New Review of Film and Television Studies

Article	Citations
‘Unique joy’: Netflix, pleasure and the shaping of queer taste	6
Hidden in plain sight: the spatial and industrial logics of home fitness technologies	3
A city without a hero: Joker and rethinking hegemony	3
‘Punching above our weight’: industry visibility and community engagement in rural and regional film festivals	2
The problem of film comedy in the twenty-first century	2
That joke isn’t funny anymore: a critical exploration of Joker: Introduction	2
The superhero symbol: media, culture & politics	2
Powerful women, postfeminism, and fantasies of patriarchal recuperation inMagnificent Century	2
The category is: streaming queer television	2
Fiction as a challenge to text-oriented film studies	2
A tale of two masculinities: Joaquin Phoenix, Todd Phillips, and Joker’s double can(n)on	2
Hearing reality in Joker	2
Cracking up: Joker and the mediatisation of the arse-end of the world	2
‘Humanity rising from the depths of brine’: an oceanic politics in Disney’s Moana	2
The filmmaker’s presence in French contemporary autofiction: from filmeur/filmeuse to acteur/actrice	2
George Miller’s “old-fashioned Hollywood studio”: corporate authorship at Kennedy Miller, 1981–1991	1
Suggestive verbalizations in film: on character speech and sensory imagination	1
Representing public service and post-militariness inBodyguard(BBC, 2018)	1
Variations on ‘the lonely walk’ in the films of Kathryn Bigelow	1
Child spectators: towards a phenomenological perspective on the imaginary transformations of reality	1
The dubious logic of sacrifice: motherhood, crisis, and social reproduction inAdvantageous(2015)	1
There is no such thing as one realism: systematising André Bazin’s film theory	1
Adaptation, authorship and the critical conversations of Little Fires Everywhere	1
The Gulliver effect: screen size, scale and frame, from cinema to mobile phones	1
The aesthetics of impasse and the affective rhythms of survival: Andrea Arnold’sFish Tankas cinema of precarity	1

The loneliness ofJoker	1
Transmedia-genre: non-continuity, discontinuity, and continuity in the global 80s	1
The limitation of the bottle episode: Hegel in Community	1
Reese Witherspoon’s popular feminism: adaptation and authorship in Big Little Lies	1
The (un)natural history film: formalist tendencies old and new	1
The end of intimate politics in Yorgos Lanthimos’The Lobster	1
Time, disaster, new media:Your Nameas a mind-game film	1
Ace in the hole: media panics, muted voices, and anxieties of consumption in the reception of Joker	1
‘Englishmen could be proud then, George’: echoes of empire in Tinker Tailor Soldier Spy (BBC 1979)	1
Untouchable: ‘disabling’ cinema’s contract on contact in The Diving Bell and the Butterfly	1
Towards a catalogue of cine-genres	1
ImaginingTaking Tiger Mountain(by strategy): two landscapes of the Anthropocene, 1970 and 2014	0
The process genre: cinema and the aesthetic of labor	0
‘Flat-out’ formalism: Strong Island as trans-of-color critique	0
Innovating the frame: Kathryn Bigelow in close-up	0
Anti-Heimat cinema: the Jewish invention of the German landscape	0
“It’sTop Chef, not a personality contest”: grammars of stereotype, neoliberal logics of personhood, and the performance of the racialized self inTop Chef: New York	0
Reading Joey Soloway: popularizing feminist and queer theory in independent film and television	0
Woman up: invoking feminism in quality television Woman up: invoking feminism in quality television , by Julia Havas, Detroit, Wayne State University Press, 2022, 282 pp	0
Hollywood’s embassies: how movie theaters projected American power around the world	0
Activist horror film: the genre as tool for change	0
How documentaries went mainstream: a history, 1960–2022	0
Labors of love	0
That’s not funny: how the right makes comedy work for them	0
“Some things are proper, and some things are not”: forgotten men and disciplined women inMy Man Godfrey	0
Earners and spenders, husbands and wives: the affective restraints on women’s labor in high Cold War American sitcoms	0
Zero Dark Thirty, Maya and the myth of the Calydonian Boar	0
Bluebeard meets Ivy: the botany of love in Paul Thomas Anderson’s Phantom Thread	0
Diegetic existence: transmedia instauration in artists’ cinema	0
ReFocus: the films of John Hughes	0
Changing the reflection: re-visions on the trans mirror scene	0
Girls gone wild: animality, female teenagers, and disidentification in contemporary European cinema	0
The elevator film: neither here nor there	0
On longing for loss: a theory of cinematic memory and an aesthetics of nostalgia	0
Heightened genre and women’s filmmaking in Hollywood: the rise of the cine-fille	0
Repeated failure: time, dressage and thingness in Joker (2019)	0
The poetics of obsession: understanding Kathryn Bigelow’s characters	0
A queer way of feeling: girl fans and personal archives of early Hollywood A queer way of feeling: girl fans and personal archives of early Hollywood , by Diana W. Ansel	0
The mind-game film: distributed agency, time travel, and productive pathology	0
Othered form and insectile subjectile: Under the Skin	0
Problems with Kubrick: reframing Stanley Kubrick through archival research	0
Hand painted movie stills: a study of the aesthetics of the cinematographic space in painted scenography	0
Telling one another’s stories: the city symphony and cine-genre narrative	0
Consent culture and teen films: adolescent sexuality in US movies	0
Walkman time machine	0
Indie cinema online	0
‘Bad’ women of Bombay films: studies in desire and anxiety	0
‘This is my house now!’: Fighting with My Family , the female underdog and constructing a public history of WWE	0
Ambiguous images of Soviet-Kyrgyz mountainscapes in The Sky of Our Childhood (1966)	0
Transmasculinity on television Transmasculinity on television , by Patrice Oppliger, New York, Routledge, 2022, 120 pp., $64.95 (hardback), ISBN: 9781032068985	0

Cityscapes, trance states, and women walking: embodied practices of walking in experimental film and video	0
I’ll Be Gone in the Dark: feminism and the adaptation of true crime in the #MeToo era	0
List of Reviewers 2020–2023	0
Digital space and embodiment in contemporary cinema: screening composite spaces Digital space and embodiment in contemporary cinema: screening composite spaces , by Jenn	0
‘This I rebel against’: television advertising, Rod Serling’sThe Twilight Zone, and a changing industry	0
“Have you got any soul?”: reinterpreting High Fidelity ’s relationship to Black cultural production	0
The Australian film revival: 1970s, 1980s, and beyond	0
Highroads and skyroads: mountain roadbuilding in U.S. government films of the 1920s and ‘30s	0
Cinema against doublethink: ethical encounters with the lost pasts of world history	0
Landscape and the moving image	0
Televisual authorship and the affective feminism of HBO’s Sharp Objects adaptation	0
The political dimension of ekphrasis	0
Their own best creations: women writers in postwar television Their own best creations: women writers in postwar television , by Annie Berke, Oakland, University of Cali	0
Murky waters: Incident at Loch Ness, Grizzly Man, and Herzogian notions of truth	0
Sonic modernities: capitalism, noise, and the city essay film	0
Of fleas and Parasite : unpacking class and space in Bong Joon-ho’s Barking Dogs Never Bite	0
Cine-genres redux	0
V.F. Perkins and the redescription of films	0
The performance of labor and downward mobility in Steven Soderbergh’s recession trilogy (2009–2012): The Girlfriend Experience , Haywire ,	0
New blood in contemporary cinema: women directors and the poetics of horror	0
“Throwing shows against the wall and hoping for the best”: NBC, quality, and the Emmy race for Outstanding Drama Series in the 2010s	0
Screen media and the construction of nostalgia in post-socialist China	0
How does she look?: Bigelow’s vision/visioning Bigelow	0
Transformational ethics of film: thinking the cinemakeover in the film-philosophy debate	0
Genre cinema and cinemaSui Generis: Adrian Piotrovsky and cinema taxonomy	0
Martial culture, silver screen: war movies and the construction of American identity	0
Highways through the void: chase sequences and the built environment	0
Documentary’s expanded fields: new media and the twenty-first-century documentary	0
The new female antihero: the disruptive women of twenty-first-century US television	0
Shit happens on the big screen: faecal motifs in contemporary film	0
The landscapes of western movies: a history of filming on location, 1900–1970	0
A note of introduction	0
Troubling masculinities: terror, gender, and monstrous others in American film post-9/11	0
Cinematic figurations of mountains	0
Mental disorders in popular film: how Hollywood uses, shames, and obscures mental diversity	0
Revisionary metaphysics in Ken Russell’s Altered States (1980): on the ontological subversiveness of psychedelic sequences	0
Feng Xiaogang’s haunted utopia, Chinese modernity, and carnivalesque social critique in the era of Xi Jinping	0
Kathryn Bigelow: new action realist	0
Reshaping production practices: European film festivals, new Indonesian cinema, and the creative producer	0
Starmaker: David O. Selznick and the production of stars in the Hollywood studio system	0
Brooklyn: gendered Irish migration to the United States	0
Contemporary cinema and the philosophy of Iris Murdoch	0
Female Convict Scorpion : production context, gender politics, and cinematic excesses in a Japanese women-in-prison film series	0
Film bleu: the development of cinematic aesthetics and disavowal of cultural traditions in Hong Kong crime cinema	0
Affective production value on queer community television: a case study of the Gay Cable Network and Gay USA	0
“The mother is a child, too”: neoliberal segmentarity, reproductive futurism, and relationality in Enlightened	0
Reconsidering remarriage: Stanley Cavell and the vicissitudes of genre	0
Commodity horror:Videodromeand the industrialisation of Canadian culture	0
Perplexing plots: popular storytelling and the poetics of murder	0
“It’s not really a cat”: art, media, and queer wildness inCat People(1942, 1982)	0
Music in action film: sounds like action!	0
No longer “As Crappy as Possible”?: Cult sensibilities and the high-definition revisioning and “Unbleeping” of early seasons ofSouth Park	0
Looks that kill: Double Indemnity (1944) reimagined in postmodern neo-noir and television	0
Lost souls, victims and deviants: radicalization and gender in Agents of S.H.I.E.L.D .	0
TheJokercity, or the mysteries and miseries of Gotham	0
Ghost riders: Kelly Reichardt, certain women, certain men	0
Wonder, horror, mystery: letters on cinema and religion in Malick, Von Trier, and Kieślowski	0
“I want to be good:” morality, faith, and female spectatorial pleasure during World War I	0
Black box universe: the mind-game phenomenon, the hacker film, and the new millennium	0
Death and collective autobiography in Silverlake Life: The View from Here	0
Australian genre film	0
Shyam Benegal’s India: alternative images	0
Cinematic cultures of descent: the other sides of the mountaineering story	0
Flowers, concrete, water: care and precarity in Tsai Ming-liang’s I Don’t Want to Sleep Alone (2006)	0
Her stories: daytime soap opera & US television history	0
Over the corporate rainbow: LGBTQ film festivals and affective media networks	0
Roundtable on women’s authorship and adaptation in contemporary television	0
What is not real can be felt into being: affective threat in Jordan Peele’s Get Out	0
From the extraordinary to the everyday: discourses on American quality serial television in Sweden’s leading newspapers and the breakthrough of streaming TV	0
“I didn’t know if I even really existed. But I do”: music, dance, and the performance of male identity inJoker	0
Kathryn Bigelow as a neo-star director	0
RevisitingBrokeback Mountain– how mountains matter, or: melodrama, melancholy, (im-)mobility	0
Introduction: queer/trans media now	0
Interactive documentary: theory and debate	0
Introduction: women’s authorship and adaptation in contemporary television	0
‘I am (not) Major’: anti-fan memes of Paramount Pictures’Ghost in the Shellmarketing campaign	0
Mediating the elemental: an immaterialist ethics for ecomaterialist media theory	0
Contemporary Balkan cinema: transnational exchanges and global circuits	0
Dial M for Murder: the detective thriller, the postwar uncanny, and 3D cinema	0
Futures past and present: history, architecture and dystopia in Brazil (1985) and the Hunger Games series (2012-15)	0

Cold War cosmopolitanism: period style in 1950s Korean cinema	0
Screening contemporary Irish fiction and drama Screening contemporary Irish fiction and drama , edited by Marc C. Conner, Julie Grossman, and R. Barton Palmer, Cham, Pal	0
‘Use your white voice’: race, sound, and genre in Sorry to Bother You	0
E pluribus Unum : toward a poetics of the TV anthology	0
Outside and inside the time machines: structure and subjectivity in Alain Resnais’s Je t’aime, je t’aime	0
Melancholy, respectability, and credibility in Sean Baker’s Tangerine	0
Sway of the sea: Kathryn Bigelow’s imperial eco-eschatology	0
The fantasies of Black Final Girls	0
On Xavier Dolan’s musical parentheses	0
Queer times in Moonlight	0
Correction	0