OOIR: Observatory of International Research

Papers

(The median citation count of New Review of Film and Television Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)

Article	Citations
The landscapes of western movies: a history of filming on location, 1900–1970	10
“It’s not really a cat”: art, media, and queer wildness inCat People(1942, 1982)	5
“I want to be good:” morality, faith, and female spectatorial pleasure during World War I	4
Their own best creations: women writers in postwar television Their own best creations: women writers in postwar television , by Annie Berke, Oakland, University of Cali	4
TV plus what? data-capital, brand extension, and lock-in effects in the Apple ecosystem	4
Cinematic figurations of mountains	3
The category is: streaming queer television	3
‘Fully authenticated by respected scientists’: fact, fiction, and the roots of paranormal reality shows in American television history	3
Highroads and skyroads: mountain roadbuilding in U.S. government films of the 1920s and ‘30s	3
Reading Joey Soloway: popularizing feminist and queer theory in independent film and television	3
Reese Witherspoon’s popular feminism: adaptation and authorship in Big Little Lies	2
“It’sTop Chef, not a personality contest”: grammars of stereotype, neoliberal logics of personhood, and the performance of the racialized self inTop Chef: New York	2
Special dossier introduction: horror fans and audiences	2
Entering the Walloon Gothic: nationalist border crossing and othering in contemporary Flemish cinema	2
Introduction: women’s authorship and adaptation in contemporary television	2
I’ll Be Gone in the Dark: feminism and the adaptation of true crime in the #MeToo era	2
Walkman time machine	2
The Australian film revival: 1970s, 1980s, and beyond	2
Screening fears: on protective media	2
Lost souls, victims and deviants: radicalization and gender in Agents of S.H.I.E.L.D .	1
RevisitingBrokeback Mountain– how mountains matter, or: melodrama, melancholy, (im-)mobility	1
That’s not funny: how the right makes comedy work for them	1
Live-action mistake: Disney’s Mulan (2020), failure analysis, and media industry studies	1
Fiction as a challenge to text-oriented film studies	1
Consumer Survival Kit : U.S. public television, economic imaginaries, and counter-visions of a responsive state	1

Girls gone wild: animality, female teenagers, and disidentification in contemporary European cinema	1
George Miller’s “old-fashioned Hollywood studio”: corporate authorship at Kennedy Miller, 1981–1991	1
Problems with Kubrick: reframing Stanley Kubrick through archival research	1
“Throwing shows against the wall and hoping for the best”: NBC, quality, and the Emmy race for Outstanding Drama Series in the 2010s	1
There is no such thing as one realism: systematising André Bazin’s film theory	1
‘This I rebel against’: television advertising, Rod Serling’sThe Twilight Zone, and a changing industry	1
Landscape and the moving image	1
Flowers, concrete, water: care and precarity in Tsai Ming-liang’s I Don’t Want to Sleep Alone (2006)	1
V.F. Perkins and the redescription of films	1
Transformational ethics of film: thinking the cinemakeover in the film-philosophy debate	1
Cinematic cultures of descent: the other sides of the mountaineering story	1
The Gulliver effect: screen size, scale and frame, from cinema to mobile phones	0
Transmedia terrors in post-TV horror: digital distribution, abject spectrums and participatory cultures	0
Film bleu: the development of cinematic aesthetics and disavowal of cultural traditions in Hong Kong crime cinema	0
Screening contemporary Irish fiction and drama Screening contemporary Irish fiction and drama , edited by Marc C. Conner, Julie Grossman, and R. Barton Palmer, Cham, Pal	0
Feng Xiaogang’s haunted utopia, Chinese modernity, and carnivalesque social critique in the era of Xi Jinping	0
Digital space and embodiment in contemporary cinema: screening composite spaces Digital space and embodiment in contemporary cinema: screening composite spaces , by Jenn	0
‘This is my house now!’: Fighting with My Family , the female underdog and constructing a public history of WWE	0
Murky waters: Incident at Loch Ness, Grizzly Man, and Herzogian notions of truth	0
“Have you got any soul?”: reinterpreting High Fidelity ’s relationship to Black cultural production	0
The limitation of the bottle episode: Hegel in Community	0
‘Punching above our weight’: industry visibility and community engagement in rural and regional film festivals	0
E pluribus Unum : toward a poetics of the TV anthology	0
Architectures of violence: the fight scenes of Hollywood’s luxury hotels	0
Nostalgia, satire, and subcultural capital at the drive-in: examining horror host Joe Bob Briggs as a cultural intermediary	0
‘Scream for your lives!’: the philosophy of horror in William Castle’s The Tingler (1959)	0
‘Unique joy’: Netflix, pleasure and the shaping of queer taste	0
“World-famous”: the Nicholas Brothers’ Black stardom on television, 1951–1977	0
Contemporary Balkan cinema: transnational exchanges and global circuits	0
Black and white in colour: looking across race in Spike Lee’s Clockers and Summer of Sam	0
Introduction: Transnational Horror Media Now	0
The fantasies of Black Final Girls	0
The queer(ed) hotel in film	0
American Horror Story and cult television: narrative, histories and discourses	0
Mediating the elemental: an immaterialist ethics for ecomaterialist media theory	0
Queer times in Moonlight	0
‘The All-American Smile:’ the deconstruction of Robert Redford’s star persona in David Lowery’s The Old Man & the Gun	0
A note of introduction	0
Bluebeard meets Ivy: the botany of love in Paul Thomas Anderson’s Phantom Thread	0
Screen media and the construction of nostalgia in post-socialist China	0
Revisionary metaphysics in Ken Russell’s Altered States (1980): on the ontological subversiveness of psychedelic sequences	0
Death and collective autobiography in Silverlake Life: The View from Here	0
Ambiguous images of Soviet-Kyrgyz mountainscapes in The Sky of Our Childhood (1966)	0
Affective production value on queer community television: a case study of the Gay Cable Network and Gay USA	0
Televisual authorship and the affective feminism of HBO’s Sharp Objects adaptation	0
More to the picture than meets the eye: ecocinema, landscape, and James Benning’s Deseret	0
Lonely hotels and motels	0
Transmasculinity on television Transmasculinity on television , by Patrice Oppliger, New York, Routledge, 2022, 120 pp., $64.95 (hardback), ISBN: 9781032068985	0
Diegetic existence: transmedia instauration in artists’ cinema	0
‘Breathe in for your vitality’: the breath as the nexus of meaning in Ari Aster’s Midsommar	0

Of fleas and Parasite : unpacking class and space in Bong Joon-ho’s Barking Dogs Never Bite	0
Double vision: global irony in Brian De Palma’s Sisters (1972)	0
Perplexing plots: popular storytelling and the poetics of murder	0
Audiovisual tourism promotion: a critical overview	0
A ‘solution to an ongoing TV problem’: the rebooted limited series as quality TV format	0
Modern European cinema and love	0
From the figure of the obscene rich to the fantasy of its destruction: on Succession , schadenfreude and the godlike power of the super-rich on screen	0
Starmaker: David O. Selznick and the production of stars in the Hollywood studio system	0
Ghost riders: Kelly Reichardt, certain women, certain men	0
The vengeful dad: violence, paternalism, and antifeminism in New Hollywood cinema	0
On Xavier Dolan’s musical parentheses	0
Reconsidering remarriage: Stanley Cavell and the vicissitudes of genre	0
A medium seen otherwise: photography in documentary film	0
‘Humanity rising from the depths of brine’: an oceanic politics in Disney’s Moana	0
Washed in the flotsam and jetsam of everyday life: the hotel in film	0
Metaphysics and the moving image: paradise exposed	0
The value gap: female-driven films from pitch to premiere	0
The mind-game film: distributed agency, time travel, and productive pathology	0
Interactive documentary: theory and debate	0
Hollywood’s embassies: how movie theaters projected American power around the world	0
Roundtable on women’s authorship and adaptation in contemporary television	0
Adaptation, authorship and the critical conversations of Little Fires Everywhere	0
Bedding down precarity: John Smith’s Hotel Diaries	0
Hand painted movie stills: a study of the aesthetics of the cinematographic space in painted scenography	0
The rhythmic space of affects: how atmospheres shape music videos	0
Woman up: invoking feminism in quality television Woman up: invoking feminism in quality television , by Julia Havas, Detroit, Wayne State University Press, 2022, 282 pp	0
The performance of labor and downward mobility in Steven Soderbergh’s recession trilogy (2009–2012): The Girlfriend Experience , Haywire ,	0
Self-reflexive stardom and the early television sitcom: parafictional persona in The George Burns and Gracie Allen Show	0
Melancholy, respectability, and credibility in Sean Baker’s Tangerine	0
A dream deferred: race, space and urban representation in the films of Steve James	0
Brooklyn: gendered Irish migration to the United States	0
Uncomfortable television	0
Patriarchal confession: Foucault and the Singaporean hotel in Eric Khoo’s In the Room	0
Guilty of being a dwarf: Peter Dinklage and American fantasy television	0
History and story in the American political thriller film: Hollywood in the labyrinth	0
The magic hours: the films and hidden life of Terrence Malick	0
List of Reviewers 2020–2023	0
Dementia and contemporary horror movies: gendered ageing and the haunted home	0
Dangerous exchange students: Battle Royale and transcultural fans’ intertextual gatekeeping	0
Reshaping production practices: European film festivals, new Indonesian cinema, and the creative producer	0
The new female antihero: the disruptive women of twenty-first-century US television	0
Black box universe: the mind-game phenomenon, the hacker film, and the new millennium	0
Child spectators: towards a phenomenological perspective on the imaginary transformations of reality	0
‘ The Invisible Man is in your home’: pandemic-era Watch Parties as ephemeral media events	0
ImaginingTaking Tiger Mountain(by strategy): two landscapes of the Anthropocene, 1970 and 2014	0
Time, disaster, new media:Your Nameas a mind-game film	0
Shit happens on the big screen: faecal motifs in contemporary film	0
Futures past and present: history, architecture and dystopia in Brazil (1985) and the Hunger Games series (2012-15)	0
Introduction: queer/trans media now	0
Classical Hollywood cinematographers and the cultural capital of television	0
Sonic modernities: capitalism, noise, and the city essay film	0
Earners and spenders, husbands and wives: the affective restraints on women’s labor in high Cold War American sitcoms	0
The aesthetics of impasse and the affective rhythms of survival: Andrea Arnold’sFish Tankas cinema of precarity	0
Whitewashing the movies: Asian erasure and white subjectivity in U.S. film culture	0
A queer way of feeling: girl fans and personal archives of early Hollywood A queer way of feeling: girl fans and personal archives of early Hollywood , by Diana W. Ansel	0
Subversive pedagogies: the remembered impacts of children’s horror television on millennial Australian audiences	0
Contemporary horror on physical media: prestige releasing and cult consumption in the case of Second Sight’s distribution practices	0
Female Convict Scorpion : production context, gender politics, and cinematic excesses in a Japanese women-in-prison film series	0
Documentary’s expanded fields: new media and the twenty-first-century documentary	0
“The mother is a child, too”: neoliberal segmentarity, reproductive futurism, and relationality in Enlightened	0
Cityscapes, trance states, and women walking: embodied practices of walking in experimental film and video	0
How documentaries went mainstream: a history, 1960–2022	0
“Some things are proper, and some things are not”: forgotten men and disciplined women inMy Man Godfrey	0
Beyond the algorithm: curating a streaming library for documentaries	0
On longing for loss: a theory of cinematic memory and an aesthetics of nostalgia	0
“I wish we could stay here forever … and ever”: trauma and sentient space in the horror hotel	0
Transmedial perspectives on humour and translation: from page to screen to stage	0
Encounters through books of light: uncanny television and media archaeology in The Living and the Dead	0
Amateur, avant-garde, or underground? François Reichenbach’s early homophile films	0
Othered form and insectile subjectile: Under the Skin	0
Labors of love	0
Rust belt grindhouse: Deadbeat at Dawn and the gentrification of East Dayton’s warehouse district	0
Reconsidering old Hollywood fantasies of Black citizenship: plantation, whiteness, and civil rights in Pinky	0
The political dimension of ekphrasis	0
Here to stay: death, mourning and hauntology in Denis Côté’s Répertoire des villes disparues (2019)	0
Desperately seeking satisfaction: hotel sex and the (older) single girl in Good Luck to You , Leo Grande (2022)	0
Consent culture and teen films: adolescent sexuality in US movies	0
Anti-Heimat cinema: the Jewish invention of the German landscape	0