OOIR: Observatory of International Research

Papers

(The median citation count of Dix-Neuf is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-03-01 to 2024-03-01.)

Article	Citations
Zolian Zoology: ‘L’amour des bêtes’ and (Human-) Animal (-Machine) Ethics	2
Naissance et évolution des espaces de l’intime en France	2
Trans Rachilde: A Roadmap for Recovering the Gender Creative Past and Rehumanizing the Nineteenth Century	1
The Laboratorium: Nineteenth-Century French Studies in the Anglophone Sphere	1
Zola’s Sense of Reality: Repetition, Deadtime, and Boredom in La Joie de vivre	1
Le Corset Expérimental: Fashion, Fertility, and Fiction in Zola’s Pot-Bouille and Au Bonheur des Dames	1
Ladies’ Choice: Prehistory and Sexual Selection inAu Bonheur des dames	1
Drawing Blanks: Word and Image at the Expositions des Incohérents	1
Use, Value, Justification: On History and Historicism in Nineteenth-Century French Studies	1
Émile Zola’s Black Lives: Colonial Experiments and the Limits of Empathy in La Joie de vivre	1
Lèche-vitrines: Human Identity and the Mannequin inAu Bonheur des Dames	1
‘Ça n’empêche pas d’être un homme’: Requeering Masculinity in Rachilde’sMonsieur Vénus(1884)	1
Introduction: ‘Intimacy, the Nineteenth-century Outsider’	1
The Power of (Writing) History: Jules Quicherat, France’s First Fashion Historian	1
Power Dressing: The Sartorial Politics of Dirt in Zola’s Son Excellence Eugène Rougon	1
The Laboratorium: Nineteenth-Century French Studies in the Anglophone Sphere (Part II)	1
La gesticulation typographique du Pierrot fin-de-siècle : Jules Laforgue et la ponctuation	0
Dressing the Part: King Louis-Philippe I, Tailoring, and Fashioning the July Monarchy	0
Universal Expositions: Behind the Scenes and Beyond the Fairgrounds (Response Essay)	0
Insiders’ Landscapes in John Ruskin and Marcel Proust	0
Under Pressure: Flaubert’s Human Barometers	0
A Legacy of Care, Curiosity and Connecting: A Personal Tribute to Prof. Barbara Wright	0
July Revolution as Repetition Compulsion: Batz de Trenquelléon’s Georges ou la Révolution de 1830 et l’homme de 1793	0
Discours de protection de l’intimité féminine et dévoilements voyeuristes: pudibonderies et impudeurs du roman du second XIX^e siècle	0
Correction	0

Rewriting French Geographies in Les Français peints par eux-mêmes	0
Journalistic Intermediation: The Newspaper Poetics of Nerval and Baudelaire	0
Sensing, Measuring, Writing: On Recent French Historiography of the Nineteenth Century	0
Lyric Spells: The Poet as Magus from Chateaubriand to Mallarmé	0
‘Ne vous effrayez point du costume bizarre dans lequel vous me voyez’: The Maidservant Disguise in Stendhal’s Mina de Vanghel and Barbey d’Aurevilly’s ‘Le Bonheur dans l	0
The Other Feminism: Literature, Sex and the Novels of René Maizeroy in Fin-de-siècle France	0
The Discreet Power of Nineteenth-Century Gloves	0
Introduction	0
Crossings and Interconnections	0
Barbara Wright (1935–2019): A Personal Tribute	0
Degas’s Breath and The Materiality of Pastel Veils	0
New Directions in Nineteenth-Century French Studies	0
Fragments of the Past: The Petit Palais, the Exposition Universelle, and the Ghosts of French Imperialism	0
Generating Life from Literature: Proust in Balzac’s Aquarium	0
Villiers de L’Isle-Adam’s Anarchism: A Legacy of the Paris Commune	0
Minor Intimacies and the Art of Berthe Morisot: Impressionism, Female Friendship and Spectatorship	0
What is the Moral of ‘Morale du joujou’? Toys and the Interconnections Between Human and Thing	0
Opposing Frames: Zola and Fromentin	0
‘Nous sommes tous nés nomades.’ The Pictorial Compasses of Fromentin’sDominiqueand Flaubert’sSalammbôof 1862	0
Fabricating Intimacy – Images of Sleeping Women in Nineteenth-Century Painting	0
At Home [and] Abroad: Cosmopolitanism as Political Practice in George Sand and Pauline Viardot-Garcia	0
Anxious Influencers – Reading the Nineteenth Century in 2021	0
‘Ma tête mise à nu:’ Wigs and Wigmakers inMadame Bovary	0
Silencing Scandal: Hector Malot’sLes millions honteux	0
‘Les douceurs de l’intimité’: Men and the Making of Domesticity in Belgian Architecture Magazines (1890-1914)	0
Reading Incognito: Periodicals, Sapphic Fictions, and Lesbian Communication	0
Naturalism and Denaturalising Whiteness in Zola’s Thérèse Raquin	0
Cartographies of Region and Empire: ScalingLe tour de la France par deux enfants(and its Afterlives)	0
‘In from the Periphery’? Re-framing the Reach of the Nineteenth-Century French Literary-Scientific Imagination	0
Fashion’s Soft Power in Nineteenth-Century France: Introduction	0
Precursors of Antislavery: Reassessing the Académie Française Poetry Competition of 1823	0
La vierge et le vagabond: Relire l’affaire Castellan à travers ses représentations médico-légales, sociales et littéraires	0
L’empire des grands-pères : crise de succession dans les fictions de la défaite de 1870–71	0
De la Galerie des Machines àLuna Park: prendre du bon temps dans les expositions internationales parisiennes (1855–1900)	0
Change of Hearth: Magic, Marketing, and Modernity in the Odelin StoveLe RustiquePostcard Series	0
Fidgeting Fingers and Fickle Flesh in Flaubert	0
Where is the Decadent Suicide?	0
Between the Picturesque and the Political: Judith Gautier and Pierre Loti’s Play La Fille du Ciel	0
Venise et ses télescopages magiques. La ‘Venise intérieure’ de Proust	0
Barbara Wright	0
(Dé)doublement as Radical Aesthetic in Le Voyage d’Urien : Gide, Denis and Latour	0
Appropriating Japonisme at the 1900 Exposition: Sada Yacco, Loie Fuller, and the ‘Geishas’ of Le Panorama du Tour du Monde	0
Framing the Market at the Paris Universal Expositions	0
Incroyable and Merveilleuse: The Politics of Fashion in Balzac’s Les Chouans	0
‘Qu’il est loin mon pays’: Staging (Be)longing in Massenet’s Sapho	0
No Earth from Nowhere: Jules Verne’s Critique of Terraforming	0
Parisian Prowlers: Mapping Maldoror, Mervyn, and Lautréamont in Paris	0
Anthropocene Under Paris? Rethinking the Quarries and Catacombs	0
Appropriation and Revision as Subversion in Intermèdes: Krysinska’s Palimpsests	0
Les mondes coloniaux et exotiques dans les grandes expositions parisiennes. Un demi-siècle de présences (1855-1907)	0

Reading Beyond Gender in Zola’s Au Bonheur des Dames , L’Argent , and La Joie de vivre	0
Baudelaire, Manet and the Visual Object	0
A Black Life Mattered: Jeanne Duval Then and Now	0
« L’horrible vrai » des Contes bruns de Balzac	0
Obscure Visions: The 1867 Aquarium and Its Literary Legacy	0
Terminus 1900: The Métro and the Universal Expositions in Fin-de-siècle Paris	0