OOIR: Observatory of International Research

Papers

(The median citation count of Dix-Neuf is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)

Article	Citations
Enslaved People, Aliénés , and Gradual Freedom: Condorcet and Pinel on Sensibility	1
Enseignement littéraire fondé sur un scientisme pragmatique: La Cigale de J-H Fabre dans le cours Yuwen en Chine	1
Un « sabbat de couleurs et de formes » : la poésie fantastique de Théophile Gautier	1
A Legacy of Care, Curiosity and Connecting: A Personal Tribute to Prof. Barbara Wright	1
‘Nous sommes tous nés nomades.’ The Pictorial Compasses of Fromentin’sDominiqueand Flaubert’sSalammbôof 1862	1
Le Corset Expérimental: Fashion, Fertility, and Fiction in Zola’s Pot-Bouille and Au Bonheur des Dames	1
After Nadar: The Popularization of the Paris Catacombs in Print	1
New Directions in Nineteenth-Century French Studies	1
‘Une lueur douteuse’: Artificial Light and the Literary Imagination (1841–1913)	1
‘Ne vous effrayez point du costume bizarre dans lequel vous me voyez’: The Maidservant Disguise in Stendhal’s Mina de Vanghel and Barbey d’Aurevilly’s ‘Le Bonheur dans l	1
Silencing Scandal: Hector Malot’sLes millions honteux	1
Crossings and Interconnections	0
La gesticulation typographique du Pierrot fin-de-siècle : Jules Laforgue et la ponctuation	0
Cartographies of Region and Empire: Scaling Le tour de la France par deux enfants (and its Afterlives)	0
Ourika, une clairvoyance noire	0
What is the Moral of ‘Morale du joujou’? Toys and the Interconnections Between Human and Thing	0
‘[P]li sur pli, pli selon pli’: The Folding of Epistolary and Pictorial Space in Stéphane Mallarmé’s Les Loisirs de la Poste and James McNeill Whistler’s Thames Set Etchings	0
The Laboratorium: Nineteenth-Century French Studies in the Anglophone Sphere	0
‘Le Barbare parle Grec’: French Classical Scholars and the Racialisation of Modern Greek	0
July Revolution as Repetition Compulsion: Batz de Trenquelléon’s Georges ou la Révolution de 1830 et l’homme de 1793	0
The Laboratorium: Nineteenth-Century French Studies in the Anglophone Sphere (Part II)	0
Fashion’s Soft Power in Nineteenth-Century France: Introduction	0
(Dé)doublement as Radical Aesthetic in Le Voyage d’Urien : Gide, Denis and Latour	0
Zola’s Sense of Reality: Repetition, Deadtime, and Boredom in La Joie de vivre	0
‘Qu’il est loin mon pays’: Staging (Be)longing in Massenet’sSapho	0

Reading Beyond Gender in Zola’s Au Bonheur des Dames , L’Argent , and La Joie de vivre	0
Power Dressing: The Sartorial Politics of Dirt in Zola’s Son Excellence Eugène Rougon	0
Where is the Decadent Suicide?	0
Barbara Wright	0
Naturalism and Denaturalising Whiteness in Zola’s Thérèse Raquin	0
The Power of (Writing) History: Jules Quicherat, France’s First Fashion Historian	0
Opposing Frames: Zola and Fromentin	0
Generating Life from Literature: Proust in Balzac’s Aquarium	0
Réveiller la mémoire de l’espèce. La récapitulation haeckelienne et la race de Lahor à Proust	0
« L’horrible vrai » desContes brunsde Balzac	0
Journalistic Intermediation: The Newspaper Poetics of Nerval and Baudelaire	0
Dressing the Part: King Louis-Philippe I, Tailoring, and Fashioning the July Monarchy	0
L’empire des grands-pères : crise de succession dans les fictions de la défaite de 1870–71	0
‘In from the Periphery’? Re-framing the Reach of the Nineteenth-Century French Literary-Scientific Imagination	0
Lyric Spells: The Poet as Magus from Chateaubriand to Mallarmé	0
Villiers de L’Isle-Adam’s Anarchism: A Legacy of the Paris Commune	0
A Black Life Mattered: Jeanne Duval Then and Now	0
Drawing Blanks: Word and Image at the Expositions des Incohérents	0
Under Pressure: Flaubert’s Human Barometers	0
Sensing, Measuring, Writing: On Recent French Historiography of the Nineteenth Century	0
Use, Value, Justification: On History and Historicism in Nineteenth-Century French Studies	0
Degas’s Breath and The Materiality of Pastel Veils	0
Insiders’ Landscapes in John Ruskin and Marcel Proust	0
Appropriation and Revision as Subversion in Intermèdes: Krysinska’s Palimpsests	0
Lèche-vitrines: Human Identity and the Mannequin inAu Bonheur des Dames	0
Anxious Influencers – Reading the Nineteenth Century in 2021	0
At Home [and] Abroad: Cosmopolitanism as Political Practice in George Sand and Pauline Viardot-Garcia	0
Anthropocene Under Paris? Rethinking the Quarries and Catacombs	0
The Other Feminism: Literature, Sex and the Novels of René Maizeroy in Fin-de-siècle France	0
Fidgeting Fingers and Fickle Flesh in Flaubert	0
Reading Incognito: Periodicals, Sapphic Fictions, and Lesbian Communication	0
Émile Zola’s Black Lives: Colonial Experiments and the Limits of Empathy in La Joie de vivre	0
Educating Feeling: Race and Sentimental Science in Aglaé Comte’s Histoire naturelle racontée à la jeunesse	0
Baudelaire, Manet and the Visual Object	0
Introduction	0
La vierge et le vagabond: Relire l’affaire Castellan à travers ses représentations médico-légales, sociales et littéraires	0
Trans Rachilde: A Roadmap for Recovering the Gender Creative Past and Rehumanizing the Nineteenth Century	0
The Discreet Power of Nineteenth-Century Gloves	0
Venise et ses télescopages magiques. La ‘Venise intérieure’ de Proust	0
No Earth from Nowhere: Jules Verne’s Critique of Terraforming	0
Baudelaire’s Paris Looking at Africa, and Vice Versa	0
Decapitating God: Revolution in Victor Hugo’s Le Livre des Tables and Dieu	0
Between the Picturesque and the Political: Judith Gautier and Pierre Loti’s Play La Fille du Ciel	0
Barbara Wright (1935–2019): A Personal Tribute	0
The Laws of Indiscipline: Anténor Firmin, Racial Justice, and the Case for a Humanist Anthropology	0