PAJ-A Journal of Performance and Art

Papers
(The median citation count of PAJ-A Journal of Performance and Art is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-02-01 to 2025-02-01.)
ArticleCitations
Interrogation Room1
Metaphysical Movement1
Breakthrough into Performance: A Touchstone Work of Late Modernist American Poetry1
Simone Forti among Friends0
Trajal Harrell: The Anxiety of Autobiography0
Chekhov’s Gull0
Spirit in the (Monochromatic) Light0
Introduction0
A Moment in Time0
Portable Theatre: The Paperback Stage0
Performance Art and the Novel0
The Womb of Virtuality: From Plato to Posthumanism0
Something Glorious to Draw On: James Baldwin and Lorraine Hansberry Now0
The Rewards of Attention0
Step Across Time and Space: Cross-Cultural Investigation0
Making Movies0
Suppose Beautiful 
Madeline Harvey0
3 Annunciations0
Sounding the Gospel Play0
Politics in a Bubble0
Beyond Making Sense0
Drawings from (Un)Easy Rider0
Tell Me about the Worms!0
I’m Free Because I’m a Fugitive—I’m a Fugitive Because I’m Not Free0
Grappling with Extremism through Performance0
Table of Contents0
Evelyn Brown (A Diary)0
The Long View: Talking Band Turns Fifty0
Transmission Mysteries: Art and Technophilia0
Modernism’s Hidden Ornament0
Splendour, Glorious Splendour0
Great Lights, Seen in Darkness: The Passion of Milo Rau and Yvan Sagnet0
German in PAJ: A Coda0
VR Environments0
Dead Children, Resilience, and Diversity0
The Postsecular Theatre of Romeo Castellucci0
Art and Media Symbiosis0
Table of Contents0
Belief Systems0
Architecture Against Theatre0
How to Write, or How to Return Home0
Jewish Art, Performance, 
and Interwar Bucharest0
Democracy and Theatre in Catalonia Since 19750
On Not Traveling0
Learning to Listen0
Sculpting Time: Sara Rudner in Her Studio0
Elevator Repair Service 
Adapts Ulysses0
Good Morning0
Franco Scaldati: The Actor Who Writes0
A Meditation on Loss0
Engaging Identity: Politics, Culture, Feminism0
The Spirit of the Times0
Sketches from Moby Dick0
Virtue Signaling Through the Flames0
Old Injuries and Lost Loves0
Romance of the Rose (Excerpt)0
Archiving the Ephemeral0
Subsuming Audience0
The Gift That Keeps on Giving0
Historical Legacies0
Common Ground0
Social Injustice0
Uploading into Eternity0
Plays/Performance Texts Published in PAJ 1976-20240
Pandemic and Speech Without Doors0
Love Again, Love Better0
A Pandemic Prototype0
Meg Stuart and Anne Teresa De Keersmaeker: Exercises in Endurance0
Avant-Garde Heterotopia0
Performance on the Blockchain: Zhang Huan and EchoX0
The Spectacle of History: Nikhil Chopra at the Met0
The Wings0
Portrait of the Critic as a Young Seeker0
Movements across Scales0
Grace Notes0
Jan Sawka: Theatre of Image and Metaphor0
A Gathering Spirit: The Franconia Performance Salon, 2011–20200
Table of Contents0
On Criticism: Seven Meditations0
Ragnar Kjartansson and the Art of Pleasure0
Seeing Puppetry: Winter Report from New York City0
The Trans Theatre Tipping Point0
Recovering Evelyn Brown0
The Theatre of Your Mind 
(For Real)0
Talking about Theatre0
Future Imperfect Tense0
Bad Trips: Spiritual Agonies and Ecstasies in the Films of Gaspar Noé0
Oberammergau Dialogue0
Directing Evelyn Brown0
Very Very Important Salvation0
Music & Poetry0
Translating Pascal Rambert0
Amar Kanwar: Neoliberalism on Trial0
Now0
From Landscapes to Projection Drama0
Table of Contents0
By Any Means Necessary0
Archiving in Twilight0
Table of Contents0
Together in the Courtyard0
All Right. Good Night. (Excerpt)0
The Diaries of Judith Malina, 1958–1971 (Excerpt)0
Sun0
I Am Pina0
Conversation Pit0
Beyond the Species and Beyond Death: Staging Mozart’s Requiem0
A Poem by Heart0
Opera Archeology, 
Opera Apocalypse0
Quaint Devices: A Map of Headphone and Headset Plays∗0
Perform Again, Perform Better0
The Progressive Case 
for Populism0
Between the Sacred and the Profane: The Works and Days of Lee Breuer0
Table of Contents0
The Ghetto in European Perception: From Cities to Bodies0
Over 125 Reasons Why I Love Performance Art0
From Medieval Romance to Contemporary Opera: Philosophy, Allegory, Eros0
Sun Through Broken Screen: Murakami and Gutai0
Something Beautiful and Powerful: Politics, Art, and Bread and Puppet Theater0
Portfolio: Lost in Space0
Inside Dancing, No Fixed Points0
Ivo van Hove and Almodóvar: Remixing The Human Voice0
A Whole Carnal Stereophony: The Wooster Group Stages Brecht0
Good Vibrations0
Archives at an Angle0
The Shape of Light: Meditations on Hong Kong0
Podcast for a Pandemic0
Editing, A Life0
Life in Translation: Being Elfriede Jelinek0
Time and Again0
Chen Zhen: The Sound of the Life Force0
From the Toes Up0
Swallow: (First Corinthians)0
Performing Big Data: Alan Lomax and The Folk-Song Science0
Singular Moments of Being0
Dreaming: A Public Poem0
Little Amal’s New York Journey: The Big Puppet in the Big Apple0
Plague-Time Aesthetics0
Struggling with the Louvre: De Keersmaeker, Beyoncé, Jay-Z0
Political Theatre Reconsidered0
The Plastic Bag Store (Excerpt)0
Table of Contents0
Virus as Metaphor in the Age of Catastrophe0
Posing Queer0
Notes from My Journals0
Love Loath0
Artaud and American Artists0
Journal, January 14, 19590
My (De)vices0
Reframing Tragedy0
Singing in Dark Times: Report from Berlin0
Sprouts for Life: Eco-Feminism and Performance0
Sonic Ecologies0
Dancers, Mountains, and People in the Fields0
Reckoning with Wreckage: The Work of Nancy Tam0
Writing (as) Refusal0
Walking with Intention: Janine Antoni's Ear-Shaped Labyrinth0
Editing Artists0
Mobilizing Dance Archives of the Weimar Republic0
Mute0
A Sanctuary for Indecency0
Unfinished Poetry0
A Summer Solstice Celebration0
Self-Portraits0
How It Was: Monologue0
Adrienne Kennedy’s Life Writing0
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