Television & New Media

Papers
(The TQCC of Television & New Media is 3. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Racism, Hate Speech, and Social Media: A Systematic Review and Critique169
On Frogs, Monkeys, and Execution Memes: Exploring the Humor-Hate Nexus at the Intersection of Neo-Nazi and Alt-Right Movements in Sweden60
Governing Hate: Facebook and Digital Racism32
Picturing Diversity: Netflix’s Inclusion Strategy and the Netflix Recommender Algorithm (NRA)26
Spectacularized and Branded Digital (Re)presentations of Black People and Blackness25
Netflix in Europe: Four Markets, Four Platforms? A Comparative Analysis of Audio-Visual Offerings and Investment Strategies in Four EU States22
The Public Service Approach to Recommender Systems: Filtering to Cultivate17
Branding Kidfluencers: Regulating Content and Advertising on YouTube17
Netflix in Mexico: An Example of the Tech Giant’s Transnational Business Strategies12
Television and the “Honest” Woman: Mediating the Labor of Believability11
“Never Battle Alone”: Egirls and the Gender(ed) War on Video Game Live Streaming as “Real” Work11
Conceptualizing the Experiential Affordances of Watching Online TV11
Gender Essentialism in Chinese Reality TV: A Case Study of You Are So Beautiful10
Data Ableism: Ability Expectations and Marginalization in Automated Societies9
Affective Practice of Soldiering: How Sharing Images Is Used to Spread Extremist and Racist Ethos on Soldiers of Odin Facebook Site9
The Datafication of Intimacy: Mobile Dating Apps, Dependency, and Everyday Life8
Paralympic Broadcasting and Social Change: An Integrated Mixed Method Approach to Understanding the Paralympic Audience in the UK8
Critical Interpretations of Global-Local Co-Productions in Subscription Video-on-Demand Platforms: A Case Study of Netflix’s YG Future Strategy Office8
Digital Intimacy in Real Time: Live Streaming Gender and Sexuality8
“I’m Neither a Slut, Nor Am I Gonna Be Shamed”: Sexual Violence, Feminist Anger, and Teen TV’s New Heroine7
“Business Inquiries are Welcome”: Sex Influencers and the Platformization of Non-normative Media on Twitter7
After Marriage: The Assimilation, Representation, and Diversification of LGBTQ Lives on Irish Television7
When is the “Racist” Designation Truly Applicable? News Media’s Contribution to the Debatability of Racism7
Humor, Ridicule, and the Far Right: Mainstreaming Exclusion Through Online Animation7
Institutional Polymorphism: Diversification of Content and Monetization Strategies on YouTube7
“We Don’t Aspire to Be Netflix”: Understanding Content Acquisition Practices Among Niche Streaming Services7
Desiring Wanghuang: Live Streaming, Porn Consumption and Acts of Citizenship among Gay Men in Digital China7
The Routinization of Media Events: Televised Sports in the Era of Mega-TV6
“What Is This, the Seventies?” Spectres of the Past (and the Future) in Recent Northern Irish Television6
Contingency, Precarity and Short-Video Creativity: Platformization Based Analysis of Chinese Online Screen Industry6
Comparing Populist Media: From Fox News to the Young Turks, From Cable to YouTube, From Right to Left6
Digitality and Debordered Spaces in the Era of Streaming: A Global South Perspective6
Curating a Scopic Contact Zone: Short Video, Rural Performativity, and the Mediatization of Socio-Spatial Order in China5
Platformization as a Structural Dimension for Public Service Media in Germany: The funk Content Network and the New Interstate Media Treaty5
Foreign Ownership of Production Companies as a New Mechanism of Internationalizating Television: The Case of Australian Scripted Television5
“Shudder” and the Aesthetics and Platform Logics of Genre-Specific SVOD services5
Dewesternizing Precarity in Turkish TV Drama Production through the Body and the Law5
Netflix & Big Data: The Strategic Ambivalence of an Entertainment Company4
Shifting Formations, Formative Infrastructures: Nationalisms and Racisms in Media Circulation4
A Labor of (Queer) Love: Maintaining “Cozy Wholesomeness” on Twitch During COVID-19 and Beyond4
Why Do We Only Get Anime Girl Avatars? Collective White Heteronormative Avatar Design in Live Streams4
Home Truths: Property TV, Financialization, and the Housing Crisis in Contemporary Ireland4
The Magical Work of Brand Futurity: The Mythmaking of Disney+4
“#Bughead Is Endgame”: Civic Meaning-Making in Riverdale Anti-Fandom and Shipping Practices on Tumblr4
Understanding Genre as Atmospheric Assemblage: The Case of Videogames4
Beauty From the Waist Up: Twitch Drag, Digital Labor, and Queer Mediated Liveness3
Get Up, Stand Up? Theorizing Mobilization in Creative Work3
Just on the Right Side of Wrong: (De)Legitimizing Feminism in Video Game Live Streaming3
“Love You, Bro”: Performing Homosocial Intimacies on Twitch3
The Idea of Genre in the Algorithmic Cinema3
When Brands Become Stans: Netflix, Originals, and Enacting a Fannish Persona on Instagram3
Optimizing Looking and Buying on Instagram: Tracing the Platformization of Advertising and Retail on Mobile Social Media3
The Masks We Wear: Watchmen, Infrastructural Racism, and Anonymity3
The Millennial Medium: The Interpretive Community of Early Podcast Professionals3
“Worlds. . .[of] Contingent Possibilities”: Genderqueer and Trans Adolescents Reading Fan Fiction3
From Boyfriend to Boy’s Love: South Korean Male ASMRtists’ Performances of Digital Care3
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