OOIR: Observatory of International Research

Papers

(The TQCC of Grey Room is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)

Article	Citations
Atmospheric Regulation in the Panorama	10
The Hot Noise of Open-Air Cinema	9
Interaction Chronograph: The Administration of Equilibrium	2
Mood as the Content of Modern Art	2
The Manufacturer's Signature: Trademarks and Other Signs of Authenticity on Manet's Bar at the Folies-Bergère	1
News from Nowhere: Participatory Design in the Scandinavian Workplace	1
Fieldnotes from Solaris: Ship's Logs, Shipwrecks, and Salt Water as Medium	1
Making the “World Spectacle Trial“: Design as Forensic Practice at the Nuremberg Trials	1
Virtual Space, Bodily Matter: Bruce Nauman's Holograms	1
The Giant's Door of St. Stephen's	1
German Pavilion/German Exhibits: An Almost Forgotten Episode in the History of Modern Architecture	1
Taylorism Transfigured: Industrial Rhythm and the British Factory	1
Mood for Modernists: An Introduction to Three Riegl Translations	1
Quantum Computing and the Analog/Digital Distinction	1
Extralegal Portraiture: Surveillance, between Privacy and Expression	0
“The Higher Forms Are Also the Weaker Ones”: Technics and Humanism in Max Bense's “Technical Existence”	0
Film Courses in Art Schools	0
Contributors	0
Religious Horizons in New York's 1920s	0
Contributors	0
Snowdrops Bloom in September	0
Piranesi Slices	0
Editors' Introduction: Pious Technologies and Secular Designs	0
Sol Worth, Film Theory, and the Politics of the Bio-Documentary	0
Moral Rights: The Anti-copyright	0

Contributors	0
The Secret History of Science and Modernity: The History of Science and the History of Religion	0
Trademark Law and the Contingent Art Object	0
Loquacious Objects: Contemporary Iranian Art, Autotranslation, and the Readings of Benevolence	0
Vacuum Cleaner or Submachine Gun: A Traveling Cinema for Engineers	0
On Documenta 15	0
A Partly Vacated Historicism: Artifacts, Architecture, and Time in Nineteenth-Century Papal Rome	0
On Drawing from Memory and from Objects	0
A Feedback Situation: Dennis Oppenheim's Cybernetics of the Family	0
Evaporating Dürer	0
Toward a Reappraisal of Comparative Studies: The Case of South American Modernism	0
Rumor and Media: On Circulations and Credence (via Kant and Marx)	0
Socialist Multimedia Warfare: Cine-Exhibition of Class Struggle in 1960s China	0
“What You See Is What You Get”: The Art of Protecting Design in Intellectual Property Law	0
Learning with Documenta 15: Principles, Practices, Problems	0
Everyday Myth	0
On Cristoforo Sorte's Osservationi nella pittura: Water, Fire, and Landscape in Early Modern Venice	0
Liquid History: Millbank, London and the Thames Flood of 1928	0
Letter to an Encyclopedic Museum Curator	0
Plan and Council: Genealogies of Calculation, Organization, and Transvaluation	0
When Louis Pasteur Taught at the Beaux-Arts	0
Observations on Painting	0
Pearce v. OMA: Architectural Authorship on the Courtroom Table	0
Necessary Variation and Variety	0
On the Graphic Analysis of Forms in Painting	0
The Origin of Geometry	0
Michael Rakowitz's The Invisible Enemy Should Not Exist	0
Stacks, Shelves, and the Law: Restructuring the Library of Congress	0
Contractual Practices	0
The Word Processing of Watergate and the Metaphysics of Information	0
“Terrestrial Not by Nature and Essence”: The Acclimatization Chamber as Surface Technology in South Africa, ca. 1958	0
The Absent Prince: Reflections on Personality Rights and Andy Warhol Foundation v. Goldsmith	0
Technical Existence	0
Editors' Introduction: The Aerial Image	0
Reflections on Lumbung, Storytelling, and Collective Learning	0
The Restoration of the Wall Paintings in the Holy Cross Chapel of the Wawel Cathedral in Kraków	0
Death from Above in Minard's Napoleon Map	0
Contributors	0
The Labor of Authorship: Harun Farocki's Early Writing	0
Contributors	0
I.M. Pei's JFK Library, in Poetry, Prose, and Meeting Minutes	0
By Means of the Line: Meyer Schapiro and Drawing as an Epistemological Tool	0
Architectures of Captivity	0
Missed Encounters: Introduction to Documenta 15 Dossier	0
Roundtable on Warhol v. Goldsmith: An Introduction to Warhol v. Goldsmith	0
Contributors	0
The Private Museum Goes Public: An American Tale of Death and Taxes at the Metropolitan Museum of Art	0
Interrelations: The CIAM Grid in 1949	0
Nothing to See Here: On the Bracketing of the Spectator in a Hyperrelational Exhibition	0
Contributors	0

Contributors	0
Political Constructivism	0
Contributors	0
The Work of Copyright Law in the Age of Generative AI	0
Self-Suggestion in the Tuskegee Machine: Technical Drawing under Jim Crow	0
Does Bolsonaro Have a Point? (Or Does He Have a Semicolon?)	0
Global Patterns: Hannah Höch, Interwar Abstraction, and the Weimar Inflation Crisis	0
Contributors	0
Bad Brains: Cybernetics, Paranoia, and the Cognitive Science of Religion	0
Algorithmic Images: Artificial Intelligence and Visual Culture	0
A Provocation to Contemporary Art as Place-Making: Some Observations after Documenta 15	0
Automaton Religion and the National Body: Ajeeb in Brazil	0
The Image of the (Inner) City: Frederic D. Moyer and Carceral Aesthetics in the Great Society	0
Contributors	0
An Introduction to Cultural Heritage Law	0
A Black Carpet of Bitumen	0
“The Idea Was in the Air”: Nadar's Aerial Media	0
Contributors	0
Contributors	0
From Paperwork to “Mechanized Administration”: Designing the Bureaucracy of Self-Management in Postwar Yugoslavia	0
Alberti, Ornament, Nature, and Law: A Reading of De re aedificatoria	0
Articulated Flatness: Document Culture and Modernism in the Mundaneum and Beyond	0
If a Painting Is Like a Window, Is It a Means of Ventilation?	0
The German Campaign against Cultural Freedom: Documenta 15 in Context	0
Contributors	0
“A Better Idea than the Best Constructed Charts”: Watercolor Views in Early British Hydrography	0
Editors' Introduction: Art beyond Copyright	0
Image/Vessel/Waste	0
The West Berlin Staatsbibliothek and the Sound Politics of Libraries	0
Contributors	0
Notes for Lessons in Physics and Chemistry as Applied to the Arts	0
Praxis and Action: Toward Building as a Collective Practice in Postwar Yugoslavia	0
Contributors	0