PAJ-A Journal of Performance and Art

Papers
(The TQCC of PAJ-A Journal of Performance and Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
Modernism’s Hidden Ornament1
Struggling with the Louvre: De Keersmaeker, Beyoncé, Jay-Z1
Table of Contents1
On Not Traveling0
Transmission Mysteries: Art and Technophilia0
Self-Portraits0
Sonic Ecologies0
The Plastic Bag Store (Excerpt)0
Table of Contents0
A Whole Carnal Stereophony: The Wooster Group Stages Brecht0
Portfolio: Lost in Space0
Old Injuries and Lost Loves0
Directing Evelyn Brown0
My (De)vices0
Pandemic and Speech Without Doors0
Democracy and Theatre in Catalonia Since 19750
Romance of the Rose (Excerpt)0
Inside Dancing, No Fixed Points0
Simone Forti among Friends0
Jan Sawka: Theatre of Image and Metaphor0
Chekhov’s Gull0
Reckoning with Wreckage: The Work of Nancy Tam0
Talking about Theatre0
By Any Means Necessary0
Love Again, Love Better0
The Theatre of Your Mind 
(For Real)0
Spirit in the (Monochromatic) Light0
Art and Media Symbiosis0
Interrogation Room0
Mute0
Archiving the Ephemeral0
The Wings0
Something Beautiful and Powerful: Politics, Art, and Bread and Puppet Theater0
The Trans Theatre Tipping Point0
Table of Contents0
Bad Trips: Spiritual Agonies and Ecstasies in the Films of Gaspar Noé0
Uploading into Eternity0
Architecture Against Theatre0
Engaging Identity: Politics, Culture, Feminism0
Singing in Dark Times: Report from Berlin0
Sprouts for Life: Eco-Feminism and Performance0
Evelyn Brown (A Diary)0
All Right. Good Night. (Excerpt)0
Great Lights, Seen in Darkness: The Passion of Milo Rau and Yvan Sagnet0
How to Write, or How to Return Home0
Table of Contents0
On Criticism: Seven Meditations0
Dead Children, Resilience, and Diversity0
Adrienne Kennedy’s Life Writing0
Historical Legacies0
A Meditation on Loss0
Chen Zhen: The Sound of the Life Force0
Ragnar Kjartansson and the Art of Pleasure0
Table of Contents0
Notes from My Journals0
Mobilizing Dance Archives of the Weimar Republic0
Very Very Important Salvation0
I’m Free Because I’m a Fugitive—I’m a Fugitive Because I’m Not Free0
The Progressive Case 
for Populism0
Meg Stuart and Anne Teresa De Keersmaeker: Exercises in Endurance0
Amar Kanwar: Neoliberalism on Trial0
Dreaming: A Public Poem0
Little Amal’s New York Journey: The Big Puppet in the Big Apple0
Sculpting Time: Sara Rudner in Her Studio0
Elevator Repair Service 
Adapts Ulysses0
Grappling with Extremism through Performance0
Making Movies0
Splendour, Glorious Splendour0
Politics in a Bubble0
Dancers, Mountains, and People in the Fields0
Performance Art and the Novel0
Political Theatre Reconsidered0
Archives at an Angle0
Over 125 Reasons Why I Love Performance Art0
Table of Contents0
Movements across Scales0
Future Imperfect Tense0
From Landscapes to Projection Drama0
The Gift That Keeps on Giving0
The Ghetto in European Perception: From Cities to Bodies0
Singular Moments of Being0
The Shape of Light: Meditations on Hong Kong0
Together in the Courtyard0
Journal, January 14, 19590
How It Was: Monologue0
A Gathering Spirit: The Franconia Performance Salon, 2011–20200
Sounding the Gospel Play0
Life in Translation: Being Elfriede Jelinek0
Plague-Time Aesthetics0
Virus as Metaphor in the Age of Catastrophe0
Avant-Garde Heterotopia0
The Diaries of Judith Malina, 1958–1971 (Excerpt)0
Virtue Signaling Through the Flames0
Breakthrough into Performance: A Touchstone Work of Late Modernist American Poetry0
Editing, A Life0
Now0
Social Injustice0
VR Environments0
Reframing Tragedy0
Good Vibrations0
Unfinished Poetry0
Common Ground0
A Pandemic Prototype0
The Rewards of Attention0
Sketches from Moby Dick0
Beyond the Species and Beyond Death: Staging Mozart’s Requiem0
Trajal Harrell: The Anxiety of Autobiography0
A Summer Solstice Celebration0
Portrait of the Critic as a Young Seeker0
Belief Systems0
Tell Me about the Worms!0
Drawings from (Un)Easy Rider0
Ivo van Hove and Almodóvar: Remixing The Human Voice0
Portable Theatre: The Paperback Stage0
The Womb of Virtuality: From Plato to Posthumanism0
Plays/Performance Texts Published in PAJ 1976-20240
Archiving in Twilight0
From the Toes Up0
Conversation Pit0
Recovering Evelyn Brown0
The Spectacle of History: Nikhil Chopra at the Met0
Perform Again, Perform Better0
The Postsecular Theatre of Romeo Castellucci0
Podcast for a Pandemic0
Opera Archeology, 
Opera Apocalypse0
Sun0
3 Annunciations0
Love Loath0
Swallow: (First Corinthians)0
Franco Scaldati: The Actor Who Writes0
From Medieval Romance to Contemporary Opera: Philosophy, Allegory, Eros0
Seeing Puppetry: Winter Report from New York City0
I Am Pina0
A Poem by Heart0
Quaint Devices: A Map of Headphone and Headset Plays∗0
The Long View: Talking Band Turns Fifty0
Performance on the Blockchain: Zhang Huan and EchoX0
Beyond Making Sense0
Suppose Beautiful 
Madeline Harvey0
Jewish Art, Performance, 
and Interwar Bucharest0
Table of Contents0
Performing Big Data: Alan Lomax and The Folk-Song Science0
Learning to Listen0
Translating Pascal Rambert0
Introduction0
Time and Again0
Step Across Time and Space: Cross-Cultural Investigation0
A Moment in Time0
Oberammergau Dialogue0
Metaphysical Movement0
Good Morning0
Editing Artists0
Music & Poetry0
Artaud and American Artists0
A Sanctuary for Indecency0
Writing (as) Refusal0
Grace Notes0
The Spirit of the Times0
Posing Queer0
Subsuming Audience0
Something Glorious to Draw On: James Baldwin and Lorraine Hansberry Now0
Between the Sacred and the Profane: The Works and Days of Lee Breuer0
Sun Through Broken Screen: Murakami and Gutai0
German in PAJ: A Coda0
Walking with Intention: Janine Antoni's Ear-Shaped Labyrinth0
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