Television & New Media

Papers
(The median citation count of Television & New Media is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Your Home Made Perfect47
Book Review: Pain Generation, Social Media Feminist Activism, and the Neoliberal Selfie, by L. Ayu Saraswati30
The Kardashians, Live! Fabricating Liveness in the Sex-Tape-Derived Reality Series28
Data Trafficking and the International Risks of Surveillance Capitalism: The Case of Grindr and China18
Introduction to the Special Issue: At Home With TV: Television Houses, Theory, Life Writing16
Book Review: Translation Studies on Chinese Films and TV Shows , by Feng Yue Translation Studies on Chinese Films and TV Shows, edited by YueFeng, Singapore, SG, Springe15
Post-Procedural Form and Rape Ambiance: Policing Sexual Violence in Mare of Easttown15
Book Review: The Authenticity Industries: Keeping It “Real” in Media, Culture, and Politics12
Introduction to the Special Issue: Pandemic TV, Then and Now12
Intimacy Coordination as a Call to Action: Embedding Processes of Care in the UK TV Industry11
The Theme Park as Simulation of American Rape Culture: #MeToo and the Problem of Justice in HBO’s Westworld9
Book Review: Television before TV: New Media and Exhibition Culture in Europe and the USA, 1928-1939 by Anne-Katrin Weber Television before TV: New Media9
The Haunted Broadcast: Using Static to Understand Broadcast’s History and Present9
“Post-Pandemic Political Television and the End of One Day at a Time8
Make Room for VR: Constructing Domestic Space and Accessibility in Virtual Reality Headset Tutorials8
Music Video, Remediation, and Generic Recombination8
The Contemporary Afterlives of Serial Drama: Considering New Audience Readings of “Old” Television8
Living the American Dream? Satirizing Neoliberal Capitalism in Killing It and Severance8
Queer Rhythms of Continuity: Seriality and Platform Governance on GagaOOLala8
The Millennial Medium: The Interpretive Community of Early Podcast Professionals8
Politics As Fun: Countering Indian Digital Nationalism With Viral Videos7
Era of the Individual Viewer? Taste, Value, and Creative Media Work in India’s Streaming Industries7
The “Reality” of Living Off the Land7
Interface Games as Microgenre: Definition and Thematic Investigation6
The Technological Carnivalesque in Niantic’s Pokémon Go6
Book Review: Trans Technologies , by Oliver L. Haimson Trans Technologies by HaimsonOliver L.The MIT Press, 2025. 296 pp. $40.00 (Paperback). ISBN: 978026
Emplacement and Emplotment: Media Production in Pandemic Times6
Calling out Feminists: Antifeminist Hijacking of Cancel Culture in South Korea6
Genre in Transnational Television: A Case of Netflix Originals Korean Dramas5
Invisible Roots: Re-examining Soap Opera’s Influence on the Narrative Complexity of Contemporary Television Drama5
The Netflix Paradox in the Middle East: Diversity, Inclusivity, and Authenticity?5
Rape-Revenge Television in the #MeToo Era: Proxy and Imagined Violence in Big Little Lies and I May Destroy You5
Sanctuary from the Storm: Making (My) Room with The Torkelsons5
The Politics of Female Anger in Older Age: The Good Fight, Older Femininity and Political Change4
The Lure of Cultural Authenticity: Netflix and Speculative Koreanness in the Global Media Market4
Journalistic Practices in Difficult Times: The Cases of Fictional Television Series Borgen and El Caso in Denmark and Spain4
“Shudder” and the Aesthetics and Platform Logics of Genre-Specific SVOD services4
Participatory Propaganda and Politics From the Bedroom (Studio): The Semiotics of Conservative Influencers on YouTube4
Unspeakable Desires: Homosexuality in 1960s Social Issues Dramas4
Book Review: TV Snapshots: An Archive of Everyday Life , by Lynn Spigel TV Snapshots: An Archive of Everyday Life, by SpigelLynn. Durham: Duke University Press, 2022, pp4
Deinfluencing TikTok During the Cost-of-Living Crisis: Neoliberal Logics of (Over)Consumption Across Popular Media4
De-/Re-Whitening Russianness: A Liminal Space of White Privileges Represented in Non-Summit4
Ideology as/of Platform Affordance and Black Feminist Conceptualizations of “Canceling”: Reading Twitter4
Television, “Amsterdam”, and Me4
The Pluralism of Thai Boys Love Industry: Auteur Migration, Fan Showrunners, Labor Vulnerability, and Queer Potentiality3
The L Word ’s Afterlives: Queer Media Convergence and the Logics of Diversitainment3
First-Run Syndication and Unwired Networks in the 1980s: Viacom’s Superboy and Buena Vista TV’s DuckTales3
Netflix and the Transnationalisation of Teen Television3
When Brands Become Stans: Netflix, Originals, and Enacting a Fannish Persona on Instagram3
Digital Domestic (Im)material Labor: Managing Waste and Self While Producing Closet Decluttering Videos3
New Encounters: Localization of Global TV Drama Genres on Turkish OTT Platforms3
Audiovisual Self-Confrontation: Psychiatric and Psychotherapeutic Uses of Television and Video in (West) Germany 1970s–1990s3
The “Unsung Heroes” of the “Infocalypse”: Company Representations of Commercial Content Moderators3
Always-On: The Gendered Economies of Filipina Migrant Care Work and Social Media Platforms3
Review Essay: Feminist Television Studies of Complex and Disruptive Women3
Book Review: Pandemics in the Age of Social Media: Information and Misinformation in Developing Nations , by Vikas Kumar and Mohit Rewari Pandemics in the Age of Social 3
Book Review: Art vs. TV, A Brief History of Contemporary Artists’ Response to Television, by Francesco Spampinato3
Film Heritage on Demand? Curation and Discoverability of “Classic Movies” on Netflix3
Rip It Up and Start Again: Creative Labor and the Industrialization of Remix2
Korean Band Music Surfing the Korean Wave: The Case of the Korean Band Survival Audition TV Program, Great Seoul Invasion2
Between Desire and Derision: The Transnationalization of Queer Culture and Chinese Female Audiences’ Attitudes Toward Thai BL Drama2
Creative Genre Matters: Trendy Drama and the Rise of the East Asian Global Media Market2
Book Review: Food Instagram: Identity, Influence & Negotiation2
From After School Specials to After School Threesomes: Industrial Shifts in the Depiction of Sex on Teen TV and its Formation of the Sex Positive Teen Girl2
Here Comes the Future: Black Women and Early Digital Culture in Essence2
Content Regulation and the American Forces Network2
Appropriate Blackness: Standards and Practices, Creative Collaboration, and In Living Color2
From Brand to Genre: The Hallmark Movie2
Introduction to the special issue Genre After Media2
Book Review: New Media in the Margins: Lived Realities and Experiences From the Malaysian Peripheries by Benjamin YH Loh and James Chin2
Unplayable: Why Video Games Can’t and Won’t Be Played2
The Ambivalence of Mother Love: Navigating Maternal Subjects Through the TV Drama A Love for Dilemma2
“‘We Hope They Forget COVID Exists’: Pandemic Dissonance in HGTV’s Evergreen Escapism”2
TV POWWW! and Televised Play in the Early Videogame Industry2
Book Review: Trolling Ourselves to Death: Democracy in the Age of Social Media, by Jason Hannan2
(De-)Stigmatizing Teen Moms: Contentious Teenage Parents and Policy Shift Reflecting After Neoliberalism in South Korea2
Review: Televising Chineseness: Gender, Nation, and Subjectivity, by Geng Song2
“Insensitivity Training”2
Co-framing the 2024 WNBA Playoffs: ESPN’s Deferential Approach to Selling Misogynoir2
History, Horror, and Peak TV: Experimental History Series2
Book Review: Talking Back to the West: How Turkey Uses Counter-Hegemony to Reshape the Global Communication Order , by Bilge Yesil Talking Back to the We1
Book Review: Art vs. TV: A Brief History of Contemporary Artists’ Responses to Television (Bloomsbury Publishing, New York-London-Dublin, 2022, pp. 352), by Francesco Sp1
Making a “Hate-Watch”: Netflix’s Indian Matchmaking and the Stickiness of “Cringe Binge TV”1
Book Review: Comedy Book: How Comedy Conquered Culture—And the Magic that Makes it Work , by Jesse David Fox Comedy Book: How Comedy Conquered Culture—And the Magic that1
Streaming Queer Content: LGBTQ Media on BVOD and SVOD Services in Australia1
Women Off-Screen: A Data-Driven Analysis of Gender Inequalities in Italian TV Serial Production (2000–2023)1
Glocalizing Queer Caricature: RuPaul’s Drag Race UK and the Snatch Game Format1
“How Can You Be a Feminist if You’re Always Online?” Online Activisms, Ambivalence, and Dis/Connection1
Risky Business Below Deck : Onboard the Reality Television Occu-Soap1
The True Meaning of Christmas (at Hallmark): The Miracle of the Small Business Owner1
Welcome (back) to Hogwarts: Re-adaptation, intertextuality, and cultural disputes in the Harry Potter reboot1
The Post-Millennial Stand-Up Comedy in India (2000–2024): A Study in Evolving Content and Form Across the Media Platforms1
How Do Black Lives Matter to Hollywood? Marketing Black Trauma and Joy on Streaming Platforms1
Book Review: Border Tunnels: A Media Theory of the U.S. Mexico Underground, by Juan Llamas-Rodriguez1
Exploring the Virtual Culture of Reality Television Communities: Lessons From #Date My Family1
Making the Season: Risk, Repetition and Return in Below Deck1
Building the Netflix Brand: Franchise Logic, Authorship, and Distinction in the Promotion of Stranger Things1
Search Engines and Free Speech: A Historical Analysis of Editorial Analogies and the Position of Media Companies and Users in US Free Speech Discourse1
Nationalization of Spatiotemporal Artifacts: National Chronotope, Authenticity, and Local Colors in Danish TV Dramas1
Left Populist Media Online: A Comparative Analysis of the U.S.’s The Young Turks and Spain’s La Base1
Rethinking Docudrama and its Origins From Radio and Film to Streaming Media1
Automated Parasociality: From Personalization to Personification1
What’s So Great About GTO ?: Evolving Discourses of Japanese Masculinity in Great Teacher Onizuka1
Book Review: Narcomedia by Jason Ruiz1
Transmedial Texts on Participatory Digital Platforms: Contextualizing the Re-telecast of Ramayana Amidst Covid-19 Lockdown1
“Let’s Go Make Some Videos!”: Post-Feminist Digital Media on Tween-Coms1
Platforming the Joe Rogan Experience: Cancel Culture, Comedy, and Infrastructure1
Introduction to the special issue: Genres of Rape and Putting Rape Into Genre: Sexual Violence and TV After #MeToo0
Why Can’t We Believe in That? Partisan Political Entertainment in the Mexican YouTube Sphere0
Contingent Discoverability: Understanding Platform Guidance and User Autonomy on Streaming Services0
The Production of Locality During the Pandemic: Feel the Rhythm of Korea and “Dynamite”0
Memes, National Identity and National Belonging: Visual “Nation-Talk” on Indian Social Media Pages0
Electronics and Expertise: Constructing the Smart TV on the Retail Sales Floor0
The Try Guys: Making Their Brand Through Direct Address and Cancellation With Feelings0
“We Don’t Aspire to Be Netflix”: Understanding Content Acquisition Practices Among Niche Streaming Services0
“‘Trust the Process’: Reality TV, Cable News, and the Politics of Reassurance”0
Stuck in a cul de sac of care: Therapy Assistance Online and the platformization of mental health services for college students0
Two Percent at the Picket Line: Media Coverage of U.S. Union Fights for Streaming Residuals0
“‘As In Life, So in Drama’: COVID, the NHS and the ‘Very Special’ Return of Casualty0
“Regression/Progression: Two Cases of COVID Television”0
Not That Personal: A Qualitative Study of Personalization Practices on Six European Public Streaming Services0
The Refractive Comic: Nanette and Comedy From Inside Identity0
On Digital Reproductive Labor and the “Mother Commodity”0
Book Review: Slow TV: An Analysis of Minute-by-Minute Television in Norway, by Puijk Roel0
Contesting Captions: Netflix, Fan Campaigns, and the Labor of Access0
When Mainstream and Alternative Media Integrate: A Polysystem Approach to Media System Interactions0
The Masks We Wear: Watchmen, Infrastructural Racism, and Anonymity0
The Freedom to Televise: Regulating North American TV in the 20th Century0
Reprogramming emotion repertoires: The affective politics of light entertainment format in the Chinese reality show Sing!China0
Journalistification, Transnationalism and Critique in Swedish Television’s Cultural Magazine Kobra (2001−2017)0
Introduction to the special issue: The Platformization of Cancel Culture0
The Great Australian TV Delay: Disruption, Online Piracy and Netflix0
Book Review: The Delight of Turkish Dizi: Memory, Genre and Politics of Television in Turkey, by Arzu Öztürkmen0
Optimizing Looking and Buying on Instagram: Tracing the Platformization of Advertising and Retail on Mobile Social Media0
From Apollo to the ISS: The Televisual Image in Human Spaceflight0
Institutional Polymorphism: Diversification of Content and Monetization Strategies on YouTube0
Forming the Self: Self-Representation and Reality TV Form0
Finding Horror on Early Network Television: Lights Out and the Business of Genre0
“Gay People Censored! Will You Stand for It?”: Conflicts, Controversies, and Cancellations on Canadian Community Television in the 1970s0
Anticipation as Platform Power: The Temporal Structuring of Digital Everyday Life0
Temporal Dispersions of Disgust: Or, Reconceiving Genre Through Direct-to-Video Horror0
Grotesque Prosperity: Liver King’s Hypermasculine Influencer Grift0
Television Production of Yesteryears, Today and in the Future: Impact of Reduced Collaboration in TV News Production on Job Satisfaction in Nigeria0
Book Review: The Podcaster’s Dilemma: Decolonizing Podcasters in the Era of Surveillance Capitalism, by Nicholas L. Baham III & Nolan Higdon0
Psychic TV: The Paranormal as Popular Culture in Japanese Television of the 1990s0
Book Review: Media Industries in the Digital Age by Lotz and Havens and Work in the Digital Media and Entertainment Industries0
Book Review: Push the Button: Interactive Television and Collaborative Journalism in Japan , by Elizabeth Rodwell Push the Button: Interactive Television0
Book Review: Producing Feminism: Television Work in the Age of Women’s Liberation, by Jennifer S. Clark Producing Feminism: Television Work in the Age of Women’s Liberation, by ClarkJennifer S.Oakland0
Economies of Difference and Identity-based Content on a Digital Platform: The Case Study of “Emily in Korea” on TikTok0
Book Review: Middle Eastern Television Drama: Politics, Aesthetics, Practices , edited by Christa Salamandra and Nour Halabi Middle Eastern Television Dr0
“It’s Not Serving Snookie and Her Escort Friends Cheeseburgers”: Race, Class and Labor in Below Deck0
Book Review: Latino TV: A History, by Mary Beltrán0
Spanish-Language Television and Diaspora in Detroit and Los Angeles: Toward Latinx Media Enfranchisement0
Emerging Queer Sister Studies: The Transmedia Futurity of Adult Lesbianism From the “Sister-Kid Literature” to the “Older Sister”-Centered TV in Post-2010 China0
In the Networks We Trust? Broadcasters, Congress, and Control Over Television Journalism0
Remaking Mother : The Global Emergence of Japanese Scripted Formats0
Neo-Cult and the Altered Audience: Reviving Cult TV for the Post-TV Age0
A View from the Top (Dog): Intersections of Incarceration, Motherhood, and Trauma on Foxtel’s Wentworth0
Boxed In: Pandemic TV as Intersectional Renegotiation of Feminist Attitudes Toward the Home0
Platformization as a Structural Dimension for Public Service Media in Germany: The funk Content Network and the New Interstate Media Treaty0
“Inter-Inner-Personal Archives: Pandemic-Induced Introspection and Television Studies (A Dialogue)”0
Managing compassion: The affective dynamics of rural representation in the Chinese reality TV show X-Change0
“I Love My Kids, This Abortion is not Because I Don’t”: The Meanings of Motherhood and Abortion on U.S. Television, 2013—20230
Beyond Gatekeeping: Web Series as Entrepreneurial Emancipation in the Contemporary Streaming Era0
Surviving the Crisis: Diversity and Multiculturalism in Survivor ’s New Era0
“Genre as Feminist Platform: Diagnosis, Anger, and Serial T.V.”0
Reaction Media: Archeology of an Intermedium0
“Alex, DO NOT BACKPEDAL ON SANDY HOOK!”: Reactionary Fandom, Cancel Culture, and the Possibility of ‘Audience Capture’ on YouTube0
Netflix & Big Data: The Strategic Ambivalence of an Entertainment Company0
The Fantasy of Do What You Love and Ludic Authoritarianism in the Videogame Industry0
‘America, This is Your Ride Along’: High-Tech Policing, Transparency, and the Televisuality of Race0
A Commemoration of Memory: HBO’s “Band of Brothers Podcast,” Authenticity, and Fan-Based Intimate Publics0
Book Review: Chinese Creator Economies: Labor and Bilateral Creative Workers, by Lin Jian0
Liminality, Niche Television Programming, and the Adventure Drama Series0
Global Media Streams: Netflix and the Changing Ecosystem of Anime Production0
Building Power for Alternative Futures: Mapping an Entertainment Media Path Toward Abolition Democracy0
“Every Time I Move My Arm, it Costs the Cartoon Network 42 Bucks”: Remixing Limited Animation in Space Ghost: Coast to Coast0
Picturing Diversity: Netflix’s Inclusion Strategy and the Netflix Recommender Algorithm (NRA)0
Book Review: Media and the Affective Life of Slavery, by Allison Page0
The “NextGen” of Subsumption: The Adoption of ATSC 3.0 by US Public Broadcasters0
The Ethical Cringe, or the Dated Film as Revelatory Genre0
Gender and Genre in Hannah Gadsby’s Nanette0
Book Review: Uncomfortable Television, by Hunter Hargraves0
Book Review: Middle Eastern Television Drama: Politics, Aesthetics, Practices , edited by Christa Salamandra and Nour Halabi0
Parenting a New Moral Panic: Anti-Queer Digital Activism and Reactionary Media Ecologies0
Circumventing Virality: The Illegible Sensibilities of Vernacular Black Digital Culture0
Envisioning Temporal Parallax: On Television’s Haunted Houses and Our Own0
Crash Landing on the Philippines: Transnational Korean Drama and Internet Infrastructural Desires0
Book Review: Sports TV0
How to Be a Military Spouse: Short-Form Video and the New Genre of Wife Content0
Tencent’s Road to a Gaming Giant: Chinese Video Game Companies’ Development Trajectory in the Reconfiguration of Transnational Capitalism0
Book Review: Computing Legacies: Digital Cultures of Simulation , by Peter Krapp Computing Legacies: Digital Cultures of Simulation, by KrappPeter. Cambr0
Dealing With Dissonance: The Appropriation of Temptation Island as a Dissonant Practice Within Media Repertoires0
Participatory Policing: Code Blue Cam and the Disciplinary Power of Police Body Camera Videos on YouTube0
Book Review: Social Media: The Convergence of Public and Personal Communication (Second Edition) , by Graham Meikle Social Media: The Convergence of Publ0
Where are the Women? Gendered Indian Digital Production Cultures Post #metoo0
Whiteness Makes the Laughs Possible: A Sitcom’s Representations of Sexual Violence0
Between Escapism and Social Engagement: Ted Lasso and the Privileges of Comfort Viewing in 20200
Getting NIL for Unpaid Labor: Self-Branding U.S. “Student-Athletes” in the Influencer Marketplace0
Disability Dates as Microgenre: 1990s Sitcoms and Backlash to the Americans with Disabilities Act0
Dual Exploitation and the Long Tail Effect: The Affective Labor of Chinese Real Person Slash Fan Production0
The Potential of Online True Crime: Participatory Investigation, Affective Solidarity, and the Search for Gabby Petito0
Book Review: Social Media in the Lives of Young Connected Migrants by Xinyu Zhao0
“Hip Hop and the Televisual Global South: Atlanta and Sintonia”0
A Great Place: Sitcoms, Apartments, and New York City0
“Domestic Feminism”: The Politics of Reproduction and Motherhood in Hulu’s The Handmaid’s Tale0
Person of Interest as Media Technology of Surveillance: A Cautionary Tale for the Future of the National Security State With Diegetic Big Data Surveillance, Algorithmic Security, and Artificial0
Betraying the Dream (Machine): NET, the FBI, and Regulating Public Television Content in the 1970s0
Television Parlor Games0
The Idea of Genre in the Algorithmic Cinema0
Can Rick and Morty Save the Planet? Re-Politicizing Climate Change Through Humor and Animation0
From Feed to Flow: Watching Television on TikTok0
The Magical Work of Brand Futurity: The Mythmaking of Disney+0
The Occu-Soap, Adrift0
Book Review: Machine Vision: How Algorithms are Changing the Way We See the World, by Jill Walker Rettberg Machine Vision: How Algorithms are Changing the Way We See the World, by RettbergJill Walker.0
Streaming Feminism: Women-centered Net Dramas, Global Television Culture, and Feminist Textual Possibilities0
Dream Job or Ordinary Work: Understandings of Creativity and Work in Creative Industries0
“How to Save a Life”: OnGrey’s Anatomyand the Logics of Televisual Alleviation in a Time of Crisis0
“Action on the Game”: Sports Gambling as Fan Identity and Transactional Participation0
Contradictions of Care in the Rhetoric of US Broadcast Policy, 1920 to 19700
Curating a Scopic Contact Zone: Short Video, Rural Performativity, and the Mediatization of Socio-Spatial Order in China0
Book Review: Performing Fear in Television Production: Practices of an Illiberal Democracy, by Siao Yuong Fong0
Book Review: Not My Type: Automating Sexual Racism in Online Dating , by Williams Not My Type: Automating Sexual Racism in Online Dating, by Williams, Redwood City, CA: 0
Under the Cover of Blackness: The Racialized Dimensions of Netflix’s Personalized Cover Art0
Comparing Populist Media: From Fox News to the Young Turks, From Cable to YouTube, From Right to Left0
“When That Memory Fills Me With Horror and Dread, I Do the Cringe”: Retrospective Temporality in Crazy Ex-Girlfrien d and PEN150
Model Failure: Rewriting Asian American Affluence Through Reality Television0
Streaming K-dramas and C-dramas: The Different Paths of Korean and Chinese Online Television Distribution Overseas0
“Block (封杀)!”: State-Netizen Constructions of Cancel Culture in China0
Cancel Culture and Trigger-Ready Fragmented Interest Groups: The Case of Depp Versus Amber Heard0
Understanding Genre as Atmospheric Assemblage: The Case of Videogames0
“Wrap You Up in My Blue Hair”: Vocaloid, Hyperpop, and Identity in “Ashnikko Feat. Hatsune Miku – Daisy 2.0”0
Humor, Ridicule, and the Far Right: Mainstreaming Exclusion Through Online Animation0
BSkyB and the 1991 World Student Games: The Transformation of Live Sports Television Acquisition and Coverage in the UK in the Early 1990s0
“Speak For Yourself” : Fox Sports 1, Reframing Sporting Conservatism, and “Sticking to Sports” in the Age of Trump0
Elective Affinities: Women’s Agency and Televisual Flows Between Modi’s India and Erdoğan’s Türkiye0
“My Life, on Zoom TV”0
Book Review: #HashtagActivism: Networks of Race and Gender Justice, by Sarah J. Jackson, Moya Bailey, and Brooke Foucault Welles0
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