Television & New Media

Papers
(The TQCC of Television & New Media is 4. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Racism, Hate Speech, and Social Media: A Systematic Review and Critique128
No Grand Pronouncements Here...: Reflections on Cancel Culture and Digital Media Participation82
On Frogs, Monkeys, and Execution Memes: Exploring the Humor-Hate Nexus at the Intersection of Neo-Nazi and Alt-Right Movements in Sweden49
Three Challenges for Media Studies in the Age of Platforms26
SVOD Global Expansion in Cross-National Comparative Perspective: Netflix in Israel and Spain25
Governing Hate: Facebook and Digital Racism23
Pursuing “Wellness”: Considerations for Media Studies20
Spectacularized and Branded Digital (Re)presentations of Black People and Blackness19
Netflix in Europe: Four Markets, Four Platforms? A Comparative Analysis of Audio-Visual Offerings and Investment Strategies in Four EU States15
The Role of Public Service Media in Sustaining TV Drama in Small Markets15
Decolonising “Data Colonialism” Propositions for Investigating the Realpolitik of Today’s Networked Ecology14
Who is the Counterpublic? Bromance-as-Masquerade in Chinese Online Drama—S.C.I. Mystery14
The Public Service Approach to Recommender Systems: Filtering to Cultivate13
In Plain Sight: Online TV Interfaces as Branding11
Picturing Diversity: Netflix’s Inclusion Strategy and the Netflix Recommender Algorithm (NRA)10
Branding Kidfluencers: Regulating Content and Advertising on YouTube10
Gender Essentialism in Chinese Reality TV: A Case Study of You Are So Beautiful10
Algorithmic Television in the Age of Large-scale Customization9
Netflix in Mexico: An Example of the Tech Giant’s Transnational Business Strategies8
Conceptualizing the Experiential Affordances of Watching Online TV8
“Never Battle Alone”: Egirls and the Gender(ed) War on Video Game Live Streaming as “Real” Work7
Commercialization of Creative Videos in China in the Digital Platform Age7
Field Mapping: What Is the “Media” of Media Studies?7
Affective Practice of Soldiering: How Sharing Images Is Used to Spread Extremist and Racist Ethos on Soldiers of Odin Facebook Site7
Situating Representation As a Form of Erasure: #OscarsSoWhite, Black Twitter, and Latinx Twitter7
DesiringWanghuang: Live Streaming, Porn Consumption and Acts of Citizenship among Gay Men in Digital China7
Interrogating LeftTube: ContraPoints and the Possibilities of Critical Media Praxis on YouTube7
Television and the “Honest” Woman: Mediating the Labor of Believability7
Paralympic Broadcasting and Social Change: An Integrated Mixed Method Approach to Understanding the Paralympic Audience in the UK7
Digital Intimacy in Real Time: Live Streaming Gender and Sexuality7
After Marriage: The Assimilation, Representation, and Diversification of LGBTQ Lives on Irish Television7
Critical Interpretations of Global-Local Co-Productions in Subscription Video-on-Demand Platforms: A Case Study of Netflix’s YG Future Strategy Office6
“Business Inquiries are Welcome”: Sex Influencers and the Platformization of Non-normative Media on Twitter6
Data Civics: A Response to the “Ethical Turn”6
“What Is This, the Seventies?” Spectres of the Past (and the Future) in Recent Northern Irish Television6
“Talk to Each Other Like It’s 1995”: Mapping Nostalgia for the 1990s in Contemporary Media Culture6
When is the “Racist” Designation Truly Applicable? News Media’s Contribution to the Debatability of Racism6
Manufacturing Hate 4.0: Can Media Studies Rise to the Challenge?5
Contingency, Precarity and Short-Video Creativity: Platformization Based Analysis of Chinese Online Screen Industry5
Factors Explaining Grandparental Mediation of Children’s Media Use in Two National Contexts5
Mobilizing Media Studies in an Age of Datafication5
Media Studies and the Pitfalls of Publicity5
Foreign Ownership of Production Companies as a New Mechanism of Internationalizating Television: The Case of Australian Scripted Television5
“We Don’t Aspire to Be Netflix”: Understanding Content Acquisition Practices Among Niche Streaming Services5
Digitality and Debordered Spaces in the Era of Streaming: A Global South Perspective5
The Routinization of Media Events: Televised Sports in the Era of Mega-TV4
Vernacular Feminism: Gendered Media Cultures and Historical Perspectives on Postdiscourse4
The Media (Studies) of the Pandemic Moment: Introduction to the 20th Anniversary Issue4
Shifting Formations, Formative Infrastructures: Nationalisms and Racisms in Media Circulation4
“I’m Neither a Slut, Nor Am I Gonna Be Shamed”: Sexual Violence, Feminist Anger, and Teen TV’s New Heroine4
Platformization as a Structural Dimension for Public Service Media in Germany: The funk Content Network and the New Interstate Media Treaty4
Curating a Scopic Contact Zone: Short Video, Rural Performativity, and the Mediatization of Socio-Spatial Order in China4
Institutional Polymorphism: Diversification of Content and Monetization Strategies on YouTube4
“This Title Is No Longer Available”: Preserving Television in the Streaming Age4
Data Ableism: Ability Expectations and Marginalization in Automated Societies4
Media Studies Futures: Whiteness, Indigeneity, Multi-modality, and a Politics of Possibility4
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