Narrative

Papers
(The TQCC of Narrative is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
"It Is Enough": St. Ogg and Caring Through the Gap10
Editor's Column: Thirty-Three Years with Other People's Arguments9
Toward a Narratology of Western Narrative Theatre Dance7
Julian Barnes and the Subversion of the Sense of an Ending5
Response to Elizabeth Evans5
The Construction of Transmedial Characters by Fans and Industry4
Companion Characters and Portal's Companion Cube: A Response to Ida Broni Christensen4
A Moving Carriage of Similes: Robert Musil and The Perfecting of a Love4
In Search of Characters Without Signifiers3
Introduction: Contextualizing Trans Narratologies3
Narratives Targeting Political Enemies: The Case of Post-Brexit Tory Leaders in the United Kingdom (2016–2022)3
Response: Composite Avatars and the Epistemology of the Playable Figure3
Dramatic Poetry as Rhetorical Form: The Case of Sarah Piatt’s “Mock Diamonds”3
Material Practices and Semiotic Objects: A Response to Shane Denson2
Unsettling Fire: Recognizing Narrative Compassion2
Why Computer AI Will Never Do What We Imagine It Can2
Bearing Witnessing with What We Cannot Speak: The Use of the Abject and Figurative Language in Pat Barker’s Regeneration and Union Street2
Knowing What’s Unnatural for Somebody: A Reply to Jan Alber and Brian Richardson1
Multimodality, Transmediality, and Ethics in Post-Postmodernist Fictions of the Digital1
“Nothing was solved, only accelerated”: Contemporary Berlin Novels as Gentrifictions1
Reply to Roberta Pearson1
Characters as Transtextual and Transmedial: A Reply to Mattia Thibault1
“To Become a Warrior and a Son to My Father”: Aleksandr Aleksandrov’s (Nadezhda Durova) Notes of a Cavalry Maiden (1836) as Transgender Autobiography1
Disrupted Lines: The Illegitimately Born Narrator in Dostoevsky and Hurston1
Proximities and Cross-Species Empathies in Laura Jean McKay's The Animals in That Country1
Drowned Places: Sea-Level Rise and Narrative Crisis in Elizabeth Rush's Rising1
Toni Morrison's Authorial Audience and the Properties of Black-Centered Imaginative History1
Voice Assistants and the Concept of Character: Response to Joleen Blom1
Playing with Otium ? On the Aesthetics of Walking Simulators1
Feeling Fictional: Metalepsis, Caprice, and the Uncanny in E. T. A. Hoffmann's "The Sandman"1
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