Clcweb-Comparative Literature and Culture

Papers
(The median citation count of Clcweb-Comparative Literature and Culture is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Derrida in Mesopotamia: On the Import of the Cuneiform Inscriptions in <em>Of Grammatology<em>13
Community Despite Connection: Resisting the Digital Logics of Optimization and Failure7
#Emotional: Exploitation & Burnout in Creator Culture3
Remembering Complicity and Resistance: A Review of Mihaela Mihai’s <em>Political Memory and the Aesthetics of Care: The Art of Complicity and Resistance</em> (2022)3
Returning to the Past to Rethink Socio-Political Antagonisms: Mapping Today’s Situation in Regards to Popular Insurrections3
Platform Psychoanalysis: What Does the Algorithm Want?2
Amazon Web Services, the Lacanian Unconscious, and Digital Life2
Compilation as Narrative Art in Medieval Islam: The Redemption of Kuthayyir in the <em>Book of Songs<em>2
The Making of Chinese Meixue2
The Female Best-Friend Novel: Narration and the Reconsideration of the Political Act2
Beyond ‘Rising Tides’ and ‘Lying Flat’: Emergent Cultural Practices Among Youth in Urban China2
A Review of <em>The Cambridge History of The Australian Novel<em> (2023)1
“Love Thy Social Media!”: Hysteria and the Interpassive Subject1
Female Bonding and Marginality in Shang Wanyun’s novella “Xialihe” (1978)1
Race and Nation in Three Canonic Texts of Puerto Rican Literature: Luis Palés Matos’s <em>Tom-Tom of Kinky Hair and Black Things</em>, José Luis González’s <em>La llegada</em&g1
“China Form” and the Question of the Frankfurt School1
Punish Yet Cannot Discipline: Two Iraqi Prison Novels1
Knowledge Production in the Theory of Literature and Art in Contemporary China: From a Generations Perspective1
“<em>There is no pandemic</em>”: On Memes, Algorithms and other Interpassive Forms of Right-wing Disbelief1
The Many Afterlives of Orientalism: Translation, Reception, and Appropriation of Saidian Theory in China1
Cyborg Feminism and Toxic Colonialism in Chen Qiufan’s <em> Waste Tide</em>1
Palestinian Prisoners: Smuggling Freedom, Writing from Captivity1
A Review of Zahi Zalloua's <em>The Politics of the Wretched: Race, Reason, and Ressentiment</em>1
<em>The Silmarillion</em> by J.R.R. Tolkien and <em>Shahnameh</em> by Firdausi: A Sadraic Interpretation of Free Will and Determinism1
Bergson on Poetics: Philosophy, Literature and Science1
The Social Sinthome0
Translation as Creative Writing: Rewriting <em>The Chinese Maze Murders</em> in Contemporary China0
Terada Torahiko, a Physicist and a Haikai Poet0
Kazuo Ishiguro and the Service Economy0
Exploring Chinese Elements in J.D. Salinger’s Works: A Response to McCarthyism in the Early Cold War Era0
Precarious Refugee: Self-Optimization and Neoliberal Rationality in Rawi Hage’s <em>Cockroach</em>0
Necropolitics and Visuality: Remembering ‘Speculative Fictions’ in Hong Kong after Rancière and Mbembe0
Confinement, Care, and Commodification in Mati Diop’s <em>In My Room</em>0
Extending the Frontiers of the Detective Novel in Adaora Ulasi’s <em>The Man from Sagamu</em>0
Literature and Economy in Portuguese-speaking Southern Africa0
Out of the Myths of “Revolutionary China”: Liu Kang versus Žižek & Badiou0
<em>All Men Are Brothers</em>: Pearl S. Buck’s Translation of <em>Shui Hu Zhuan</em> and its Effects on Her Writing Career0
Purloined Significance: How Recidivism Algorithms Capture, Transform, and Automate our Intersubjective Unconscious as Data0
Topological Tropology of V.S. Naipaul’s Islamic Travelogues and Daniel Pipes’ Islamic History: Ahistorical Historicism0
The Turn toward the Nonhuman in Susan Straight’s <em>A Million Nightingales</em>0
From Prison to the World: A Comparative Reading of Naji’s <em>Hirz Mikamkim</em> (Rotten Evidence, 2020) and Abd el-Fattah’s <em>You Have Not Yet Been Defeated</em> (2021)0
A Case of Pandemic Narrative and the End of Post-Cold War0
Periodizing the Present: The 2020s, the <em>Longue Durée</em>, & Contemporary Culture0
Hold Fast the Rope of God: Space, Authority, and Speech in Muslim Prison Narratives0
Traveling Theory and Discursive Transformation: The Reception of Walter Benjamin and Emmanuel Levinas in China0
Inappropriate Attire: Fashion, Nationality, and Shame in <em>Quicksand<em> and <em>Pachinko<em>0
BreadTube Rising: How Modern Creators Use Cultural Formats to Spread Countercultural Ideology0
Playing with Time: Writing History in Neo-Zionist Hebrew Literature0
Ecopoetry as Method: Reading Gary Snyder as a Cultural Mediator between China and the World0
Translating Literary Ideology from Ancient Chinese into Modern French: François Cheng’s Francophone Poetry in <em>Double chant</em> (2000)0
Political Orientation in Ecocriticism: National Allegory in Vietnamese Ecofiction by Trần Duy Phiên0
Review of Emily Sun’s <em>On the Horizon of World Literature</em>0
Periodizing the Residuality of a Composite Protest Art Form: The Case of Telangana <em>Dhoom Dham</em>0
Reading the Global City: Crisis, Cognitive Mapping and the “Urban Sensorium” in Tom McCarthy’s <em>Satin Island</em> and Ben Lerner’s <em>10:04</em>0
Signs of the Inhuman: Hauntings and Lost Futures in Verónica Gerber Bicecci’s <em>La Compañía</em>0
Poetics of the Crystal-Image: Dreams in <em>Mirror</em> and <em>Ashes of Time Redux</em>0
Haunting Pasts, Cancelled Futures: Polish and Argentinian Experiences of Postdependency0
Deleuze’s Challenge to Hegel’s Aesthetics—Chinese Aesthetics in the Confrontation between German Classical Aesthetics and Postmodernism0
Conjunctures, Commodities, and Social State Marxism0
Trauma, History, and Terror in the Poetry of Yusef Komunyakaa and Sinan Antoon0
Daoist Philosophy and Stephen Mitchell’s <em>The Frog Prince: A Fairy Tale for Consenting Adults</em>0
Khairy Shalaby’s Novel <em>The City of the Enslaved</em>: Egyptian Prison Literature with a Russian Twist0
Terrorists, Spies, and Diplomatic Crises: The Birth of Morocco’s Multimedia Prison Literature0
The Animal in the Wild in <em>Hwang Sun-mi’s The Hen Who Dreamed She Could Fly</em>0
Chinese Ideas and American Politics: Confucius as a Guideline for Leadership0
On Gary Snyder’s Tradaptation of <em>Cold Mountain Poems</em> and its Spiritual Salvation and Literary Enlightenment in Postwar America0
Stalking Oneself: The Fantasmatic Intersubjectivity of Google0
Dispositions and Dispossessions: Interwar Left-Wing Literary Writing in Vienna and Zagreb0
"El Corregidor" at the Crossroads: Desire, Law, and Coloniality in Martel's <em>Zama<em>0
The Malvinas/Falklands War in Transatlantic Narratives: Exploring Collective Memory and Negotiating Self/Other Identity0
Prison as a Living Being: ‘Assad’s Syria’ as a model for the Imprisonment State0
Precarity in the Times of Partition: Personal vs Communal Love in Khushwant Singh’s <em>Train to Pakistan</em> and Saadat Hasan Manto’s “Gurmukh Singh ki Wasiyat”0
Prison Sentences: Spaces of Liberation in Arab Prison Writing0
Sounding the State of the World: Interview with Karim Rafi, Summer 20210
Captivity, Resistance and Political Consciousness in Walid Daqqa’s Prison Literature0
Children’s Gothic in the Chinese Context: The Untranslatability and Cross-Cultural Readability of a Literary Genre0
Orature: The Political Interpretation of Performance Framework in <em>Anthills of the Savannah</em> and <em>Half of a Yellow Sun</em>0
Melodramatic Joy in Ibrahim Nasrallah’s <em>Trilogy of the Bells<em>0
The Extinction Race: Techniques of the Human in Proust, via Houellebecq0
Two Imagined Chinas in <em>Tel Quel</em>0
Western Theory’s Chinese Transformation: Postscript0
The Absurdity of Liberation in Moroccan Prison Narratives0
Pallavi Rastogi, Postcolonial Disasters: <em>Narrating Catastrophe in the Twenty-First Century </em>(2020): Review Essay0
Exploring the Relationship between Man and Nature in a Postmodern Context：A Review of <em>Ecocriticism and Chinese Literature: Imaginary Landscapes and Real Living Spaces</em>0
Coming of Age and Exile in <em>No pasó nada</em>0
A Semiotic Paradox: Scientific Language in the Narrative of TV Advertisement-0
Lacan and the Algorithm0
In Memoriam Gwangju: Transnational Memoryscapes of Gwangju and Buenos Aires in the Works of Han Kang and Im Heung-Soon0
The Networks of Prison Narrative: Imagining Sociality and Making Narrative in Assad’s Syria0
“A Sick Eagle” and “I am”: Hymns to Sculpture by Keats and Rilke0
Westernization or Localization? The (Mis)reading of “the Tragic” in Modern Chinese Literary Discourse0
“For the moment, I am not F*cking,” I am Tweeting: Platforms of / as Sexuality0
Everybody Wants to be a Fascist Online: Psychoanalysis and the Digital Architecture of Fascism0
Engaging China: Beckett’s Debt to Pound, Giles, and Laloy0
Introduction: Western Theory’s Chinese Transformation0
Ginsberg’s China Experience and Its Influence on His Series of Poems on China0
French Left-wing Literary Theory and Mao Zedong Thought0
Exotic Construction of an Ancient Oriental Sappho: On Rexroth’s Creative Translation of Li Ch’ing-Chao’s Ci-Poems and its Influences0
Cooling Down Transmedia Storytelling0
New Approaches to MENA Prison Literatures After 20110
A Review of Alberto Toscano’s <em>Late Fascism</em>0
Incendiary Devices: Imagining E-Waste Frontiers and Africa’s Digital Futures0
Biopolitics in the Twenty-first Century: India and the Pandemic0
Fredric Jameson and Gayatri Chakravorty Spivak’s <em>Periodizing</em> the Black Internal Colony0
Las Filipinas: The Persistence of Spain in Jessica Hagedorn's <em>Dogeaters</em>0
“I Have Got Rid of, for Good, Eastern Backwardness”: Ra’fat’s Guilty Assimilation in Al Aswany’s <em>Chicago: A Novel</em>0
Ancient Chinese Poetry as a Trans-lingual and Cross-cultural Textual Resource in Gustav Mahler’s <em>Das Lied von der Erde<em>0
Storytelling as a Way of Translation: The Rendition of Taoism in Ursula K. Le Guin's <em>The Lathe of Heaven</em>0
Translating Diversity from Ralph Ellison to Kenzaburō Ōe0
Chinese Modern Leftist Affect and Aesthetic-affective Modernity in the Global Affective Turn0
Language, Science and Literature0
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