Clcweb-Comparative Literature and Culture

Papers
(The median citation count of Clcweb-Comparative Literature and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-11-01 to 2024-11-01.)
ArticleCitations
Introduction: China Question of Western Theory5
Beyond ‘Rising Tides’ and ‘Lying Flat’: Emergent Cultural Practices Among Youth in Urban China4
Incipient Fascism: Black Radical Perspectives3
Resisting Pacification: Locating Tension in G'Ebinyo Ogbowei's Poetry2
Introduction: New Perspectives on the Female Fantastic1
A Geocritical Perspective on the Female Fantastic: Rethinking the Domestic1
Trauma, History, and Terror in the Poetry of Yusef Komunyakaa and Sinan Antoon1
Late Postmodernism1
“<em>There is no pandemic</em>”: On Memes, Algorithms and other Interpassive Forms of Right-wing Disbelief1
“Love Thy Social Media!”: Hysteria and the Interpassive Subject1
Female Fantastic in Anthologies: Gendering the Genre and its Discourse1
Defending “Western” Values: Reactionary Neoliberalism in the Americas1
BreadTube Rising: How Modern Creators Use Cultural Formats to Spread Countercultural Ideology1
The Chuanyue (Traversing) of Western Cultural Industry Theories in China1
Neo-Authoritarianism without Authority1
Returning to the Past to Rethink Socio-Political Antagonisms: Mapping Today’s Situation in Regards to Popular Insurrections1
Western Theory and Historical Studies of Chinese Literary Criticism1
Kazuo Ishiguro and the Service Economy1
The Question of Nation and Nationalism in Chinese Postcolonialism1
Immanuel Kant’s Manifesto for Dad Rock1
Amazon Web Services, the Lacanian Unconscious, and Digital Life1
Deconstructing Feminine and Feminist Fantastic through the Study of Living Dolls1
Identity Reconfigurations, Memory and Personal History in Norman Manea and Saul Bellow’s ‘Spoken Book’1
#Emotional: Exploitation & Burnout in Creator Culture1
Aesthetics Today0
Genre’s Autonomy, <em>Autonomy</em>’s Genre0
The Turn toward the Nonhuman in Susan Straight’s <em>A Million Nightingales</em>0
The Extinction Race: Techniques of the Human in Proust, via Houellebecq0
Confinement, Care, and Commodification in Mati Diop’s <em>In My Room</em>0
Fredric Jameson and Gayatri Chakravorty Spivak’s <em>Periodizing</em> the Black Internal Colony0
Graphic Nonsense and Historical Trauma in Fred Chao’s <em>Johnny Hiro</em>0
Female Bonding and Marginality in Shang Wanyun’s novella “Xialihe” (1978)0
Everybody Wants to be a Fascist Online: Psychoanalysis and the Digital Architecture of Fascism0
<em>All Men Are Brothers</em>: Pearl S. Buck’s Translation of <em>Shui Hu Zhuan</em> and its Effects on Her Writing Career0
Purloined Significance: How Recidivism Algorithms Capture, Transform, and Automate our Intersubjective Unconscious as Data0
“China Form” and the Question of the Frankfurt School0
Signs of the Inhuman: Hauntings and Lost Futures in Verónica Gerber Bicecci’s <em>La Compañía</em>0
The Making of Chinese Meixue0
Transgression, Essentialism and Literary System: An Approach to the Viability of the Female Fantastic0
Deleuze’s Challenge to Hegel’s Aesthetics—Chinese Aesthetics in the Confrontation between German Classical Aesthetics and Postmodernism0
Engaging China: Beckett’s Debt to Pound, Giles, and Laloy0
The Female Best-Friend Novel: Narration and the Reconsideration of the Political Act0
Where Are the Women?: An Ecofeminist Reading of William Golding’s <em>Lord of the Flies</em>0
Exotic Construction of an Ancient Oriental Sappho: On Rexroth’s Creative Translation of Li Ch’ing-Chao’s Ci-Poems and its Influences0
Biopolitics in the Twenty-first Century: India and the Pandemic0
“Passive Revolutions” after the Crisis of Globalization: Gramsci and the Current Culture of Populism0
Print Culture, Digital Culture, Poetics and Hermeneutics: Discussion with J. Hillis Miller0
Ethical-Reparative Reconfigurations of the Literary Today0
Looking Back, or Re-visioning: Contemporary American Jewish Poets on “Lot’s Wife”0
Playing with Time: Writing History in Neo-Zionist Hebrew Literature0
“A Sick Eagle” and “I am”: Hymns to Sculpture by Keats and Rilke0
China Question of Western Postcolonial Translation Theory0
The Moscow-Yan’an-Beijing Mode of Chinese Literary Theory0
Chinese Modern Leftist Affect and Aesthetic-affective Modernity in the Global Affective Turn0
‘Convicted of Patricide?’: Robert Frost’s Nationalism in the Eyes of Contemporary Arab-American Women Writers0
On Gary Snyder’s Tradaptation of <em>Cold Mountain Poems</em> and its Spiritual Salvation and Literary Enlightenment in Postwar America0
Periodizing the Present: The 2020s, the <em>Longue Durée</em>, & Contemporary Culture0
Sounding the State of the World: Interview with Karim Rafi, Summer 20210
Authoritarianism and Ideology0
The Inappropriate/D Fantastic: A Proposal Beyond Feminism0
Poetics of the Crystal-Image: Dreams in <em>Mirror</em> and <em>Ashes of Time Redux</em>0
Strange Genre-related Loops in a Novel-Short Story: The Tension between the Genres and their Cultural Context0
Admiring <em>Autonomy</em>0
Western Theory’s Chinese Transformation: Postscript0
Translating Diversity from Ralph Ellison to Kenzaburō Ōe0
Politics of Evasion and Tales of Abjection: Postmodern Demythologization in Angela Carter and Ghazaleh Alizadeh0
Confucianism and Folklore in Vietnamese Fantasy Short Stories: <em> The Case of Ghost Stories </em>0
Speculative Epistemologies of Resistance in <em>Hombres de maíz</em> and <em>Bandarshah</em>0
China Question of US-American Imagism0
Nationalist Allegories in the Post-human Era0
Platform Psychoanalysis: What Does the Algorithm Want?0
Children’s Gothic in the Chinese Context: The Untranslatability and Cross-Cultural Readability of a Literary Genre0
Precarity in the Times of Partition: Personal vs Communal Love in Khushwant Singh’s <em>Train to Pakistan</em> and Saadat Hasan Manto’s “Gurmukh Singh ki Wasiyat”0
Time Decay: Assets, Authoritarianism, and Anxiety about the Future0
Remembering Complicity and Resistance: A Review of Mihaela Mihai’s <em>Political Memory and the Aesthetics of Care: The Art of Complicity and Resistance</em> (2022)0
Althusser’s Maoism-Machiavellianism and the Maoist “People”/“Masses”as a China Question of Western Theory0
From Franz Kafka to Franz Kafka Award Winner, Yan Lianke: Biopolitics and the Human Dilemma of Shenshizhuyi in <em>Liven</em> and <em>Dream of Ding Village</em>0
Two Imagined Chinas in <em>Tel Quel</em>0
The Female Fantastic vs. The Feminist Fantastic: Gender and the Transgression of the Real0
Beyond Victimhood: Female Agency in Nigerian Civil War Novels0
Sedimented Forms: Coming Back to Autonomy0
Translation as Creative Writing: Rewriting <em>The Chinese Maze Murders</em> in Contemporary China0
“No Roses, White nor Red, Glow Here”: The Motif of the Garden in Two Proserpine Poems by A. Swinburne and D. Greenwell0
Topological Tropology of V.S. Naipaul’s Islamic Travelogues and Daniel Pipes’ Islamic History: Ahistorical Historicism0
Ecopoetry as Method: Reading Gary Snyder as a Cultural Mediator between China and the World0
Necropolitics and Visuality: Remembering ‘Speculative Fictions’ in Hong Kong after Rancière and Mbembe0
The Minimal Politics of Autonomy0
Reinventing China: Mao’s Ideas on National Form0
“It Is Not All That Bad”—Hitler and Identity-building in <em>Er ist wieder da</em> (Look Who’s Back)0
Representation of Terror and Terrorism in Two Arab Films: <em>Paradise Now</em> (2005) by Hany Abu-Assad and <em>Horses of God</em> (2012) by Nabil Ayouch0
The Brazilian System of Television, or How to Get a President0
Language, Science and Literature0
The Logic of "Social Enterprise": The Big Issue Organization and New Labour Policy at the Millennial Juncture0
The Animal in the Wild in <em>Hwang Sun-mi’s The Hen Who Dreamed She Could Fly</em>0
Reflections on Political Policies and Statements in Arts and Literature in PRC0
The Malvinas/Falklands War in Transatlantic Narratives: Exploring Collective Memory and Negotiating Self/Other Identity0
Storytelling as a Way of Translation: The Rendition of Taoism in Ursula K. Le Guin's <em>The Lathe of Heaven</em>0
Reading the Global City: Crisis, Cognitive Mapping and the “Urban Sensorium” in Tom McCarthy’s <em>Satin Island</em> and Ben Lerner’s <em>10:04</em>0
French Left-wing Literary Theory and Mao Zedong Thought0
Introduction: New Faces of Authoritarianism0
Pallavi Rastogi, Postcolonial Disasters: <em>Narrating Catastrophe in the Twenty-First Century </em>(2020): Review Essay0
The Social Sinthome0
Vulgarity as Springboard for High Art—A Comparative Study of Vladimir Nabokov and Qian Zhongshu’s Notions of Vulgarity0
Chinese Ideas and American Politics: Confucius as a Guideline for Leadership0
A Case of Pandemic Narrative and the End of Post-Cold War0
Cinematic Representation of Ethnic Minorities in PRC and Postcolonialism0
Trans-Atlantic Interrogation: Fabienne Pasquet’s <em>La deuxième mort de Toussaint Louverture</em>0
Review of Emily Sun’s <em>On the Horizon of World Literature</em>0
Introduction: A Return to the Bad Old Times0
Lacan and the Algorithm0
Stalking Oneself: The Fantasmatic Intersubjectivity of Google0
Literature and Economy in Portuguese-speaking Southern Africa0
Orature: The Political Interpretation of Performance Framework in <em>Anthills of the Savannah</em> and <em>Half of a Yellow Sun</em>0
Hanay Geiogamah’s Body Indian and Foghorn as “Plays with a Purpose”0
“For the moment, I am not F*cking,” I am Tweeting: Platforms of / as Sexuality0
Conjunctures, Commodities, and Social State Marxism0
Terada Torahiko, a Physicist and a Haikai Poet0
A Rhetoric and Ethics of Character Narration in Ian McEwan’s <em>Nutshell</em>0
Coming of Age and Exile in <em>No pasó nada</em>0
Translating Literary Ideology from Ancient Chinese into Modern French: François Cheng’s Francophone Poetry in <em>Double chant</em> (2000)0
Review of <em>The Journey to the West</em>, Vol. 1, Translated and edited by Anthony C. Yu0
Out of the Myths of “Revolutionary China”: Liu Kang versus Žižek & Badiou0
Strategies of (In)Visibility and Resilience: Women Writers in a Digital Era0
Cooling Down Transmedia Storytelling0
Incendiary Devices: Imagining E-Waste Frontiers and Africa’s Digital Futures0
Socrates the Degenerate: Irony as Trope of Decadence0
Exploring the Margins of Kotha Culture : Reconstructing a Courtesan’s life in Neelum Saran Gour’s <em>Requiem in Raga Janki</em>0
Introduction: Western Theory’s Chinese Transformation0
Language and Betrayal: Posthuman Ethics in Kazuo Ishiguro’s <em>Never Let Me Go</em>0
On a Small Glossary of Academic Anti-Intellectualism0
Westernization or Localization? The (Mis)reading of “the Tragic” in Modern Chinese Literary Discourse0
Traveling Theory and Discursive Transformation: The Reception of Walter Benjamin and Emmanuel Levinas in China0
Political Orientation in Ecocriticism: National Allegory in Vietnamese Ecofiction by Trần Duy Phiên0
Community Despite Connection: Resisting the Digital Logics of Optimization and Failure0
Periodizing the Residuality of a Composite Protest Art Form: The Case of Telangana <em>Dhoom Dham</em>0
The Many Afterlives of Orientalism: Translation, Reception, and Appropriation of Saidian Theory in China0
Knowledge Production in the Theory of Literature and Art in Contemporary China: From a Generations Perspective0
A Trumpian Mechanism0
State, Transnational Citizenship and the Transformative Power of Art: The NSK State in Time0
The Symbolism of Clothing: The Naked Truth About Jacques Lacan0
Precarious Refugee: Self-Optimization and Neoliberal Rationality in Rawi Hage’s <em>Cockroach</em>0
Extending the Frontiers of the Detective Novel in Adaora Ulasi’s <em>The Man from Sagamu</em>0
Returning to East Africa via India: On M. G. Vassanji’s <em>And Home Was Kariakoo</em>0
Neo-Authoritarianism and the Contestation of White Identification in the US0
Tituba, “Dark Eve” in the Origins of the American Myth: The Subject of History and Writing about Salem0
Bergson on Poetics: Philosophy, Literature and Science0
<em>The Silmarillion</em> by J.R.R. Tolkien and <em>Shahnameh</em> by Firdausi: A Sadraic Interpretation of Free Will and Determinism0
“Western Marxism” in Mao’s China0
Poetic Explorations in Bill F. Ndi’s <em>Worth Their Weight in Thorns</em>: (De)Constructing Hegemonic National Integration and Debating Francophonecentric National Governance.0
A Semiotic Paradox: Scientific Language in the Narrative of TV Advertisement-0
When ‘Interplay is the Content of the Work’—A Response to Nicholas Brown’s <em>Autonomy</em>0
Problems with Perceptual and Cognitive Idiosyncrasies in Li Wenjun’s Translation of the Benjy Section of Faulkner's <em>The Sound and the Fury</em>0
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