Literary Imagination

Papers
(The median citation count of Literary Imagination is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
Political Violence and the Persuasive Engagement in Frederick Douglass1
The Textual Presence of Mary Shelley’s The Last Man in the Juvenila of the Brontë Siblings1
Poetry and the Problem of Genre in Virginia Woolf’s The Waves1
The God of the City1
February Fox1
Humanity as Matter: Nathaniel Hawthorne’s Vivacious Materialism in “The Birth-mark” and “Rappaccini’s Daughter”1
Ellison and the Visibility of Laughter1
A Wake a Wave0
Windrows0
Van Gogh’s Weaver Series: A Pictorial Reworking of Silas Marner0
Poaching hour0
“My Eyes Have Seen What My Hand Did”: A Review of The Dolphin and The Dolphin Letters0
The True Sentence: John Ashbery’s Forward Animations0
B52 and Other Poems0
Corrigendum to: Plessy v. Ferguson and the Dissenting Opinion in the Classroom0
Bed of Clay0
In Siren Times0
Weathering0
Crime in a Box0
The Death of Emerald McKenty0
from “Pelham”0
Racist Discourse and Literary Reputation: The Consequences of Robert Penn Warren’s “Pondy Woods”0
Vigilance0
Ending The Dry Spell: Mandelstam’s Journey to Armenia0
The Field0
The Church0
Teaching Heart of Darkness Now0
Fireflies0
Hitting Billy: Mediated Interiority in Billy Budd0
Lifted Veil poems0
The Prophet0
After Reading a Book of Unexpected Metaphors0
Ellison’s Invisible Man and Faulkner’s Light in August: An Argument in Black and White0
Between Emotion and the Emetic: Francis Bacon and the Tragic Body at the Margins of the Oresteia*0
Kenneth Fearing and Human Lifetimes0
A Glance and a Goodbye0
A Tale of Two Balls: A Note on Henry James’s Flaubertian Education0
from “Siege of the Great Plantation”0
Going Down Slow0
Lament0
Editing Yeats0
“Black Artillery”: Herman Melville and the Unthinkability of White Mob Violence in Battle-Pieces and Aspects of the War (1866)0
Seafarer0
Some Settling May Occur0
Pandora’s Prairie0
Shopping in the Afterlife0
Q and Hellfire Sermons0
Enrico Testa, “Untitled”0
Notes on Contributors0
Book Traces Meets the Lost Cause: In the Margins of Edward A. Pollard0
Euclid Considers the Lead in His Pencil0
“I am not what I am”: Liminality as the Existential Terrain of Twelfth Night0
Rumination at Wellfleet0
Notes on Contributors0
Notes on Contributors0
One Substance0
What Loneliness Feels Like0
For the Garden’s Architect0
Enrico Testa, “Untitled”0
Cycladic Idyll0
Autistic Savant, Hold the Savant0
Some Romantic Children0
Dorothy Parker Among the Poets0
OUP accepted manuscript0
“Lake Balaton”0
Portraiture and Paratext: Meta-Ekphrasis, Subversions of the National Tale, and the Reclamation of the Imperial Gaze in The Wild Irish Girl0
In Lieu of a Handshake0
2001: A Space Odyssey0
A Christmas Wind0
August Meditations0
Poker Night0
Covid Spring0
Nameplates0
“No Fixed Image”: Richard Wilbur’s Metaphoric Abundance0
Google Earth0
This Spring0
Notes on Contributors0
Euclid Glasses Hellroaring0
“The Builder’s Whim”: Pound, Ethics, and the Whimsical Poet0
Requiem for Margie, a dog I loved without conflict0
Three or Four Things he didn’t Understand0
Audubon Circle0
Maffeo Vegio, Elegies 1.10
Francis Bacon, Self-Portrait 1971 (Cr71-11)0
Mystery Cult0
Undressing Tragedy’s Skeleton0
Doctor Syntax and the Erotics of the Picturesque0
Mixed Feelings0
Catching Fire0
A Letter0
A Comic Turn0
Supermarket Storm0
Connecticut, After Dark0
A Poem Miroslav Holub Might Have Written0
Now That I Am Dead0
Erratum to: Some Romantic Children0
Four Parodies0
For Martin Luther King, Jr0
Plessy v. Ferguson and the Dissenting Opinion in the Classroom0
Burning Fallow Fields0
Centurion0
Notes on Contributors0
Melville’s Lyrical Turn: Prophecies of Populism in Battle Pieces0
Objects of divine concern0
News Cycle0
Wartime and After0
from Urban Renewal0
Flowers0
A Little Afternoon Music0
Eichmann Teaches Himself Hebrew0
Hairdressers0
February Rime0
Attention0
Fishing Downstream0
Dragonfly0
Holy Sonnets0
Crying Out for a Companion: Hill’s and Lowell’s Unrhymed Sonnets0
On Looking into the 1950 Census0
Northern Light0
The Fever for Autobiography: Assumption and Confession in Sylvia Plath’s Ariel0
Island Fictions, Intellectual Fictions: Dramas of Pacific Isolation in Stevenson, Wells, and Conrad0
The Angel of History0
“Butler’s Doubtful Heroism”0
Writing White: Martha Collins’s Poetry of Collective Memory0
John Muir’s Thoreau0
Barbados0
Restrictive Covenant0
Sound as a Sense of the Future in Virginia Woolf’s Between the Acts0
The Sisters Gregg0
Notes on Contributors0
Days0
Poetry and Its Institutions: Auden, Jarrell, and Arendt at Midcentury0
Zephyr0
Pervigilium Veneris0
Good Night0
Erratum: Charles Baudelaire, “The Voice”0
Travelling On0
Ever More, Lord Giant0
Rhyme #4: Rhyme Drops a Hint0
The Prisoner of Hirta (1738)0
Isabel Wilkerson, Albion Tourgée, and the Problem of Caste in the United States0
Euclid with Flashlight on the Bridge of Asses0
Across the Park0
Elegy for Elsworth E. Berno0
Morandi0
Between Two Worlds: The In-between Aesthetics of Arnold Bennett in Anna of the Five Towns0
The Elusive Self: Poems and Personas0
No Birds0
Tesla0
873 Beacon0
Greenland0
Remembering a Great Love in Letters: Salomón de la Selva to Edna St. Vincent Millay0
Poetic Transmission: Ezra Pound, “The River Merchant’s Wife: A Letter” (1914–1918)—By Rihaku [Li Bai]0
Agatha, or Open Water: A Nantucket Obituary0
Notes on Contributors0
Words Reek Worlds0
“The Reaching that Makes of Falling Flight”: The Psalmic Poetry of Ross Gay0
Moonshot0
Notes on Contributors0
Eclogue0
My Father's Teeth0
“On Forsakenness”0
The Divided Selves of Edna St Vincent Millay0
The Curator as Oracle: A Guide to The Harlem Gallery0
Hopkins’s Clouded Judgment0
Treatise: Toward a Theory of Silence in Modernist American Poetry0
Pelt0
A Feminist Critique of J. M. Coetzee’s Waiting for the Barbarians: How One Piece of 1980s Literature Continues to Perpetuate Misogynistic Ideology0
“Track 20”0
Wilfred Owen: The Making of a Poet0
Man Swimming in Home-Dug Pool0
The Harpooners’ Dichotomous Nature in Melville’s Moby-Dick, or, The Whale0
‘I cant get a substitute’: Confinement and Pedagogy in Willa Cather’s The Professor’s House0
The Man with the Charles Wright Banjo0
Against Archaeology0
Deciduous0
Rewilding0
Introduction0
Notes on Contributors0
Audition0
August0
“I Landed in France with the Century”: An Excerpt from François-René de Chateaubriand’s Memoirs from Beyond the Grave, 1800–18150
Bereft Song0
The New Formalism and Heart of Darkness: Aesthetic and Ideological Parallels, Oppositions, and Symmetries0
Rupert Brooke’s Mysterious Widow: The Marchesa Agnes Capponi0
With One Eye Closed0
Sordello: The Epic of Doubt0
Jack Gilbert Looking Back on Long Life0
The Mockingbird0
Coral0
Van Gogh and British Literature: The Influence of Felix Holt on His Mind and Art0
The Ravens0
Uncertainty Principle0
For James Wright0
Notes on Poems by Ishigaki Rin0
Cassiopeia0
Marriage0
Charles Baudelaire, “The Voice”0
An “Invitation to Learning”: Mortimer Adler’s How to Read a Book, Everyman’s Library, and the Ideal of a “Common Culture”0
Body0
The Fidelities of John Clare and Elizabeth Bishop0
Find A Face0
No Time to Die0
Omar and Me0
Voyager Poems0
Bal Masqué0
Four Dream Poems0
A Letter to the Gods0
Madame Beck in Villette: A Medical Diagnosis0
Why Is Buck Mulligan “Plump”?0
I Am Sick of Reading Poems about Paintings by Vermeer0
The Fall of France Seen by Max Jacob0
“A Gesture and a Pose”: Hawthorne, Eliot, and the Aesthetics of Detachment0
Vandals0
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