Marvels & Tales-Journal of Fairy-Tale Studies

Papers
(The TQCC of Marvels & Tales-Journal of Fairy-Tale Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 500 papers]. The publications cover those that have been published in the past four years, i.e., from 2019-12-01 to 2023-12-01.)
ArticleCitations
Introduction to the Special Issue: The Two-Hundred-Year Legacy of E. T. A. Hoffmann: Transgressions of Fantastika2
Inventing Portal Fantasies: E. T. A. Hoffmann's <em>The Nutcracker and the Mouse King</em>1
B(e)aring the Beast: Deformity, Animality, and the Ableist Gaze in French Literary Variants of “Beauty and the Beast”1
Front Matter0
Lost without Breadcrumbs: Family, Scapegoating, and the Rationalization of Abuse in Robert Eggers's <em>The Witch</em>0
Guidelines for Submissions0
Gianni Rodari's <em>Grammar of Fantasy</em>: Between Education and Revolution0
Celebrating the Unknown Famous Gianni Rodari0
Contributors0
Artwork: <em>200 Years of the Nutcracker</em>0
The Body Binary: Compulsory Able-bodiedness and Desirably Disabled Futures in Disney's <em>The Little Mermaid</em> and <em>The Little Mermaid II: Return to the Sea</em>0
Back Matter0
Candytown and the Land of Cockaigne: Gastronomic Utopia in <em>The Nutcracker and the Mouse King</em> and Other Children's Literature0
Back Matter0
In the Name of Rodari0
Critical Exchanges0
The Secret Life of Things: Queering the Museal Gaze in Angela Carter's Postmodern Curiosity Cabinets0
Artwork: <em>Godpapa Drosselmeier</em>0
From the Editors0
“Pro e contro la fiaba” Fifty Years Later: Is Gianni Rodari's Apologia Still Relevant Today?0
Guidelines for Submissions0
Artwork: <em>Mouse King</em>0
Breaking the Surface: Mermaids and the Middle Passage0
“Clochetin or the Kingdom of Sa-Sa”0
Artwork: <em>The Mouse Queen</em>0
<em>Mise en Abyme</em> and <em>Katabasis</em>: Helen Oyeyemi's and Tanith Lee's Reimaginings of “Snow White”0
A Fairy-Tale Apocalypse: Humanity, Nature, and Disease in <em>Stand Still. Stay Silent</em>0
Artwork: <em>Marie Meets the Mouse King</em>0
Once Upon a Time in Japan: Adaptation Strategies in <em>Grimm's Fairy Tale Classics</em> Series0
Front Matter0
“Where the Turbot Is King”: Murat's “Le Turbot” as Modern Fairy-centric Response to d'Aulnoy's “Le Dauphin”0
Despite What the Stories Say: Introduction to “Braid”0
Biting Back: Safe Space and Animal Desire in Margo Lanagan's <em>Tender Morsels</em> (2008)0
Orientalism in <em>Kunstmärchen</em>: E. T. A. Hoffmann's Escape to the Mythical Realm Atlantis0
Critical Exchanges0
<em>Asinarius</em>, or <em>The Donkey Tale</em>0
“Beneath it all Something as yet Unnamed was Coming into Focus”: A Queer Reading of Malinda Lo's <em>Ash</em>0
From the Editors0
Editorial Policy0
Guidelines for Submissions0
From the Editors0
Artwork: <em>The Nutcracker</em>0
Front Matter0
Artwork: <em>Stahlbaum und Mausekönig</em>0
A Tale Told by Tan Zhenshan: “A Paper Maiden Turned into a Real Wife”0
Editorial Policy0
Rumpelstiltskin's (Queer) Secret: Nonbinary Bodies Buried between the Lines of the Brothers Grimm0
Back Matter0
Fairy Tales from Tan Zhenshan in Contemporary China: An Introduction to the Translation of “A Paper Maiden Turned into a Real Wife”0
Contributors0
Artwork: <em>Journey to Candyland</em>0
Illustrating <em>The Nutcracker and the Mouse King</em>: A Practitioner's Reflection0
Artwork: <em>Nutcracker Nightmare</em>0
Index to Volume 34 (2020)0
Editorial Policy0
Contributors0
Choreographing Tchaikovsky's <em>The Nutcracker</em>: A Creative Reflection0
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