Crime Media Culture

Papers
(The TQCC of Crime Media Culture is 2. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-12-01 to 2024-12-01.)
ArticleCitations
NFTs: Digital things and their criminal lives17
Competing discourses and cultural intelligibility: Familicide, gender and the mental illness/distress frame in news16
From dealing to influencing: Online marketing of cannabis on Instagram10
Do-it-yourself surveillance: The practices and effects of WhatsApp Neighbourhood Crime Prevention groups9
Surveillance does not equal safety: Police, data and consent on dating apps9
Anatomy of a rape: Sexual violence and secondary victimization scripts in U.S. film and television, 1959–20198
Sensing the border(s): Sound and carceral intimacies in and beyond indefinite detention8
Rap, Islam and Jihadi Cool: The attractions of the Western jihadi subculture7
Online sharenting: Identifying existing vulnerabilities and demystifying media reported crime risks7
Mapping technology-harm relations: From ambient harms to zemiosis7
Anti-trafficking saviors: Celebrity, slavery, and branded activism7
Architecture as affective law enforcement: Theorising the Japanese Koban6
Making new meanings: The entextualisation of digital communications evidence in English sexual offences trials6
The neoliberal governance of heroin and opioid users in Philadelphia city4
Reporting ‘African gangs’: Theorising journalistic practice during a multi-mediated moral panic4
News media framing of correctional officers: “Corrections is so Negative, we don’t get any Good Recognition”4
Musical life stories: Coherence through musicking in the prison setting4
‘I Am That Girl’: Media reportage, anonymous victims and symbolic annihilation in the aftermath of sexual assault4
This Is Not a Drill: Towards a Sonic and Sensorial Musicriminology4
From roadman to royalties: Inter-representational value and the hypercapitalist impulses of grime4
Familiar felons: Gendered characterisations and narrative tropes in media representations of offending women 1905–20154
Violence, crime dystopia and the dialectics of (dis)order inThe Purgefilms4
Political corruption in Zimbabwe: News media, audiences and deliberative democracy3
Signifying dissent: The sensory semiotics of protest3
Online disclosure, a mechanism for seeking informal justice?3
Extreme dwelling: Assembling domus horribilis3
“This is what a 13-year old girl looks like”: A feminist analysis of To Catch a Predator3
Guerrilla gardening as normalised law-breaking: Challenges to land ownership and aesthetic order3
‘Did the NFL start caring about women a lot more after Ray Rice? Probably not’: White-collar deviance and violence against women in racial capitalist sport3
Point and shoot: Police media labor and technologies of surveillance in End of Watch3
Looking beyond the law to respond to technology-facilitated violence and bullying: Lessons learned from Nova Scotia’s CyberScan unit2
Regimes of representation in Canadian police museums: Othering, police subjectivities, and gunscapes2
Framing femicide in the news, a paradoxical story: A comprehensive analysis of thematic and episodic frames2
Taking responsibility: Testimonial practices in Rithy Panh’s S21: The Khmer Rouge Killing Machine2
Gang in translation: Official and vernacular representations of a “Roma” drug gang in Czechia2
The cultural scope and criminological potential of the “hardman story”2
Misogynist incels gone mainstream: A critical review of the current directions in incel-focused research2
A convergence of crises: COVID-19, climate change and bunkerization2
Digilantism, discrimination, and punitive attitudes: A digital vigilantism model2
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