Crime Media Culture

Papers
(The TQCC of Crime Media Culture is 2. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Competing discourses and cultural intelligibility: Familicide, gender and the mental illness/distress frame in news16
NFTs: Digital things and their criminal lives14
From dealing to influencing: Online marketing of cannabis on Instagram10
Do-it-yourself surveillance: The practices and effects of WhatsApp Neighbourhood Crime Prevention groups9
Surveillance does not equal safety: Police, data and consent on dating apps8
Anatomy of a rape: Sexual violence and secondary victimization scripts in U.S. film and television, 1959–20198
Sensing the border(s): Sound and carceral intimacies in and beyond indefinite detention8
Mapping technology-harm relations: From ambient harms to zemiosis7
Anti-trafficking saviors: Celebrity, slavery, and branded activism7
Rap, Islam and Jihadi Cool: The attractions of the Western jihadi subculture7
Online sharenting: Identifying existing vulnerabilities and demystifying media reported crime risks7
Architecture as affective law enforcement: Theorising the Japanese Koban6
Making new meanings: The entextualisation of digital communications evidence in English sexual offences trials6
News media framing of correctional officers: “Corrections is so Negative, we don’t get any Good Recognition”4
Musical life stories: Coherence through musicking in the prison setting4
‘I Am That Girl’: Media reportage, anonymous victims and symbolic annihilation in the aftermath of sexual assault4
This Is Not a Drill: Towards a Sonic and Sensorial Musicriminology4
From roadman to royalties: Inter-representational value and the hypercapitalist impulses of grime4
Familiar felons: Gendered characterisations and narrative tropes in media representations of offending women 1905–20154
Violence, crime dystopia and the dialectics of (dis)order inThe Purgefilms4
The neoliberal governance of heroin and opioid users in Philadelphia city4
Reporting ‘African gangs’: Theorising journalistic practice during a multi-mediated moral panic4
Political corruption in Zimbabwe: News media, audiences and deliberative democracy3
Signifying dissent: The sensory semiotics of protest3
Online disclosure, a mechanism for seeking informal justice?3
Extreme dwelling: Assembling domus horribilis3
“This is what a 13-year old girl looks like”: A feminist analysis of To Catch a Predator3
Guerrilla gardening as normalised law-breaking: Challenges to land ownership and aesthetic order3
‘Did the NFL start caring about women a lot more after Ray Rice? Probably not’: White-collar deviance and violence against women in racial capitalist sport3
Point and shoot: Police media labor and technologies of surveillance in End of Watch3
Framing femicide in the news, a paradoxical story: A comprehensive analysis of thematic and episodic frames2
Taking responsibility: Testimonial practices in Rithy Panh’s S21: The Khmer Rouge Killing Machine2
Gang in translation: Official and vernacular representations of a “Roma” drug gang in Czechia2
The cultural scope and criminological potential of the “hardman story”2
Misogynist incels gone mainstream: A critical review of the current directions in incel-focused research2
A convergence of crises: COVID-19, climate change and bunkerization2
Digilantism, discrimination, and punitive attitudes: A digital vigilantism model2
Looking beyond the law to respond to technology-facilitated violence and bullying: Lessons learned from Nova Scotia’s CyberScan unit2
Regimes of representation in Canadian police museums: Othering, police subjectivities, and gunscapes2
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