OOIR: Observatory of International Research

Papers

(The TQCC of Victorian Poetry is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)

Article	Citations
Contributors	1
Musical Lights: Illuminating the Shadows in Tennyson’s The Princess	1
Tennyson	1
Understanding Media with L.E.L.: Women Poets, New Media, and the Petrarchan Gaze	1
Women and Light Verse: On May Kendall	1
Verse Arabesque	0
Queer Forms, Queer Grief: Reclaiming and Transcending Loved Remains in Tennyson's In Memoriam and Michael Field's The Longer Allegiance	0
General Materials	0
Sensation, Sati, and Retribution in Mary E. Leslie's Sonnets on the Indian Mutiny	0
Humanities Future; or, Don’t Quit Lit	0
Thomas Hardy	0
Introduction: Poetry and the Victorian Visual Imagination	0
Contributors	0
Danger Lurks in the Darkness: The Ruskin/Burne-Jones Medieval Poetry Salon for Girls	0
Elizabeth Barrett Browning	0
Locomotive Breath: The Living Machines and Railway Dreams of Alexander Anderson's Working-Class Verse	0
“Ruined at Root”: “The Triumph of Time,” “Anactoria,” and Swinburne’s Poetics of Waste	0
Elizabeth Barrett Browning	0
General Materials	0
Chartist Poetry and the Fate of Research: Writing and Activism, Then and Now	0
Compost Happens: Composition and Decomposition in Victorian Literature	0
“Press thy hands and crow”: The Garland of Rachel and Robert Bridges’ Rewriting of Gerard Manley Hopkins’s “Spring and Fall”	0
Thomas Hardy	0
Socializing Maud: Tennyson's Recitations	0
Analog Intelligence	0

Disabled Visions: Eugene Lee-Hamilton, Physical Disability, and Poetic Identity in the Later Victorian Imagination	0
“Reared in Shade”: The Potential of Liminality and the Limits of Victorian Historical Discourse in Matthew Arnold’s “Stanzas from the Grande Chartreuse”	0
"The Mournful Echo": Intimacy in American Recitations and Periodical Reprinting of "Mother and Poet," 1861–1879	0
“Life whetted upon life”: Mathilde Blind, The Ascent of Man , and the Geological Record	0
From the Execution Ballad to the Dramatic Monologue: Criminal Confession Reconfigured	0
Contributors	0
"Thunders of White Silence": Racialized Ways of Seeing and "Hiram Powers' Greek Slave"	0
Morris the Skald: Icelandic Translation as Social Liberation	0
Alfred Lord Tennyson	0
The "diaphanous veil" of Edward Lear's Tennyson Songs	0
Seeing Inversnaid: Gerard Manley Hopkins, "Inversnaid," and the Ecological Eye	0
Reciting, Marching, Singing: The Collective Political Voice of Victorian Poetry	0
Robert Browning	0
Contributors	0
Preface	0
Victorian Women Poets	0
Whithering: Or ’Tis Twenty Years Since	0
Gerard Manley Hopkins	0
Contributors	0
Contributors	0
Algernon Charles Swinburne	0
Keeping Faith in Victorian Poetry	0
Thomas Hardy	0
Contributors	0
Swinburne	0
Robert Browning	0
Christ Among the Decadents: Re-encountering Religion in Edwin Arnold’s The Light of the World	0
On Peacocks: Feathered Re-encounters in the 1890s	0
Reflections on Twenty Years in Victorian Poetry	0
Contributors	0
Victorian Women Poets	0
Poetry at the Priory: George Eliot and "Benevolent" Imperialism	0
Going Back and Going On: The Uses of Re-encounter	0
"I trust that I am a Liberal": The Politics and Poetics of Elizabeth Barrett Browning's Early Antislavery Verse	0
Robert Browning	0
Project Muse: Ernest Dowson and "the Right Type of Girl"	0
Victorian Poetry in an Age of Cultural Secularization	0
The Politics of Ballads and the Poetics of Nationalism: The 1857 Indian Uprising, Tennyson’s Defence of Lucknow , and Chauhan’s Jhansi ki Rani	0
Haunting Voices: Thomas Hardy's Boer War Poetry	0
Victorian Women Poets	0
Contributors	0
Gerard Manley Hopkins	0
Introduction: The Material Conditions of Victorian Poetry	0
King Poppy : An Association Copy: An Addendum to McCormack	0
Afterword: Victorian Salons and Forms of Poetic Sociability	0
Hopkins Unselved	0
"A larger vision": William Blake, Phoebe Anna Traquair, and the Visual Imagination in EBB's Sonnets from the Portuguese	0
Photography, Novelty, and Victorian Poetry	0
Pre-Raphaelitism, Dante G. Rossetti, and William Morris	0
Dante Rossetti, Pre-Raphaelitism, and the Morris Circle	0

Poetry, Politics, Possibilities	0
Reaching Wider: Anecdotes from a Victorianist in the Australian Archive	0
Dissonant Poetics in George Eliot's "A College Breakfast Party"	0
“The child’s sob in the silence curses deeper”: Language of Voice and Dialogue of Reform in Elizabeth Barrett Browning’s “The Cry of the Children”	0
Unique Forms of Ekphrasis: The Keepsake and the Illustrative Poetry of the Literary Annuals	0
Literary Studies Inside Out: Notes Toward Critical University Press Studies	0
Algernon Charles Swinburne	0
Named Places in Lear's Limericks	0
Christina Rossetti's Sing-Song: Three Illustrators, Three Readings of Image and Text	0
“Having dared to touch with bloody hands the verses”: Elizabeth Barrett Browning’s Embodied Approach to the Homeric Corpus	0
Victorian Women’s Poetry and the Near-Death Experience of a Category	0
Tennyson	0
Keble Quoting: Citations, Invention, and Poetry	0
The Victorian Salon and Pre-Raphaelite Melopoetics	0
Gerard Manley Hopkins in Dialogue with Felicia Hemans	0
Introduction: The Place of Victorian Poetry	0
Love in a Time of Extinction: Poetic Category and Temporal Impasse in Robert Browning’s “Love Among the Ruins”	0
Fail Better: Dante Gabriel Rossetti, Form, and the Aesthetics of Successful Failure	0
Poetry and the Visual Dynamics of Race in the West Indian Readers	0
Gerard Manley Hopkins	0
Introduction: A Discursive Duet	0
Undisciplining Art Sisterhood	0
Informatics	0
Ghostly Selves in Augusta Webster’s Poetry	0
D. G. Rossetti and William Morris	0
"The passion-flower at the gate": Tennyson's Poetry in the "Annals" of Julia Margaret Cameron	0
Contributors	0
Victorian Poetry Index: Volume 60, 2022	0
Reading Victorian Poetry as the World Burns	0