Nineteenth-Century Music Review

Papers
(The median citation count of Nineteenth-Century Music Review is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)
ArticleCitations
Composing the Crisis: From Mesmer's Harmonica to Charcot's Tam-tam2
Printing Piano Pedagogy: Experimental Psychology and Marie Jaëll's Theory of Touch2
‘Distant Reading’ in French Music Criticism2
‘The Concertina's Deadly Work in the Trenches’: Soundscapes of Suffering in the South African War2
Songs of Famine and War: Irish Famine Memory in the Music of the US Civil War1
Saint-Saëns and Sophocles1
Brahms: The Piano Quartets The Primrose Piano Quartet Meridian, CDE84650/1-2, 2019 (2 CDs: 124 minutes) $27.501
Letting the Music ‘Speak For Itself’? Dvořák as Strategist1
Modalities of Assimilation: Subcultural Currents in Felix Mendelssohn's Lieder Ohne Worte1
‘Praise the Lord! We are a Musical Nation’: The Welsh Working Classes and Religious Singing1
Introduction Listeners in Music History: Studying the Evidence1
How Reliable Are Nineteenth-Century Reviews of Concerts and Operas?: Félicien David'sLe Désertand His Grand OpéraHerculanum1
Public Military Music and the Promotion of Patriotism in the British Provinces, c. 1780-c. 18501
Retrospect Opera: Reviving a Forgotten Mainstream1
The Current State of Digital Musical Materials in Japan1
Notes on Article Contributors1
Nicholas Temperley, Edward Loder, and Retrospect Opera's Raymond and Agnes0
NCM volume 18 issue 2 Cover and Front matter0
Hugh Macdonald. Saint-Saëns and the Stage: Operas, Plays, Pageants, a Ballet, and a Film (Cambridge: Cambridge University Press, 2019). xv + 432 pp. $120.00.0
The Flageolet: A Woodwind Instrument that Transcended Social Class and Gender in Nineteenth-Century England0
British Listeners c. 1780–18300
Schumann and the Myth of Madness0
NCM volume 20 issue 3 Cover and Back matter0
How Reliable Are Nineteenth-Century Reviews of Concerts and Operas?: Félicien David'sLe Désertand His Grand OpéraHerculanum- CORRIGENDUM0
NCM volume 17 issue 3 Cover and Front matter0
Why Do We Need Another Recording of Beethoven's Ninth Symphony? - Symphony No. 9 Benjamin Zander Discusses Beethoven's Ninth Symphony - Rebecca Evans sop, Patricia Bardon mezzo-sop, Robe0
Peter Bloom, ed., Mémoires d'Hector Berlioz de 1803 à 1865, et ses voyages en Italie, en Allemagne, en Russie et en Angleterre, écrits par lui-même (Paris: J. Vrin, 2019). 909 pp. 49,00€0
Speech and Silence: Encountering Flowers in the Lieder of Clara Schumann0
Critical Responses to Nineteenth-Century French Music0
From Musical Writings To Writing Music: Book-Writing Leading to Music School in Nineteenth-Century Calcutta0
François Le Roux and Romain Raynaldy, Le Chant Intime: The Interpretation of French Mélodie, trans. Sylvia Kahan (New York: Oxford University Press, 2021). x + 283 pp. $99.00.0
Eftychia Papanikolaou and Markus Rathey, eds, Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall (Lanham: Lexington Books, 2022). viii + 429 pp. 0
Marjorie W. Hirsch and Lisa Feurzeig, eds, The Cambridge Companion to Schubert's Winterreise (Cambridge: Cambridge University Press, 2021). xv + 279pp. £74.99 (cloth), £22.99 (paper).0
Theorizing Trauma and Music in the Long Nineteenth Century0
‘Habitually Embodied’ Memories: The Materiality and Physicality of Music in Hardy's Poetry0
Tsarist Russia and the Musical World0
L'art de la flûte française0
Recurring Hauntings and Trauma in Schubert's ‘Unfinished’ Symphony0
Fromental Halévy, La Reine de Chypre - Véronique Gens sop, Cyrille Dubois ten, Étienne Dupuis bar, Éric Huchet ten, Christophoros Stamboglis bass, Artavazd Sa0
Notes on Article Contributors0
Under Cover in Babylon: Rossini's Cyrus the Great for the Lenten Season0
NCM volume 20 issue 1 Cover and Back matter0
César Franck, Intégrale de l’œuvre d'orgue –– Complete Edition. Edited by Richard Brasier, Foreword by Marie-Louise Jaquet-Langlais (Lyrebird Music, 2022). Score LBMP 029, 606 pp.0
Ludwig van Beethoven, Trio in B-flat major for Pianoforte, Violin and Violoncello, op. 97 ‘Archduke’. Bärenreiter Urtext, edited by Jonathan Del Mar (Kassel: Bärenreiter, 2022). BA10942. € 34,95.0
Lysistrata in Kleindeutschland: The German-American Reception of Schubert's Die Verschworenen (D. 787)0
Notes on Article Contributors0
The Socio-Political Faces of Clara Schumann on German Film0
Music-Making as Witness in the Mexican–American War: Testimony, Embodiment and Trauma0
Giuseppe Verdi, Il Corsaro Matheus Pompeu, ten, Ilona Mataradze, sop, Aleksey Bogdanov, bar, Karen Gardeazabal, sop, Mateusz Stachura, bar, Pawel Cichoński, <0
The Electrician, the Magician and the Nervous Conductor0
NCM volume 20 issue 2 Cover and Back matter0
NCM volume 20 issue 2 Cover and Front matter0
NCM volume 19 issue 1 Cover and Front matter0
Samuel Coleridge-Taylor, Symphony in A Minor Opus 8: With the Earlier Finales and Idyll Opus 44. Edited by John L. Snyder. Recent Researches in the Music of the Nineteenth and Early Twentieth C0
Delphine von Schauroth, Corinna-Sister0
Alban Ramaut and Emmanuel Reibel, eds., Hector Berlioz 1869–2019: 150 ans de passions (Éditions Aedam Musicae, 2019). 351 pp. €30.0
Katherine K. Preston, Opera for the People: English-Language Opera and Women Managers in Late 19th- Century America (New York: Oxford University Press, 2017). xxix + 618 pp. £39.99.0
Notes on Article Contributors0
NCM volume 18 issue 3 Cover and Back matter0
Anja Bunzel and Natasha Loges, eds, Musical Salon Culture in the Long Nineteenth Century (Woodbridge: The Boydell Press, 2019). xviii + 284 pp. $115.00.0
David Milsom, Romantic Violin Performance Practices: A Handbook (Woodbridge: The Boydell Press, 2020). xv + 319 pp. £65.00.0
Sonic Scars in Urban Space: Trauma and the Parisian Soundscape during l'année terrible0
Data Scraping YouTube for the Study of Lieder Reception0
Schumann contra Wagner: Beethoven, the F.A.E. Sonata and ‘Artwork of the Future’0
Katharina Uhde, The Music of Joseph Joachim (Woodbridge: Boydell & Brewer, 2018). xxv + 506 pp. £60.00.0
NCM volume 19 issue 3 Cover and Back matter0
Rossini's Self-Borrowings as a Stylistic Weapon0
NCM volume 17 issue 2 Cover and Front matter0
Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge: Cambridge University Press, 2022). xiv + 193 pp. £75.00.0
Ohé! les p'tits agneaux!: A Parisian revue de fin d'année for 1857, edited by Richard Sherr. Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries 82–83 (Middleton, WI: A-R ed0
Three Versions of Classic: The Construction of Gabriel Fauré in the 1920s0
Seeing More Clearly0
Antonín Dvořák, Biblické písně (Biblical Songs), op. 99, Urtext, edited by Eva Velická, foreword by David R. Beveridge (Kassel: Bärenreiter, 2021). BA 10425 (low voice). BA 10426 (high voice). xix + 30
A Tribute to Pauline Viardot Marina Viotti, mezzo-soprano Les Talens Lyriques Christophe Rousset, conductor Aparté AP290, 2022 (1 CD: 78 minutes). €19.000
Preface0
Critical Allusion and Critical Assessment: Berlioz's and Reyer's Reviews of Bizet in the Journal des débats0
Digitized German-language Newspapers0
Jean-Michel Nectoux, ed, Gabriel Fauré: Catalogue des œuvres. Gabriel Fauré Œuvres complètes, Série VII, Volume 1 (Kassel: Bärenreiter, 2018). iii + 496 pp. €249.0
Giuseppe Verdi's Jérusalem between Adaptation and Self-Borrowing0
Luciaand the Auscultation of Disease in Mid-Nineteenth-Century France0
NCM volume 18 issue 1 Cover and Front matter0
Richard Wagner, Das Liebesverbot Christopher Maltman, bar, Peter Lodahl, ten, Ilker Arcayürek, ten, David Alegret, ten, David Jerusalem, bass, Manuela Uhl, sop0
NCM volume 17 issue 1 Cover and Front matter0
Sarah Hibberd and Miranda Stanyon, eds, Music and the Sonorous Sublime in European Culture, 1680–1880 (Cambridge: Cambridge University Press, 2020). xvi + 305 pp. $99.990
Impromptu Sarah O'Brien, harp Audite, 97.807, 2022 (1 CD: 80 minutes) €19.990
Music, Medical Science and the Body0
Stylistic Duality in Gabriel Fauré's Music for Pauline Viardot's Salon0
Helen Julia Minors and Laura Watson, eds, Paul Dukas: Legacies of a French Musician (London: Routledge, 2019). xiii + 165 pp. $124.0
Notes on Article Contributors0
Imagination and Memory: Inter-movement Thematic Recall in Beethoven and Brahms0
Clara Schumann, Drei Romanzen für Violine und Klavier, Three Romances for Violin and Piano, Op. 22, ed. Jacqueline Ross (Basel: Bärenreiter-Verlag, 2021), ix + 27 pp. € 19.95.0
NCM volume 18 issue 3 Cover and Front matter0
Creativity, Performance and Problems of Authorship: Clara Schumann's Cadenzas for Mozart's D minor Concerto, K4660
NCM volume 19 issue 2 Cover and Front matter0
Notes on Article Contributors0
Clara Schumann: Complete Songs Miriam Alexandra sop, Peter Gijsbertsen ten, Jozef De Beenhouwer pf Musikproduktion Dabringhaus und Grimm MDG9032114, 2019 (1 CD: 71 minutes). €16.60
Self-Borrowing in Nineteenth-Century Italian Opera: A Reconsideration0
Felix Mendelssohn Bartholdy, Lobgesang: Eine Symphonie-Kantate nach Worten der Heiligen Schrift (Hymn of Praise: A Symphony-Cantata after Texts from the Holy Scripture), MWV A 18 / Op. 52. Bärenreiter0
Hervé Lacombe, ed., Histoire de l'opéra français: Du Consulat aux débuts de la IIIe République (Paris: Fayard, 2020). 1,258 pp. €39.00.0
Beate Kutschke and Katherine Butler, eds, The Heroic in Music (Woodbridge: The Boydell Press, 2022). xii + 290 pp. £70.00.0
Brahms, Beethoven, and a Reassessment of the Famous Footsteps0
‘Under the Gallic Spell’: Boston's Embrace of Gabriel Fauré, 1892–19240
Violin Effects from the Early Nineteenth Century: the Extended Techniques of Pierre Baillot0
Moniuszko and the Revival of the Noble Traditions: The Countess and The Haunted Manor0
Antonín Dvořák, String Quartet No. 12 in F major, ‘American’, op. 96, Urtext, edited by Michael Kube (Kassel: Bärenreiter, 2023). TP 538 (study score), xii+51. BA 11538 (parts).0
Salons in Belgrade in the Nineteenth Century: The Coexistence of Different Cultural Models0
The Iowa Bird That Inspired Antonín Dvořák's American String Quartet in 1893: Controversy over the Species’ Identity and Why It Matters0
D-Minor Concertos and Symphonies of the Brahms–Schumann Circle in the 1850s: Cross-Relationships and the Influence of Beethoven0
Clara Wieck Schumann: Art of Preluding Mo-Ah Kim pf CD Baby 2353004X, 2019 (1 CD: 35 minutes). $21.69 - Clara Schumann: Romance – The Piano Music of Clara Schumann Isata Kanneh-Mason pf,0
Charles Youmans, ed. Mahler in Context (Cambridge: Cambridge University Press, 2021). 344 pp. £84.99.0
Louis Spohr, String Quartets, Opp. 29 and 45, ed. Nancy November. Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries, vol. 85. (Middleton, WI: A–R Editions, 2022). xvi + 420
Longing for the Tonic in Robert Schumann's ‘Meine Rose’ Op. 90 No. 2 andFantasiestückOp. 73 No. 10
Notes on Article Contributors0
Retrospect Opera: Reviving Britain's Operatic Past0
Antonín Dvořák, Nocturne in B major for String Orchestra, Op. 40, Urtext. Edited by Jonáš Hájek, Preface by David R. Beveridge (Kassel: Bärenreiter, 2022). Score and Parts BA 11564, x + 9 pp.0
Alice Mary Smith, Short Orchestral Works: Andante for Clarinet and Orchestra, Intermezzi from The Masque of Pandora, edited by Ian Graham-Jones. Recent Researches in the Music of the Nineteenth and Ea0
The Edizione critica delle opere di Gioachino Rossini and Self-Borrowing0
Polish Romantic Guitar: Chopin, Bobrowicz, Horecki, Szczepanowski, Sokołoski Mateusz Kowalski, guitar The Fryderyk Chopin Institute NIFCCD 118, 2020 (1 CD: 79 minutes). €15.000
Phryné as opéra comique: Saint-Saëns contra Offenbach0
Notes on Article Contributors0
Rethinking Salon Music: Case-Studies in Analysis0
‘Wanted – An Opera’0
Cosmopolitan Connections: Yevgeny Onegin as realist drame lyrique in Nice0
Modalities of Assimilation: Subcultural Currents in Felix Mendelssohn's Lieder Ohne Worte – ERRATUM0
Philipp Jakob Riotte, Clarinet Concerto in C Minor, Op. 36, edited by Martin Harlow. Recent Researches in the Music of the Classic Era (Middleton, WI: A-R Editions, 2016). Full Score, C104, xv + 103 p0
Gabriel Fauré, Pavane op. 50 (N 100c) piano version, Urtext, edited by Jean-Pierre Bartoli. (Kassel: Bärenreiter, 2022). Critical Commentary, BA 11832 vii+8pp. - César Franck, Mélodies complètes, intr0
The Harp, the Lied and Ossianic Narratives in Massenet'sWerther0
André Messager, Les p'tites Michu (operetta or opéra-comique, 1897) – CORRIGENDUM Violette Polchi (Marie-Blanche), Anne-Aurore Cochet (Blanche-Marie), Marie Lenormand (Mme. Michu), Caroline Meng (Mlle0
NCM volume 17 issue 1 Cover and Back matter0
IS THIS A THING? - Christopher Dingle, ed., The Cambridge History of Music Criticism (Cambridge: Cambridge University Press, 2019). xvi + 826 pp. £120.000
‘Unearthly Music’, ‘Howling Idiots’, and ‘Orgies of Amusement’: The Soundscapes of Shell Shock at Edinburgh's Craiglockhart War Hospital, 1917–180
Russell Stinson, Bach's Legacy: The Music as Heard by Later Masters (New York: Oxford University Press, 2020). 177 pp. £22.990
Joe Davies and James William Sobaskie, eds, Drama in the Music of Franz Schubert (Woodbridge: Boydell Press, 2019). xxix + 348 pp. £70.00.0
Steven Huebner and François de Médicis, eds, Debussy's Resonance (Rochester, NY: University of Rochester Press, 2018). xiv + 625 pp. £95.0
NCM volume 19 issue 3 Cover and Front matter0
Ludwig van Beethoven: Sonatas for Pianoforte and Violin. Bärenreiter Urtext. Edited by Clive Brown. Kassel: Bärenreiter, 2020. Volume I. BA 9014. Score with Violin Part. € 39.95. Volume II. BA 9015. S0
The LiederNet Archive0
Music DH 2021: A Directory of Digital Scholarship in Music0
Bruckner-online0
Notes on Article Contributors0
Violin Music of Pauline and Paul Viardot - Viardot, Paul, and Pauline Viardot, Violin Sonatas; Violin Sonatina Reto Kuppel vln, Wolfgang Manz pf Naxos 8.573607, 2017 (1 CD: 68 minutes), £7.99 - Viardo0
Schubert: Schwanengesang Ian Bostridge, ten, Lars Vogt, piano Pentatone 5186786, 2022 (1 CD: 69 minutes) €18 - Schubert: Winterreise Ian Bostridge, ten, Thomas Adès, piano 0
Unveiling Musical Production: Strauss, Mahler and Commodity Fetishism in the Late Nineteenth Century0
To a Camia: Piano Music from Romantic Manila Sally Pinkas, piano MSR Classics MS 1645, 2019 (1 CD: 76 minutes) $12.950
Otakar Ostrčil, Písně na texty německých básníků. Songs to German Poems (for high voice and piano), ed. Markéta Kratochvílová. Academus Edition: 2015, AE 001. xiv+20 pp. 190 CZK.0
NCM volume 17 issue 2 Cover and Back matter0
The Boatswain's Mate, music and libretto by Ethel Smyth. Edition by Valerie Langfield Lontano Ensemble, conducted by Odaline de la Martinez Nadine Benjamin, sop; Edward Lee, ten; 0
Notes on Article Contributors0
Antonín Dvořák, IX. symfonie e moll, op. 95, ‘Z nového světa’ (Symphony No. 9 in E minor, op. 95, ‘New World’). Urtext, edited by Jonathan Del Mar, introduction by Jan Smaczny (Kassel: Bärenreiter, 200
Beethoven's String Quintet in C major, Op. 29, and Brahms's String Sextets: A Wallflower Blooms0
‘Appeasing the Unstrung Mental Faculties’: Listening to Music in Nineteenth-Century Lunatic Asylums0
Sarah Collins, ed., Music and Victorian Liberalism: Composing the Liberal Subject (Cambridge: Cambridge University Press, 2019). xiii + 254 pp. £75.00.0
French Cello Marc Coppey, violoncello Orchestre philharmonique de Strasbourg John Nelson, conductor Audite, 97.802, 2022 (1 CD: 71 minutes) $19.990
‘False Relations’: Hermann von Helmholtz's Study of Music and the Delineation of Nineteenth-Century Physiology0
John Field's Russian Landscape and the Early Nineteenth-Century Piano Nocturne0
Anton Reicha, Die Harmonie der Sphären. Edited by Daniel Obluda. Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries, 72 (Middleton, Wisconsin: A-R Editions, 2017). xii + 420
A Crash Course in Chopinology0
NCM volume 17 issue 3 Cover and Back matter0
NCM volume 18 issue 2 Cover and Back matter0
Francesca Brittan, Music and Fantasy in the Age of Berlioz (Cambridge: Cambridge University Press, 2017). xv + 357 pp. £94.99.0
NCM volume 19 issue 2 Cover and Back matter0
Laura Tunbridge, Beethoven: A Life in Nine Pieces (United Kingdom: Viking) xii+288 pp. £16.990
RIPM: A Retrospective Index to Music Periodicals (1760–1966)0
Gottschalk and Cuba - Antonio Iturrioz pf Steinway & Sons 30102, 2018 (1 CD: 74 minutes)0
Allan W. Atlas, ed., A Wilkie Collins Songbook (Middleton, WI: A-R Editions, 2023), xix + 180.0
Jessica Gabriel Peritz, The Lyric Myth of Voice: Civilizing Song in Enlightenment Italy (Oakland: University of California Press, 2022). xi + 282 pp. $65.00, £55.000
Digital Sources for Nineteenth Century Music in Portugal: ‘A Long Way to Run’0
NCM volume 20 issue 3 Cover and Front matter0
Vaughan Williams: On Wenlock Edge & other songs Nicky Spence, ten, Julius Drake, pf Timothy Ridout, vla Piatti Quartet: Michael Trainor, vln, Zara Benyounes, vln0
Nikolai Rimsky-Korsakov - The Golden Cockerel Vladimir Feliauer bass-bar, Aida Garifullina sop Mariinsky Orchestra and Chorus, Valery Gergiev cond Anna Matison st0
Digital Sources for Nineteenth Century Music in Spain: The Digitization Project of the National Library in Context0
Recontextualizing Brahms'sHandel Variations, Op. 24 through Robert Volkmann and Emanuel Moór0
Music and Modernity in the Colonial City: A Biography of Melbourne's Marshall-Hall Orchestra (1892–1912)0
The Emergence of the Romanian National School of Composition in the First Half of the Nineteenth Century: Between the Western Canon and the Resources of the Local Music0
From Extraordinary Success to No Considerable Results: Victorian Music Entrepreneurialism and the Crystal Palace Brass Band Competition 1860–18630
Wisps in the Dell Makaris Fiona Gillespie, lead vocals and Irish whistle, Emi Ferguson, flute, piccolo, and vocals, Elliot Figg, fortepiano, Edwin Huizinga, <0
Robert Doran, ed., Liszt and Virtuosity (New York: University of Rochester Press; Suffolk: Boydell & Brewer, 2020). vii + 433 pp. £95.00.0
Musical ‘Magic Words’: Trauma and the Politics of Mourning in Ravel'sLe Tombeau de Couperin, FrontispiceandLa Valse0
Digitized Publications of Spirituals from the Nineteenth Century0
Navigating the Local Elites: Travelling Musicians and their Encounters with the Russian Court and Aristocracy in the Mid-Nineteenth Century0
Issue on Opera and Ancient Sources in the Nineteenth Century0
Notes on Article Contributors0
NCM volume 19 issue 1 Cover and Back matter0
NCM volume 20 issue 1 Cover and Front matter0
Wagner's Shakespeare: Das Liebesverbot, the Problem Comedy and the Carnivalesque0
Donizetti's Self-Borrowings as an Artistic Practice0
Schumann: Carnaval Op. 9, Fantasie Op. 17 and Mondnacht Op. 39 No. 5 Emile Naoumoff, piano Melism Records, MLS-CD-020, 2022 (1 CD: 76 minutes) $15.000
International Networking in Russian Music Theatre around 1800: Sheremetev, Yusupov and Grand Duke Pavel Petrovich0
Félicien David's Grand Opera Herculanum (1859): Rome, Early Christianity, Multiple Exoticisms, Great Tunes – and Satan0
Historiographical Reflections on the Beethoven Year 2500
Musical Self-Borrowing in Ottocento Opera and the Composer's Toolbox0
David Kennerley, Sounding Feminine: Women's Voices in British Musical Culture, 1780–1850 (Oxford: Oxford University Press, 2020). xii + 220 pp. £47.99.0
Antonín Dvořák, Tragic Overture, B 16a. Ed. Ludmila Šmídová. Prague: Etnologický ústav Akademie věd České republiky, 2016, 102 pp. ISBN 978-80-88081-01-2.0
Candace Bailey, Unbinding Gentility: Women Making Music in the Nineteenth-Century South (Urbana: University of Illinois Press, 2021). xviii + 292 pp. $300
The Other Otto Dresel: Public and Private Musical Identities in a German-American ‘Forty-Eighter’ and his Family, c. 1860–18800
Clara Schumann: Changing Identities and Legacies0
Night Music, Music for a Viennese Salon Steven Zohneight-keyed fl, Rebecca Harrisvln, Marika Holmqvistvln, Daniel Elyarvla, Rebecca Humphrey Diederichvc, Heat0
What the Climber Saw: Strauss's Alpensinfonie and the Romantic Tradition of Nature Representation0
Michela Niccolai, Debussy's Pelléas et Mélisande: The Staging of Albert Carré (Turnhout, Belgium: Brepols, 2017). xvii + 253, pp. £84.65.0
Joseph Joachim: Two Fantasies Rediscovered Katharina Uhde, vln, Dennis Friesen-Carper conductor, Polish Radio Orchestra Warsaw Soundset Recordings, SR1122; 2021 (1 CD: 49 minutes) $16.990
Opera as a Moral Vehicle: Situating Bellini's Norma in the Political Complexities of Mid-Nineteenth-Century Buenos Aires0
Antonín Dvořák. String Quartet No. 10 in E-flat major, Op. 51. Edited by Hartmut Schick. Bärenreiter-Verlag Urtext. Kassel and Prague: Bärenreiter, 2019. Study Score. xi, 50 pp. € 12.95 - Antonín Dvoř0
Notes on Article Contributors0
Oxford Music Online0
The Tambourine, Joseph Dale's Grand Sonata and Its Role in the Appearance of Women Musicians in the Salon0
Katherine K. Preston, George Frederick Bristow (Urbana: University of Illinois Press, 2020). viii+204 pp. Cloth $110; Paper $29.95.0
NCM volume 18 issue 1 Cover and Back matter0
A Wagnerian Battle for Souls: Parsifal and the Crisis in American Protestantism, 1882–19040
The Technological Priestess: The Piano Recital, Photography, and Clara Schumann0
The Memory Man: Jacques Offenbach, Le Bonhomme Jadis and the Origin of an air connu0
Ethel Smyth, Serenade in D Major for Orchestra. Edited by John L. Snyder. Recent Researches in the Music of the Nineteenth and Early Twentieth Centuries, vol. 84. Middleton, WI: A-R Editions, 2021. Fu0
Jeremy Yudkin, From Silence to Sound: Beethoven's Beginnings (Woodbridge: The Boydell Press, 2020). xxi + 424 pp. £65.00/$115.000
James Porter, Beyond Fingal's Cave: Ossian in the Musical Imagination (Rochester: University of Rochester Press, 2019). xxi + 401 pp. $99.00.0
Nicole Grimes, Brahms's Elegies: The Poetics of Loss in Nineteenth-Century German Culture (Cambridge: Cambridge University Press, 2019). xv + 277 pp. £75.00.0
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