OOIR: Observatory of International Research

Papers

(The median citation count of Grey Room is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)

Article	Citations
Does Bolsonaro Have a Point? (Or Does He Have a Semicolon?)	43
By Means of the Line: Meyer Schapiro and Drawing as an Epistemological Tool	14
Stripped-Down Painting	8
In-formation: Weaving as Code in Beryl Korot's Text and Commentary (1976–77)	3
“ Sa zyé pa vwé ” [What the eyes don't see]: Chlordecone, Comics, and the Crisis of Visibility in Tropiques	2
Interrelations: The CIAM Grid in 1949	2
Coming Attraction: The Event of Color, Techniques of Screening and Filtering in Early “Natural” Color Film and Photography	2
The Extra-State Effect of the People's Palace, Kinshasa, Zaire, 1973-1979	2
Global Patterns: Hannah Höch, Interwar Abstraction, and the Weimar Inflation Crisis	2
Contributors	2
Contractual Practices	2
An Introduction to Cultural Heritage Law	1
Contributors	1
Nothing to See Here: On the Bracketing of the Spectator in a Hyperrelational Exhibition	1
Liquidity Modernism: Modern Art in the Secondary Market	1
Plan and Council: Genealogies of Calculation, Organization, and Transvaluation	1
Anthony Vidler and the Occasional Writing of Architectural Theory	1
The German Campaign against Cultural Freedom: Documenta 15 in Context	1
Figures of Closure: Circles and Cycles in the History of Ecological Knowledge	1
Praxis and Action: Toward Building as a Collective Practice in Postwar Yugoslavia	1
Contributors	0
Inaugural Medical Disputation on Burning Fever	0
Cybernetic Amusement: Disneyland, Simulation, and the Logic of Automation	0
Contributors	0
Roundtable on Warhol v. Goldsmith: An Introduction to Warhol v. Goldsmith	0

Pearce v. OMA: Architectural Authorship on the Courtroom Table	0
Anthony Vidler, “All My Work Is Accidental”	0
A Black Carpet of Bitumen	0
Notes for Lessons in Physics and Chemistry as Applied to the Arts	0
Face the Fax: Bureaucracy and the Unrealized Potential of Wirephoto at the Royal Canadian Mounted Police	0
Unmapping Land and Law in Casablanca	0
Missed Encounters: Introduction to Documenta 15 Dossier	0
Forgery, Facsimile, and the Fabrication of Credit: The Case of William Wynne Ryland	0
Trademark Law and the Contingent Art Object	0
Contributors	0
State Effects: An Introduction	0
On Environmentalities	0
When Louis Pasteur Taught at the Beaux-Arts	0
Out of Reach: Photographs of Child Nudists	0
The Commercial Museum, the State, and the Liberalism Effect	0
Moral Rights: The Anti-copyright	0
Techniques of the Nation: Mauss and the Political	0
Contributors	0
On Universals: Building the Late Ottoman Body Politic	0
The Private Museum Goes Public: An American Tale of Death and Taxes at the Metropolitan Museum of Art	0
Order for Profit: On the Architecture of a Nineteenth-Century French Agency	0
Impasses of the Nation: The Practical Political Philosophy of Marcel Mauss	0
Facial AI: Cosmetic Surgery in China and the Death of Internets Everywhere	0
Contributors	0
How to See a Paradigm: The “Natural Order in Science” and the Origins of the Impact Factor	0
Photography and the Domestication of History at the Margins of Empire	0
A Provocation to Contemporary Art as Place-Making: Some Observations after Documenta 15	0
Learning with Documenta 15: Principles, Practices, Problems	0
A Postmortem Biography, or, The Adventures of a Snowy Owl	0
On the Graphic Analysis of Forms in Painting	0
On Documenta 15	0
The Media-Anthropological Turn of Cultural Techniques	0
Editors' Introduction: Art beyond Copyright	0
Marcel Mauss and His Shadow	0
Contributors	0
Drawing the Disordered River in Late-Renaissance Tuscany	0
La Nation (Excerpts)	0
The Work of Copyright Law in the Age of Generative AI	0
Loquacious Objects: Contemporary Iranian Art, Autotranslation, and the Readings of Benevolence	0
Uneven Environmentality: The Discordance of Cybernetic Control at the Centro de Arte y Comunicación, 1971-1973	0
The Absent Prince: Reflections on Personality Rights and Andy Warhol Foundation v. Goldsmith	0
Contributors	0
Effects, Fictions, and Contradictions of American Government Architecture	0
Correction to “La Nation (Excerpts) Excerpt 1: Nations, Milieus, and Morphological Phenomena”	0
Interiors Turning Off and On: Buckminster Fuller, Airborne Architecture, and Special Economic Zones in China, 1979-1989	0
Realizing Our Ecologization? On Ecosystems Aesthetics and Contemporary Art beyond Institutional Critique	0
Liquid History: Millbank, London and the Thames Flood of 1928	0
Korean Writing in the Age of Multilingual Word Processing: A History of the Non-Linear Alphabet	0
Nicholas Barbon's De febre ardente: Medico-philosophical Grounds of Fire Insurance?	0
Rumor and Media: On Circulations and Credence (via Kant and Marx)	0

Geo-psychiatry: Media and the Ecologies of Madness	0
Reimagining Media Historiographies and Satellite Technologies in Bulgaria: from Intersputnik to Nanosats	0
Nation Building in the Philippines and the Racial Ordering of International Architecture	0
Algorithmic Images: Artificial Intelligence and Visual Culture	0
Piranesi Slices	0
Contributors	0
Housing Empire's Subjects: Moral Panics at the “End of Empire” and Race in the British Welfare State	0
Contributors	0
Technocratic Visions, Subterranean Realities: Luis Fernando Benedit‘s Million-Dollar Homes	0
Correction to “La Nation (Excerpts) Excerpt 1: Nations, Milieus, and Morphological Phenomena”	0
Area Condizionata and Apocalipopótese: Object and Environment in Late-1960s Brazil and Italy	0
Political Constructivism	0
Why Grey Room	0
Contaminated Vision: Lucas Samaras and Polaroid's Chemical Environment	0
Reflections on Lumbung, Storytelling, and Collective Learning	0
Contributors	0
“What You See Is What You Get”: The Art of Protecting Design in Intellectual Property Law	0
Manual Operations: Joan Lyons's Haloid Xerox Works and Feminized Labor	0
Statements, Decisions, and State Effects: On the State of History	0
Artificial Worlds and Perceptronic Objects: The CIA's Mid-century Automatic Target Recognition	0
Contributors	0
The Manufacturer's Signature: Trademarks and Other Signs of Authenticity on Manet's Bar at the Folies-Bergère	0
Arthur Jafa's BG, or, Seeing Race and Visual Truth in the Age of AI	0
Contributors	0
Contributors	0
On Drawing from Memory and from Objects	0