OOIR: Observatory of International Research

Papers

(The TQCC of Dix-Neuf is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 500 papers]. The publications cover those that have been published in the past four years, i.e., from 2019-08-01 to 2023-08-01.)

Article	Citations
Editorial: Discovering Industrial-Era Francophone Ecoregions	6
Foreword: Ecocriticism in the Age of Dislocation?	3
Progressive Waters: Memory, Narrative and Localism in Émile Zola’sL’inondation	3
Celtic Environments: Welsh Industrial Landscapes through French Travelogues	2
Natura Magistra Vitae: Natural Pedagogy in Élisée Reclus’s Histoire D’un Ruisseau	1
‘Ça n’empêche pas d’être un homme’: Requeering Masculinity in Rachilde’sMonsieur Vénus(1884)	1
Introduction: ‘Intimacy, the Nineteenth-century Outsider’	1
Naissance et évolution des espaces de l’intime en France	1
Environment and Identity in the Nineteenth-Century French Caribbean Novel: Traversay’s Les amours de Zémédare et Carina and Bergeaud’s Stella	1
Drawing Blanks: Word and Image at the Expositions des Incohérents	1
Against Nature? Vigny’s Stones	1
Alpine Ecology in Stendhal’sMémoires d’un touriste	1
Zolian Zoology: ‘L’amour des bêtes’ and (Human-) Animal (-Machine) Ethics	1
Text, Topos, and the Awareness of History in Frédéric Mistral’s Poème du Rhône	1
Use, Value, Justification: On History and Historicism in Nineteenth-Century French Studies	1
Appropriating Japonisme at the 1900 Exposition: Sada Yacco, Loie Fuller, and the ‘Geishas’ of Le Panorama du Tour du Monde	0
Insiders’ Landscapes in John Ruskin and Marcel Proust	0
Where is the Decadent Suicide?	0
Framing the Market at the Paris Universal Expositions	0
‘Ma tête mise à nu:’ Wigs and Wigmakers inMadame Bovary	0
Gustave Doré’sHistoire de la Sainte Russie(1854): The Invention of Graphic Rhetoric, or the Artist at War	0
Frenchmen Into Peasants Into Frenchmen: Revolutionary Past and Future in George Sand’sNanon	0
The Discreet Power of Nineteenth-Century Gloves	0
Sensing, Measuring, Writing: On Recent French Historiography of the Nineteenth Century	0
Silencing Scandal: Hector Malot’s Les millions honteux	0

Anthropocene Under Paris? Rethinking the Quarries and Catacombs	0
Appropriation and Revision as Subversion in Intermèdes: Krysinska’s Palimpsests	0
Émile Zola’s Black Lives: Colonial Experiments and the Limits of Empathy in La Joie de vivre	0
Les mondes coloniaux et exotiques dans les grandes expositions parisiennes. Un demi-siècle de présences (1855-1907)	0
Introduction	0
La vierge et le vagabond: Relire l’affaire Castellan à travers ses représentations médico-légales, sociales et littéraires	0
L’écorégionalisme et le ‘sauvage’: De la figure du māhū à ‘L’après-midi d’un faune’ de Paul Gauguin	0
The Romantic Basis of a Poetic Ecology in Nerval’s ‘Vers dorés’	0
Ladies’ Choice: Prehistory and Sexual Selection inAu Bonheur des dames	0
Incroyable and Merveilleuse: The Politics of Fashion in Balzac’s Les Chouans	0
Fragments of the Past: The Petit Palais, the Exposition Universelle, and the Ghosts of French Imperialism	0
Universal Expositions: Behind the Scenes and Beyond the Fairgrounds (Response Essay)	0
Trans Rachilde: A Roadmap for Recovering the Gender Creative Past and Rehumanizing the Nineteenth Century	0
Change of Hearth: Magic, Marketing, and Modernity in the Odelin Stove Le Rustique Postcard Series	0
Correction	0
The Obverse View: Another Look at Jean-Léon Gérôme’s Le 7 décembre 1815, neuf heures du matin [The Execution of Marshal Ney] (1868)	0
Fabricating Intimacy – Images of Sleeping Women in Nineteenth-Century Painting	0
Power Dressing: The Sartorial Politics of Dirt in Zola’s Son Excellence Eugène Rougon	0
Fashion’s Soft Power in Nineteenth-Century France: Introduction	0
Pessimism, Narrative, and Meaning in Henry Céard’s Une belle journée	0
Reading Incognito: Periodicals, Sapphic Fictions, and Lesbian Communication	0
Colour and Conflict in Nineteenth-CenturyÎle Bourbon:the Case of theAffaire Houat	0
‘Ne vous effrayez point du costume bizarre dans lequel vous me voyez’: The Maidservant Disguise in Stendhal’s Mina de Vanghel and Barbey d’Aurevilly’s ‘Le Bonheur dans le crime’	0
Gleaning the Tideline: Elodie La Villette’s Ecocritical Painting	0
L’empire des grands-pères : crise de succession dans les fictions de la défaite de 1870–71	0
« L’horrible vrai » des Contes bruns de Balzac	0
Precursors of Antislavery: Reassessing the Académie Française Poetry Competition of 1823	0
La gesticulation typographique du Pierrot fin-de-siècle : Jules Laforgue et la ponctuation	0
‘In from the Periphery’? Re-framing the Reach of the Nineteenth-Century French Literary-Scientific Imagination	0
Rewriting French Geographies in Les Français peints par eux-mêmes	0
July Revolution as Repetition Compulsion: Batz de Trenquelléon’s Georges ou la Révolution de 1830 et l’homme de 1793	0
Discours de protection de l’intimité féminine et dévoilements voyeuristes: pudibonderies et impudeurs du roman du second XIX^e siècle	0
Dressing the Part: King Louis-Philippe I, Tailoring, and Fashioning the July Monarchy	0
At Home [and] Abroad: Cosmopolitanism as Political Practice in George Sand and Pauline Viardot-Garcia	0
Villiers de L’Isle-Adam’s Anarchism: A Legacy of the Paris Commune	0
Lèche-vitrines: Human Identity and the Mannequin inAu Bonheur des Dames	0
Anxious Influencers – Reading the Nineteenth Century in 2021	0
Le Corset Expérimental: Fashion, Fertility, and Fiction in Zola’s Pot-Bouille and Au Bonheur des Dames	0
The Laboratorium: Nineteenth-Century French Studies in the Anglophone Sphere	0
‘Les douceurs de l’intimité’: Men and the Making of Domesticity in Belgian Architecture Magazines (1890-1914)	0
Parisian Prowlers: Mapping Maldoror, Mervyn, and Lautréamont in Paris	0
No Earth from Nowhere: Jules Verne’s Critique of Terraforming	0
The Laboratorium: Nineteenth-Century French Studies in the Anglophone Sphere (Part II)	0
The Power of (Writing) History: Jules Quicherat, France’s First Fashion Historian	0
De la Galerie des Machines à Luna Park : prendre du bon temps dans les expositions internationales parisiennes (1855–1900)	0
Obscure Visions: The 1867 Aquarium and Its Literary Legacy	0
New Directions in Nineteenth-Century French Studies	0
Degas’s Breath and The Materiality of Pastel Veils	0
Minor Intimacies and the Art of Berthe Morisot: Impressionism, Female Friendship and Spectatorship	0
Terminus 1900: The Métro and the Universal Expositions in Fin-de-siècle Paris	0