Clcweb-Comparative Literature and Culture

Papers
(The median citation count of Clcweb-Comparative Literature and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
Derrida in Mesopotamia: On the Import of the Cuneiform Inscriptions in <em>Of Grammatology<em>13
Community Despite Connection: Resisting the Digital Logics of Optimization and Failure7
Remembering Complicity and Resistance: A Review of Mihaela Mihai’s <em>Political Memory and the Aesthetics of Care: The Art of Complicity and Resistance</em> (2022)3
#Emotional: Exploitation & Burnout in Creator Culture3
The Making of Chinese Meixue3
The Female Best-Friend Novel: Narration and the Reconsideration of the Political Act3
Compilation as Narrative Art in Medieval Islam: The Redemption of Kuthayyir in the <em>Book of Songs<em>2
Returning to the Past to Rethink Socio-Political Antagonisms: Mapping Today’s Situation in Regards to Popular Insurrections2
The Many Afterlives of Orientalism: Translation, Reception, and Appropriation of Saidian Theory in China2
Platform Psychoanalysis: What Does the Algorithm Want?2
Beyond ‘Rising Tides’ and ‘Lying Flat’: Emergent Cultural Practices Among Youth in Urban China2
Cyborg Feminism and Toxic Colonialism in Chen Qiufan’s <em> Waste Tide</em>1
Punish Yet Cannot Discipline: Two Iraqi Prison Novels1
“Love Thy Social Media!”: Hysteria and the Interpassive Subject1
Knowledge Production in the Theory of Literature and Art in Contemporary China: From a Generations Perspective1
Race and Nation in Three Canonic Texts of Puerto Rican Literature: Luis Palés Matos’s <em>Tom-Tom of Kinky Hair and Black Things</em>, José Luis González’s <em>La llegada</em&g1
“China Form” and the Question of the Frankfurt School1
Cineture: Shared Narratives and Cultural Exchanges between Iran and the US (Introduction)1
Female Bonding and Marginality in Shang Wanyun’s novella “Xialihe” (1978)1
Palestinian Prisoners: Smuggling Freedom, Writing from Captivity1
A Review of <em>The Cambridge History of The Australian Novel<em> (2023)1
Amazon Web Services, the Lacanian Unconscious, and Digital Life1
Bergson on Poetics: Philosophy, Literature and Science1
A Review of Zahi Zalloua's <em>The Politics of the Wretched: Race, Reason, and Ressentiment</em>1
“<em>There is no pandemic</em>”: On Memes, Algorithms and other Interpassive Forms of Right-wing Disbelief1
Playing with Time: Writing History in Neo-Zionist Hebrew Literature0
"El Corregidor" at the Crossroads: Desire, Law, and Coloniality in Martel's <em>Zama<em>0
Periodizing the Residuality of a Composite Protest Art Form: The Case of Telangana <em>Dhoom Dham</em>0
Deleuze’s Challenge to Hegel’s Aesthetics—Chinese Aesthetics in the Confrontation between German Classical Aesthetics and Postmodernism0
Vision and “Sur-vision”: Intermediality and Alterity in the Frames of Abbas Kiarostami0
The Absurdity of Liberation in Moroccan Prison Narratives0
From Prison to the World: A Comparative Reading of Naji’s <em>Hirz Mikamkim</em> (Rotten Evidence, 2020) and Abd el-Fattah’s <em>You Have Not Yet Been Defeated</em> (2021)0
Willy Loman’s Desperate Affair Challenges the Iranian Censorship: Asghar Farhadi’s <em> The Salesman</em>0
Coming of Age and Exile in <em>No pasó nada</em>0
Dispositions and Dispossessions: Interwar Left-Wing Literary Writing in Vienna and Zagreb0
The Animal in the Wild in <em>Hwang Sun-mi’s The Hen Who Dreamed She Could Fly</em>0
The Social Sinthome0
Storytelling as a Way of Translation: The Rendition of Taoism in Ursula K. Le Guin's <em>The Lathe of Heaven</em>0
Memory and Identity: A Comparative Analysis of “Iranian Cultural Identity” in Asghar Farhadi’s Adaptation of Arthur Miller’s <em>Death of a Salesman</em>0
Stalking Oneself: The Fantasmatic Intersubjectivity of Google0
Review of Emily Sun’s <em>On the Horizon of World Literature</em>0
Introduction: Western Theory’s Chinese Transformation0
Ginsberg’s China Experience and Its Influence on His Series of Poems on China0
“A Sick Eagle” and “I am”: Hymns to Sculpture by Keats and Rilke0
New Approaches to MENA Prison Literatures After 20110
The Malvinas/Falklands War in Transatlantic Narratives: Exploring Collective Memory and Negotiating Self/Other Identity0
The Networks of Prison Narrative: Imagining Sociality and Making Narrative in Assad’s Syria0
Traveling Theory and Discursive Transformation: The Reception of Walter Benjamin and Emmanuel Levinas in China0
A Case of Pandemic Narrative and the End of Post-Cold War0
BreadTube Rising: How Modern Creators Use Cultural Formats to Spread Countercultural Ideology0
Melodramatic Joy in Ibrahim Nasrallah’s <em>Trilogy of the Bells<em>0
Confinement, Care, and Commodification in Mati Diop’s <em>In My Room</em>0
“I Have Got Rid of, for Good, Eastern Backwardness”: Ra’fat’s Guilty Assimilation in Al Aswany’s <em>Chicago: A Novel</em>0
Hold Fast the Rope of God: Space, Authority, and Speech in Muslim Prison Narratives0
Literature and Economy in Portuguese-speaking Southern Africa0
Las Filipinas: The Persistence of Spain in Jessica Hagedorn's <em>Dogeaters</em>0
Chinese Ideas and American Politics: Confucius as a Guideline for Leadership0
Prison Sentences: Spaces of Liberation in Arab Prison Writing0
Ancient Chinese Poetry as a Trans-lingual and Cross-cultural Textual Resource in Gustav Mahler’s <em>Das Lied von der Erde<em>0
<em>The Silmarillion</em> by J.R.R. Tolkien and <em>Shahnameh</em> by Firdausi: A Sadraic Interpretation of Free Will and Determinism0
Poetics of the Crystal-Image: Dreams in <em>Mirror</em> and <em>Ashes of Time Redux</em>0
Precarious Refugee: Self-Optimization and Neoliberal Rationality in Rawi Hage’s <em>Cockroach</em>0
Language, Science and Literature0
Between Revolutions: The Leftist Reception of American Literature in Iran (1905-1979)0
Conjunctures, Commodities, and Social State Marxism0
Daoist Philosophy and Stephen Mitchell’s <em>The Frog Prince: A Fairy Tale for Consenting Adults</em>0
Lacan and the Algorithm0
Ecopoetry as Method: Reading Gary Snyder as a Cultural Mediator between China and the World0
Haunting Pasts, Cancelled Futures: Polish and Argentinian Experiences of Postdependency0
“For the moment, I am not F*cking,” I am Tweeting: Platforms of / as Sexuality0
Two Imagined Chinas in <em>Tel Quel</em>0
Reading the Global City: Crisis, Cognitive Mapping and the “Urban Sensorium” in Tom McCarthy’s <em>Satin Island</em> and Ben Lerner’s <em>10:04</em>0
Review: <em>The Persistence of Realism in Modernist Fiction</em> by Paul Stasi0
<em>All Men Are Brothers</em>: Pearl S. Buck’s Translation of <em>Shui Hu Zhuan</em> and its Effects on Her Writing Career0
Western Theory’s Chinese Transformation: Postscript0
Cineture: The Trans(inter)mediality and Socio-cultural Mobility between Iran and the US0
Christian Motifs in Forough Farrokhzad’s Works: A Comparison with T.S. Eliot’s Poetry0
Translation as Creative Writing: Rewriting <em>The Chinese Maze Murders</em> in Contemporary China0
Periodizing the Present: The 2020s, the <em>Longue Durée</em>, & Contemporary Culture0
Review: <em>Misrecognitions: Plotting Capital in the Victorian Novel</em> by Ben Parker0
Captivity, Resistance and Political Consciousness in Walid Daqqa’s Prison Literature0
A Review of Alberto Toscano’s <em>Late Fascism</em>0
Exploring Chinese Elements in J.D. Salinger’s Works: A Response to McCarthyism in the Early Cold War Era0
Everybody Wants to be a Fascist Online: Psychoanalysis and the Digital Architecture of Fascism0
Children’s Gothic in the Chinese Context: The Untranslatability and Cross-Cultural Readability of a Literary Genre0
Terrorists, Spies, and Diplomatic Crises: The Birth of Morocco’s Multimedia Prison Literature0
Translating Diversity from Ralph Ellison to Kenzaburō Ōe0
Inappropriate Attire: Fashion, Nationality, and Shame in <em>Quicksand<em> and <em>Pachinko<em>0
Purloined Significance: How Recidivism Algorithms Capture, Transform, and Automate our Intersubjective Unconscious as Data0
Sounding the State of the World: Interview with Karim Rafi, Summer 20210
Exotic Construction of an Ancient Oriental Sappho: On Rexroth’s Creative Translation of Li Ch’ing-Chao’s Ci-Poems and its Influences0
Translating Literary Ideology from Ancient Chinese into Modern French: François Cheng’s Francophone Poetry in <em>Double chant</em> (2000)0
Signs of the Inhuman: Hauntings and Lost Futures in Verónica Gerber Bicecci’s <em>La Compañía</em>0
Review: The Poetics of Science: <em>Marx’s Literary Style</em> by Ludovico Silva0
Topological Tropology of V.S. Naipaul’s Islamic Travelogues and Daniel Pipes’ Islamic History: Ahistorical Historicism0
Exploring the Relationship between Man and Nature in a Postmodern Context：A Review of <em>Ecocriticism and Chinese Literature: Imaginary Landscapes and Real Living Spaces</em>0
In Memoriam Gwangju: Transnational Memoryscapes of Gwangju and Buenos Aires in the Works of Han Kang and Im Heung-Soon0
French Left-wing Literary Theory and Mao Zedong Thought0
Extending the Frontiers of the Detective Novel in Adaora Ulasi’s <em>The Man from Sagamu</em>0
Terada Torahiko, a Physicist and a Haikai Poet0
Kazuo Ishiguro and the Service Economy0
The Extinction Race: Techniques of the Human in Proust, via Houellebecq0
Out of the Myths of “Revolutionary China”: Liu Kang versus Žižek & Badiou0
Orature: The Political Interpretation of Performance Framework in <em>Anthills of the Savannah</em> and <em>Half of a Yellow Sun</em>0
Pallavi Rastogi, Postcolonial Disasters: <em>Narrating Catastrophe in the Twenty-First Century </em>(2020): Review Essay0
On Gary Snyder’s Tradaptation of <em>Cold Mountain Poems</em> and its Spiritual Salvation and Literary Enlightenment in Postwar America0
Necropolitics and Visuality: Remembering ‘Speculative Fictions’ in Hong Kong after Rancière and Mbembe0
Chinese Modern Leftist Affect and Aesthetic-affective Modernity in the Global Affective Turn0
Cultural Negotiations in Revisionist Mythmaking: Comparative Reading of Bahram Beyzaei and Mary Zimmerman0
The Turn toward the Nonhuman in Susan Straight’s <em>A Million Nightingales</em>0
Engaging China: Beckett’s Debt to Pound, Giles, and Laloy0
Khairy Shalaby’s Novel <em>The City of the Enslaved</em>: Egyptian Prison Literature with a Russian Twist0
Cooling Down Transmedia Storytelling0
Incendiary Devices: Imagining E-Waste Frontiers and Africa’s Digital Futures0
Precarity in the Times of Partition: Personal vs Communal Love in Khushwant Singh’s <em>Train to Pakistan</em> and Saadat Hasan Manto’s “Gurmukh Singh ki Wasiyat”0
Trauma, History, and Terror in the Poetry of Yusef Komunyakaa and Sinan Antoon0
Fredric Jameson and Gayatri Chakravorty Spivak’s <em>Periodizing</em> the Black Internal Colony0
Political Orientation in Ecocriticism: National Allegory in Vietnamese Ecofiction by Trần Duy Phiên0
Westernization or Localization? The (Mis)reading of “the Tragic” in Modern Chinese Literary Discourse0
Prison as a Living Being: ‘Assad’s Syria’ as a model for the Imprisonment State0
Biopolitics in the Twenty-first Century: India and the Pandemic0
A Semiotic Paradox: Scientific Language in the Narrative of TV Advertisement-0
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