OOIR: Observatory of International Research

Papers

(The TQCC of Ethnomusicology Forum is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)

Article	Citations
Sounds from the other side: Afro-South Asian collaborations in Black popular music	6
Mapping with/in: hearing power in Yokuts landscapes at the beginning of the twentieth century	5
Introduction	4
Malian music ‘made in France’: postcolonial relationships through world music festivals and ‘transcultural creations’	3
Soundscapes of Uyghur Islam	2
In search of Bidesia	2
Music as a Third Space? – African musics as a field of collaboration in Finland	1
Music and the making of Portugal and Spain: nationalism and identity politics in the Iberian Peninsula Music and the making of Portugal and Spain: nationalism and identity politics in t	1
We know who they are, because of what they sing: Miao song taxonomy in Fenghuang county, China	1
Staged folklore: the National Folk Theatre of Ireland 1968–1998	1
Editorial	1
Historically informed performance: songs embedded in ǀXam stories	1
Editorial	1
Cry with the Promised Land: singing for nationalist and religious environmentalism amid Burma’s war	1
Thai musicology in context: epistemic disparities in Thai and western ways of knowing Thai music	1
Ulutun : sound, materiality and power in a Mapuche ritual	1
Culturally sustaining pedagogies in music education: expanding culturally responsive teaching to sustain diverse musical cultures and identities	1
Original ecology folksongs, myth, and showbiz: a case study of musical sustainability among the Bulang ethnic group in Yunnan, China	1
Made in Nusantara: studies in popular musicMade in Nusantara: studies in popular music, by Adil Johan and Mayco A. Santaella, Routledge, 2021, 264 pp., $75(hardback, paperback, e-book), ISBN: 978-0-36	0
Authors and burners: imagining creative agency in Turkey’s musical folklore	0
‘The house of the Irish’: African migrant musicians and the creation of diasporic space at night	0
The contrasto : observational analysis of an extemporaneous vocal-gestural performance in Tuscany, Italy	0
Tobar an Dualchais/Kist o Riches	0
Migration, music and the mobile phone: a case study in technology and socio-economic justice in Sicily	0
Performing environmentalisms: expressive culture and ecological change	0

Movement of the people: Hungarian folk dance, populism, and citizenship	0
Towards decolonial pedagogies of world music	0
Different affects? Intercepting orientalism through the affective encounters and ritualised mediations of a Shin Buddhist chanting tradition	0
SanDance! : a journey to the heart of Africa’s San dance culture	0
Musical trail-making in Southern Appalachia	0
Dialogues: towards decolonising music and dance studies	0
Editorial	0
Making subjects grievable: narco rap, moral ambivalence and ethical sense making	0
Yusef Lateef, Islam, and jazz	0
African musics in Europe	0
The musical human: a history of life on earth	0
Orientalism, Arab Jewish identity(ies) and modernity in British Mandate Palestine viewed through the archive of master musician Azuri Effendi/Ezra Aharon	0
Songs of Tagore: poetry and melody Songs of Tagore: poetry and melody , by Rabindranath Tagore and Satyajit Ray, edited and translated by Ananda Lal, Abingdon, Routledge	0
Dust to Digital	0
Music and sound in times of violence, displacement and conflict	0
Across the Pacific: the strategic citizenship of Chinese musicians	0
Editorial	0
Teaching with hip hop in the 7–12 grade classroom: a guide to supporting students’ critical development through popular texts	0
Mindful playing: a practice research investigation into shakuhachi playing and meditation	0
Rahayu Supanggah: the legacy of an Indonesian and global composer	0
Improvising sabor: Cuban dance music in New York	0
Sideways nostalgia, adopted republicanism and the performance of Irish rebel songs in the GDR	0
Ngonsoeng jyugo/Anshang yuge [Ballad on the Shore]	0
A musico-choreographic analysis of a Cuban dance routine: a performance-informed approach	0
‘Give us a voice!’: voice, envoicement, and the politics of ‘world music’ at WOMAD	0
Sounding Jewish in Berlin: klezmer music and the contemporary city	0
Love and rage: autonomy in Mexico City’s punk scene	0
Brithop: the politics of UK rap in the new century	0
Editorial	0
Sounds, ecologies, musics	0
Consensus process in the decision-making of a North American alternative brass band	0
The folk: music, modernity, and the political imagination	0
Parading respectability: the cultural and moral aesthetics of the Christmas bands movement in the Western Cape, South Africa	0
A cry for Palestine: vocal practice and imaginaries of Palestinian-ness among Chilean football supporters of Club Deportivo Palestino	0
Sāraṅgī style in Hindustani music	0
Editorial	0
Sonic witnesses: music, testimony, and truth	0
The making of a successful Chinese instrumentalist in the West: a case study of the pipa player Wu Man	0
Special Issue: African musics in Europe	0
‘I thought it was a song but it turned out to be a siren’: civilian listening during wartime in Israel	0
Violeta Parra: musical and political legacy of acantora	0
Engaging creatively with a traditional soundscape: goat bells—from landscape to performance	0
Sing and sing on: sentinel musicians and the making of the Ethiopian American diaspora Sing and sing on: sentinel musicians and the making of the Ethiopian American diaspora	0
Crossing over the Arirang Pass: Zainichi Korean music.	0
Walkin’ blues: exploring the semiotic musicscape of Rory Gallagher’s Cork City	0
Education, music, and the lives of undergraduates: collegiate a cappella and the pursuit of happiness Education, music, and the lives of undergraduates: collegiate a cappella and the pu	0
Hearing Brazil. Music and histories in Minas Gerais	0
Musical sustainability vis-à-vis intangible cultural heritage: safeguarding and incentives in the Feast of the Virgin of Candelaria, Puno, Perú	0
Loss of place, loss of self: musical heterotopias in Franco’s prisons (1938–1945)	0
‘In heavy rotation’: uncovering the phonographic industry and the ‘NGOMA national label’ in socialist Mozambique (1978–1990)	0

Music career and sustainability: the strategies of a hiplife musician	0
‘A whole society, with its own economic system’: the reciprocal and capitalist configurations of American DIY music scenes	0
In search of common ground: landscape and place-identity in contemporary British folk	0
Valuing and evaluating musical practice as research in ethnomusicology and its implications for research assessment	0
Pop goes the postcolony: Britain remixes Hugh Tracey’s Malawi	0
Piercing the structure of tradition: flute performance, continuity, and freedom in the music of Noh drama	0
Inside the Yiddish Folksong	0
Towards practice research in ethnomusicology	0
Organonscape, geography, and aural spaces of kemençe in and around Trabzon	0
The ancient English morris dance	0
Celtic music and dance in Cornwall: cornu-copia	0
The art of appreciation: music and middlebrow culture in modern Britain	0
‘Imagined Balkans’ meets ‘imagined Africa’: the contemporary practice of jembe drumming in Serbia	0
Turkish Folk music between Ghent and Turkey: context, performance, function	0
The Hizz Collective: acoustic disruption and claiming space in the Cairo soundscape	0
‘You are part of the club’: negotiating the field as a musician–ethnomusicologist	0
Intercultural creativity in the Nigerian-Igbo art music of Okechukwu Ndubuisi	0
Musical resilience strategies for African asylum seekers in Italy: the cultural mediator Bawa Salifu	0
Musicians in crisis: working and playing in the Greek popular music industry	0
Centring embodied practice in African music studies: creative alternatives	0
Conflict after conflict: music in the memorialisation of the Gallipoli Campaign	0
Studies on a global history of music: a Balzan musicology project Studies on a global history of music: a Balzan musicology project , edited by Reinhard Strohm, London a	0
Outside the house, there are no laws: musical practice and ritual dynamics at Shona kurova guva ceremonies	0
Mousikeor music? Using analysis to explore shifts in musical attention	0
Editorial	0
From Belfast to the Somme (and back again): loyalist paramilitaries, political song, and reverberations of violence	0
Whosejembe? A drum as a countercultural icon and a symbol of African authenticity in Zagreb	0
Quietude: a musical anthropology of ‘Korea's Hiroshima’	0
‘Barrister is Fújì and Fújì is Barrister’: Fújì music, self-making and the politics of genre-making in Lagos, Nigeria	0
Editorial	0
Listening to the fur trade: soundways and music in the British North American fur trade 1760–1840 Listening to the fur trade: soundways and music in the British North American fur trade	0
Signs of the spirit: music and the experience of meaning in Ndau ceremonial life	0
From Rumi to the whirling dervishes: music, poetry, and mysticism in the Ottoman Empire *From Rumi to the whirling dervishes: music, poetry, and mysticism in the Ottoma*	0
Extreme exoticism: Japan in the American musical imagination	0
Much more than ‘Danny Boy’: bringing Irish traditional music to the USA	0
Editorial	0
Auld Lang Syne: a song and its culture	0
Voices of Vietnam: a century of radio, red music, and revolution Voices of Vietnam: a century of radio, red music, and revolution by Lonán Ó Briain, Oxford, Oxford Unive	0