Scene0
Ivan Phillips, Once Upon a Time Lord: The Myths and Stories of Doctor Who0
Kieran Foster, Hammer Goes to Hell: The House of Horror's Unmade Films0
Writing the British New Wave: David Storey and This Sporting Life0
Melvyn Stokes, Matthew Jones and Emma Pett, Cinema Memories: A People’s History of Cinema-going in 1960s Britain0
Laura Minor, Reclaiming Female Authorship in UK Television Comedy0
Monstrous Megaliths: Ancient Stones in Folk Horror Film and Television – Showing, Telling and Making On-Screen Folklore0
Greg M. Colón Semenza and Garrett A. Sullivan, Jr, Powell and Pressburger’s War: The Art of Propaganda, 1939–19460
The Demotic Impulse of the Kitchen-Sink Dramas0
Front matter0
Space Age Cinema: The Rise and Fall of Cinecenta0
Nathan Townsend, Working Title Films: A Creative and Commercial History0
‘A very unusual self’: Queering the Home in Saturday Night and Sunday Morning and A Taste of Honey0
Adam Locks and Adrian Smith, Norman J. Warren, Gentleman of Terror: An Oral History0
Introduction: Revisiting the British New Wave0
Melanie Williams, A Taste of Honey0
Women Documentary Film-makers and the British Housing Movement, 1930–450
Film in the Workplace: Exploring the Film Holdings of the Marks and Spencer Company Archive0
Front matter0
The Left Behind: Precarity, Place and Racial Identity in the Contemporary ‘Serious Drama’0
Victoria Lowe, Adapting Performance Between Stage and Screen0
Back matter0
Back matter0
Mark McKenna, Nasty Business: The Marketing and Distribution of the Video Nasties0
Confident Rogue and Anguished Conformist: The Career Paths of Northern Irish Actors Liam Neeson and James Nesbitt0
Front matter0
Chris Grosvenor, Cinema on the Front Line: British Soldiers and Cinema in the First World War0
Stephen Glynn, The British Sitcom Spinoff Film0
Johnny Walker, Rewind, Replay: Britain and the Video Boom, 1978–920
‘Treading on sacred turf’: History, Femininity and the Secret War in the Plays for Today Licking Hitler, The Imitation Game and Rainy Day Women0
Claire Mortimer, Spinsters, Widows and Chars: The Ageing Woman in British Film0
Nathalie Morris and Claire Smith (eds), The Cinema of Powell and Pressburger0
Local Television, Public Service Broadcasting and Local Community Climate Action0
Baroness Floella Benjamin, What Are You Doing Here? My Autobiography0
Clive Nwonka and Anamik Saha (eds), Black Film British Cinema II0
Richard Weight, Porridge: BFI TV Classics0
‘How to pack a hall’: Civic Film Culture in Wartime Britain and MoI Mobile Film Shows for the Women's Institute0
Front matter0
Doc Martin and Comedy, with an Hegelian Twist0
Andrew Spicer, Sean Connery: Acting, Stardom and National Identity0
Beyond the Pastoral Paradise: Orienting Black and Muslim People in British Rural Space0
Reflections in a Golden Eye: Exploring the Photographic Art of Margaret Nolan and Shirley Eaton0
The C. A. Lejeune Archive: Film Criticism for The Observer, The Sketch and Britain To-day0
‘The Billings verdict’:Kine Weeklyand the British Box Office, 1936–620
‘Skip the warts’: Personal Branding and Pornification inThe Look of Love0
Laura Mayne, Channel 4 and the British Film Industry, 1982–19980
Geoffrey Macnab, The British Film Industry in 25 Careers: The Mavericks, Visionaries and Outsiders Who Shaped British Cinema0
A Profound Legacy: Vincent Porter0
Introduction: Play for Today at 500
‘Something like the truth’: Confronting the Honesty of Brutalism and Post-War Planning in The Offence0
Front matter0
Clive Chijioke Nwonka, Black Boys: The Social Aesthetics of British Urban Film0
Alma's (Not) Normal: Normalising Working-Class Women in/on BBC TV Comedy0
No Time to Die, the Bond Franchise and Global Hollywood: Film Release Patterns during Covid-190
Melanie Bell, Movie Workers: The Women Who Made British Cinema0
Paul Dave, Revolutionary Romanticism and Cinema: Country, Land, People0
British Quota Production and Film Costs in the Early 1930s0
Patches on the Skin, Patches on the Soul: Coping with the Psoriasis Stigma in Dennis Potter’s The Singing Detective0
Hannah Andrews, Biographical Television Drama0
‘I am not particularly despondent yet’: The Political Tone of Jill Craigie's Equal Pay FilmTo Be a Woman0
Music Hall, Revue and Modernity in Victor Saville'sEvergreen0
Scotch Missed: Play for Today and Scotland0
Jill Craigie, Post-war British Film Culture and the British Film Academy0
‘If you don’t ask, you don’t get’: Placing Children at the Centre of Public Service and News Media0
Front matter0
‘New war, same old story’: Gender and War-related Trauma in ITV’s Home Fires0
Kevin McNally: Recreating Classic Sitcom Performances0
Claire Hines, Terence McSweeney and Stuart Joy (eds), James Bond Will Return: Critical Perspectives on the 007 Film Franchises0
Nigel Mather: Sex and Desire in British Films of the 2000s: Love in a Damp Climate0
The World Turned Upside Down, Again: Hauntings of the English Revolution and Archaeologies of Futures Past in Contemporary British Films0
Girls on a Mission: Feminist Humanitarianism and the War on Terror in Tony Grounds's Our Girl0
Sarah Godfrey, Masculinity in British Cinema, 1990–20100
Lisa Funnell and Christoph Lindner (eds), Resisting James Bond: Power and Privilege in the Daniel Craig Era0
Peter Hutchings, Hammer and Beyond: The British Horror Film0
Jamie Bennett and Victoria Knight, Prisoners on Prison Films0
Back matter0
Form, Time and Trauma: The Terence Davies Triptych and Queer Temporalities0
Charles Barr, British Cinema: A Very Short Introduction0
James Downs, Anton Walbrook: A Life of Masks and Mirrors0
Women Writers and Writing Women into Histories of Play for Today0
Introduction0
‘Regarded as children’: The Home Office Responds to the London Workers’ Film Society0
Front matter0
Boredom: Mike Leigh’sMeantimeand Working-Class Youth in Thatcher’s Britain0
From Costume Romps to Queer Milestones: Adaptation, Collaboration, Queerness and Modernism in the ‘Long New Wave’ of Richardson, Schlesinger and Reisz0
Back matter0
Front matter0
‘The highest salary ever paid to a human being’: Creating a Database of Film Costs from the Bank of England Archive0
Tony Dalton, Terence Fisher: Master of Gothic Cinema0
Adam Plummer, The British Trauma Film: Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War0
Back matter0
Play for Today and Northern Ireland in the 1970s0
‘They know my face’: Surveillance Comedy in Scot Squad0
Feelings and Facts: Agency in Northern Irish Cinema0
Benjamin Halligan, Hotbeds of Licentiousness: The British Glamour Film and the Permissive Society0
The Acting Class and the Myths of Meritocracy0
Repurposing the Archive: Unmade Films,Vampirellaand Adaptation0
‘Lewd, pornographic filth’: Managing Culture through Local Film Censorship in Britain, 1948–19680
Back matter0
Catherine Elwes, Landscape and the Moving Image0
Charles Drazin, Making Hollywood Happen: The Story of Film Finances0
Amelia Watts and Phil Wickham (eds), Bill Douglas: A Film Artist0
Introduction: Film, Television and Northern Ireland0
‘Of course it is idealised’: Lindsay Anderson's Every Day Except Christmas0
Out of Time: BBC Northern Ireland and the Paradoxes of Partition0
Unionist Screws: Depictions of Northern Irish Unionists in British and Irish Cinema0
Back matter0
Barbara Broccoli and the Popular Image of the Bond Producer0
Quentin Falk, Charles Crichton0
Liminality and the End of Empire inThe 7thDawn0
Interview with Kevin Jon Davies ‘The Prat at the Back’: The Making of Shakedown: Return of the Sontarans0
Revisiting Sex, Class and Realism: British Cinema 1956–19630
Introduction0
Front matter0
‘I owe it to those women to own it’: Women, Media Production and Intergenerational Dialogue through Oral History0
Martin Shingler, Diana Dors: Film Star and Actor0
James Chapman, The Money Behind the Screen: A History of British Film Finance, 1945–19850
Play for Today: A Statistical History0
Equity, Diversity and Inclusion: Class Inequalities within the British Documentary Film Industry0
Return, Remembrance and Redemption: Hauntology and the Topography of Trauma inThe VirtuesandThis Is England ’880
Jingan Young, Soho on Screen: Cinematic Spaces of Bohemia and Cosmopolitanism, 1948–19630
London Spyas a Subversive Spy Thriller0
Independent Miss Craigie: Narration and the Archive in a Documentary Biopic0
Back matter0
The Diverse Spaces of Play for Today0
Cat Mahoney, Women in Neoliberal Postfeminist Television Drama: Representing Gendered Experiences of the Second World War0
‘Media for children, to be truly public service, should be about them, with them and to an extent by them’: A Conversation with Greg Childs0
Frances C. Galt, Women's Activism Behind the Scenes: Trade Unions and Gender Inequality in the British Film and Television Industries0
‘Once you are in number 9 you are stuck in this space’: Constraint, Creativity and Inside No. 90
Brian Desmond Hurst (author), Caitlin Smith and Stephen Wyatt (eds), Allan Esler Smith (Foreword), Hurst on Film 1928–1970; Lance Pettitt, The Last Bohemian: Brian Desmond Hurst, Irish Film,0
Broadcasting the Life and Death of Victorian Cities: Urban Heritage in Ken Russell's Early BBC Shorts, 1959–610
Back matter0
Louis Bayman and K. J. Donnelly (editors), Folk Horror on Film: Return of the British Repressed0
Speaking with One Voice – The Future of UK Children's PSB Provision and Policy Making, Updated0
Introduction0
Matthew Melia, ed, ReFocus: The Films of Ken Russell0
Building Reputations: The Careers of Mary Field, Margaret Thomson and Kay Mander0
Ewa Mazierska (ed.), Blackpool in Film and Popular Culture0
Back matter0
Death in Filmland: British Film Studios and 1930s Detective Fiction0
Fight Like Girls: The Stuntwomen of Bond0
Oliver Reed: ‘I’m Mr England!’0
Yuval Gozansky (ed.), Histories of Children's Television Around the World0
The Mistress of Bond: Eileen Sullivan, and the Role of Cutting the Cloth of James Bond's Wardrobe and Beyond0
Alan J. Harding, Public Information Films: British Government Film Units, 1930–520
Front matter0
Front matter0
‘The same virile ability of Val Guest’: The Film Finances Archive and British Film-makers0
New Wave Women: Paying Attention to Brenda and Doreen in Saturday Night and Sunday Morning0
‘Is it any good? Why does it matter?’ Issues of Quality and Value in Children's Television0
Geoff Brown, Silent to Sound: British Cinema in Transition0
Alex Rock, The Metropolitan Police and the British Film Industry, 1919–1956: Public Relations, Collaboration and Control0
Llewella Chapman, Fashioning James Bond: Costume, Gender and Identity in the World of 0070
Back matter0
UK Broadcasting and Media for Children: Past, Present and Looking to the Future0
Laura Mulvey (author), Peter Wollen (author), Oliver Fuke (editor), The Films of Laura Mulvey and Peter Wollen: Scripts, Working Documents, Interpretation0
Television Drama and Northern Ireland: The First Plays 1959–670
Front matter0
Back matter0
Sheldon Hall, Armchair Cinema: A History of Feature Films on British Television, 1929–19810
Back matter0
Mary Irwin and Jill Marshall (eds), UK and Irish Television Comedy: Representations of Region, Nation, and Identity0
Startling or Seductive? An Analysis of Play for Today’s Title Sequences0
The Prudential Group Archive: Alexander Korda, London Film Productions and Denham Studios0
Bringing ‘the whole world on to the British screen’: Back Projection and British Film Studios in the 1930s and 1940s0
Front matter0
The Vampire Lovers and Hammer's Post-1970 Production Strategy0
Tim Snelson, William Macauley and David Allen Kirby, Demons of the Mind: Psychiatry and Cinema in the Long 1960s0
Rapid Evidence Analysis of Diversity in UK Public Service Television: What Do We Know and What Should We Find Out?0
Living Film Histories: Researching at the Bill Douglas Cinema Museum0
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