Narrative

Papers
(The TQCC of Narrative is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
"It Is Enough": St. Ogg and Caring Through the Gap10
Editor's Column: Thirty-Three Years with Other People's Arguments9
Toward a Narratology of Western Narrative Theatre Dance7
Response to Elizabeth Evans5
Julian Barnes and the Subversion of the Sense of an Ending5
A Moving Carriage of Similes: Robert Musil and The Perfecting of a Love4
The Construction of Transmedial Characters by Fans and Industry4
Companion Characters and Portal's Companion Cube: A Response to Ida Broni Christensen4
Response: Composite Avatars and the Epistemology of the Playable Figure3
Dramatic Poetry as Rhetorical Form: The Case of Sarah Piatt’s “Mock Diamonds”3
In Search of Characters Without Signifiers3
Introduction: Contextualizing Trans Narratologies3
Narratives Targeting Political Enemies: The Case of Post-Brexit Tory Leaders in the United Kingdom (2016–2022)3
Bearing Witnessing with What We Cannot Speak: The Use of the Abject and Figurative Language in Pat Barker’s Regeneration and Union Street2
Material Practices and Semiotic Objects: A Response to Shane Denson2
Unsettling Fire: Recognizing Narrative Compassion2
Why Computer AI Will Never Do What We Imagine It Can2
Proximities and Cross-Species Empathies in Laura Jean McKay's The Animals in That Country1
Drowned Places: Sea-Level Rise and Narrative Crisis in Elizabeth Rush's Rising1
Toni Morrison's Authorial Audience and the Properties of Black-Centered Imaginative History1
Voice Assistants and the Concept of Character: Response to Joleen Blom1
Playing with Otium ? On the Aesthetics of Walking Simulators1
Feeling Fictional: Metalepsis, Caprice, and the Uncanny in E. T. A. Hoffmann's "The Sandman"1
Knowing What’s Unnatural for Somebody: A Reply to Jan Alber and Brian Richardson1
Multimodality, Transmediality, and Ethics in Post-Postmodernist Fictions of the Digital1
“Nothing was solved, only accelerated”: Contemporary Berlin Novels as Gentrifictions1
Reply to Roberta Pearson1
Characters as Transtextual and Transmedial: A Reply to Mattia Thibault1
“To Become a Warrior and a Son to My Father”: Aleksandr Aleksandrov’s (Nadezhda Durova) Notes of a Cavalry Maiden (1836) as Transgender Autobiography1
Disrupted Lines: The Illegitimately Born Narrator in Dostoevsky and Hurston1
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