Clcweb-Comparative Literature and Culture

Article	Citations
Derrida in Mesopotamia: On the Import of the Cuneiform Inscriptions in <em>Of Grammatology<em>	13
#Emotional: Exploitation & Burnout in Creator Culture	7
Community Despite Connection: Resisting the Digital Logics of Optimization and Failure	4
The Making of Chinese Meixue	3
The Female Best-Friend Novel: Narration and the Reconsideration of the Political Act	3
Returning to the Past to Rethink Socio-Political Antagonisms: Mapping Today’s Situation in Regards to Popular Insurrections	3
Compilation as Narrative Art in Medieval Islam: The Redemption of Kuthayyir in the <em>Book of Songs<em>	3
Platform Psychoanalysis: What Does the Algorithm Want?	2
Remembering Complicity and Resistance: A Review of Mihaela Mihai’s <em>Political Memory and the Aesthetics of Care: The Art of Complicity and Resistance</em> (2022)	2
The Many Afterlives of Orientalism: Translation, Reception, and Appropriation of Saidian Theory in China	1
Appearance	1
Mediation	1
Spectrality	1
Ascription	1
Beyond ‘Rising Tides’ and ‘Lying Flat’: Emergent Cultural Practices Among Youth in Urban China	1
“China Form” and the Question of the Frankfurt School	1
Cyborg Feminism and Toxic Colonialism in Chen Qiufan’s <em> Waste Tide</em>	1
Inversion	1
Cineture: Shared Narratives and Cultural Exchanges between Iran and the US (Introduction)	1
Amazon Web Services, the Lacanian Unconscious, and Digital Life	1
A Review of <em>The Cambridge History of The Australian Novel<em> (2023)	1
Regarding World(s): A Review of Elisha Cohn’s <em>Milieu: A Creaturely Theory of the Contemporary Novel</em> (2025) and Daniel Wright’s <em>The Grounds of the Novel</em> (2024)	1
Exhaustion	1
Captivity, Resistance and Political Consciousness in Walid Daqqa’s Prison Literature	0
Content I	0

Westernization or Localization? The (Mis)reading of “the Tragic” in Modern Chinese Literary Discourse	0
Review of Emily Sun’s <em>On the Horizon of World Literature</em>	0
Two Imagined Chinas in <em>Tel Quel</em>	0
Estrangement	0
Melodramatic Joy in Ibrahim Nasrallah’s <em>Trilogy of the Bells<em>	0
Between Revolutions: The Leftist Reception of American Literature in Iran (1905-1979)	0
Storytelling as a Way of Translation: The Rendition of Taoism in Ursula K. Le Guin's <em>The Lathe of Heaven</em>	0
Daoist Philosophy and Stephen Mitchell’s <em>The Frog Prince: A Fairy Tale for Consenting Adults</em>	0
Metabolism	0
Style	0
The Animal in the Wild in <em>Hwang Sun-mi’s The Hen Who Dreamed She Could Fly</em>	0
Stalking Oneself: The Fantasmatic Intersubjectivity of Google	0
Reading the Global City: Crisis, Cognitive Mapping and the “Urban Sensorium” in Tom McCarthy’s <em>Satin Island</em> and Ben Lerner’s <em>10:04</em>	0
Necropolitics and Visuality: Remembering ‘Speculative Fictions’ in Hong Kong after Rancière and Mbembe	0
Exotic Construction of an Ancient Oriental Sappho: On Rexroth’s Creative Translation of Li Ch’ing-Chao’s Ci-Poems and its Influences	0
“<em>There is no pandemic</em>”: On Memes, Algorithms and other Interpassive Forms of Right-wing Disbelief	0
Khairy Shalaby’s Novel <em>The City of the Enslaved</em>: Egyptian Prison Literature with a Russian Twist	0
“I Have Got Rid of, for Good, Eastern Backwardness”: Ra’fat’s Guilty Assimilation in Al Aswany’s <em>Chicago: A Novel</em>	0
Metonymy	0
Small Nations, Big Debates: Empowering the Slovenes as a Subject of World History in the Critical 1930s	0
World Literature: From Perpetual War to Perpetual Peace (and Back Again)	0
Orature: The Political Interpretation of Performance Framework in <em>Anthills of the Savannah</em> and <em>Half of a Yellow Sun</em>	0
Review: <em>Misrecognitions: Plotting Capital in the Victorian Novel</em> by Ben Parker	0
“For the moment, I am not F*cking,” I am Tweeting: Platforms of / as Sexuality	0
“Love Thy Social Media!”: Hysteria and the Interpassive Subject	0
Conjunctures, Commodities, and Social State Marxism	0
Biopolitics in the Twenty-first Century: India and the Pandemic	0
On Gary Snyder’s Tradaptation of <em>Cold Mountain Poems</em> and its Spiritual Salvation and Literary Enlightenment in Postwar America	0
A Review of Zahi Zalloua's <em>The Politics of the Wretched: Race, Reason, and Ressentiment</em>	0
Periodizing the Residuality of a Composite Protest Art Form: The Case of Telangana <em>Dhoom Dham</em>	0
Haunting Pasts, Cancelled Futures: Polish and Argentinian Experiences of Postdependency	0
Worldbuilding	0
Review: The Poetics of Science: <em>Marx’s Literary Style</em> by Ludovico Silva	0
Inappropriate Attire: Fashion, Nationality, and Shame in <em>Quicksand<em> and <em>Pachinko<em>	0
Exploring Chinese Elements in J.D. Salinger’s Works: A Response to McCarthyism in the Early Cold War Era	0
Exploring the Relationship between Man and Nature in a Postmodern Context：A Review of <em>Ecocriticism and Chinese Literature: Imaginary Landscapes and Real Living Spaces</em>	0
Nature	0
Zheng Zhenduo and the Problem of Priority in World Literature	0
The Networks of Prison Narrative: Imagining Sociality and Making Narrative in Assad’s Syria	0
Deleuze’s Challenge to Hegel’s Aesthetics—Chinese Aesthetics in the Confrontation between German Classical Aesthetics and Postmodernism	0
The Absurdity of Liberation in Moroccan Prison Narratives	0
A Case of Pandemic Narrative and the End of Post-Cold War	0
Translation as Creative Writing: Rewriting <em>The Chinese Maze Murders</em> in Contemporary China	0
Incendiary Devices: Imagining E-Waste Frontiers and Africa’s Digital Futures	0
Introduction: World Literature as World Crisis	0
Las Filipinas: The Persistence of Spain in Jessica Hagedorn's <em>Dogeaters</em>	0
Translating Literary Ideology from Ancient Chinese into Modern French: François Cheng’s Francophone Poetry in <em>Double chant</em> (2000)	0
Precarious Refugee: Self-Optimization and Neoliberal Rationality in Rawi Hage’s <em>Cockroach</em>	0
Beyond the Great Wall: Zheng Zhenduo’s “Unification” of World Literature at the Juncture of China’s May Fourth and Post-World War I Era	0
Western Theory’s Chinese Transformation: Postscript	0

Prison Sentences: Spaces of Liberation in Arab Prison Writing	0
Abolition	0
Literature and Economy in Portuguese-speaking Southern Africa	0
"El Corregidor" at the Crossroads: Desire, Law, and Coloniality in Martel's <em>Zama<em>	0
A Semiotic Paradox: Scientific Language in the Narrative of TV Advertisement-	0
Vision and “Sur-vision”: Intermediality and Alterity in the Frames of Abbas Kiarostami	0
Cultural Negotiations in Revisionist Mythmaking: Comparative Reading of Bahram Beyzaei and Mary Zimmerman	0
World Literature According to Its Poster Children	0
Cineture: The Trans(inter)mediality and Socio-cultural Mobility between Iran and the US	0
Ancient Chinese Poetry as a Trans-lingual and Cross-cultural Textual Resource in Gustav Mahler’s <em>Das Lied von der Erde<em>	0
Introduction: Reading Marx	0
Periodizing the Present: The 2020s, the <em>Longue Durée</em>, & Contemporary Culture	0
French Left-wing Literary Theory and Mao Zedong Thought	0
Representation	0
An Arc Stretched between East and West: World (or Universal?) Literature in Maxim Gorky’s Publishing Utopias	0
Substantialism	0
Real	0
Reconsidering Karl Marx’s Concept of World Literature	0
In Memoriam Gwangju: Transnational Memoryscapes of Gwangju and Buenos Aires in the Works of Han Kang and Im Heung-Soon	0
Ginsberg’s China Experience and Its Influence on His Series of Poems on China	0
Out of the Myths of “Revolutionary China”: Liu Kang versus Žižek & Badiou	0
Knowledge Production in the Theory of Literature and Art in Contemporary China: From a Generations Perspective	0
Coming of Age and Exile in <em>No pasó nada</em>	0
Review: <em>The Persistence of Realism in Modernist Fiction</em> by Paul Stasi	0
Bergson on Poetics: Philosophy, Literature and Science	0
Fredric Jameson and Gayatri Chakravorty Spivak’s <em>Periodizing</em> the Black Internal Colony	0
Hold Fast the Rope of God: Space, Authority, and Speech in Muslim Prison Narratives	0
Confinement, Care, and Commodification in Mati Diop’s <em>In My Room</em>	0
Palestinian Prisoners: Smuggling Freedom, Writing from Captivity	0
Dissociation	0
Content II	0
Ideology	0
Willy Loman’s Desperate Affair Challenges the Iranian Censorship: Asghar Farhadi’s <em> The Salesman</em>	0
Labor	0
Against pleonexia: Auerbach, World Literature, and the End of History	0
Dispositions and Dispossessions: Interwar Left-Wing Literary Writing in Vienna and Zagreb	0
Lacan and the Algorithm	0
Playing with Time: Writing History in Neo-Zionist Hebrew Literature	0
The Malvinas/Falklands War in Transatlantic Narratives: Exploring Collective Memory and Negotiating Self/Other Identity	0
Pallavi Rastogi, Postcolonial Disasters: <em>Narrating Catastrophe in the Twenty-First Century </em>(2020): Review Essay	0
Secularization	0
Praxis	0
Terrorists, Spies, and Diplomatic Crises: The Birth of Morocco’s Multimedia Prison Literature	0
Milan Kundera as a Representative and a Theorist of World Literature	0
Rhetoric	0
Gallerte	0
Chinese Modern Leftist Affect and Aesthetic-affective Modernity in the Global Affective Turn	0
<em>All Men Are Brothers</em>: Pearl S. Buck’s Translation of <em>Shui Hu Zhuan</em> and its Effects on Her Writing Career	0
Book Review: Yamin Hu, <em>The Contemporary Construction of the Chinese Form of Marxist Literary Criticism </em>	0
Purloined Significance: How Recidivism Algorithms Capture, Transform, and Automate our Intersubjective Unconscious as Data	0
A Crisis for Utopia: Jameson, the Collective, and the Future of World Literature	0
Language	0
Gestation	0
Prison as a Living Being: ‘Assad’s Syria’ as a model for the Imprisonment State	0
Introduction: Western Theory’s Chinese Transformation	0
Signs of the Inhuman: Hauntings and Lost Futures in Verónica Gerber Bicecci’s <em>La Compañía</em>	0
Figuration	0
Translating Diversity from Ralph Ellison to Kenzaburō Ōe	0
Christian Motifs in Forough Farrokhzad’s Works: A Comparison with T.S. Eliot’s Poetry	0
Topological Tropology of V.S. Naipaul’s Islamic Travelogues and Daniel Pipes’ Islamic History: Ahistorical Historicism	0
Category	0
Everybody Wants to be a Fascist Online: Psychoanalysis and the Digital Architecture of Fascism	0
Chinese Ideas and American Politics: Confucius as a Guideline for Leadership	0
The Proletarian Moment in World Literature	0
Compression	0
Kazuo Ishiguro and the Service Economy	0
Antagonism	0
Memory and Identity: A Comparative Analysis of “Iranian Cultural Identity” in Asghar Farhadi’s Adaptation of Arthur Miller’s <em>Death of a Salesman</em>	0
Race and Nation in Three Canonic Texts of Puerto Rican Literature: Luis Palés Matos’s <em>Tom-Tom of Kinky Hair and Black Things</em>, José Luis González’s <em>La llegada</em&g	0
Ecopoetry as Method: Reading Gary Snyder as a Cultural Mediator between China and the World	0
Abstraction	0
Punish Yet Cannot Discipline: Two Iraqi Prison Novels	0
The Social Sinthome	0
Children’s Gothic in the Chinese Context: The Untranslatability and Cross-Cultural Readability of a Literary Genre	0
A World Without Literature? Tagore’s Words for His Times and Ours	0
From Prison to the World: A Comparative Reading of Naji’s <em>Hirz Mikamkim</em> (Rotten Evidence, 2020) and Abd el-Fattah’s <em>You Have Not Yet Been Defeated</em> (2021)	0
Age	0
Political Orientation in Ecocriticism: National Allegory in Vietnamese Ecofiction by Trần Duy Phiên	0
Engaging China: Beckett’s Debt to Pound, Giles, and Laloy	0
Language, Science and Literature	0

BreadTube Rising: How Modern Creators Use Cultural Formats to Spread Countercultural Ideology	0
Sounding the State of the World: Interview with Karim Rafi, Summer 2021	0
New Approaches to MENA Prison Literatures After 2011	0
Compulsion	0
Terada Torahiko, a Physicist and a Haikai Poet	0
Traveling Theory and Discursive Transformation: The Reception of Walter Benjamin and Emmanuel Levinas in China	0
A Review of Alberto Toscano’s <em>Late Fascism</em>	0