Television & New Media

Papers
(The median citation count of Television & New Media is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Racism, Hate Speech, and Social Media: A Systematic Review and Critique128
No Grand Pronouncements Here...: Reflections on Cancel Culture and Digital Media Participation82
On Frogs, Monkeys, and Execution Memes: Exploring the Humor-Hate Nexus at the Intersection of Neo-Nazi and Alt-Right Movements in Sweden49
Three Challenges for Media Studies in the Age of Platforms26
SVOD Global Expansion in Cross-National Comparative Perspective: Netflix in Israel and Spain25
Governing Hate: Facebook and Digital Racism23
Pursuing “Wellness”: Considerations for Media Studies20
Spectacularized and Branded Digital (Re)presentations of Black People and Blackness19
The Role of Public Service Media in Sustaining TV Drama in Small Markets15
Netflix in Europe: Four Markets, Four Platforms? A Comparative Analysis of Audio-Visual Offerings and Investment Strategies in Four EU States15
Who is the Counterpublic? Bromance-as-Masquerade in Chinese Online Drama—S.C.I. Mystery14
Decolonising “Data Colonialism” Propositions for Investigating the Realpolitik of Today’s Networked Ecology14
The Public Service Approach to Recommender Systems: Filtering to Cultivate13
In Plain Sight: Online TV Interfaces as Branding11
Branding Kidfluencers: Regulating Content and Advertising on YouTube10
Gender Essentialism in Chinese Reality TV: A Case Study of You Are So Beautiful10
Picturing Diversity: Netflix’s Inclusion Strategy and the Netflix Recommender Algorithm (NRA)10
Algorithmic Television in the Age of Large-scale Customization9
Netflix in Mexico: An Example of the Tech Giant’s Transnational Business Strategies8
Conceptualizing the Experiential Affordances of Watching Online TV8
Interrogating LeftTube: ContraPoints and the Possibilities of Critical Media Praxis on YouTube7
Television and the “Honest” Woman: Mediating the Labor of Believability7
Paralympic Broadcasting and Social Change: An Integrated Mixed Method Approach to Understanding the Paralympic Audience in the UK7
Digital Intimacy in Real Time: Live Streaming Gender and Sexuality7
After Marriage: The Assimilation, Representation, and Diversification of LGBTQ Lives on Irish Television7
“Never Battle Alone”: Egirls and the Gender(ed) War on Video Game Live Streaming as “Real” Work7
Commercialization of Creative Videos in China in the Digital Platform Age7
Field Mapping: What Is the “Media” of Media Studies?7
Affective Practice of Soldiering: How Sharing Images Is Used to Spread Extremist and Racist Ethos on Soldiers of Odin Facebook Site7
Situating Representation As a Form of Erasure: #OscarsSoWhite, Black Twitter, and Latinx Twitter7
DesiringWanghuang: Live Streaming, Porn Consumption and Acts of Citizenship among Gay Men in Digital China7
“Talk to Each Other Like It’s 1995”: Mapping Nostalgia for the 1990s in Contemporary Media Culture6
When is the “Racist” Designation Truly Applicable? News Media’s Contribution to the Debatability of Racism6
Critical Interpretations of Global-Local Co-Productions in Subscription Video-on-Demand Platforms: A Case Study of Netflix’s YG Future Strategy Office6
“Business Inquiries are Welcome”: Sex Influencers and the Platformization of Non-normative Media on Twitter6
Data Civics: A Response to the “Ethical Turn”6
“What Is This, the Seventies?” Spectres of the Past (and the Future) in Recent Northern Irish Television6
Media Studies and the Pitfalls of Publicity5
Foreign Ownership of Production Companies as a New Mechanism of Internationalizating Television: The Case of Australian Scripted Television5
“We Don’t Aspire to Be Netflix”: Understanding Content Acquisition Practices Among Niche Streaming Services5
Digitality and Debordered Spaces in the Era of Streaming: A Global South Perspective5
Manufacturing Hate 4.0: Can Media Studies Rise to the Challenge?5
Contingency, Precarity and Short-Video Creativity: Platformization Based Analysis of Chinese Online Screen Industry5
Factors Explaining Grandparental Mediation of Children’s Media Use in Two National Contexts5
Mobilizing Media Studies in an Age of Datafication5
“I’m Neither a Slut, Nor Am I Gonna Be Shamed”: Sexual Violence, Feminist Anger, and Teen TV’s New Heroine4
Platformization as a Structural Dimension for Public Service Media in Germany: The funk Content Network and the New Interstate Media Treaty4
Curating a Scopic Contact Zone: Short Video, Rural Performativity, and the Mediatization of Socio-Spatial Order in China4
Institutional Polymorphism: Diversification of Content and Monetization Strategies on YouTube4
“This Title Is No Longer Available”: Preserving Television in the Streaming Age4
Data Ableism: Ability Expectations and Marginalization in Automated Societies4
Media Studies Futures: Whiteness, Indigeneity, Multi-modality, and a Politics of Possibility4
The Routinization of Media Events: Televised Sports in the Era of Mega-TV4
Vernacular Feminism: Gendered Media Cultures and Historical Perspectives on Postdiscourse4
The Media (Studies) of the Pandemic Moment: Introduction to the 20th Anniversary Issue4
Shifting Formations, Formative Infrastructures: Nationalisms and Racisms in Media Circulation4
Why Do We Only Get Anime Girl Avatars? Collective White Heteronormative Avatar Design in Live Streams3
The Sociological Imagination and Media Studies in Neoliberal Times3
From Open Data to “Grounded Openness”: Recursive Politics and Postcolonial Struggle in Hong Kong3
The Datafication of Intimacy: Mobile Dating Apps, Dependency, and Everyday Life3
Home Truths: Property TV, Financialization, and the Housing Crisis in Contemporary Ireland3
Destigmatization Strategies of Serbian Londoners on Social Media3
“#Bughead Is Endgame”: Civic Meaning-Making in Riverdale Anti-Fandom and Shipping Practices on Tumblr3
Online Patriarchal Bargains and Social Support: Struggles and Strategies of Unwed Single Mothers in China3
The Magical Work of Brand Futurity: The Mythmaking of Disney+2
“We Should Have Had a Historian”: Live Television and the Accident of the Moon Landing Tapes2
“Anything That Can Be Traded, Will Be Traded”: The Contests to Automate and Financialize Advertising Futures Markets2
“Worlds. . .[of] Contingent Possibilities”: Genderqueer and Trans Adolescents Reading Fan Fiction2
Optimizing Looking and Buying on Instagram: Tracing the Platformization of Advertising and Retail on Mobile Social Media2
Comparing Populist Media: From Fox News to the Young Turks, From Cable to YouTube, From Right to Left2
Beauty From the Waist Up: Twitch Drag, Digital Labor, and Queer Mediated Liveness2
Trauma, Motive and the Post-Troubles Psychopath inThe Fall2
The Refractive Comic:Nanetteand Comedy FromInsideIdentity2
Just on the Right Side of Wrong: (De)Legitimizing Feminism in Video Game Live Streaming2
From Boyfriend to Boy’s Love: South Korean Male ASMRtists’ Performances of Digital Care2
Heroism as Narrative Strategy: Children’s Animation and Modernity in Chinese TV2
“Wrap You Up in My Blue Hair”: Vocaloid, Hyperpop, and Identity in “Ashnikko Feat. Hatsune Miku – Daisy 2.0”2
Online Performance of Civic Participation: What Bot-like Activity in the Persian Language Twittersphere Reveals About Political Manipulation Mechanisms2
The MAAFiA Mystique2
Get Up, Stand Up? Theorizing Mobilization in Creative Work2
Television Production of Yesteryears, Today and in the Future: Impact of Reduced Collaboration in TV News Production on Job Satisfaction in Nigeria2
The Masks We Wear: Watchmen, Infrastructural Racism, and Anonymity2
Why Can’t We Believe in That? Partisan Political Entertainment in the Mexican YouTube Sphere1
First-Run Syndication and Unwired Networks in the 1980s: Viacom’s Superboy and Buena Vista TV’s DuckTales1
Anticipation as Platform Power: The Temporal Structuring of Digital Everyday Life1
The Fourth Wall and “The Wall”: GoT’s Reception in Argentina, Spain, and Germany1
The Angelus: Devotional Television, Changing Times1
“The American Outlaws Are Our People”: Fox Sports and the Branded Ambivalence of an American Soccer Fan at the 2019 FIFA Women’s World Cup1
Immigrants on Chinese Television and Limitations of China’s Globalist Discourse1
“Genre as Feminist Platform: Diagnosis, Anger, and Serial T.V.”1
Historical Drama in the Time of Global Streaming Platforms: Envisioning Transition in Mr. Sunshine1
Telling Stories About Farming: Mediated Authenticity and New Zealand’s Country Calendar1
What’s New?1
When Brands Become Stans: Netflix, Originals, and Enacting a Fannish Persona on Instagram1
Technological Developments and Transitions in Israel’s Preschool Television Industry1
The Great Australian TV Delay: Disruption, Online Piracy and Netflix1
What Roseanne Barr Meant to Media Studies1
“It’s [Not] Like a Racist Thing”: Producing Controversial Racial Representations in Postapartheid South Africa1
Spanish-Language Television and Diaspora in Detroit and Los Angeles: Toward Latinx Media Enfranchisement1
Political Posters Reveal a Tension in WhatsApp Platform Design: An Analysis of Digital Images From India’s 2019 Elections1
A Real American Hero: WWE Wrestling from American Exceptionalism to Commercial Transnationalism1
Understanding Online Safety Through Metaphors: UK Policymakers and Industry Discourses About the Internet1
“Shudder” and the Aesthetics and Platform Logics of Genre-Specific SVOD services1
Humor, Ridicule, and the Far Right: Mainstreaming Exclusion Through Online Animation1
Social Solidarity and Generational Exchange in Post-Celtic Tiger Reality Television1
“Action on the Game”: Sports Gambling as Fan Identity and Transactional Participation1
“Domestic Feminism”: The Politics of Reproduction and Motherhood in Hulu’s The Handmaid’s Tale1
Bilingualism and the Televisual Architecture of Linguistic (dis-) Encounters in the Israeli Television Show Arab Labor1
The Millennial Medium: The Interpretive Community of Early Podcast Professionals1
Recasting Life Is Strange: Video Game Voice Acting during the 2016–2017 SAG-AFTRA Strike1
Nationalization of Spatiotemporal Artifacts: National Chronotope, Authenticity, and Local Colors in Danish TV Dramas1
“Cute Goddess is Actually an Aunty”: The Evasive Middle-Aged Woman Streamer and Normative Performances of Femininity in Video Game Streaming1
Netflix & Big Data: The Strategic Ambivalence of an Entertainment Company1
Cultural Diversity in Canadian Television: The Case of CBC’s Kim’s Convenience1
The Illusion of Control: History and Criticism of Interactive Television1
Search Engines and Free Speech: A Historical Analysis of Editorial Analogies and the Position of Media Companies and Users in US Free Speech Discourse1
Sporting Community: Activism and Responsibility in Turbulent Times1
Maintaining Transmission: DirecTV’s Work-at-home Technical Support, Virtual Surveillance, and the Gendered Domestication of Distributive Labor1
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